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£40.87UKRAINE2022 (Brass Band) Joe Galuszka
This highly descriptive work for brass band by Joe Galuszka is in four parts:I. Declaration of WarII. Hymn for the Children and Women of BuchaIII. ResistanceIV. Hope for the FutureThe composer writes:'On the 24th of February 2022, the geopolitical landscape as we knew it changed, when the Russian Federation invaded Ukraine in a Declaration of War, and what was masked by the Kremlin as a 'special military operation'. Now regarded to be the most significant escalation of the Russo-Ukrainian War of 2014 since the annexation of Crimea, millions of Ukrainians fled the country and many millions were displaced, the after-effects of the conflict sent shockwaves through the world - leading to a global food crisis, humanitarian crisis and a refugee crisis.As the conflict began to ripple through Ukraine, missiles and airstrikes would cause destruction across the country including its capital, Kiev, and ground invasions would follow from multiple directions. With some of the most atrocious acts of bloodshed in Mariupol, and Bucha, many women and children would stand to lose their lives. Hymn for the Children and Women of Bucha takes us to the early moments of the war where families were ripped apart and many innocent lives were lost.As all men aged 18-60 would be signalled into military service through a call for martial law by the Ukrainian president Volodymyr Zelenskyy, Resistance reminds us of the relentless tenacity of the Ukrainian people in standing up for what they believed was right, for their country, their Motherland, and for their people. As the combat rages on, numerous examples of Ukrainian inner strength and resistance can be found every day, as the pressure of Russian troops continues to bombard the lives and welfare of the Ukrainian people.The piece ends with Hope for the Future, and with it, a beacon of hope that we will one day see a future where the bloodshed will end, where fallen land is liberated, and where peace can return once more to the people of Ukraine. In her poem 'Spring in War-Time' from 1917, Sara Teasdale's words ring true again in this war, when she writes,The sun turns north, the days grow long,Later the evening star grows bright-How can the daylight linger on. For men to fight. Still fight?In this, we hope. That the conflict, soon, one day will end. And normality can return for the people of Ukraine.To listen to an audio demo of the work please visit https://on.soundcloud.com/dw53U9KZFUadvPYLADuration: Approx. 6.00 minutesDifficulty Level: 1st Section +PDF download includes parts and score.Sheet music available from www.brassband.co.ukInstrumentation:Soprano Cornet EbSolo Cornet BbRepiano Cornet Bb2nd Cornet Bb3rd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass BbTimpaniPercussion 1-2
In Stock: Estimated dispatch 1-3 working days
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£79.95Amundsen - Jonathan Bates
DURATION: 14'00". DIFFICULTY: 1st+. 'Amundsen' was commissioned by rskog Brass, Norway for their winning performance at the 2020 Norwegian National Championships held at the Grieghallen in Bergen. In December 1911, Norwegian Roald Amundsen gained global fame by becoming the first explorer to lead a team to the geographic South Pole. Amundsen and 4 other members of his team arrived 5 weeks ahead of a rival team from the UK led by Robert Falcon Scott, all of which perished on their attempted return from the pole. Initially when Amundsen's team set out in 1910, they were under the impression that they would be making the far shorter journey to the arctic drift to attempt to reach the North Pole, but Amundsen had received news that American explorers Peary and Cook had beaten them to this goal, and so Amundsen's focus changed southward. 'Fram, Forward' - 'Fram' (translating to English as "forward") was the name of the ship Amundsen used for this particular polar expedition. Amundsen had only informed 2 people of his real intentions of conquering the South Pole when the ship first left port in Kristiansand before heading south to the Portuguese island of Madeira in the Atlantic Ocean. After weeks at sea - causing the uninformed members of the crew to raise a number of questions and produce a general feel of uncertainty and low spirits - it was here that Amundsen announced his true plans to the rest of his crew. They were asked whether they wished to continue with their expedition, to which all - some begrudgingly - agreed to sail on to the South Pole, through the great Ice Barrier before docking in the Bay of Whales on the Ross Ice Shelf. 'Ross Ice Shelf' - Upon Amundsen's arrival in the Bay of Whales, the team were greeted by the sight of the enormous ice plateau's and glaciers, towering into the Antarctic sky. In 1907, Ernest Shackleton had attempted - and failed - to reach the South Pole, but his route and mapping was by now well documented. Scott and the UK team were to follow this route, whereas Amundsen and his men forged their own way to the pole through unchartered territory and deadly terrain littered with deep crevasses and canyons. The music here though, is a picture of tranquility. The eerie silence of total emptiness with only the heavy snow falling around Amundsen as Fram and the Bay of Whales disappears into the distance, faced by the maginute of the expedition ahead. 'Advance to Polheim' - The first new challenge Amundsen discovered on this route was a rough, sharp and extremely steep glacier (which was later named the Axel heiberg Glacier after the Norwegian monarch who funded much of the expedition), which would take his team up from sea level to an altitude of over 9,000ft in just 20 miles, with most of this over just 7 miles. Once scaled, only the vast Antarctic Plateau stood between Amundsen and the pole. Here the race began, with only one aim - victory for himself, his team, and for the whole of Norway. .
In Stock: Estimated dispatch 1-3 working days
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£30.00Meanwhile - Jock McKenzie
Just imagine being free of stress, anxiety, time pressures, workload & the general 'busy-ness' of everyday life... For the lucky few that may find themselves in this position, the clock keeps ticking for the rest of us. "Meanwhile" seeks to represent the relentless challenges of the 'everyday'. It is a full-on, driving swing number, very much in the style of a big band chart. In my orchestration of this piece I have deliberately treated the brass dectet somewhat similarly to that of a big band / jazz orchestra. The two 'rows' of four trumpets and four trombones are employed in the typical way, with the horn representing a unison / octave saxophone section. The tuba busily walks around the harmonic foundation of the piece. This piece was conceived out of the chaos of an overcrowded school music department. In one room I was rehearsing a brass ensemble whilst the other side of a (very) thin wall was a saxophone group attempting to make themselves heard over our dulcet tones. The brass ensemble would stop regularly to receive pearls of wisdom from yours truly, MEANWHILE the saxes could be heard in these gaps, plodding through their material. This seemed to go on interminably. In this piece the independent horn line represents the work weary saxes; occasionally breaking through the textures of the other brass lines. J.M.
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£55.00Triumph Series Brass Band Journal, Numbers 1359 - 1362, March 2024
1359: Festival March - Coastal Celebration (Sam Creamer)Coastal Celebration was commissioned in 2019 by Nambour Salvation Army Band for the Corps' 125th anniversary celebrations. Nambour was the birthplace of The Salvation Army's work on the Beautiful Sunshine Coast in Queensland, Australia. Firring with this theme are subtle tributes to iconic Sunshine Coast landmarks, referenced with small phrases of popular secular melodies intertwined with the main tunes What a faithful God (S.A.S.B. 378) and All through the years (S.A.S.B. 826).1360: He's always been faithful (Craig Woodland)This meditative selection is an arrangement of the song by American singer and record producer Sara, Groves, He's always been faithful. The words express the joy and thankfulness in having a relationship with Jesus and knowing his presence in life. The melody and motifs of the traditional hymn, Great is thy faithfulness (S.A.S.B. 26), are heard throughout.1361: Christ's living water (Dean Jones)Christ's sacrificial love has been beautifully portrayed through the imagery of water in many songs, none more so that the skilfully crafted words we find in the chorus of I know a fount (S.A.S.B. 197), written by Oliver Cooke. To enhance the sentiments expressed, the pure sounds derived from Handel's Water Music fit perfectly in terms of music and imagery.1362: March - Fear Not! (Avelan Ntsiete)The Salvation Army continues to proclaim its music ministry in all corners of the world and, with this item under review, we introduce a new composer, originally from Congo Brazzaville, Central Africa. Avelan Ntsiete is currently a Bandsman at the Lilas Corps in Paris but has previously served in the Congo Brazzaville Territorial Band. This march, in traditional format, was written for an evangelistic campaign in Kindamba, where civil war has brought upheaval to the area and uncertainty for the local Salvationists. The composer was part of a small brass group which travelled for over 24 hours by truck and on foot to reach Kindamba and bring encouragement to the Salvationists within that community.
Estimated dispatch 7-14 working days
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£19.95Where is Elvis? for Brass Band - Paul Saggers
Where Is Elvis? takes inspiration from one of the most enduring mysteries in popular culture: the speculation surrounding the death - and possible survival - of Elvis Presley. Written as a theme and variations, the piece begins by presenting an 'Elvis' theme before moving through a series of imagined scenarios, each drawn from well-known conspiracy theories.The journey starts with the story most often told: that Presley died in his bathroom, a reminder of the tension between fame and vulnerability. From there, the music explores the idea of mafia involvement, evoking the shadowy narrativesthat surround celebrity life. The next variation leaps into the fantastical, imagining Elvis abducted by aliens and transported beyond earthly bounds. This is followed by a more domestic theory: Elvis living quietly as a gardener at Graceland, hidden in plain sight. Another variation considers claims that he became a Christian pastor, suggesting a turn toward redemption and spiritual renewal. A reflective section then acknowledges the inevitability of loss while questioning whether cultural memory ever truly fades. The work then revisits the glittering mythology of Las Vegas, acity forever linked to Presley's legend, before moving to the notion of a secret island in the South Pacific - a utopian escape from fame.Finally, the piece closes with the idea that Elvis lives on through the airwaves, his voice continuing to shape the soundscape of popular culture.
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£40.87A Carol Rhapsody (Brass Band) Geoffrey Nobes
Capture the mystery, wonder, and joy of the festive season with A Carol Rhapsody (Geoffrey Nobes). This dynamic and brilliantly orchestrated medley weaves together a selection of much-loved Christmas carols, balancing timeless audience favorites with beautiful, lesser-known melodies. Perfect as a centerpiece or finale for your festive concert, this rhapsody provides an engaging musical journey that highlights the full tonal palette of your band.Thoughtfully scored with accessible range demands, standard time signatures, and comfortable keys, A Carol Rhapsody is exceptionally approachable. It serves as an ideal performance piece for 4th Section bands and above, as well as Youth and Training Bands looking for a rich, full-sounding festive work. Higher-section bands will also appreciate its quick rehearsal turn-around during a busy Christmas season.The Musical JourneyAtmospheric Opening: The piece begins with an evocative introduction, featuring subtle echoes of Coventry Carol and Hark, the Herald Angels Sing.Rhythmic & Bright: The tempo shifts into a lively rendition of the old French folk carol O Leave Your Sheep, cleverly interwoven with motifs from Joy to the World and the sweeping refrain of Angels from the Realms of Glory.A Lush, Lyrical Heart: The centerpiece of the work is an extended, beautifully textured setting of another French folk carol, Whence Is That Goodly Fragrance. This section serves as a wonderful showcase, passing the melody throughout various sections of the ensemble in turn.Triumphant Finale: The pacing accelerates into a joyful romp through the traditional English carol I Saw Three Ships Come Sailing in. Excitement builds through a series of key changes, weaving several themes together before culminating in a triumphant Glory to the New-born King - complete with the ringing bells of Ding, Dong! Merrily on High echoing across the band.To view a rolling score video of this piece please visit www.youtube.com/watch?v=hYehd0CGaA8Duration: approx. 6.30 minutesDifficulty Level: 4th Section +This PDF download includes the full score and parts.Sheet music available at www.brassband.co.uk (UK) or https://satradecentral.org (USA)Instrumentation:Soprano Cornet EbSolo Cornet Bb1st Cornet Bb2nd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass BbPercussion 1-3
In Stock: Estimated dispatch 1-3 working days
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£59.45Avifauna (Brass Band) Joshua Tyler Jameson
This highly descriptive work was commissioned by the National Youth Brass Band of America and will be a terrific concert or entertainment contest item. The music paints the picture of the lives of a variety of different birds.The composer writes:'When I began thinking about this project I was sitting in my office in the early morning, the sun having just risen. There was a gentle breeze and the only thing that I could hear (aside from my hungry whining cats) was the gentle song of the birds outside my open window. As much of my work is programmatic, almost like symphonic poems, this immediately gave me the image of a majestic sunrise with all types of birds fluttering about, almost as if out of an episode of Planet Earth. When I was commissioned by the National Youth Brass Band of America, I knew the project had to be something the ensemble could grab onto. Something they could see. Something they could relate to. There being so many types of birds in North America, I selected a handful to help tell my story...The scene where I came up with this idea seemed to be the perfect starting point. Sunrise, tiny chirps of Morning Birds floating around the twilight of dawn, swiftly moving towards the majesty of the sun cresting the horizon. A new day, the beginning of a story.As the sun rises higher in the sky, animal activity stirs, becoming lively and wild. The flowers have opened up to drink in the sun's rays, leaving them open to nectar-seeking Hummingbirds. Whizzing by at lightning speed, the hummingbirds journey from flower to flower, drinking their fill until the sun begins to set back over the horizon.When daylight fades, the enigmatic Owl floats silently through the sky. The wonder of these creatures comes not just from their beauty, but also from their mystery and their ferocity. We see images in pop culture of majestic white owls and marvel in their beauty... but to a mouse roaming the forest floor in the dark of the night, the terror of suddenly being dropped upon by a silent predator is anything but peaceful.In the dead of night, soft rolling clouds thicken as a storm begins to brew. With the ensuing rain also emerges the grotesque scavenging Vulture; marching along from carcass to carcass, tearing into the rotting leftovers of another predator's kill, gorging themselves until over-full. However, from this nightmare fuel of a bird, a new day awaits...As the dawn of another day approaches, you begin to hear the same morning birds you heard the previous day. When the light finally breaks the horizon, the soaring majesty of the Eagle drives us to the end of our story; an exciting journey told through the eyes of the winged creatures that paint the skies of North America.This is Avifauna.'To view a follow-the-score video please visit: www.youtube.com/watch?v=J2bhBpx9KvMSheet music available from:UK - www.brassband.co.ukUSA - www.solidbrassmusic.comDifficulty Level: 2nd Section +Instrumentation:Soprano Cornet EbSolo Cornet BbRepiano Cornet Bb2nd Cornet Bb3rd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass BbPercussion 1-4
In Stock: Estimated dispatch 1-3 working days
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£38.95Unity Series Band Journal - Numbers 530 - 533, June 2024
530: Carol Arrangement - God rest you merry, gentlemen (Noel Jones)This swing arrangement of the traditional English carol also features references to O come, all ye faithful (C.C. 61) and Jingle Bells (C.C. 121). Play with imagination and a sense of style!531: Go, tell it on the mountain! (Nathanael Watchorn)Historically, the passion of enslaved people in America for singing about the Gospel of Jesus is well documented, but it was men of three generations, each named John Wesley Work, who enabled spirituals to become more widely known. John Wesley Work Sr, a church choir director in Nashville, Tennessee, wrote and arranged music for the pioneering Fisk Jubilee Singers whose early repertoire consisted largely of spirituals. This passion and knowledge of spirituals was passed down through the generations. John Work III travelled hundreds of miles to collect songs by attending church services in remote areas. In 1940, he published a collection of 230 songs which included a setting of Go, tell it on the mountain! that is still performed today.Nathanael Watchorn, a Bandsman at Regent Hall Corps in London, is a new contributor to the journals. He originally wrote this as a vocal arrangement for the group FourHymn, subsequently transcribing it for the corps' Young People's Band, while he was Band Leader.532: Carol Arrangement - They all were looking for a king (Stephen Hull)At the North American Composers Forum, Major Len Ballantine challenged participants to find an unfamiliar song in the Salvation Army Song Book and try to write an arrangement of the listed tune. Stephen Hull happened across They all were looking for a king (S.A.S.B. 128) and the tune Childhood (T.B. 421) which lead to this arrangement.533: March - Washed and healed (Eiliv Herikstad)The Christian experience of many people will have been positively impacted by the life of the late Bandmaster Eiliv Herikstad, either personally or through his musical leadership and compositions. This march is the second publication from this well-known Salvation Army composer since his Promotion to Glory last year. This march is more traditional in style that many of his compositions but contains a strong Christian message and demonstrates his compositional expertise.
Estimated dispatch 7-14 working days
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£12.00Of Men and Mountains (Brass Band Study Score)
Of Men and Mountains was commissioned by the Netherlands Brass Band Championships for their 10th Anniversary Contest, held in Drachten in December 1990.The title of the work and its genesis came about as a result of a train journey the composer took in July 1989 across Canada from Toronto to Vancouver. The awe-inspiring journey through the Rocky Mountains, with its high peaks and shafts of sunlight breaking through the clouds, with its canyons and ferocious rapids, made the composer understand a little more about the majesty of nature and the fragility of humanity. The eternal struggle between man and nature was personified in the building of this incredible railway, hence the title (after Blake).The work is dedicated to the memory of Eric Ball, who died shortly before the writing of the work commenced.Of Men and Mountains is in one continuous movement and lasts about 17 mins. Its form is difficult to describe because of its motivic and accumulative nature, but it is essentially a symphonic tone poem in search of a theme, which eventually comes in its final and complete state in the majestic ending after an ever-increasing paced scherzo.Duration: 17.00
Estimated dispatch 7-14 working days
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£44.95Judd: Music of a Legacy - Contest Version - Steven Ponsford
Newly edited contest version.This piece pays tribute to the vast heritage of Salvation Army brass band music. Written in one movement, it is rhapsodic in nature and quotes references from just a few of the many iconic pieces from the past, progressing naturally through the different styles of music; firstly marches, followed by meditations, major works and then solos. The underpinning theme that binds the work together is the much-loved hymn, by Timothy Dudley-Smith, drawing particular attention to the last line of the first verse; Lord for the years, we bring our thanks today. This is music of thanksgiving to the rich inheritance that inspires writers today to continue the mission of the gospel through this very special and unique genre.
Estimated dispatch 7-14 working days
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