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£52.40Clock Watching! - Dean Jones
We all do it... sometimes with time to spare, sometimes with a spring in our step... but often with time running out! - yes, 'Clock Watching' is a part of modern life! This fun 4-part piece in 3 distinct movements offers flexibility in performance and material that should appeal to many aspiring groups. Each movement tells its own story... each has its own musical style and with plenty of sparkle and expression to showcase!'
Estimated dispatch 5-14 working days
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£105.20
Marche pour la ceremonie des Turcs - Jean-Baptiste Lully - Haakon Esplo
Jean-Baptiste Lully (1632-1687) moved from Italy to Paris and started as a kitchen boy. Alongside he also composed music and was a dancer and actor. He soon became leader of the court orchestra, and wrote music for the parties at the court. At aconcert in 1687 he hit his foot with his conductor pole, got gangrene in the wound and died three months later. Lully is the first known composer of French baroque operas and had great influence on the development of the European musictowards the end of the 1600s.Turkish march is used in the 1991 movie "All the mornings of the world" (Tous les matins du monde) starring Gerard Depardieu. The action takes place in France in seventeenthcentury where we follow the relationshipbetween the viol player Marin Marais and his mentor Sainte Colombe.
Estimated dispatch 5-14 working days
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£105.20Bla vals - Idar Torskangerpoll
A piece that explore the "blue" notes in music, and where we have the constant change of 3 or 2 in a bar. Solo in Horn (cued in 1st Cornet). Make sure that the bass line and percussion is steady and firm throughout the piece.
Estimated dispatch 5-14 working days
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£115.60Run Away - Hans Offerdal
This piece is about running away. First there is restlessness, then the escape begins. But what are we running away from? That is for you to find out!Playing time: appx. 4:30 To the conductor:There are challenges in the use of dynamics and rhythm. It is important that energy and pace is upheld all the way up until the next to last page. Dissonances are present several places, but the voice leading is diatonic within the given scale.The whole piece is based on one single scale: F melodic minor with lowered second degree. It is notated as a concert F major scale with two accidentals. Feel free to use it during warm-ups!
Estimated dispatch 5-14 working days
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£115.60Movie Fantasy - Hans Offerdal
Movie Fantasy is a film music fantasy in four movements.In the first movement we meet the hero of our story. He is a strong man who fights for justice. Thefollowing movement introduces us to the bad guy with his evil mind and vicious plan to destroy our hero.In the third movement they chase each other and end up in a huge fight. They knock each other out and liestill on the ground. Which one of them will survive?In the final movement our hero wakes up at the hospital the very next morning with his girl friend at hisside. He realises that he won the fight and the bad guy is set in jail. His girlfriend embraces him and thecamera moves back. End credits roll as the piece closes with a fanfare.Each movement can also be played separately.
Estimated dispatch 5-14 working days
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£107.80Ville Berre Elske Deg - Ingebjørg Bratland - Reid Gilje
This evocative ballad is written by Geir Hvidsten (music) and Ingebjorg Bratland (lyrics). We recommend listening to the original recording by Ingebjorg Bratland in addition to the recording of this arrangement.The soloists must play with intensity and expression.Please balance the elements and soloists into the mood one wants to create. Be aware of the unison melody line!Enjoy the music!
Estimated dispatch 5-14 working days
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£154.60Variations for Brass Band - John Brakstad
"Variations for Brass Band" consists of a chorale and 5 variations of brilliant, lyric and humorous character. The piece also contains several soloparts and elements of ensemble.Each variation has its own title, but the piece should be played in its entirity.The chorale is based on a minor pentachord, and each variation begins with these five notes, with different rhythmical treatment.There is also a little secondary "theme", consisting of five notes which are heard throughout the work (eg. as sixteens/semiquavers in cornets in bar 1).When the beams sweep across the Earth, they can be heard as regular pulses. We call them pulsars.In this piece there are three percussion parts. In addition there is an "optional part" to replace the marimba and vibraphone written in the three original percussion parts if desired. This fourth part is shown in the full score.
Estimated dispatch 5-14 working days
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£89.99Ross Roy - Jacob de Haan
In this composition, Jacob de Haan sees the "Ross Roy" as a metaphor for the years spent at school (a monument in time), where one's personality is formed. So, the opening theme the artist calls the Ross Roy theme initially has monumental characteristics.The rhythmic motion, which strides along in the lower register and percussion at the beginning of the next section is typical of "Tempo di Marcia". This movement, accompanied by repetitions of sound, is a metaphor for the structure and discipline in school. This is the introduction to a march theme, symbolic of "passing through" the classes up to the final examinations.Then, the Ross Roy theme is dealt with again, now in aplayful, humorous variation. As if the composer is saying there should also be time for a smile in school. The same theme can be heard in major key and a slower tempo in the following section, expressing pride and self-confidence. This is also the introduction to the expressive middle section that represents love, friendship and understanding.We then return to the march theme in a slightly altered construction. The oriental sounds, constituting the modulation to the final theme, are symbols of the diversity of cultures in the school. The characteristic final theme first sounds solemn, but turns into a festive apotheosis. It is no coincidence that the final cadence is reminiscent of the close to a traditional overture, for the school years can be considered the "overture" to the rest of one's life.
Estimated dispatch 5-14 working days
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£59.99MacArthur Park - Philip Sparke
Over a period of four decades Jimmy Webb (b. 1946) has written hits for a number of singers including Glen Campbell, Art Garfunkel, Frank Sinatra, Willie Nelson, Johnny Cash and Linda Ronstadt. His songs are often epic in character and include By the Time I Get to Phoenix; Up, Up and Away; Didn't We; Wichita Lineman and Galveston. MacArthur Park (1968) was unlike anything that had gone before it. Running at over 7 minutes, it is 2 or 3 times the length of most pop songs and has an extended orchestral interlude. Richard Harris' seminal recording topped the music charts in Europe, while peaking at number two on the U.S. charts. Philip Sparke has made this excellentarrangement for brass band, which is sure to become a regular feature on your concert programme.
Estimated dispatch 5-14 working days
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£34.95Trusting Faith (Euphonium Solo with Brass Band - Score and Parts)
This piece is based on the melody Faith is the victory (T.B. 128) and throughout the solo we follow a person's journey of faith. In the first movement, the bold and confident opening depicts a seemingly strong and certain faith, although perhaps a little naive and immature. The music suggests that if we are certain enough, then we will see our prayers immediately answered and will witness miracles. But what happens when we don't see those miracles happen, or our prayers seem unanswered? Doubt creeps in and the music quickly becomes a full struggle continuing through to the end of the moment.What do you do when you faith amounts to something other than what you thought it to be? The beginning of the second movement reflects this questions and starts hesitantly and full of doubt. Soon, a new melody is introduced, Trusting as the moments fly (T.B. 263). The words of the chorus remind us that true faith should bot be affected by fears or disappointments, that our trust in God should remain. Realising that a faith that holds firm, though being tested over time, becoming deeper and stronger, is a liberating truth. We no longer need to struggle in our strength alone, but can lean on God instead.When we lean on God, reset in his care, and feel. safe in his hands, then faith has really become our victory. We will then become strong disciples who can meet life's various challenges without wavering or being afraid. This is depicted in the final movement of the solo when both melodies, whose messages complement each other, are woven together in an explosive finale.
Estimated dispatch 7-14 working days
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