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£45.00The Pilgrim - Josiah Walters
Josiah describes his composition'The Pilgrim' as a journey of development and emotion, encompassing three key stages of emotional state: from the opening sounds which are full of anticipation and uncertainty, through to a passage of disillusionment and frustration, then moving on to a concluding stage which reintroduces the positive elements of the opening optimism, yet closing quietly, symbolizing an inner peace and contentment at the end of the musical journey.The composer's emotive approach to the creation of the work embraces a wealth of passion, anguish and enlightenment. Through his use of imaginative melody, themes and harmonic texture, Josiah has represented a collection of powerful emotions. Essentially non-programmatic, the piece opens in a contemplative manner, building with enthusiasm, and first introducing the use of bells and bell effects as a musical metaphor which is used throughout the piece to signify the journey's destination.As the sentiment continues, the music evolves in to an Allegro Furioso section, opening up a strong sense of frustration. At this section's climax, the symbolic use of the bells is reintroduced to create an over-tone of hope and purpose, although this does not last long as they fade into the Misterioso Molto Rubato section.As the melodies and harmonies develop onwards, 'The Pilgrim' evolves into a more reflective phase, reintroducing the sounds and motifs of the more strident opening.This closing section symbolizes the realisation that everything needed was already available to The Pilgrim, but travelling the journey, confronting and overcoming all of the challenges was the only route of discovery - peacefulness prevails, bringing the work to a close with a sense of contentment and enlightenment.'The Pilgrim', highly emotive in its creation, offers a wealth of musical imagery.Even to the uninformed listener, this fascinating, powerful and beautiful work stirs and stimulates a variety of emotional reactions - offering each listener an opportunity to apply the music to their own journey, their own personal pilgrimage.
In Stock: Estimated dispatch 3-5 working days
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£30.00David of the White Rock - Traditional
Christian Overhead brings this innovative arrangement for brass band of this beautiful traditional melody, offering a new mystical dimension to the music.
In Stock: Estimated dispatch 3-5 working days
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£87.99Sunday in the Park - Philip Sparke
Sunday in the Park was written for tenor horn virtuoso Sheona White, and commissioned by her partner, Matt Wade, as a Christmas present.Composer Philip Sparke had known and admired Sheona's playing for many years, having produced her first solo CD and written pieces for her previously.Both composer and performer are huge fans of the late Karen Carpenter, Sheona in part modelling her sound on the singer's sultry voice; so it was decided that this new solo would be a piece which, whilst not being a 'Carpenters' pastiche, paid tribute to their relaxed style and rich harmonic language. Sunday in the Park openswith an accompanied cadenza for the soloist, which leads to a gentle rhythmic melody with a laid-back feel. This is taken up by the band but the soloist sparks a change of mood by introducing a faster light rock interlude. This reaches a climax, at which point the music unwinds until the original mood returns.A variation on the original melody leads to a short cadenza from the soloist, which brings the work to a peaceful close.
Estimated dispatch 5-14 working days
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£42.95The Platinum Jubilee March - Chris G. Shelton
The Platinum Jubilee March was written to celebrate Her Majesty, Queen Elizabeth II's seventy-year reign as monarch of the United Kingdom. Its premiere was televised live around the world as part of the Queen's Birthday Parade which marked the start of the national Platinum Jubilee celebrations. The Queen's Birthday Parade 2022 saw the First Battalion of the Irish Guards trooping their colour. To reflect this, the march begins in a celebratory style and features a melody based around the opening motif of Let Erin Remember - the regimental slow march of the Irish Guards. In traditional style, the march develops excitement both harmonically and melodically, creating a strong sense of drive before reaching a stately trio. This section has a very regal and noble feel, lending subtle harmonic nods to two of the most quintessentially British composers, Gustav Holst, and Sir William Walton. The march culminates in a bold grandioso, featuring semi-quaver lines that are underpinned by a driving trombone countermelody. A forthright restatement of the introductory fanfare brings the march to a very definite and resolved ending.
Estimated dispatch 5-14 working days
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£119.99The Patriots - Jan de Haan
The Dutch patriottentijd (literally 'Time of the Patriots') was a period of political instability in the 1780s. The country was led by regents who were occupied with their own personal interests rather than dedicating themselves to the needs of the people. In this revolutionary period, the devoted republican Patriots were in conflict with the Orangists. A civil war followed, in which the Patriots were beaten and driven away by a Prussian army. This composition is an abstract piece inspired by the Patriots. The thematic material is based on the Dutch war song 'Merck toch hoe sterck'. Its powerful minor melody, which has its origins in the Eighty Years' War, is recognizablethroughout the work, presented in variations of constantly shifting character.
Estimated dispatch 5-14 working days
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£49.99Let the Bells Ring! - Robert Buckley
Robert Buckley has taken a rhapsodic approach to this version of the familiar Ukrainian Bell Carol, mixing original ideas along with the well-known melody. Every section of the band gets a chance to shine in this dazzling and skillfully crafted holiday production number, perfect for mature ensembles.
Estimated dispatch 5-14 working days
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£24.50Swanee River - Stephen Foster - Alan Beaumont
The song "Old Folks At Home" over the years has become better known by the lyrics of its first line (Way Down Upon The) Swanee River. The composer Stephen Foster (also known for songs such as "Oh! Suzanna" & "Jeanie With The Light Brown Hair") struggled to find the perfect river to fit his melody, until his brother suggested the "Suwannee" river in Southern Georgia/Northern Florida, although, Foster misspelled the name intentionally to fit the melody line. The song has been the official state song of Florida since 1935. This rousing arrangement by Alan Beaumont will take your audience on a foot tapping, lighthearted journey. With the melody featured in a variety of different styles, the comedy sounds of duck calls, car horns, sirens & other surprises will keep the audience (& players) on their toes. A wonderful addition to any bands library, not to be missed.
In Stock: Estimated dispatch 1-3 working days
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£24.50Silent Stars Go By - R.V Williams - Gavin Somerset
The title "The Silent Stars Go By" is the 4th line from the very popular carol "O Little Town Of Bethlehem". Arranged now as a simple cornet solo, the melody is brought out by both the soloist and the band is such a way, that this simply melody can warm hearts on the coldest of nights. This is a fantastic item for all cornet players and playable by most levels of bands, perfect also for the younger soloist. For Christmas 2020, we have made backing tracks of this title for you to download. These can be used either for personal playback use, or to create a virtual performance of the piece with your full band. To download the backing track, please RIGHT CLICK HERE & Save As .
In Stock: Estimated dispatch 1-3 working days
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£24.50
Triumphant - Bill Willis
TriumphantThis is a bright concert march in a traditional style and should pose no problems for the majority of bands.The first half of the march moves between the related keys of A min and C majThe march starts with a bold opening 2 bar statement in A min. At B the rhythm from the middle of the band should not be allowed to slow the pace of the march. C sees a majestic bass melody from Baritones downwards moving to D where a repeat of the original theme is presented before moving to the TRIO section. This moves between the related keys of F maj and D min. The melody heard at E is repeated at G with a florid counter-melody heard from 1st Baritone and Euphonium leading to the finish.
In Stock: Estimated dispatch 1-3 working days
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£29.50
How Great Thou Art - Trad - Edward Knowles
Every year, bands up and down the country perform joint concerts with choirs around the UK & across the globe. Joint items between the two ensembles are wonderful viewing (& listening) for the audience and can work as a terrific finale. Now, with the release of this arrangement, bands and choir* can join together and perform this wonderful work. Featuring a Baroque fanfare to open and a fugue towards the end, this is a simply stunning way for band and voices to be brought together. The arrangement also features an optional cut which allows the work to be performed without a choir. However, this arrangement invites the band to sing the melody in 4 part harmony, giving a fantastic new dimension to your bands versatility. Full choir parts & a piano part (for choir rehearsal purposes) are included with this publication. This really is a fantastic item that can make the hairs on your neck rise.
In Stock: Estimated dispatch 1-3 working days
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