Results
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£34.95Starmaker (Brass Band - Score only) - Steadman-Allen, Ray
Described by the composer as one of his more ambitious works for brass band, this work is in three movements. Although each movement is capable of standing alone, the composer's own concept is totality with the three movements forming a composite whole. Starmaker presents in music the concept of God's creation of the universe. The frantic and sometimes harsh music of the first movement portrays the chaos from which the immortal and invisible wisdom of God created the order and structure of the heavens, with the stars and planets in their ordered places. An exquisite second movement, based on the benediction 'Now the day is over', brings a calm and ordered peace to the universe, also reminding listeners of the night sky, when God's amazing work is best viewed in all its awesome wonder. The final movement is celebratory in nature, with fragments of melodies like 'Praise to the Lord, the Almighty, the King of creation' appearing in various guises.
Estimated dispatch 7-14 working days
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£74.95Helvetia (Brass Band - Score and Parts) - Wood, Gareth
I first went to Switzerland in the early 1970's and regularly played at the Lucerne Festival with the Royal Philharmonic Orchestra. It is a beautiful city, one of my favourite European cities.In writing Helvetia (the Roman name for Switzerland) I wanted to encapsulate the moods that remind me of this wonderful place. The work is in four distinct sections and is on the whole, self-explanatory.It opens with An Alpine Dawn and sunrise, the tubas and euphoniums substituting for the Swiss Alphorns. Next The Clock Shop at Mid-day, a loud ticking, chiming and the sad sound of a cuckoo, builds into the cacophony of the mid-day chimes. The third section is A Walk to Wagner's House. Just along the lake from the centre of town is Tribschen. This walk I have done many times, and it is here that Wagner wrote 'Tristan'. I have quoted the Dresden Amen (written by J.G. Naumann) which is much used in Parsifal. The final section is The Cesta Run, the most famous bob-sleigh run in the world. As we take each corner, the feeling of speed is demonstrated as only a brass band can do!The work is dedicated to the Cory Band and also to the memory of James Watson, a great cornet player, trumpeter and conductor. It was he who got me into writing for brass band and I hope this piece is worthy.- Gareth Wood (Feb. 2011)Duration: 11.00
Estimated dispatch 7-14 working days
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£31.95Helvetia (Brass Band - Score only) - Wood, Gareth
I first went to Switzerland in the early 1970's and regularly played at the Lucerne Festival with the Royal Philharmonic Orchestra. It is a beautiful city, one of my favourite European cities.In writing Helvetia (the Roman name for Switzerland) I wanted to encapsulate the moods that remind me of this wonderful place. The work is in four distinct sections and is on the whole, self-explanatory.It opens with An Alpine Dawn and sunrise, the tubas and euphoniums substituting for the Swiss Alphorns. Next The Clock Shop at Mid-day, a loud ticking, chiming and the sad sound of a cuckoo, builds into the cacophony of the mid-day chimes. The third section is A Walk to Wagner's House. Just along the lake from the centre of town is Tribschen. This walk I have done many times, and it is here that Wagner wrote 'Tristan'. I have quoted the Dresden Amen (written by J.G. Naumann) which is much used in Parsifal. The final section is The Cesta Run, the most famous bob-sleigh run in the world. As we take each corner, the feeling of speed is demonstrated as only a brass band can do!The work is dedicated to the Cory Band and also to the memory of James Watson, a great cornet player, trumpeter and conductor. It was he who got me into writing for brass band and I hope this piece is worthy.- Gareth Wood (Feb. 2011)Duration: 11.00
Estimated dispatch 7-14 working days
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£21.95Helvetia (Brass Band - Study Score) - Wood, Gareth
I first went to Switzerland in the early 1970's and regularly played at the Lucerne Festival with the Royal Philharmonic Orchestra. It is a beautiful city, one of my favourite European cities.In writing Helvetia (the Roman name for Switzerland) I wanted to encapsulate the moods that remind me of this wonderful place. The work is in four distinct sections and is on the whole, self-explanatory.It opens with An Alpine Dawn and sunrise, the tubas and euphoniums substituting for the Swiss Alphorns. Next The Clock Shop at Mid-day, a loud ticking, chiming and the sad sound of a cuckoo, builds into the cacophony of the mid-day chimes. The third section is A Walk to Wagner's House. Just along the lake from the centre of town is Tribschen. This walk I have done many times, and it is here that Wagner wrote 'Tristan'. I have quoted the Dresden Amen (written by J.G. Naumann) which is much used in Parsifal. The final section is The Cesta Run, the most famous bob-sleigh run in the world. As we take each corner, the feeling of speed is demonstrated as only a brass band can do!The work is dedicated to the Cory Band and also to the memory of James Watson, a great cornet player, trumpeter and conductor. It was he who got me into writing for brass band and I hope this piece is worthy.- Gareth Wood (Feb. 2011)Duration: 11.00
Estimated dispatch 7-14 working days
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£24.95
David Of The White Rock (Cornet Solo with Brass Band - Score and Parts) - Bowes, Ray
This melody is reputed to have originated in Caernarvonshire, North Wales. Tradition holds that a bard called David, lying on his deathbed, called for his harp and performed this plaintive tune, expressing a desire that it should be played at his funeral. Ever since the tune has been called by his name and that of his house 'Garagwen' ('Druid Stone' or 'White Rock'). The solo is not just a slow melody with brass band accompaniment but is a composite whole, the band needing as much sensitivity as the soloist in the presentation.
Estimated dispatch 7-14 working days
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£12.50
David Of The White Rock (Cornet Solo with Brass Band - Score only) - Bowes, Ray
This melody is reputed to have originated in Caernarvonshire, North Wales. Tradition holds that a bard called David, lying on his deathbed, called for his harp and performed this plaintive tune, expressing a desire that it should be played at his funeral. Ever since the tune has been called by his name and that of his house 'Garagwen' ('Druid Stone' or 'White Rock'). The solo is not just a slow melody with brass band accompaniment but is a composite whole, the band needing as much sensitivity as the soloist in the presentation.
Estimated dispatch 7-14 working days
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£24.95
Love Divine (Brass Band - Score and Parts) - Bowen, Brian
Sir John Stainer's fine tune is often associated with Charles Wesley's hymn, 'Love divine, all loves excelling'. The introduction is designed to evoke a feeling of awe, and a broad, confident style will set the pattern for the whole arrangement. Contrast in colour has been sought in the scoring but special effects must not be allowed to obscure the melody. The arrangement ends in an atmosphere suggested by the final line of the hymn, 'Lost in wonder, love and praise'.
Estimated dispatch 7-14 working days
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£12.50
Love Divine (Brass Band - Score only) - Bowen, Brian
Sir John Stainer's fine tune is often associated with Charles Wesley's hymn, 'Love divine, all loves excelling'. The introduction is designed to evoke a feeling of awe, and a broad, confident style will set the pattern for the whole arrangement. Contrast in colour has been sought in the scoring but special effects must not be allowed to obscure the melody. The arrangement ends in an atmosphere suggested by the final line of the hymn, 'Lost in wonder, love and praise'.
Estimated dispatch 7-14 working days
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£32.95Oranges and Lemons Prelude (Brass Band - Score and Parts) - Wiffin, Rob
This dynamic concert prelude is loosely based on the nursery rhyme Oranges and Lemons say the bells of St. Clement's. Sometimes just the opening interval of a third is used and at other times whole phrases of the tune appear.Duration: 4.30
Estimated dispatch 7-14 working days
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£44.95Praise to the Lord (Brass Band - Score and Parts) - Mackereth, Andrew
Written for the 2003 tour of Canada and USA by Bristol Easton Band of The Salvation Army, this set of variations provides the whole band with a stern examination of technical and musical aptitude, whilst engaging the listener from beginning to end. The commission given to the composer was to create a set of variations with a similar framework to that of Edward Gregson's 'Variations on Laudate Dominum'. As in the famous Gregson work, the theme (Lobe den Herren) is not heard in its entirety until the final section when the majestic tune provides a fitting and stirring conclusion to the music.
Estimated dispatch 7-14 working days
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