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  • £35.00

    Flow my Tears

    This is a Trombone solo by Adam DJ Taylor 'Flow My Tears', also known as Lachrimae Pavane is a lute song (an ayre) by John Dowland (1562-1626). The song and its melody became very well-known and influential at the time of it's release and became the composers signature song - literally as well as metaphorically: he would often sign his name 'Jo. Dowland de Lachrimae" The following arrangement was produced as the soloist piece for Wingates Band's appearance at the 2015 Brass in Concert competition at the Sage Gatesehead. The theme of the programme presented was 'Alice in Wonderland' and the following arrangement was used to represent 'The Room of Tears'. The other pieces presented were:'Mad March Hare's March and the Well Crazy TeaParty' (available late 2017), 'Piano Concerto Number 2 by Rachmaninov' and 'Dreaming' by Schumann (available from Cantatio Music).

    In stock: Estimated delivery 1-2 days
  • £66.60

    FLOW! - Mario Burki

    Estimated delivery 10-12 days

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  • £21.50

    Albion Treasures - Gavin Somerset

    A stunning hymn-like medley that takes you on a trip around the British Isles. Starting in Scotland with "Highland Cathedral" which continues to make appearances throughout, and then into "Amazing Grace" whilst "Danny Boy" (Londonderry Air)" flows underneath. Whilst "Danny Boy" continues to build, "Swing Low, Sweet Chariot" is heard ringing over the top as the piece builds to its emotional climax. Afterwards, a quiet calm of all the pieces skilfully woven together softly flow whilst the tune to Parry's "Dear Lord & Father Of Mankind (Repton)" leaves us with a delicate, soft finish to the journey. Suitable for any standard of Brass Band.

    In stock: Estimated delivery 1-2 days

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  • £19.50

    Song Without Words - Max Stannard

    This sublimely simple piece is the perfect choice of solo for bands looking to add a special moment to their concerts. With parts not too demanding, this solo would suit up and coming cornet players that would like the chance to fulfil their moment in the spotlight. The gentle ballad flow of the work would work well at any concert occasion and is open to youth bands as well as more seasoned senior bands.

    In stock: Estimated delivery 1-2 days

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  • £24.99

    And My Soul Overflow (Brass Band - Score and Parts) - Orsborn, Albert - Chaulk, David

    A setting of the Albert Orsborn song "From a hill I know, healing waters flow".

    Estimated delivery 12-14 days
  • £107.99

    Bellum et Pax (Brass Band - Score and Parts) - Roels, Stijn

    Bellum et Pax is a composition describing the two ancient concepts of 'war' and 'peace.' While this piece appears to be one single movement, it consists of four sections that flow into one another. Mysterious and threatening tones lead the way into an epic battle between the chaos of war and enlightenment of peace. Peace triumphs, but menacing bass notes at the end symbolise the constant presence and threat of war and violence in the world.Duration: 11:45

    Estimated delivery 12-14 days

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  • £24.95

    Healing Waters - Cornet Solo (Brass Band - Score and Parts) - Downie, Kenneth

    This is an original, poignant setting by Kenneth Downie of words by Albert Osborn, the 6th General of The Salvation Army. The words of the chorus are perhaps better known than the verses; 'From a hill I know, Healing waters flow, O rise Immanuel's tide, And my soul overflow!'

    Estimated delivery 12-14 days
  • £12.50

    Healing Waters - Cornet Solo (Brass Band - Score Only) - Downie, Kenneth

    This is an original, poignant setting by Kenneth Downie of words by Albert Osborn, the 6th General of The Salvation Army. The words of the chorus are perhaps better known than the verses; 'From a hill I know, Healing waters flow, O rise Immanuel's tide, And my soul overflow!'

    Estimated delivery 12-14 days
  • £69.95

    HORN CONCERTO (Gregson) (Horn Solo with Brass Band) - Gregson, Edward

    Horn in F/E flat with Brass BandComposed in 1971 for Ifor James, the Concerto for French Horn and Band revealed some of those elements that have made Gregson’s music so popular with audiences (and not just brass band audiences) worldwide: the boldness of his melodies, with the interval of the fourth revealing his admiration for the music of Paul Hindemith; his incisive rhythms, betraying the influence of another favourite composer, B?la Bart?k; an admirable economy of means; and the clarity of his scoring.Each of the Concerto’s three movements displays a different facet of the French Horn’s character. The first is serious, symphonic in impulse, the rising fourths of the opening gesture giving the music an almost Germanic weight. In the slow movement, the soloist becomes the first among equals, sharing with the cornet soloist some typically haunting melodies. The lyrical flow is interrupted at the mid-point by mysterious, fleet-of-foot cadenzas. A rondo finale brings the concerto to a lighthearted conclusion. The rising fourths here are the impulse for a jaunty theme which reveals another of Gregson’s early influences – William Walton, and in particular that composer’s Partita for orchestra.

    Estimated delivery 12-14 days