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  • £19.50

    Codebreakers - Len Jenkins

    A great march, dedicated to the memory of those who worked at Bletchley Park, Milton Keynes, England, in World War 2. They were under the brilliant leadership of Alan Turing and were responsible for breaking the secret military codes used by the Enemy Forces (German in particular). The composer, Len Jenkins, lives close to Bletchley Park, went to school even closer, and attended Training Courses actually in 'The Park'. The march has memorable themes and is toe tapping for the audience.

    In stock: Estimated delivery 1-3 days
  • £19.50

    Hut Six - Len Jenkins

    A great march (perfect for contests such as whit Fridays) dedicated to the memory of those who worked at Bletchley Park, Milton Keynes, England, in World War 2. They were under the brilliant leadership of Alan Turing and were responsible for breaking the secret military codes used by the Enemy Forces (German in particular). The composer, Len Jenkins, lives close to Bletchley Park, went to school even closer, and attended Training Courses actually in 'The Park'. The march has memorable themes and is toe tapping for the audience.

    In stock: Estimated delivery 1-3 days
  • £49.20

    EVE OF WAR, The (Brass Band) - Wayne, Jeff - Jenkins, Christian

    From War of the World. Grade: medium

    Estimated delivery 5-10 working days

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  • £34.95

    Deliverance (from War of the Worlds Suite) (Soprano Cornet or Tenor Horn Solo with Brass Band) - Graham, PeterCode:

    Deliverance is the fourth movement of the suite War of the Worlds which was commissioned by the Senzoku Gakuen College of Music Saxophone Orchestra and first performed by them in the Maeda Hall, Japan on June 29 2012, the composer conducting. The music is dedicated to Professor Shin-ichi Iwamoto. The transcription for brass band was first performed by the Brighouse & Rastrick Band, conductor David King, in the Bridgewater Hall Manchester on September 8 2012.The suite takes inspiration from the 1953 film script adaptation of the famous HG Wells novel and key scenes from the film are set as individual movements: Deliverance - survivors seek sanctuary in the Church of Santa Maria, still standing among the burning ruins of Los Angeles, and pray for deliverance from the invaders.Each movement of War of the Worlds is available separately allowing for a variety of "mini-suite" combinations eg: Movements 1,2 and 5 or 3,4 and 5 etc.

    Estimated delivery 5-10 working days
  • £25.00 £25.00
    Buy from Wobbleco Music

    I Believe - Drake, Graham, Shirl & Stillman - Len Jenkins

    "I Believe" is a popular song written by Ervin Drake, Irvin Graham, Jimmy Shirl and Al Stillman in 1953. It was commissioned with the intent of offering people hope and faith against the backdrop of the Korean War that followed so soon after World War 2. The number has been recorded by many artists and the edition by The Bachelors is perhaps the best well-known in Britain. This arrangement, which is very suitable for fetes and concerts, features the Flugel and Tenor Horns in a duet, with band accompaniment. It is dedicated to the twins Hazel and Heather who play these instruments in the Woburn Sands Band. Graham Cooper

    Wobbleco Music shall be closed 9-26 July for holidays.
  • £19.99

    The Oak Leaf - Concert March By Joseph Knight

    This is a commission from the family of Gunner A E Collins, who received a bronze oak leaf and the Belgium Croix De Guerre for his actions during World War 2. The piece is a march in the style of the military marches of Ron Goodwin and Elmer Bernstein.

  • £33.95

    Shining Sword (Brass Band - Score and Parts) - Wiffin, Rob

    This extended fanfare was written for the Royal Air Force Bomber Command Commemorations, 2012. The prototype Avro Lancaster bomber was launched into the skies in 1941 and proved to be a significant factor in winning the Second World War. Its slender silvery outline led it to be known as the Shining Sword.This musical tribute has featured extensively in Bomber Command commemorations especially at the opening of their Memorial, in London's Green Park, a fitting tribute to the 55,573 crew member who lost their lives during WW2.Duration: 2:00

    Estimated delivery 5-10 working days

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  • £34.95

    Reflections (Flugel and Tenor Horn Duet with Brass Band) - Graham, PeterCode:

    Duet for Flugel and Tenor Horn or Two Bb Cornets from War of the Worlds SuiteEach movement of War of the Worlds is available separately allowing for a variety of "mini-suite" combinations eg: Movements 1,2 and 5 or 3,4 and 5 etc. For movements 1, 4 and 5 see the BB Concert Music tab. Complete suite also available.Reflections is the second movement of the suite War of the Worlds which was commissioned by the Senzoku Gakuen College of Music Saxophone Orchestra and first performed by them in the Maeda Hall, Japan on June 29 2012, the composer conducting. The music is dedicated to Professor Shin-ichi Iwamoto. The transcription for brass band was first performed by the Brighouse & Rastrick Band, conductor David King, in the Bridgewater Hall Manchester on September 8 2012.The suite takes inspiration from the 1953 film script adaptation of the famous HG Wells novel and key scenes from the film are set as individual movements: Reflections – here mankind contemplates a life forever changed as the invaders progress their colonisation of Planet Earth.

    Estimated delivery 5-10 working days
  • £69.95

    Revelation (Score and Parts) - Wilby, Philip

    Symphony for Double Brass on a theme of Purcell 1995 marked the tercentenary of Purcell’s death, and my new score Revelation has been written as a tribute to his music and the ornate and confident spirit of his age. There are five major sections: 1 Prologue 2 Variations on a ground bass I 3 Fugue 4 Variations on a ground bass II 5 Epilogue and Resurrection The score uses many features of the Baroque Concerto Grosso, and arranges players in two equal groups from which soloists emerge to play in a variety ofvirtuoso ensembles. It quotes freely from Purcell’s own piece Three Parts on a Ground in which he has composed a brilliant sequence of variations over a repeating six-note bass figure. This original motif can be heard most clearly beneath the duet for Cornet 5 and Soprano at the beginning of the 2nd section. There is, of course, a religious dimension to Revelation as the title suggests, and the score is prefaced by lines by the 17th century poet John Donne. His Holy Sonnet paraphrases the Book of Revelation in which the dead are raised at the sounds of the last trumpet. Donne’s trumpets are themselves placed stereophonically “. . . At the round Earth’s imagined corners” and it is this feature that today’s players represent as they move around the performing area. Their final apocalyptic fanfares can be heard at the close of the score, as Purcell’s music re-enters in a lasting tribute to England’s first composer of genius. Philip Wilby September 1995 At the round Earth imagined corners, blow your trumpets, angels, and arise, arise from death, you numberless infinities Of souls, and to your scattered bodies go. All whom the flood did, and fire shall o ‘erthrow All whom war, dearth, age, agues, tyrannies, Despair, law, chance hath slain, and you whose eyes Shall Behold God, and never taste death woe. John Donne after Revelation Ch. 11 v.15

    Estimated delivery 5-10 working days
  • £34.95

    Revelation (Score Only) - Wilby, Philip

    Symphony for Double Brass on a theme of Purcell 1995 marked the tercentenary of Purcell’s death, and my new score Revelation has been written as a tribute to his music and the ornate and confident spirit of his age. There are five major sections: 1 Prologue 2 Variations on a ground bass I 3 Fugue 4 Variations on a ground bass II 5 Epilogue and Resurrection The score uses many features of the Baroque Concerto Grosso, and arranges players in two equal groups from which soloists emerge to play in a variety ofvirtuoso ensembles. It quotes freely from Purcell’s own piece Three Parts on a Ground in which he has composed a brilliant sequence of variations over a repeating six-note bass figure. This original motif can be heard most clearly beneath the duet for Cornet 5 and Soprano at the beginning of the 2nd section. There is, of course, a religious dimension to Revelation as the title suggests, and the score is prefaced by lines by the 17th century poet John Donne. His Holy Sonnet paraphrases the Book of Revelation in which the dead are raised at the sounds of the last trumpet. Donne’s trumpets are themselves placed stereophonically “. . . At the round Earth’s imagined corners” and it is this feature that today’s players represent as they move around the performing area. Their final apocalyptic fanfares can be heard at the close of the score, as Purcell’s music re-enters in a lasting tribute to England’s first composer of genius. Philip Wilby September 1995 At the round Earth imagined corners, blow your trumpets, angels, and arise, arise from death, you numberless infinities Of souls, and to your scattered bodies go. All whom the flood did, and fire shall o ‘erthrow All whom war, dearth, age, agues, tyrannies, Despair, law, chance hath slain, and you whose eyes Shall Behold God, and never taste death woe. John Donne after Revelation Ch. 11 v.15

    Estimated delivery 5-10 working days