Results
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£34.95The Southern Cross (Brass Band - Score and Parts)
The Southern Cross is one of several excellent marches by Brian Bowen in which he carried on the more sophisticated pattern of British marches by Wilfred Heaton, Leslie Condon and Ray Steadman-Allen. It was written for the Box Hill (Australia) Corps jubilee celebrations in 1970 and formed part of the band's repertoire when it toured Great Britain in the same year. The first half of the march features part of the song, 'March on!' by Klaus Ostby, an early pioneer of Salvation Army music in Scandinavia. The contrapuntal layering of melodies in the trio, especially in the finale where 'March on!' sounds one more triumphant time, is notable, as is the shift to a slower, more stately tempo. The harmonic and rhythmic style also represents the more modern sounds of Salvation Army brass band music in the late 1960s and early 1970s. Right from the opening gestures, listeners at early performances knew that a page had turned in the evolution of the Salvation Army march.
Estimated dispatch 7-14 working days
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£45.00Triumph Series Band Journal November 2013 Numbers 1243-1246
No. 1243 March - Life Savers (Andrew Mackareth)This march was written for the band weekend at Belfast Citadel and incorporates the tune Jesus Saves (T.B. 703)No. 1244 Affirmation (Kenneth Downie)The title comes from the affirming tone of the chorus on which the music is built, He is the Lord, which itself is inspired by Phillippians, chapter 2. The chorus does not appear in its entirety at any point, but is obvious to a greater or lesser extent, in the texture of the music.No. 1245 A Celtic Blessing (arr. Erik Silfverberg)This is a simple arrangement of c Celtic traditional tune used to the lyrics of the familiar blessing:May the road rise to meet you,May the wind be always at your back,May the sun shine warm upon your face,The rain fall soft upon your fields,Until we meet again,May God hold you in the palm of his hand.No. 1246 Michael, Row! (David Catherwood)This arrangement of the traditional chous, 'Michael, row the boat ashore' (T.B. 285), is in a light swing style and also incorporates the tunes, 'Love lifted me' (T.B. 725) and 'Will uour anchor hold?' (T.B. 60).
Estimated dispatch 7-14 working days
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£45.00Triumph Series Band Journal July 2013 Numbers 1239 - 1242
No. 1239 March - Moving Onward (Nicholas Samuel)This march, written by Lieutenant Nicholas Samuel includes the melody from the song The Challenge of the Future written for the 125th Corps Anniversary at Upper Norwood. Other songs included are There's power in the blood of the Lamb , Here is the place and Wonder-working power.No. 1240 Selerction - O for a heart whiter than snow (Noel Jones)Eliza Edmunds Hewitt's song 'O for a heart that is whiter than snow', forms the basis for this selection written by retired Bandmaster Noel Jones. Brief references are also made to the choruses 'Grace ther is my every debt to pay' and 'Take up thy cross and follow me.No. 1241(1) Cornet Solo - In the bleak mid-winter (Trevor Worthington)A setting for cornet and band of the tune 'Cranham', written by Gustav Holst, with which we associate the words of the well-loved popular Christmas Carol.No. 1241(2) Invocation for thanksgiving (David Rowsell)Invocation, by definition, means ' a call to worship'. This music will serve this purpose for any Harvest or Thanksgiving service, using the tune, 'Come, ye thankful people, come'.No. 1242 High and lifted up (Steven Ponsford)This is music of an exciting yet relaxed nature, and it is intended that this piece be used to inspire and to 'lift up' listeners and players alike. Based on Michael W Smith's contemporary worship song, 'Open the eyes of my heart', this also contains the song 'Holy, holy, holy', to the tune of Nicea.
Estimated dispatch 7-14 working days
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£34.95Judd: Almighty - Roger Trigg
'Almighty' was written for Bandmaster Ross Johnson and Camberwell Citadel Band (Australia) for use on the band's 2009 tour of New Zealand. This energetic work takes its title from the opening line of the well-loved hymn, 'Praise to the Lord, the Almighty, the King of creation' (S.A.S.B. 19). It is based on the hymn tune 'Lobe den Herren' (T.B. 721) and whilst the tune is only heard in its entirety once, fragments of the tune can be heard throughout the music. The music is a shout of acclamation to the King of Kings.
Estimated dispatch 7-14 working days
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£24.95Judd: Ave Verum
During his brief career, Mozart wrote much music of various types, but some of his most valuable contributions were dedicated to the Church. Here is his beautiful 'Ave Verum'. The music simply breathes adoration and reverence, and because of this, if handled sympathectically, can hardly fail to stir within us deeply spiritual emotions. Adopt a vocal style of playing and observe intelligently the degrees of force and treat accordingly.
Estimated dispatch 7-14 working days
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£94.00Montage (Brass Band - Score and Parts)
Each of the movements of the symphony take as their starting point forms originating in music of the 16th and 17th centuries.The first, an intrada, introduces the main thematic material (based on the interval of a minor third) in its embryonic state. As the piece progresses, this material is developed and manipulated in a variety of ways. The interval of the third remains central to the overall scheme of the work, even unifying the three movements on a tonal plane (I: F (minor); II: A flat (major); III: C flat (minor). The internal structure of the intrada is an arch form: ABCBA, roughly modelled on the first movement of Concerto for Orchestra by Witold Lutoslawski, to whose memory the movement is dedicated.A chaconne follows - the basic material now transformed into expansive solo lines underpinned by a recurring sequence of five chords (again, a third apart). The movement's structure combines both ternary form and golden section principles and the chaconne's continuous cycle of chords may be visualised as circles.The final movement, a rondo, bears the dramatic weight of the entire work, as the underlying tonal tensions surface. A musical journey ensues, making diversions through lyrical territories as well as through more spiky, jazz-flavoured ones. The aural (and visual) montage is perhaps most apparent towards the climax of the piece, where three keys and polyrhythms sound simultaneously in the upper brass, xylophone, horns, and timpani. The climax itself combines the lyrical music heard earlier with the rondo theme, now presented by cornets and trombones in canon.The teleological thrust of the movement (if not the entire work) can be symbolized by the flight of an arrow, as it steers a predetermined course towards its target.
Estimated dispatch 7-14 working days
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£24.95Radiant Pathway (Bass Solo)
This music is offered as a successor to Celestial Morn, although the style is vastly different. The comique and slight burlesque aspects of the instruments are exploited, but the music is meant to laugh its way through moods of radiant joy, as befits the relaxed happiness of the chorus Walking in the light on which the work is based.
Estimated dispatch 7-14 working days
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£34.95Sprites and Flares (Brass Band - Score and Parts)
Sprites and Flares (2015), refers to the uncertain activities of sprites (upper atmospheric lightening) and solar flares (solar activity from the sun which cannot penetrate the earth's atmosphere) and uses these two ideas as a basis for the kind of musical material heard within the work - dramatic, swirling motifs, often of a virtuosic nature.The work's dramatic opening ensures the first thirty seconds are high in energy and full of impact. Following this, the music dies down and presents an ethereal atmospheric section, perhaps reflecting the calm before the storm. Before long, the music takes a turn for dramatic, fast, virtuosic playing, all reflecting the theme of the work, and indeed remains in this style through to the close, gaining momentum and becoming ever- more triumphant as the work reaches its close. A huge ending is heard, full of excitement and drama, but more importantly grandeur and rich harmonic-chords.The work was commissioned by and written for Leyland Band and its conductor, Thomas Wyss, as the finale to its 2015 Brass in Concert programme, premiered at The Sage, Gateshead, on 15th November 2015.
Estimated dispatch 7-14 working days
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£42.50The Clock with the Dresden Figures (Percussion)
Howard Snell has arranged this delicious number by Albert Ketelby for three percussionists. It is the kind of seaside bandstand music that still delights listeners in the 21st century. Musically very skilled, Ketelby and other stalwarts like Percy Fletcher, Eric Coates, and later, Gilbert Vinter, turned out enormous quantities of high quality 'light' music" principally in the first half of the 20th century.
Estimated dispatch 7-14 working days
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£74.90Argos (Score and Parts)
Argos is a composition commissioned by the Lucerne Cantonal Brass Music Association LKBV. Composed in autumn 2009, Argos was the 3rd grade task piece at the Lucerne Cantonal Music Festival 2010 in Willisau. Argos (from the Greek meaning light) describes the light, festive character of the composition. Roughly speaking, the work consists of three parts, a fanfare-like opening, a song-like or chorale-like middle section and a happy final movement. Duration: 8.15
Estimated dispatch 7-14 working days