Results
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£38.00A Redbridge Rage (Brass Band - Score and Parts) - Wilcox, Chris
Put simply, a 'Raga' is a scale used in Indian music, but aside from being a series of ascending and descending notes, ragas are also associated with different moods and with particular times of the day or year. A Redbridge Raga is influenced by the use of the 'Raga Bhairav' (a morning raga) which is clearly outlined in the mysterious opening of the piece. The following section is much more lively, incoprorating elements of Bhangra (a musical style emanating from the fusion of Indian folk music with British pop culture). The title reflects the location of the first performance that took place at Redbridge Town Hall, East London. Duration: 5.30. Suitable for 2nd Section Bands and above.
Estimated dispatch 7-14 working days
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£29.95War Cry (Brass Band - Score and Parts) - Gates, Dorothy
This work was written as the opener for the New York Staff Band's 125th anniversary concert in Carnegie Hall in March 2012. Based on the song, 'Ever is the war cry'. the music is quite militant in nature which is a direct reflection of the text. While the composer pays homage to the past in this fitting salute, the overall musical style is decidedly that of the 21st century.
Estimated dispatch 7-14 working days
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£14.95
War Cry (Brass Band - Score only) - Gates, Dorothy
This work was written as the opener for the New York Staff Band's 125th anniversary concert in Carnegie Hall in March 2012. Based on the song, 'Ever is the war cry'. the music is quite militant in nature which is a direct reflection of the text. While the composer pays homage to the past in this fitting salute, the overall musical style is decidedly that of the 21st century.
Estimated dispatch 7-14 working days
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£40.00Two Aquarelles (Euphonium Feature with Brass Band - Score and Parts) - Delius, Frederick - Hindmarsh, Paul
In the late spring of 1917, the Bradford born composer, Frederick Delius (1856 - 1934) composed two short part-songs at his home in Grez-sur-Loing. The river ran along the bottom of his garden and he called the two miniatures To be sung of a summer night on the water. The First World War was at its height, but one would never guess that from the languid and serene quality of these richly textured nocturnes. The songs were first heard in London on 28 June, sung by the Oriana Madrigal Society, conducted by Charles Kennedy Scott. In 1932 Delius's amanuensis, Eric Fenby, arranged them for string orchestra as Two Aquarelles. While I have taken Fenby's title, my arrangement is a note-for-note transcription of the choral original. It was prepared in early in 1993 for Besses o' th' Barn Band, of which I was Musical Director at the time. In the second song, the prominent tenor solo has been given to the solo euphonium, who should stand apart from the band in performance.- Paul HindmarshDuration: 5.00
Estimated dispatch 7-14 working days
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£39.00El Capitan (Brass Band - Score and Parts) - Sousa, John Philip - Wilkinson, Keith M.
El Capitan was originally an operetta which was first produced in Boston in 1896. It was initially very popular and there are occasional revivals even to this day. The march of the same title uses themes from the opera and was also published in 1896. One notable feature - resulting from the use of themes from the operetta - is the abrupt transition from 6/8 to 2/4 half way through the march.This arrangement was prepared for the 2013 Summer concerts of Brass Band of the Western Reserve, musical director Dr Keith M Wilkinson.
Estimated dispatch 7-14 working days
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£82.95VIVAT! (Brass Band - Score and Parts) - Davoren, Tom
2012 National Championships Finals - First Section.Commissioned for the 2012 Section 1 Finals as a celebration of the Queen's Diamond Jubilee, the work is in three contrasting continuous sections that run continuously and the music is derived from Parry's coronation anthem, I Was Glad. The sections are:In Memorium, evoking the noble but gentle personality of the Queen's father, George VI. Opening with an atmospheric baritone solo (and later featuring solo horn, flugel horn, euphonium and solo cornet), the music explores themes of grief, sentimentality and hope.Coronation, a fanfare and subsequent theme which is grandiose in style, capturing the spirit and excitement of British pomp and ceremony.The closing, Jubilate is a celebration of life and family values, Vivat being Latin for life, or long life. The music passes through moments of tension, virtuosity, humour and jubilance before a finale constructed from connected musical fragments, drawn from throughout the work, form (for the first time) Parry's majestic I Was Glad theme.Duration: 10.45
Estimated dispatch 7-14 working days
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£44.95VIVAT! (Brass Band - Score only) - Davoren, Tom
2012 National Championships Finals - First Section.Commissioned for the 2012 Section 1 Finals as a celebration of the Queen's Diamond Jubilee, the work is in three contrasting continuous sections that run continuously and the music is derived from Parry's coronation anthem, I Was Glad. The sections are:In Memorium, evoking the noble but gentle personality of the Queen's father, George VI. Opening with an atmospheric baritone solo (and later featuring solo horn, flugel horn, euphonium and solo cornet), the music explores themes of grief, sentimentality and hope.Coronation, a fanfare and subsequent theme which is grandiose in style, capturing the spirit and excitement of British pomp and ceremony.The closing, Jubilate is a celebration of life and family values, Vivat being Latin for life, or long life. The music passes through moments of tension, virtuosity, humour and jubilance before a finale constructed from connected musical fragments, drawn from throughout the work, form (for the first time) Parry's majestic I Was Glad theme.Duration: 10.45
Estimated dispatch 7-14 working days
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£44.95
Deus Invictus - God Unconquered (Brass Band - Score and Parts) - Mackereth, Andrew
Deus Invictus draws its inspiration from well-known words from Romans 8: 38-39; 'For I am convinced that neither death nor life, neither angels nor demons, neither the present nor the future, nor any owers, neither height nor depth, nor anything else in all creation, can separate us from the love of God'. The music reflects the confidence and certainty of the scripture text while, as in everyday life, trials and tests come along which are reflected in a sequence of musical skirmishes. The work introduces the 19th century hymn 'St Albinus' to a wider audience and also includes references to the tunes 'St Margaret' and 'Rachie'. A setting of the Easter Hymn, 'Christ the Lord is risen today!', is heard followed by a final reprise of 'St Albinus'.
Estimated dispatch 7-14 working days
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£22.50
Deus Invictus - God Unconquered (Brass Band - Score only) - Mackereth, Andrew
Deus Invictus draws its inspiration from well-known words from Romans 8: 38-39; 'For I am convinced that neither death nor life, neither angels nor demons, neither the present nor the future, nor any owers, neither height nor depth, nor anything else in all creation, can separate us from the love of God'. The music reflects the confidence and certainty of the scripture text while, as in everyday life, trials and tests come along which are reflected in a sequence of musical skirmishes. The work introduces the 19th century hymn 'St Albinus' to a wider audience and also includes references to the tunes 'St Margaret' and 'Rachie'. A setting of the Easter Hymn, 'Christ the Lord is risen today!', is heard followed by a final reprise of 'St Albinus'.
Estimated dispatch 7-14 working days
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£94.99Dublin Pictures (Brass Band - Score and Parts) - Jeanbourquin, Marc
Ireland is a multi-faceted country that has developed a popular and distinctive musical culture. The first movement of Dublin Pictures reflects Irish festivals where there is dancing and traditional beer flowing. More tranquil in its feel, the second movement illustrates the landscape that can be seen from the Ha'penny Bridge, a bridge that crosses the River Liffey in Dublin. This movement highlights the wide range of the orchestra's sound colours as the musicians' voices combine with the wind and percussion to accompany the soloist. The lively and joyful rhythms of the last movement take the listener to Temple Bar, the famous tourist quarter of the city, well known for its vibrant nightlife. The music's energy and virtuosic motifs are in contrast to the previous movement and provide a spirited and festive finale.Marc Jeanbourquin wrote this piece in three movements for Azimuts Brass in 2011.Duration: 7:45
Estimated dispatch 7-14 working days
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