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  • £58.70

    I Don't Know How to Love Him - Andrew Lloyd Webber

    This is a ballad from the rock-opera "Jesus Christ Superstar" written by Andrew Lloyd Webber (Music) and Tim Rice (Lyrics). Together with the title song, this ballad is the most popular tune from Jesus Christ Superstar. It's recorded and performedlive by many artists since the music saw the light of day in 1971.This arrangement can be performed with a vocal- or instrumental solist. In addition to the vocal solo part, there are also solo-options for the followinginstruments:Eb-Cornet Bb-Cornet Eb-Horn Flugelhorn Baritone - Euphonium - Trombone

    Estimated delivery 5-10 working days

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  • £51.99

    I Don't Know How To Love Him - Andrew Lloyd Webber - Frank Bernaerts

    Theme from the musical "Jesus Christ Superstar"

    Estimated delivery 14 working days

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  • £43.99

    I Don't Know How to Love Him (Brass Band - Score and Parts) - Lloyd Webber, Andrew - Bernaerts, Frank

    Theme from the musical "Jesus Christ Superstar". Performed by Yvonne Elliman and Andre Previn. Duration: 03:45

    Estimated delivery 10-14 working days

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  • £46.20

    I DON'T KNOW HOW TO LOVE HIM (Eb Horn Solo with Brass Band) - Lloyd Webber, Andrew - Woodfield, Ray

    From Jesus Christ Superstar. Grade: Easy.

    Estimated delivery 10-14 working days

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  • £115.99

    The Pied Piper of Hamelin - Otto M. Schwarz

    Stories, sagas and legends??"who among us don't know them? Always delivered with a tinge of brutality, these cautionary tales are a legacy of moral education from times past: inquisitive children alone in the forest are generally eaten by a witch; the 'Soup-Kasper' of Hoffmann's Struwwelpeter dies from starvation rather than eating his soup; anyone letting in strangers usually gets devoured; anyone who plays with matches gets burned; and thumb-suckers get their thumbs cut off. The list of unfortunate demises is almost endless.In the tale of The Pied Piper of Hamelin, parents lose their children through greed, ridicule, scorn and a failure to appreciate art. There is still a street in the town of Hamelin in which neither drumming nor playing has not been allowed since 130 children disappeared into a mountain, never to be seen again. This composition by Otto M. Schwarz opens with exactly this scene, taking us back to the year 1284. As in many towns at the time, Hamelin in Germany suffered with hygiene problems??"rats and mice began to multiply rapidly, and the town was overrun with the plague. There appeared a man dressed in colourful clothes who promised the locals to free them from this burden. They agreed and settled on a fee. Then the man pulled out a pipe and began to play. When the rats and mice heard this, they followed him. He led the animals into the Weser River, where they all drowned. Back in town, the people refused to pay him. They didn't recognise this man's skills and knowledge and were only prepared to pay for simple labour. A pact with the devil was made, which led to the Pied Piper leaving the town in a furious rage. One Sunday, when many people were at church, he returned, took out his flute and began to play. The town's children were so enchanted by his playing that they followed him. He led them out of the town and disappeared with them forever into a mountain forever. Of all the children, only two survived??"however one was mute, and one was blind. In the street from which the children left Hamelin, music may no longer be played in memory of this event. The work may be performed in two different versions: 1. Purely instrumental (without narrator)??"the GPs (pauses) must be kept short 2. With narrator??"he speaks in the GPs but not during the music

    Estimated delivery 5-10 working days

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  • £54.95

    Henry V (Brass Band - Score and Parts) - Williams, Ralph Vaughan

    Set as the 4th Section Test Piece for the 2011 National FinalsThis work was probably composed in 1933-34, and it is interesting to know that ten years later, when William Walton used 'R?veillez vous Piccars' to represent the French army in his music for the film 'Henry V', the tune was suggested to him by Vaughan Williams.

    Estimated delivery 10-14 working days
  • £53.20

    FAMOUS MUSICAL MELODIES (Vocal Solo (Soprano) with Brass Band) - Fernie & Lorriman

    Three Movements including: Memory from Cats; I Don't Know How to Love Him from Jesus Christ Superstar; I Could Have Danced All Night from My Fair Lady. Grade: Medium.

    Estimated delivery 10-14 working days

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  • £46.20

    JESUS CHRIST SUPERSTAR (Brass Band) - Lloyd Webber, Andrew - Lorriman, Howard

    Grade: Easy. Includes: I Don't Know How to Love Him; John 19:41.

    Estimated delivery 10-14 working days

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  • £98.00

    KirkFeld (Trombone Solo with Brass Band - Score and Parts) - Kirkhope, Grant - McKenzie, Jock

    Written for Ian Bousfield and the International Trombone Festival 2017. Grant Kirkhope is a BAFTA nominated British composer who has created the soundtrack for video games that have sold in excess of 30 million copies. From "GoldenEye" to "Banjo-Kazooie", "Viva Pinata" to "Donkey Kong", "Kingdoms of Amalur: Reckoning" to "Civilization: Beyond Earth" and "Perfect Dark" to "Castle of Illusion starring Mickey Mouse". He has also recently scored the feature film "The King's Daughter" starring Pierce Brosnan and William Hurt and is currently working on "Yooka Laylee" and "Dropzone". Grant's score for "Viva Pinata" was nominated by BAFTA in the Original Score category in its 2007 awards. Grant is represented by the prestigious Gorfaine/Schwartz Agency by Cheryl Tiano and Kevin Korn. Grant has a degree in music from the Royal Northern College of Music, Manchester, where he majored in classical trumpet, is a green card holder and now lives in Agoura Hills, LA with his wife and two children. "Ian and I first met when we were around 15 years old. We both played in our county orchestra, the North Yorkshire Schools Symphony Orchestra (I was a trumpet player). I think we hit it off straight away, as we were definitely a couple of cheeky kids, if you know what I mean! We both ended up playing in Rowntree Mackintosh Brass Band for a while too which Ian's Dad, Trevor conducted. We bumped into each other again when we both went for the Shell/LSO Scholarship. I got to the area finals in Manchester so I was pretty pleased with myself but then I saw Ian and I knew it was all over! Of course Ian went on to win and the rest is history. I saw him again when I was attending the Royal Northern College of Music around 1983 by which time Ian had just got the principal chair at the Halle Orchestra. Then I guess 30 something years went by as we both went about our lives and lost touch. We re-kindled our friendship due to his wife really. She emailed me to say it was Ian's 50th birthday and she was collecting stories from all his friends over the years. After that we got back in touch and then one day on Facebook I got a message from him in typical dry Yorkshire fashion "now then Grant, I had a listen to your music and I think it's good, how about writing a piece for me ?" I was a little bit unsure at first but of course I loved Ian's playing and of course I said yes. Over a Skype call in 2016, he asked me what I thought I'd write. I said since I live in LA I'd like to write a "Hollywood" trombone piece. Imagine if John Williams had written a piece for solo trombone, that's what I'd like to write - well I'd certainly like to try" ??" Grant Kirkhope

    Estimated delivery 10-14 working days