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  • £174.99

    Tales and Legends (Brass Band - Score and Parts) - Crausaz, Etienne

    This three-movement work by the Swiss composer Etienne Crausaz reflects three true stories and fascinating legends from the Middle Ages. The first movement tells the dramatic story of the 'witch' Catherine 'Catillon' Repond (1662-1731). She was the last woman ever to be executed for sorcery. In the second movement, the famous court jester Girard Chalamala occupies centre stage. This jester, the last one at the castle of Count Greyerz, could make everyone laugh. The third movement tells the story of Count Michael. He went down in history as a spendthrift bon-vivant. His burden of debt became so high that he did a moonlight flit and never came back! Duration: 21.00

    Estimated dispatch 7-14 working days

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  • £44.95

    Cross-Rhythms (Brass Band - Score and Parts) - Ponsford, Steven

    'Cross-rhythms' was commissioned for the 2016 Bolsover International Brass Band Summer School, and tries to portray the contrasting emotions of the Easter story. The music features three Easter-based hymns against various contrasting rhythms. References to the tune 'Rockingham' are heard, to which the words of Isaac Watts are associated 'When I survey the wondrous cross', along with Bramwell Coles' much-loved 'Here at the cross' and John Stainer's triumphant 'Cross of Jesus'.

    Estimated dispatch 7-14 working days
  • £22.50

    Cross-Rhythms (Brass Band - Score only) - Ponsford, Steven

    'Cross-rhythms' was commissioned for the 2016 Bolsover International Brass Band Summer School, and tries to portray the contrasting emotions of the Easter story. The music features three Easter-based hymns against various contrasting rhythms. References to the tune 'Rockingham' are heard, to which the words of Isaac Watts are associated 'When I survey the wondrous cross', along with Bramwell Coles' much-loved 'Here at the cross' and John Stainer's triumphant 'Cross of Jesus'.

    Estimated dispatch 7-14 working days
  • £109.99

    Frontier Vision (Brass Band - Score and Parts) - Bulla, Stephen

    Frontier Vision is a concert or contest piece based on three elements: the commemoration of the 500th anniversary of Reformation Day, the Martin Luther melody, A Mighty Fortress Is Our God (Ein Feste Burg ist unser Gott) on which this composition is based, and thirdly the spreading of the evangelical movement in the late 19th century, of which the analogous storyline forms the structural basis of this work. Multi-cultural ethnic influences, along with the driving rhythms that reflect the perseverance and hard work of those mission-minded pioneers, are both important components that make Frontier Vision an outstanding choice for your concert or contest. Frontier Vision was the test piece for the second division in the Dutch National Brass Band Championships 2017. Duration: 12.00

    Estimated dispatch 7-14 working days

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  • £104.99

    Friendly Takeover (Brass Band - Score and Parts) - Waespi, Oliver

    Friendly Takeover was composed for the 2016 Swiss Wind Band Convention in Montreux. In this three movement piece the composer experiments with lyrical motives combined with rhythmical pulses in different meters throughout the piece. In the finale, the musical scene is taken over completely by groove-based rhythms. This takeover, however, is of a friendly nature, as the various beats are not being conceived as rivals of the lyrical motives, but are rather supposed to infuse energy and vitality to the latter. Thus, one gets the impression of an ongoing acceleration throughout the piece. Duration: 9.30

    Estimated dispatch 7-14 working days

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  • £23.99

    Friendly Takeover (Brass Band - Score only) - Waespi, Oliver

    Friendly Takeover was composed for the 2016 Swiss Wind Band Convention in Montreux.In this three movement piece the composer experiments with lyrical motives combined with rhythmical pulses in different meters throughout the piece. In the finale, the musical scene is taken over completely by groove-based rhythms. This takeover, however, is of a friendly nature, as the various beats are not being conceived as rivals of the lyrical motives, but are rather supposed to infuse energy and vitality to the latter. Thus, one gets the impression of an ongoing acceleration throughout the piece.Duration: 9.30

    Estimated dispatch 7-14 working days

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  • £59.99

    A Norwegian Hymn (Brass Band - Score and Parts) - Fiske, Axel - Sparke, Philip

    British composer Philip Sparke was asked to write this arrangement of Hymn to Frei for the Norwegian Brass Band Frei Hornmusikk . Sparke had already used part of this hymn by a composer well-known in the home region of the band in The Saga of Haakon the Good. In A Norwegian Hymn, three verses of the tune can be heard: the first is performed by various soloists, followed by a quieter second verse, before the third verse brings the piece to a triumphal close. A beautiful piece, which is also excellent to use to work on musicality with bands in lower divisions.Duration: 4.00

    Estimated dispatch 7-14 working days

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  • £88.00

    Fanfares, Marches, Hymns and Finale (Brass Band - Score and Parts) - Broughton, Bruce

    "Fanfares, Marches, Hymns and Finale" is a series of self-referential movements, each composed around an attitude expressed in the title rather than for any actual utilitarian use. Hence, it would be difficult to march to most of "Marches", although it is composed of martial rhythms and associative figures. One could, however, sing the pentatonic (five note) main theme from "Hymns", which is composed in an American folk-hymn style and set in an Atmosphere evocative of meditation and reflection, although there is no text associated with the themes. "Fanfares" is based upon an opening six-note motif first heard in unison. It precedes and announces the following three movements. As the plural aspect of the title indicates, "fanfares" open and close the movement itself. Needless to say, the spirited "Finale" brings the piece to a close. Duration: 11.00. Suitable for Championship Section Bands.

    Estimated dispatch 7-14 working days
  • £100.00

    Danceries (Set II) (Brass Band - Score and Parts) - Hesketh, Kenneth

    Danceries Set II, arranged for brass band, was first commission by Keith Allen for the Birmingham Symphonic Winds. This second set of Danceries continues the format, established in the popular Danceries (Set I), of using tunes and dances from Playford's Dancing Master (17th century) to form the basis of an extended dancesuite. In this set, the melodies have become more abstracted and project only a distant echo of their original forms. As before, each movement is self-contained, colourful and direct, with its own distinct mood. The outer movements - Jennie's Bawbee and Peascod's Galliarda - share driving percussion with a military air. Tom Tinker's Toye and Heart's Ease (movements two and three) are both settings of original melodies. All movements are more extended than in the first set, with a freer use and approach to the material; melodies now occur in various keys and are supported by a greater variety of harmonic colouring. The result is a richer, even more exhilarating set of dances. Suitable for 1st Section Bands and above. Duration: 15.00

    Estimated dispatch 7-14 working days

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  • £137.99

    Metamorphosis (Brass Band - Score and Parts) - De Haan, Jan

    The opening of this three-movement work features an initial appearance of the thematic material that returns in various guises later on in the work. The leitmotiv centres on a minor second.A range of thematic variations is heard in the lively and energetic Metamorphosis One. This movement is interrupted by an atmospheric meno mosso, containing melodic passages that return to the opening theme.Metamorhosis Two is characterised by various changes in tempo and musical character. Seven different soloists transform the thematic material - each in their own way. This eventually culminates in a passionate tutti passage.The source of inspiration for Metamorphosis Three is the so-called BACH-motif, a musical autograph consisting of the notes B flat, A, C and B. This distinctive motif arises from the leitmotiv (here a descending minor second), which continues to evolve through various transpositions and transformations. For the composer, this spectacular last movement is an homage to one of the greatest and most influential composers in the history of music: Johann Sebastian Bach.Duration: 17:00

    Estimated dispatch 7-14 working days

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