Results
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£27.50The Eighteenth Variation
A melancholy Rachmaninov melody (from the Paganini Variations for Piano & Orchestra) to melt any romantic's soul. Anyone who doesn't find this melody gorgeous in the extreme needs prolonged medical treatment !
Estimated dispatch 7-14 working days
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£24.99The Wellerman New Zeland Trad. Arr. Joseph Knight
This is a traditional New Zeland Folk Melody circa 1820 - 1830. From 1833 onwards, the Wellermen, on ships owned by Weller Brothers of Sydney, supplied provisions to New Zealand shore whaling stations from their base at Otakou. This melody has been arranged by Joseph Knight for full brass band with Drum Kit and Glockenspiel. It is written for fourth section bands and above, although it could be used with a better youth band. A real audience pleaser!
Estimated dispatch 5-7 days
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£36.10Fanfare for the Future (Brass Band) Robbert Vos
Fanfare for the Future is a stirring and optimistic piece of music that celebrates the possibilities of the future. The piece is scored for brass band and percussion, and it features two contrasting themes: an exciting fanfare and a hymn-like melody. Written during Covid, the fanfare represents the challenges and obstacles that we face in the world, while the hymn represents our hopes and dreams for the future. The two themes come together in a grand finale, which represents our determination to overcome the challenges of the present and build a better future for ourselves and for generations to come. To view a follow-the-score video of the work please visit www.youtube.com/watch?v=tBbFpNFd3I4 PDF download includes score and full set of parts. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 2nd Section + This title is also available for brass choir with percussion here. Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-3
In stock: Estimated dispatch 1-3 days
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£34.95Fire & the Phoenix, The - Christopher Bond
The Fire & the Phoenix (2015) was commissioned by Brett Baker in early 2015 as the opening track to his solo CD 'Myths & Legends'. Whilst structurally a single-movement work, it is presented so that it can link directly into the next work on the CD, adding to a continuous theme comprising a number of pieces from a number of composers. Opening with huge strident chords in the full band, the representation of the phoenix is instantly reflected; bold, powerful and a bird of great intensity. This makes way for a more mystical section marked 'distant' which reflect the beauty of the Phoenix and it's mythical nature where the trombone soars up into its higher register with a sweeping melody. Soon after, the music takes a sharp turn, becoming dramatic and instantly moving away from the mystical mood created previously. Here, we imagine the Phoenix catching fire, burning intensely with huge flames as it gradually turns into ash. We reach a tonic pedal point in the music, over which chord progressions subtly weave in and out of the texture. Here, we imagine the Phoenix rising from the ashes, with the dynamics gradually increasing to reflect this, slowly taking shape as it is born again. A return to earlier material follows, this time manipulated to reflect the Phoenix in its new form - the same bird; the same animal; but at the same time different. A beautiful chorale-like passage is heard before the music transports us back into a magical land, where delicate rhythmic ideas are juxtaposed against bolder lower chords; both ideas together transporting the listener forward into the next piece.
Estimated dispatch 5-10 working days
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£34.95Over The Horizon - Christopher Bond
Over the Horizon (2017), whilst both harmonically and compositionally a simple endeavour, is a spine-tingling beautiful melody for soprano cornet. Based on the painting seen in the sleeve notes of Steve Stewart's album of the same name, the work takes its inspiration from the open expansiveness of the ocean, glistening in the moonlight as four people sit quietly - two parents, a boy, and a girl. A feeling of heartfelt longing throughout the work which is developed both melodically and texturally by soloist and accompaniment; perhaps reflecting the desire to know indeed what is over the horizon. The longing intensifies with a climatic section of grandeur - a feeling of longing which arguably isn't resolved until that all-important - and high - last note. Over The Horizon was written for and commissioned by Steve Stewart and Cory Band in Spring 2017.
Estimated dispatch 5-10 working days
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£10.00The Once and Future King
DescriptionThe Once and Future King is a suite of three movements; each movement was inspired by an Arthurian legend. The first movement, 'Tintagel', concerns the famous Cornish promontory said to be the birthplace of King Arthur. In Arthur's time, Tintagel was part of the court of King Mark of Cornwall and the music imagines a visit by the King of the Britons to his Cornish neighbour and the place of his birth, reflecting the ceremony and drama of such an occasion; the music is strongly antiphonal, contrasting the more strident fanfares of the cornets and trombones with the warmth of the saxhorns and tubas.The second movement, 'Lyonesse', takes its inspiration from the mythical land which once joined Cornwall to the Isles of Scilly. One legend claims that after the disastrous battle of Camlan where Arthur and Mordred were both killed, the remnants of Arthur's army were pursued across Lyonesse to Scilly, whereupon Merlin cast a spell to sink Lyonesse behind them and drown the pursuers. Some say the bells of the 140 churches inundated that day can still be heard ringing. All the material in this movement derives from two short motifs heard in counterpoint at the very beginning, which are intentionally dissonant and bitonal in character.The final movement, 'Badon Hill', takes its title from the legendary site of Arthur's last battle with the Saxons and is a lively toccata based on the medieval secular song L'Homme Armee ('The Armed Man'). The music uses a number of medieval devices including "hocketing" (passing melody from one voice to another). The actual site of Badon Hill is unknown but it has been associated with Badbury Rings in Dorset and a lot of evidence now points towards the town of Bath. Arthur's victory at Badon Hill was the last great victory for Celtic Britain over the Saxon invaders, but in the end only set the conquest back by a few decades. Arthur himself was dead by then, betrayed and defeated by his nephew Mordred, but it is said that Arthur only sleeps and will return in a time of dire need - hence the legend that Arthur's dying words were: Bury me in Britain, for I am the Once and Future King.Performance NotesWhere space and practicality permits the opening movement should be played with cornets and trombones standing behind the band facing the audience; they should retake their seats for the second and third movements.PercussionConcert Bass Drum (ideally NOT Kit/Pedal Bass Drum), Suspended Cymbal, pair of Clash Cymbals, Glockenspiel, Snare Drum, Tambourine, 2 x Timpani (Eb-G, Bb-D), 2 x Tom-toms, Triangle, Tam-Tam* (only if available), Tubular Bells *(only if available).MutesBaritones, all cornets and trombones will require metal straight mutes; all trombones and cornets will require cup mutes.*The Once and Future King was set as the test-piece for the 3rd section of the Swiss National Championships in 2007. The score was then slightly revised in July 2008, the main alteration being the exclusion of the tubular bells part for the Regional Championships of Great Britain in 2009. Some parts which were optional (or cued on other instruments) at the request of the Swiss Brass Band Association were restored to their original octaves and instruments. In 2015 the tubular bells part was restored in the optional Percussion 3 part; all parts in Percussion 3 are optional, although some are cued in the percussion 1 & 2 parts (and the cues should be played if only two players are available).Listen to a preview and follow along with the score below!
Estimated dispatch 7-14 working days
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£42.95The Platinum Jubilee March - Chris G. Shelton
The Platinum Jubilee March was written to celebrate Her Majesty, Queen Elizabeth II's seventy-year reign as monarch of the United Kingdom. Its premiere was televised live around the world as part of the Queen's Birthday Parade which marked the start of the national Platinum Jubilee celebrations. The Queen's Birthday Parade 2022 saw the First Battalion of the Irish Guards trooping their colour. To reflect this, the march begins in a celebratory style and features a melody based around the opening motif of Let Erin Remember - the regimental slow march of the Irish Guards. In traditional style, the march develops excitement both harmonically and melodically, creating a strong sense of drive before reaching a stately trio. This section has a very regal and noble feel, lending subtle harmonic nods to two of the most quintessentially British composers, Gustav Holst, and Sir William Walton. The march culminates in a bold grandioso, featuring semi-quaver lines that are underpinned by a driving trombone countermelody. A forthright restatement of the introductory fanfare brings the march to a very definite and resolved ending.
Estimated dispatch 5-14 working days
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£119.99The Patriots - Jan de Haan
The Dutch patriottentijd (literally 'Time of the Patriots') was a period of political instability in the 1780s. The country was led by regents who were occupied with their own personal interests rather than dedicating themselves to the needs of the people. In this revolutionary period, the devoted republican Patriots were in conflict with the Orangists. A civil war followed, in which the Patriots were beaten and driven away by a Prussian army. This composition is an abstract piece inspired by the Patriots. The thematic material is based on the Dutch war song 'Merck toch hoe sterck'. Its powerful minor melody, which has its origins in the Eighty Years' War, is recognizablethroughout the work, presented in variations of constantly shifting character.
Estimated dispatch 5-14 working days
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£213.90Aubade - Dawn Songs of the Fabulous Birds - Torstein Aagaard-Nilsen
Commissioned by The Norwegian Band Federation for The European Brass Band Championship 2003, in Bergen, Norway (Third edition) I remember as a kid the very early morning wake-up ceremonies caused by Seagulls having a "party" outside our home. Very few would describe it as beautiful, particularly not at 4:30 in the morning... But by listening carefully to birds I was fascinated by their diversity and musical language: they dont sing tunes or long phrases, they rather make sounds and signals, based on short motives. Aubade is based on musical pictures of the imaginary birds: the creatures with wings that exists only in myths and legends. The whole story starts with aBaritone-cadenza that evoke all the sleeping creatures. Very soon they all start to sing their songs in one way or another. The composition has a burlesque scherzo-character including slow espressive intersections. Traditional elements like melody and harmony is combined with extensive sounds and textural effects created by use of multiple muting, singing and playing at the same time. I am not too concerned about having a program for the piece. I just know that by thinking of the unheard dragon-songs, griffin-songs, the sound of the dodo, my creativity was stimultated. As a piece of music, Aubade follows its own rules based on well-known elements like melodies, arpeggio-figures, harmonies, rhythms, variations and recapitulation of ideas. - Torstein Aagaard-Nilsen
Estimated dispatch 5-14 working days
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£168.50Music of the Spheres - Philip Sparke
Music of the Spheres was commissioned by the Yorkshire Building Society Band and first performed by them at the European Brass Band Championships in Glasgow, May 2004.The piece reflects the composers fascination with the origins of the universe and deep space in general. The title comes from a theory, formulated by Pythagoras, that the cosmos was ruled by the same laws he had discovered that govern the ratios of note frequencies of the musical scale. ('Harmonia' in Ancient Greek, which means scale or tuning rather than harmony - Greek music was monophonic). He also believed that these ratios corresponded to the distances of the sixknown planets from the sun and thatthe planets each produced a musical note which combined to weave a continuous heavenly melody (which, unfortunately, we humans cannot hear). In this work, these six notes form the basis of the sections Music of the Spheres and Harmonia.The pieces opens with a horn solo called t = 0, a name given by some scientists to the moment of the Big Bangwhen time and space were created, and this is followed by a depiction of the Big Bangitself, as the entire universe bursts out from a single point. A slower section follows called The Lonely Planet which is a meditation on the incredible and unlikely set of circumstances which led to the creation of the Earth as a planet that can support life, and the constant search for other civilizations elsewhere in the universe. Asteroids and Shooting Stars depicts both the benign and dangerous objects that are flying through space and which constantly threaten our planet, and the piece ends with The Unknown, leaving in question whether our continually expanding exploration of the universe will eventually lead to enlightenment or destruction.
Estimated dispatch 5-14 working days
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