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£44.95The Flowers of the Forest (Brass Band - Score only) - Bennett, Richard Rodney - Hindmarsh, Paul
In a preface to the score, the composer explains that 'the folk song The Flowers of the Forest is believed to date from 1513, the time if the battle of Flodden, in the course of which the archers of the Forest (a part of Scotland) were killed almost to a man'. Bennett had already used the same tune in his Six Scottish Folksongs (1972) for soprano, tenor and piano, and it is the arrangement he made then that forms the starting-point for the brass-band piece. A slow introduction (Poco Adagio) presents the folk song theme three times in succession - on solo cornet, on solo cornets and tenor horns, and on muted ripieno cornets in close harmony - after which the work unfolds through five sections and a coda. Although played without a break, each of these five sections has its own identity, developing elements of the tune somewhat in the manner of variations, but with each arising from and evolving into the next. The first of these sections (Con moto, tranquillo) is marked by an abrupt shift of tonality, and makes much of the slow rises and falls characteristic of the tune itself. The tempo gradually increases, to arrive at a scherzando section (Vivo) which includes the first appearance of the theme in its inverted form. A waltz-like trio is followed by a brief return of the scherzando, leading directly to a second, more extended, scherzo (con brio) based on a lilting figure no longer directly related to the theme. As this fades, a single side drum introduces an element of more overtly martial tension (Alla Marcia) and Bennett says that, from this point on, he was thinking of Debussy's tribute to the memory of an unknown soldier (in the second movement of En Blanc et noir, for two pianos). Bennett's march gradually gathers momentum, eventually culminating in a short-lived elegiac climax (Maestoso) before the music returns full-circle to the subdued melancholy of the opening. The work ends with a haunting pianissimo statement of the original tune.
Estimated dispatch 7-14 working days
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£44.95
TUBA CONCERTO (Gregson) (Tuba Solo with Brass Band - Score only) - Gregson, Edward
Brass Band Score onlyThis work was commissioned by the Besses o' th' Barn Band with funds provided by the Arts Council of Great Britain. It was written for, and is dedicated to, John Fletcher, who gave the first performance in Middleton Civic Hall, near Manchester, on 24 April, 1976, with Besses o' th' Barn Band conducted by the composer. Another interesting feature about the premire was that it was recorded by BBC Television for an Omnibus programme with Andr Previn as presenter. The concerto exists in three versions: with brass band (1976), orchestra (1978) and wind band (1984).The concerto is in three movements, following the usual, quick-slow-quick pattern: Allegro deciso,Lento e mesto, Allegro giocoso. The first movement has a sonata form shell with two contrasting themes, the first one being rhythmic in character, the second lyrical. There is a reference made in passing to the Vaughan Williams Tuba Concerto, but this merges into the other material in the development section.The second movement begins with a chorale, but after the entry of the tuba it leads to a cantabile theme, softly unfolded by the soloist. The opening chorale passage returns, this time briefly on muted brass, and leads to a middle section which is more chromatic in style and soon builds to a powerful climax, where the opening cantabile theme triumphantly returns. The music subsides, returning to the opening chorale and ending peacefully.The finale is light and breezy in style, and is cast in rondo form. After a brief introduction the tuba announces the main rondo theme, which is dance-like and a little jaunty. There are two episodes: the first a broad sweeping tune, the second a slowish waltz and a little jazz-like. After a virtuoso cadenza reference is made to the very opening of the concerto before the work ends with a triumphal flourish.The Tuba Concerto has established itself as one of the main works in the solo tuba repertoire. It has been performed and broadcast in over 40 countries all over the world. There are currently six commercial recordings of the concerto in its various versions.resolution in C major, pointed by a simple but expansive melody towards which the piece has been heading, and ending in a blaze of joyful colour.Duration: 18 mins
Estimated dispatch 7-14 working days
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£72.00Back on Track (Brass Band - Score and Parts) - Schwarz, Otto M.
Back on Track is a spectacular composition originally written for Concert Band. Otto M. Schwarz composed an opening fanfare for the beginning, which can also be played as a short 'teaser' at festive events. A motif is treated through various rhythms and time signatures and leads to an epic finale, splendidly brought to life by the glorious timbres of the brass.
Estimated dispatch 7-14 working days
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£29.95Ben-Hur 1925 (Brass Band - A4 Study Score) - Graham, Peter
Lew Wallace's Ben-Hur: A Tale of the Christ has inspired numerous adaptations for film, television and radio, each distilling the vast eight-part novel while preserving its enduring themes of compassion and forgiveness.Using the 1925 silent film as a starting point, I have reimagined the story as Ben-Hur, late in life, looks back on its defining moments, his memories coming alive before him.Part I: Ben-Hur's life unfolds in epic flashes: from Rome's splendour and tyranny to the haunting strains of Veni, Veni Emmanuel hinting at Christ's coming; a family betrayed, the galleys, heroic battles, and a chariot triumph--yet even victory offers no peace.Part II: Ben-Hur is torn by inner turmoil as he discovers his suffering family. In desperation he turns to Christ whose message of compassion and forgiveness transforms him, his thirst for vengeance giving way to healing and reconciliation.The work also acknowledges the profound influence of Eric Ball, whose biblical tone poems -- including King of Kings (1931) and Exodus (1937) -- helped shape the brass band repertoire of their time.The hymn Veni, Veni Emmanuel, symbolising the parallel narrative of Christ within this story, was likewise central to Ball's epic The Kingdom Triumphant.The work concludes with the well-known Dresden Amen, also heard in the closing bars of The Kingdom Triumphant.Ben-Hur 1925 was commissioned by The Whitburn Band, MD Nicholas Childs, and is dedicated to the memory of Derek Smith.
Estimated dispatch 7-14 working days
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£44.95Ben-Hur 1925 (Brass Band - B4 Score only) - Graham, Peter
Lew Wallace's Ben-Hur: A Tale of the Christ has inspired numerous adaptations for film, television and radio, each distilling the vast eight-part novel while preserving its enduring themes of compassion and forgiveness.Using the 1925 silent film as a starting point, I have reimagined the story as Ben-Hur, late in life, looks back on its defining moments, his memories coming alive before him.Part I: Ben-Hur's life unfolds in epic flashes: from Rome's splendour and tyranny to the haunting strains of Veni, Veni Emmanuel hinting at Christ's coming; a family betrayed, the galleys, heroic battles, and a chariot triumph--yet even victory offers no peace.Part II: Ben-Hur is torn by inner turmoil as he discovers his suffering family. In desperation he turns to Christ whose message of compassion and forgiveness transforms him, his thirst for vengeance giving way to healing and reconciliation.The work also acknowledges the profound influence of Eric Ball, whose biblical tone poems -- including King of Kings (1931) and Exodus (1937) -- helped shape the brass band repertoire of their time.The hymn Veni, Veni Emmanuel, symbolising the parallel narrative of Christ within this story, was likewise central to Ball's epic The Kingdom Triumphant.The work concludes with the well-known Dresden Amen, also heard in the closing bars of The Kingdom Triumphant.Ben-Hur 1925 was commissioned by The Whitburn Band, MD Nicholas Childs, and is dedicated to the memory of Derek Smith.
Estimated dispatch 7-14 working days
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£144.95Ben-Hur 1925 (Brass Band - Score and Parts) - Graham, Peter
Lew Wallace's Ben-Hur: A Tale of the Christ has inspired numerous adaptations for film, television and radio, each distilling the vast eight-part novel while preserving its enduring themes of compassion and forgiveness.Using the 1925 silent film as a starting point, I have reimagined the story as Ben-Hur, late in life, looks back on its defining moments, his memories coming alive before him.Part I: Ben-Hur's life unfolds in epic flashes: from Rome's splendour and tyranny to the haunting strains of Veni, Veni Emmanuel hinting at Christ's coming; a family betrayed, the galleys, heroic battles, and a chariot triumph--yet even victory offers no peace.Part II: Ben-Hur is torn by inner turmoil as he discovers his suffering family. In desperation he turns to Christ whose message of compassion and forgiveness transforms him, his thirst for vengeance giving way to healing and reconciliation.The work also acknowledges the profound influence of Eric Ball, whose biblical tone poems -- including King of Kings (1931) and Exodus (1937) -- helped shape the brass band repertoire of their time.The hymn Veni, Veni Emmanuel, symbolising the parallel narrative of Christ within this story, was likewise central to Ball's epic The Kingdom Triumphant.The work concludes with the well-known Dresden Amen, also heard in the closing bars of The Kingdom Triumphant.Ben-Hur 1925 was commissioned by The Whitburn Band, MD Nicholas Childs, and is dedicated to the memory of Derek Smith.
Estimated dispatch 7-14 working days
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£38.00Deep River (Brass Band - Score and Parts) - Bassey, Mark
Deep River is a spiritual of Afro-American origin. It was used in the 1929 film version of "Showboat". The melody is also sung in the closing section of Michael Tippett's oratorio "A Child of our Time" and was also adapted into the popular song "Dear Old Southland". This fine arrangement by Mark Bassey was commissioned by Superbrass for their "Brass Taps" CD. Duration: 4.30. Suitable for 2nd Section Bands and above
Estimated dispatch 7-14 working days
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£29.95Before The Cross (Cornet Solo with Brass Band - Score and Parts) - Gregson, Edward
Written at the request of David Daws for his solo album The Sound of David Daws, this meditation for cornet and brass band uses the composer's own song Before the cross (originally published in The Musical Salvationist, April 1965), the first lines of which are Before the cross I stand in fear and wonder, and see that all my sirs on Thee are laid. The song was written at an early stage of the composer's career, just before commencing study at The Royal Academy of Music, London. After a brief introduction the melody is heard twice, first played by the soloist, then on Euphonium and Flugel Horn with the soloist adding ornate counterpoint before taking up the melody once again, this time leading to a quiet and reflective conclusion.
Estimated dispatch 7-14 working days
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£112.00March Slav (Brass Band - Score and Parts) - Tchaikovsky, Peter Ilyich - Wilkinson, Keith M.
March Slav was composed in 1876 for a charity concert to support the war in the Balkans. It was completed in the remarkably short time of 5 days and was encored twice at its first performance! The themes are based loosely on Serbian folk songs and there is also a reference to the Russian national anthem. The mood is funereal in style at the opening but this gives way to a very triumphant style by the end.This arrangement was prepared for the 2007 Summer concerts of Brass Band of the Western Reserve, musical director Dr Keith M Wilkinson (www.bbwesternreserve.org). It has been recorded by BBWR on the CD Slides Rule!
Estimated dispatch 7-14 working days
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£40.00DREAMS AND DANCES (Flugel Horn Solo with Brass Band) - Harper, Philip
Dreams and Dances is a substantial seven minute solo for one of the most characteristic of the brass band's instruments. It begins slowly and dreamily, with a flugel line encompassing both lyrical and florid styles, before moving via a short cadenza to a set of dances in a quick 6/8 time. The solo part would be a challenge for any player, but the accompaniment parts should he manageable by all.
Estimated dispatch 7-14 working days
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