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  • £89.95

    Of Distant Memories - Edward Gregson

    Parts only. Of Distant Memories pays homage to the brass band composers that form the backbone of the brass band repertoire and their music, and in the process summons up a kind of subconscious memory bank of the musicallanguages, styles and forms used by them. The music is conceived in the form of a 'traditional' tone poem, reflecting certain aspects (e.g. melodic, harmonic, textural)of those early test pieces. Although fairly traditionalconcepts have been kept in planning the architecture of the work, certain aspects of the instrumentation, or scoring, are more contemporary in colouristic terms, as befits a composer writing in the 21st century. However, thepercussion requirements are fairly modest, similar to those used in the works of that period. The brass band tradition owes much to the composers of that period, for through their music they established a truly homogenous'British' brass band sound which has spread throughout many parts of the world. That tradition flourishes today and remains important for today's composers, even if their musical language is far removed from that of theirpredecessors. Of Distant Memories is the composers own way of repaying that gratitude.

    Estimated dispatch 5-14 working days
  • £127.30

    Mahalageasca - Mahala Rai Banda - Reid Gilje

    Mahalageasca is a piece that make you happy both to listen and perform.It's possible to play the piece as a stage entrance piece. Repeat bars 1 to 8 several times. You might let the Drum set and some Percussion start alone. After basses have played their first eight bars, move on to bar nine.It is also possible to perform is as an ancore where you might change positions for the brass players but use the same pattern with Percussion as above.Here's a suggestion for set-up:Backrow sits in front of the conductor (on horn chairs)Soprano and Solo Cornets standing behind them.Trombones sits at the conductors right (on Euphonium/Baritone-chairs)Basses sitting behind the TrombonesFlugelhorn and horns on the left (sitting on the solo cornet chairs)Euphoniums and Baritones behind the horns.Please do not play too loud on mf. A bit press on the start of the slurs often better the emphasis (some marcatos written as well)Bars 96 to 136 is challenging for mallet percussion. They can be played as solo, or two players might share it in a convenient way.

    Estimated dispatch 5-14 working days

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  • £69.99

    Ol' Man River - Jerome Kern - Mark Freeh

    This scintillating arrangement by the American Mark Freeh of the Jerome Kern and Oscar Hammerstein classic, Showboat, is a classic in the brass band repertoire. This 'up tempo' big band arrangement is a perfect opener or closer to any programme and is also a fantastic way to showcase your drummer. Definitely one not to be missed!

    Estimated dispatch 5-14 working days

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  • £59.99

    Scherzo from Symphony No.10 - Dimitri Shostakovich - Andrew Duncan

    The Scherzo is the 2nd movement from Shostakovich's 10th Symphony; a short, brutally fierce movement which is constantly loud and uses some of Shostakovich's most violent musical language. This arangement for Brass Band is a wonderful way to celebrate the centenary of Shostakovich's birth.

    Estimated dispatch 5-14 working days

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  • £102.99

    Introduction & Punk - Torstein Aagaard-Nilsen

    Torstein Aagaard-Nilsen's (1964) way of composing can be described as: uncompromising, wilful and contemporary. It is not surprising, therefore, that this occasionally causes a stir. In the middle of the Seventies a trend arose in youth culture, which was characterized by provocation, distrust of the great ideologies, and the autonomy of the individual. Punk is playful, aggressive, often humorous, and anti-everything, which inevitably leads to self-irony. The first part of Aagaard-Nielsen's composition (Introduction) is a texture based mainly on one short theme. This pompous theme breathes a spirit of cold empty plains, where icy winds sigh around yourhead. In the vehement Punk (Presto barbaro!) there is no longer any question of a theme. The basis for this part is formed by a repetitive motif (a descending minor third). This motif is alternated with very powerful percussion beats and later on shrill harmonies. De wijze van componeren van Torstein Aagaard-Nilsen (1964) laat zich omschrijven als: compromisloos, eigenzinnig en eigentijds. Niet verwonderlijk dat dit af en toe wat stof doet opwaaien. Midden zeventiger jaren ontstaat er een stroming binnen de jongerencultuur, die provocatie, wantrouwen tegen de grote ideologieen en de autonomie van het individu centraal stelt. Punk is speels, agressief, veelal humoristisch en anti-alles, wat onvermijdelijk leidt tot zelfspot. Het eerste deel (Introduction) is een weefsel, gebaseerd op voornamelijk een kort thema. Het pompeuze thema ademt de sfeer van kille lege vlakten, waar de ijzige wind je om de oren suist. Tijdens de 'heftige' Punk (Presto barbaro!) is van een thema geen sprake meer. De basis voor dit deel is een steeds herhalend motief (dalende kleine terts). Dit motief wordt afgewisseld met zeer krachtige percussie slagen en later schrille samenklanken. Dit alles zorgt voor een bombastisch geheel. Aan het slot van de Punk horen we het intoductie-thema tussen het punkgeweld door terugkomen.

    Estimated dispatch 5-14 working days

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  • £76.99

    Bessarabyanke - Sjaak van der Reijden

    A Yiddish theme is by the composer at a very spectacular way developed into an amazing concert bouncer. Van der Reijden's experience as a trumpeter and arranger of the Klezmer Band Di Gojim 'comes in handy. A great work, full of challenge for all sections of the brassband!

    Estimated dispatch 5-14 working days

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  • £78.20

    The Rocketeer - James Horner - Roland Smeets

    Before Titanic,James Horner was not above composing scores for cartoonish family films, and many of those that brought him on their production board owe him greatly. The Rocketeer entails the story of a young pilot during World War II who happens upon a rocket pack that allows him to fly. The film is based on the tradition of old film serials that left theater-goers hanging with "To be continued," and aside from modern production, it is old fashioned and innocent fun. Horner's score begins and ends with the brilliant "Main Title," which is so moving it was used in previews for later films that did not yet have finished scores. Most of th Rocketeersoundtrack elicits the adventure and lifting spirit of the film and reveals how Horner incorporates rich instrumentals in the tiniest crevices. Even when the film involves danger, as in "Jenny's Rescue," the composer takes care when it is hardly even required. Instead of some "duh-duh-duhs," he brings on a full, stunning orchestra and when he overdoes it, it is in a jolly way -- he never exhausts his medium. That is what separates him from inferior composers, and what makes a nice film like The Rocketeer extra nice. It is a soundtrack worth listening to.

    Estimated dispatch 5-14 working days
  • £60.99

    Fanfare and Flourishes - James Curnow

    What a way to open any concert. Fanfare and Flourishes is a spectacular short work that mixes all the pageantry of a military tattoo with the well-known Charpentier (1634-1705) Te Deum, a tune everyone will recognise as the theme tune for the Eurovision Song Contest! A brilliant piece to start a concert with a bang!

    Estimated dispatch 5-14 working days

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  • £102.99

    The Seventh Night of July - Itaru Sakai - Marc Jeanbourquin

    In Japan, July the 7th is a holiday known as Tanabata, for which large celebrations are held throughout the country. The holiday is based on a legend about a young man and a young woman who are separated by the Milky Way and can only see each other once a year on this night. The Seventh Night of July is Itaru Sakai's musical interpretation of this romantic legend. The flugel horn and euphonium solos during the middle movement represent the two main themes from the legend.

    Estimated dispatch 5-14 working days

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  • £89.99

    Funeral March - Edvard Grieg - Erik Mast

    Edvard Grieg (1843-1907) is especially known for his 'Peer Gynt Suite'. This remarkable Marche Funebre however, is an almost unknown masterpiece, originally written for wind orchestra. Erik Mast, who adjusted this imposing music in a brilliant way, made this composition suitable for today's strength. An unexplored masterpiece!

    Estimated dispatch 5-14 working days

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