Results
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£17.50
A Happy Day (Cornet Solo with Brass Band - Score only) - Leidzen, Erik
This composition was awarded first prize in the Theme and Variations Section of the 1926 Salvation Army Band Music Competition and has remained popular with cornet soloists and audiences ever since. This was the first in a trilogy of cornet solos with the word 'day' in the title written by Erik Leidzen, the others being 'Happy all the Day' and 'Wondrous Day'.
Estimated dispatch 7-14 working days
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£34.95Gymnopedie No.1 (Brass Band - Score and Parts) - Satie, Erik - Bowen, Brian
This is a transcription for brass band of the first, and most well-known, of Erik Satie's three Gymnopedies for piano which were composed in 1888. All three are similar melodically and pianistically. However, the first and last are more well-known, partly due to the later orchestrations by Debussy.Some mystery surrounds the Greek-rooted title, yet explicitness is immaterial to an appreciation of the music. This brass version should not mask the naivete of the original score, though that may be easier said than done.Tenor Horn and Eb Bass mutes are requested by the arranger and will enhance the transcription if available.
Estimated dispatch 7-14 working days
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£17.50
Gymnopedie No.1 (Brass Band - Score only) - Satie, Erik - Bowen, Brian
This is a transcription for brass band of the first, and most well-known, of Erik Satie's three Gymnopedies for piano which were composed in 1888. All three are similar melodically and pianistically. However, the first and last are more well-known, partly due to the later orchestrations by Debussy.Some mystery surrounds the Greek-rooted title, yet explicitness is immaterial to an appreciation of the music. This brass version should not mask the naivete of the original score, though that may be easier said than done.Tenor Horn and Eb Bass mutes are requested by the arranger and will enhance the transcription if available.
Estimated dispatch 7-14 working days
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£50.00Sweeney Todd (Brass Band - Score and Parts) - Arnold, Malcolm - Littlemore, Phillip
Malcolm Arnold's ballet, Sweeney Todd, was first staged in 1959 by The Royal Ballet Company with choreography by John Cranko. The music was later adapted as a concert work and it is from this version that this brass band arrangement, by Phillip Littlemore, is made. The original concert suite lasts some 20 minutes, but this version has been shortened to a more manageable eight minutes. The first performance of this arrangement was given on the 22nd October 2006 at the Malcolm Arnold Festival, Derngate, Northampton by the Rushden Windmill Band conducted by Richard Graves. Suitable for Advanced Youth/3rd Section Bands and above. Duration 8:00
Estimated dispatch 7-14 working days
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£74.99Contrasten (Brass Band - Score and Parts) - De Haan, Jan
The source of inspiration for the composer was the nuclear disaster in Chernobyl in Russia. The first movement Ostinato expresses desperation, helplessness, fear and anger. The themes from the first movement are further exposed in the second movement Fantasia which has a spectacular finale. In 1989 this composition was the test-piece for the finals in the fourth section of the National Brassband Championships of Great Britain.Duration: 11:30
Estimated dispatch 7-14 working days
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£42.95MYTHIC TREVITHICK! (Brass Band) - Richards, Goff
Composed to mark the 200th anniversary of Richard Trevithick's momentous first journey in his steam locomotive. This event took place in the cornish town of Camborne, and it was 200 years later in 2001 that composer Goff Richards conducted massed local bands in the first performance of MYTHIC TREVITHICK! Following work in South America, Trevithick returned to his native Cornwall and, it is reputed, all the church bells rang out to greet him, an effect captured in the final bars of the piece. Duration: 4' 00' Recorded on Polyphonic QPRL222D And the Band Played On
Estimated dispatch 7-14 working days
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£74.99Prima Luce (Brass Band - Score and Parts)
Prima Luce (First Light) was commisioned by the Holy Angels Elementary School located in Aurora (USA). The name of the town (which means dawn), the town's great religious history and the fact that this town was one of the first in the USA to have streetlights were the inspiration for this Gregorian influenced atmospheric composition 08:43
Estimated dispatch 7-14 working days
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£44.95Intrada (Brass Band - Score and Parts - Gregson, Edward
This work was commissioned by the London Borough of Redbridge with funds provided by the Arts Council of Great Britain, and was first performed at the London Festival of 1972 by the Redbridge Youth Band, conducted by John Ridgeon.Intrada is in three sections, the first and last being similar. The middle section unfolds an expansive chromatic melody, heard initially on the horns, but later in canon between cornets and trombones. The work is lively throughout and has strong rhythmic elements as its chief characteristic, including changing time patterns and syncopations.Duration: 6.00
Estimated dispatch 7-14 working days
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£30.00Fantasia on themes by Purcell - Ian Shepherd
Fantasia consists of three distinct sections that use thematic material from three separate pieces by Henry Purcell. The first section is based on the march from Funeral Music for Queen Mary which is dramatically dark and powerful but also uplifting. The Second section uses the devastatingly beautiful aria Dido's Lament or When I am laid in earth from the opera Dido and Aeneas as its basis and builds to enormous proportions, unlike the original aria. The third section begins with a haunting reference to the Rondo from Abdelazer. Gradually, this builds towards an exciting re-statement of the theme in the first section to the finale.
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Wild Flower Variations - Traditional - Len Jenkins
The theme for this delightful piece is believed to be Spanish and was originally heard in a Mediterranean church over 30 years ago, sung by the local choir accompanied by local musicians. The theme is not stated separately, and the piece begins directly with the First Variation. The following Variations are subtly different from the First, yet both retain the essential warmth of the Mediterranean sun in their harmonic progression. A short Coda rounds off this relaxing and escapist siesta. Time to wake up...The piece is scored to be playable by most Third or Fourth Section bands.
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