Results
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£22.00VITAE AETERNUM (Brass Band Extra Score)
2014 Butlins First Section. Vitae Aeternum represents the first substantial composition conceived by Paul Lovatt-Cooper in his capacity as 'Composer in Residence' to the world famous Black Dyke Band.? Vitae Aeternum (meaning 'Eternal Life') takes its inspiration from songs composed by Ivor Bosanko and Dick Krommenhoek and is in three continuous movements. Vitae Aeternum was commissioned by Gerard Klaucke of GK Graphic Design VOF and received its first performance in the De Lawei Concert Hall, Drachten, Holland on 25th August 2007 played by Black Dyke Band conducted by Dr. Nicholas Childs. Later that year, it formed the finale of Brighouse and Rastrick Band's winning programme at the Brass in Concert Championship and has since been embraced by other leading bands including Cory Band, Leyland Band and The International Staff Band of The Salvation Army.
Estimated dispatch 7-14 working days
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£49.95
VITAE AETERNUM (Brass Band Set - Score and Parts)
2014 Butlins First Section. Vitae Aeternum represents the first substantial composition conceived by Paul Lovatt-Cooper in his capacity as 'Composer in Residence' to the world famous Black Dyke Band.? Vitae Aeternum (meaning 'Eternal Life') takes its inspiration from songs composed by Ivor Bosanko and Dick Krommenhoek and is in three continuous movements. Vitae Aeternum was commissioned by Gerard Klaucke of GK Graphic Design VOF and received its first performance in the De Lawei Concert Hall, Drachten, Holland on 25th August 2007 played by Black Dyke Band conducted by Dr. Nicholas Childs. Later that year, it formed the finale of Brighouse and Rastrick Band's winning programme at the Brass in Concert Championship and has since been embraced by other leading bands including Cory Band, Leyland Band and The International Staff Band of The Salvation Army.
Estimated dispatch 7-14 working days
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£30.00Presley In Mind
Includes: "Are You Lonesome Tonight?", "Can't Help Falling in Love", and "Wonder of You".Whether you like Elvis or not, audiences will love this medley. Three of his well known ballads, to which the audience can sing along.Talking of singing, the middle section of the band get their chance too! A very popular medley, which has also been included in 'entertainment contests'. The Parr Band won their section at Wychavon in 2004, judged by Goff Richards."Presley in Mind" is featured on Flixton Band's CD (order from [email protected] price �10).Robert Childs commented:"The brass writing is very accessible. The third tune in this triptych of Presley's pop songs requires the entire horn, baritone, trombone and euphonium sections to sing as well - all good fun I'm sure".
In Stock: Estimated dispatch 3-5 working days
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£55.00Triumph Series Brass Band Journal, Numbers 1383 - 1386, March 2026
1383: Festival March - Lead On! (Andrew Wainwright)A dynamic march, commissioned by Majors Paul and Dawn McFarland during their appointment as Area Commanders of The Salvation Army's Dallas-Fort Worth Area, premiered at the 2023 Thanksgiving service at the Dallas Adult Rehabilitation Centre. Featuring the classic hymns Storm the forts of darkness (S.A.S.B. 980) and Lead on, O King eternal (S.A.S.B. 964), the piece captures the drive, hope, and mission at the heart of The Salvation Army's work in North Texas.1384: Confession (Kenneth Downie)This arrangement is based on the tune Lord of all (T.B. 440), one of the welcome additions to the 2015 Salvation Army tune book. Introduced to the arranger by Andrew Blyth, whose appreciation for the melody highlighted its gentle charm, the piece is dedicated to Andrew and the Peterborough Citadel Band, where he served as Bandmaster and continues to play.The music pairs the tune with the reflective words of We have not known thee as we ought (S.A.S.B. 630), a hymn often used in worship as a moment of confession and heart-searching before God. Its inclusion encourages both performers and listeners to approach worship with humility and sincerity.Although labelled simply as "German traditional," the tune's graceful simplicity is immediately evident. This arrangement preserves that character while introducing subtle harmonic colour and developing the tune's rising fourth motif as a unifying musical thread. The gentle nature of the melody remains central throughout, with a slightly heightened energy in the fifth phrase carefully drawn out without disrupting the overall serenity. The sharing of thematic material between Cornets and Horns calls for smooth, unobtrusive ensemble playing, allowing the tune's beauty to speak naturally.1385: God in good (Stephen Hull) This arrangement brings together two much'loved melodies: Goodness of God, a favourite from the final years of the arranger's service as Divisional Music Director in the Wisconsin/Upper Michigan Division, and the simple, enduring chorus God is so good. Heard often at summer camps, the song's message stayed with him, eventually inspiring this thoughtful musical pairing that highlights God's unwavering goodness throughout our lives.1386: A march in time (Martin Cordner)Written to celebrate the 130th anniversary of Thetford Corps (UKI Territory), this lively march pays tribute to a legacy of faithful witness, joyful service, and a community moving forward in God's light. Premiered by Cambridge Citadel Band during the anniversary weekend, the piece weaves together three cherished songs: Marching on in the light of God (S.A.S.B. 968), Jesus, precious Saviour (S.A.S.B. 501), and Light up the sunshine in your heart.
Estimated dispatch 7-14 working days
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£59.95Aftershock (Brass Band - Score and Parts)
In this piece, the term "aftershock" serves as a metaphor for the Christian Church: commissioned by Jesus to carry forward the impact of his ministry and message. The Church is the spiritual aftershock of Christ's life, death, and resurrection - reverberating through history and into the present.Musically, the piece is constructed in three movements and built around motifs that pulse, echo, and resonate, symbolising the ongoing influence of Christ through his Church. Several well-known Christian songs are woven into its fabric, each contributing to the narrative of mission and worship. Build your Kingdom here (Rend Collective) affirms the Church's identity as "the hope on earth," while Major Leonard Ballantine's And you will be my witnesses (M.S. 1992-10) recalls Jesus' call to spread the gospel.The reflective central section features Matt Redman's I will offer up my life in spirit and truth, expressing personal devotion of a believer seeking to serive within the global Church.The finale draws on a traditional Salvation Army song by William Drake Pennick (S.A.S.B. 937), urging believers to proclaim the gospel far and wide: Tell the world, O tell the world!Make salvation's story heard;In the highways, in the byways,And in lands beyond the sea,do some witnessing for JesusWheresoever you may be.
Estimated dispatch 7-14 working days
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£44.95Deus Solus (Brass Band - Score and Parts)
Deus Solus (meaning God Alone) was composed for the Melbourne Staff Band's 130th anniversary at the request of Bandmaster Ken Waterworth. It is based on three Christian tunes - the 18th century hymn O God, our help in ages past (S.A.S.B. 47), and the more contemporary songs God and God alone (Phill McHugh) and Chris Bowater's Faithful God (S.A.S.B. 360). The work begins quietly and with a sense of the unknown, with references to O God, our help in ages past, alluding to the formation and early days of the band.
Estimated dispatch 7-14 working days
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£110.00Diversions After Benjamin Britten (Brass Band - Score and Parts)
Suite by Lucy Pankhurst, Simon Dobson, Paul McGhee and Gavin HigginsHaving devised a collective centenary tribute for Michael Tippett at the 2006 RNCM Festival of Brass (Variations on a Theme of Michael Tippett by five eminent composers of brass band music, PHM002), I commissioned this companion piece as a Benjamin Britten tribute for the 2013 festival. In the late 1970s, while researching a book about the English composer, and Britten's first teacher, Frank Bridge (1879 - 1941), I came across a copy of the printed score of Benjamin Britten's Variations on a Theme of Frank Bridge (Op.10) for string orchestra, in which Britten had written descriptive titles for each of the variations suggesting appropriate character traits of his much loved mentor and guide. The character variations are cast in march, song and dance forms.Taking inspiration from Britten's youthful tribute, I invited four award-winning composers, who have all made significant contributions to the brass band medium, to create their own personal reflections on four aspects of Britten's character and music, designed to form a suite of Diversions after Benjamin Britten, but which can also be played separately.Lucy Pankhurst's hauntingly lyrical Prelude: His Depth refers to the emotional and symbolic subtexts that underpin Britten's operas, taking its musical cue from Britten's many arrangements of folk songs. The flugel horn takes a prominent role throughout.Simon Dobson's breathless Scherzo: His Vitality reminds us with its rapid passage work and leaping bass 'groove' that Britten loved tennis and fast cars in his younger days.Paul McGhee's evocative interpretation of the March: His Sympathy represents Benjamin Britten's pacifism, as the composer writes: 'We view the music through the eyes of a pacifist. Whilst war and violence surround us, we do not engage in it and though it continues to happen around us. With the use of muted effects in most of the band throughout the piece, the flugel horn is the lone voice of reason, standing firm against the mechanical and destructive society in which it is forced to live. As the machine of war continues around the lone voice, the voice is gradually dismissed and mocked as the war machine rumbles on into the distance.'In an extended finale, entitled Toccata: His Skill, Gavin Higgins celebrates Benjamin Britten's consummate creativity. For the RNCM Festival of Brass premiere, the four contrasting movements were framed and connected by Britten's Fanfare for St. Edmundsbury for three trumpets, with the trumpet soloists spaced round the hall. I am grateful to the Britten Estate and publishers Boosey & Hawkes for giving permission for the elements of Britten's fanfare to be incorporated in the collective work.- Paul HindmarshDuration: 19.30
Estimated dispatch 7-14 working days
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£45.00
Diversions After Benjamin Britten (Brass Band - Score only)
Suite by Lucy Pankhurst, Simon Dobson, Paul McGhee and Gavin HigginsHaving devised a collective centenary tribute for Michael Tippett at the 2006 RNCM Festival of Brass (Variations on a Theme of Michael Tippett by five eminent composers of brass band music, PHM002), I commissioned this companion piece as a Benjamin Britten tribute for the 2013 festival. In the late 1970s, while researching a book about the English composer, and Britten's first teacher, Frank Bridge (1879 - 1941), I came across a copy of the printed score of Benjamin Britten's Variations on a Theme of Frank Bridge (Op.10) for string orchestra, in which Britten had written descriptive titles for each of the variations suggesting appropriate character traits of his much loved mentor and guide. The character variations are cast in march, song and dance forms.Taking inspiration from Britten's youthful tribute, I invited four award-winning composers, who have all made significant contributions to the brass band medium, to create their own personal reflections on four aspects of Britten's character and music, designed to form a suite of Diversions after Benjamin Britten, but which can also be played separately.Lucy Pankhurst's hauntingly lyrical Prelude: His Depth refers to the emotional and symbolic subtexts that underpin Britten's operas, taking its musical cue from Britten's many arrangements of folk songs. The flugel horn takes a prominent role throughout.Simon Dobson's breathless Scherzo: His Vitality reminds us with its rapid passage work and leaping bass 'groove' that Britten loved tennis and fast cars in his younger days.Paul McGhee's evocative interpretation of the March: His Sympathy represents Benjamin Britten's pacifism, as the composer writes: 'We view the music through the eyes of a pacifist. Whilst war and violence surround us, we do not engage in it and though it continues to happen around us. With the use of muted effects in most of the band throughout the piece, the flugel horn is the lone voice of reason, standing firm against the mechanical and destructive society in which it is forced to live. As the machine of war continues around the lone voice, the voice is gradually dismissed and mocked as the war machine rumbles on into the distance.'In an extended finale, entitled Toccata: His Skill, Gavin Higgins celebrates Benjamin Britten's consummate creativity. For the RNCM Festival of Brass premiere, the four contrasting movements were framed and connected by Britten's Fanfare for St. Edmundsbury for three trumpets, with the trumpet soloists spaced round the hall. I am grateful to the Britten Estate and publishers Boosey & Hawkes for giving permission for the elements of Britten's fanfare to be incorporated in the collective work.- Paul HindmarshDuration: 19.30
Estimated dispatch 7-14 working days
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£38.95Unity Series Band Journal February 2013 Numbers 402 - 405
No.402 Procession and praise (Andrew Mackereth)Written for an event at Belfast Citadel in November 2011, the tunes included were chosen by the youthful participants themselves!No.403 Suite - Learn, love and Live (Martin Cordner)Written for one of the bands at the 2011 Belfast Temple Music School, the three movements of this suite feature the songs 'Come Fill my cup', 'Such love' and 'Running over' respectively.No.404 Trombone Solo - You can't stop God (Kevin Larsson)Kevin Larsson has take one of his father's tunes and arranged it in the style of a Cuban bolero with the instruction that it is played at 100 beats per minute, or slower!No.405 March - The King's people (Trevor Davis)This march was written for the 125th anniversary of Loughborough Corps and is based on the song 'Come, people of the risen King' which was a particular favourite of the corps.
Estimated dispatch 7-14 working days
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£44.95Judd: Kerygma
The Greek word 'kerygma' was adopted by the early Christian church as a way of expressing 'the word of God proclaimed'. The composer has taken this concept and used three contemporary worship songs, 'He is Lord', 'Jesus Christ' and 'He has risen', along with fragments of the more traditional 'Easter Hymn', to proclaim in music the Lordship of the risen Christ.
Estimated dispatch 7-14 working days
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