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£33.59The Piano Preludes (Brass Band) George Gershwin arr. Rob Bushnell
First performed by the composer at the Roosevelt Hotel in New York in 1926, The Piano Preludes (or Three Preludes) are a collection of short pieces by George Gershwin, show casing early-20th-century American classical music, as influenced by jazz. Gershwin originally planned to compose 24 preludes, wrote seven, performed only six publically and was further reduced to three when first published. The work was dedicated to friend and musical advisor Bill Daly. The first prelude begins with a five-note blues motif. It features syncopated rhythms based on the Brazilian baiao and minor-seventh chords throughout. The second prelude, which Gershwin said was "a sort of blues lullaby" consists of two sections: the first a "lazy" melody upon a steady beat of crotchets; the second the bass takes the melody, continuing with the steady beats. The third prelude was called "Spanish" by Gershwin, and features a question-and-answer type melody, starting in a minor tonality and ending in major one. This arrangement is for the British-style brass band, with alternative parts for horns in F and bass-clef lower brass. To view a follow-the-score video please visit www.youtube.com/watch?v=XqIQ0j1SWlc PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 1st Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Drum Kit Mallet Percussion
In Stock: Estimated dispatch 1-3 working days
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£33.59Rockingham (Brass Band) Edward Miller arr. Karl Whelan
This sublime arrangement of the much loved hymn tune Rockingham ('When I survey the wondrous cross'), was arranged by Karl Whelan in memory of Frank Naylor. Frank was a faithful member of North Ashton Band based in Wigan (UK), a renowned tenor horn player and an inspiration to his many pupils over the years. In reference to Frank's slow melody piece of choice, there is also a reference in the trombones to Star of Bethlehem by Stephen Adams, leading into the final verse. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 4th Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-3
In Stock: Estimated dispatch 1-3 working days
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£29.86March - St. Julien (Brass Band) Arthur W. Hughes arr. Keith M. Wilkinson
St Julien is a town near the French/Belgian border which witnessed several battles during WW1. The composer Arthur W. Hughes (1870-1950) was born in Kingston, Ontario, and left home when he was quite young to perform with circus bands in US. He wrote several marches and a few other compositions but this one, dating from 1918, is the most well-known. The march also works as a fast circus march. Here it has been expertly arranged for brass band by Dr. Keith M. Wilkinson. Difficulty Level: 4th Section + Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-3
In Stock: Estimated dispatch 1-3 working days
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£59.99Don't Stop Me Now - Christopher Bond
Although this tune by iconic band Queen met with a rather cool reception when it was first released in 1979, over the years it has become one of the bands most popular songs thanks in part to frequent use in advertising, television and film. Featuring trademark tight harmonies and a dramatic style shift from moderate ballad to double rock time, this arrangement will sound terrific even with young players. Note: whilst the demo video demonstrates the concert band arrangement, the version available to purchase on this website is the brass band transcription by Christopher Bond.
Publisher Closed for Holidays. Estimated Dispatch 22nd August
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£34.95Goodbye Old Friend - Christopher Bond
Walt Disney was just twenty-five years old when he created Oswald the Lucky Rabbit, and the pair gained huge success, but that success was short-lived. In 1928, Disney travelled to New York City in hopes of negotiating a more profitable contract for the Oswald cartoons with his producer, Charles Mintz. Unknown to Disney, Mintz had been working behind his back to counter his own financial problems by stealing many of Disney's animators and staff. Walt Disney was devastated and decided to let Oswald go, and in doing so, lose all the rights to the rabbit he had created and nurtured so dearly. 'Goodbye Old Friend' is a beautiful slow-melody for euphonium and baritone, communicating the profound loss Disney felt in losing his producer, staff, and most of all, Oswald the Lucky Rabbit.
Publisher Closed for Holidays. Estimated Dispatch 22nd August
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£79.95Lost Village of Imber, The - Christopher Bond
The village of Imber on Salisbury Plain had been inhabited for over one thousand years when it was evacuated in 1943 to make way for military training in the Second World War. At the time, with preparations for the Allied invasion of Europe underway, most villagers put up no resistance, despite being upset, with the belief that they'd return once the war had concluded. To this day, Imber and its surrounding land remain a military training ground. The villagers never returned, and just the shell of what was once a community remains. Structured in three movements, it is on this very real story that the work is based, setting out the series of events of 1943 in chronological order. The first movement, On Imber Downe, portrays a sense of jollity and cohesiveness - a community of individuals living and working together before news of the evacuation had broken. Sounds of the village are heard throughout, not least in a series of percussive effects - the anvil of the blacksmith; the cowbell of the cattle and the bells of the church. The second movement, The Church of St. Giles, begins mysteriously and this sonorous, atmospheric opening depicts Imber in its desolate state and the apprehension of residents as they learn they have to leave their homes. Amidst this is the Church, a symbol of hope for villagers who one day wish to return, portrayed with a sweeping melodic passage before the music returns to the apprehension of villagers facing eviction around their sadness at losing their rural way of life. In complete contrast, the third movement, Imemerie Aeternum, portrays the arrival of the military, complete with the sounds of the ammunition, firing and tanks - sounds which were all too familiar to those living in the surround areas. To close, the Church of St. Giles theme returns in a triumphant style, representing the idea that the church has always been, even to this day, a beacon of hope for the villagers and local community - both the centrepiece and pinnacle of a very real story. The work was commissioned by Bratton Silver Band in celebration of the band's 160th Anniversary, with funding from the Arts Council National Lottery Project Grants Fund and the Brass Bands England Norman Jones Trust Fund.
Publisher Closed for Holidays. Estimated Dispatch 22nd August
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£79.95Neverland - Christopher Bond
"All children, except one, grow up" wrote J.M. Barrie about Peter Pan in 1911; the first line and an expression of beautiful melancholy and fantasy, coming to represent one of the best-loved children's stories of the twentieth century. 'Peter & Wendy', as the book was first released, has subsequently been transformed into adaptations for film and stage, with subsequent books based on this iconic tale. In writing this new work for brass band, the composer has taken three of the main themes from J. M. Barrie's book, and used these themes to create new musical material, forming a work in three contrasting sections. I. Journey to Neverland The opening of the work, mysterious in its style, reflects the opening chapters of the story - a leafy London street, still in the dead of night - with the music transforming quickly as it builds in texture and momentum - a Journey to Neverland through the night sky; Second Star to the Right and straight on 'til morning. "Then Peter knew that there was not a moment to lose. 'Come,' he cried imperiously, and soared out at once into the night, followed by John and Michael and Wendy. Mr & Mrs Darling and Nana rushed into the nursery too late. The birds were flown." II. The Windows that Closed The central section of the work takes its inspiration from the sense of longing throughout the book, mainly by Peter Pan, the Darling Children & The Lost Boys. Distant memories of life before Neverland, memories of the Lost Boys' mothers, and regret at what the children have missed. Peter says "Long ago, I thought like you that my mother would always keep the window open for me; so I stayed away for moons and moons and moons, and then flew back; but the window was barred, for mother had forgotten all about me, and there was another little boy sleeping in my bed." III. Aboard the Pirate Ship The final section of the work takes its inspiration from the Pirate Ship, and Peter Pan's ultimate battle with its infamous Captain Hook. "In person, he was cadaverous and blackavized, and his hair was dressed in long curls, which at a distance looked like black candles, and gave a singularly threatening expression to his handsome countenance. His eyes were the blue of the forget-me-not, and of a profound melancholy, save when he was plunging his hook into you, at which time two red spots appeared in them and lit them up horribly."
Publisher Closed for Holidays. Estimated Dispatch 22nd August
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£55.00Could it be Magic
ABOUT THIS PIECE: It's finally here... Bring the energy and nostalgia of a pop classic to your next programme with this sensational arrangement by Adam D J Taylor of Could It Be Magic. Written by Barry Manilow and Adrienne Anderson, the song draws inspiration from Frdric Chopin's Prelude in C Minor, blending classical influences with a contemporary pop style. First released by Manilow in 1973, the song gained further fame through a dynamic reinterpretation by Take That in the 1990s, making it a favourite across generations. This arrangement captures the dramatic flair and infectious rhythm that have made Could It Be Magic a timeless hit. From its serene opening to its soaring melodies, it's a guaranteed showstopper that will we're sure will have audiences on the edge of their seats. Whether as a thrilling concert feature or a lively encore, this arrangement is sure to be a huge hit with bands and audiences alike. Don't miss the chance to add a touch of magic to your next performance! ENSEMBLE: Standard British Brass Band WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 2 LISTEN: DURATION: c. 5-minutes, 30-seconds EXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level
Estimated dispatch 5-7 working days
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£45.00The Lord Bless You and Keep You
ABOUT THIS PIECE: A moment of heartfelt reflection for your next programme in this beautiful arrangement of The Lord Bless You and Keep You. Composed by John Rutter, this beloved work has become a staple of the choral repertoire. Frequently performed at weddings, memorials, and other special occasions, the piece resonates deeply with audiences of all backgrounds. This particular arrangement holds a unique significance. Commissioned by the late Brian Halliwell for the Pemberton Old Wigan DW Band in memory of his mother, Elsie Halliwell, it has been meticulously crafted to showcase the rich sonorities of the brass band. The Halliwell family's generosity in sharing this arrangement ensures that its heartfelt message can continue to touch the hearts of many. Perfect for concerts, services, hymn contests, and moments of quiet contemplation, The Lord Bless You and Keep You is a poignant addition to any library, offering a deeply moving musical experience for performers and listeners alike. ENSEMBLE: Standard British Brass Band WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 1 LISTEN: DURATION: c. 4-minutes, 20-seconds EXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level
Estimated dispatch 5-7 working days
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£40.00One Night Only (From Dreamgirls)
ABOUT THIS PIECE: Looking for a show-stopper for your next concert? Look no further than this electrifying arrangement of One Night Only from the hit musical Dreamgirls. With music by Henry Krieger and lyrics by Tom Eyen, this iconic number serves as a pivotal moment in the show, performed in two contrasting styles: a soulful ballad by Effie White and an upbeat dance version by Deena Jones & the Dreams. This arrangement expertly captures the essence of both renditions, bringing their energy and passion to the brass band stage. One Night Only delivers all the excitement and glamour of the original, leaving audiences tapping their feet and humming the unforgettable melody long after the final note. A must-have addition for bands seeking a dynamic and memorable highlight for their next programme! ENSEMBLE: Standard British Brass Band WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 2 LISTEN: DURATION: 4-minutes, 30-seconds EXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level
Estimated dispatch 5-7 working days
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