Results
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£60.99Hanseatic Suite (Brass Band - Score and Parts) - De Haan, Jacob
Dreaming of love. This is the theme of the folksong on which the composition was based. Its characteristic melody inspired Jacob de Haan to this instrumental romance with a transparent structure consisting of an introduction, the folk-melody, a development of the theme, the folk-melody accompanied by ornamental triplets followed by the final bars.Duration: 6:30
Estimated dispatch 7-14 working days
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£94.95ELECTRA (Brass Band - Score and Parts) - Ellerby, Martin
2012 British Open and the Netherlands Brass Band Championships. Championship Section Test Piece. Electra is loosely based on the play by Sophocles. The 'Elektra Chord' provides the signature chord and motivic elaboration used by composer Richard Strauss to represent the eponymous character of his opera Elektra. There are three clear sections to the work. The first is subtitled 'Lust for Revenge' which is a highly charged element with an ensemble approach to the writing; the second is the lyrically inspired 'Laments' where all the key solos occur and the musical language exploits the more poetic properties of the chord, and the final section, 'Dance to Death' which represents a return to rhythm as the main driving force.
Estimated dispatch 7-14 working days
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£49.95
ELECTRA (Brass Band - Score only) - Ellerby, Martin
2012 British Open and the Netherlands Brass Band Championships. Championship Section Test Piece. Electra is loosely based on the play by Sophocles. The 'Elektra Chord' provides the signature chord and motivic elaboration used by composer Richard Strauss to represent the eponymous character of his opera Elektra. There are three clear sections to the work. The first is subtitled 'Lust for Revenge' which is a highly charged element with an ensemble approach to the writing; the second is the lyrically inspired 'Laments' where all the key solos occur and the musical language exploits the more poetic properties of the chord, and the final section, 'Dance to Death' which represents a return to rhythm as the main driving force.
Estimated dispatch 7-14 working days
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£54.99German Love Song (Brass Band - Score and Parts)
Dreaming of love. This is the theme of the folksong on which the composition was based. Its characteristic melody inspired Jacob de Haan to this instrumental romance with a transparent structure consisting of an introduction, the folk-melody, a development of the theme, the folk-melody accompanied by ornamental triplets followed by the final bars. 02:50
Estimated dispatch 7-14 working days
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£100.00
King Arthur (Scenes from a Radio Drama) (Brass Band - Score and Parts) - Britten, Benjamin - Hindmarsh, Paul
King Arthur (Scenes from a radio drama) was the first of 28 scores Benjamin Britten (1913-1976) composed for radio between 1937 and 1947. It was an ambitious dramatisation of King Arthur's life and times - part pageant, part play, part cantata - written by D.G. Bridson.This colourful suite incorporates the Introduction, a dramatic Wild Dance, some of the music underscoring the scenes for Galahad and The Holy Grail, and two vivid battle scenes, ending with The Final Battle and Apotheosis.King Arthur (Scenes from a radio drama) for brass band should not be confused with a much longer orchestral suite which Paul Hindmarsh devised from the same source in 1995.Suitable for Premier Youth/2nd Section Bands and aboveDuration: 14.00
Estimated dispatch 7-14 working days
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£19.99
King Arthur (Scenes from a Radio Drama) (Brass Band - Score only) - Britten, Benjamin - Hindmarsh, Paul
King Arthur (Scenes from a radio drama) was the first of 28 scores Benjamin Britten (1913-1976) composed for radio between 1937 and 1947. It was an ambitious dramatisation of King Arthur's life and times - part pageant, part play, part cantata - written by D.G. Bridson.This colourful suite incorporates the Introduction, a dramatic Wild Dance, some of the music underscoring the scenes for Galahad and The Holy Grail, and two vivid battle scenes, ending with The Final Battle and Apotheosis.King Arthur (Scenes from a radio drama) for brass band should not be confused with a much longer orchestral suite which Paul Hindmarsh devised from the same source in 1995.Suitable for Premier Youth/2nd Section Bands and aboveDuration: 14.00
Estimated dispatch 7-14 working days
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£45.00March Slav (Brass Band - Score and Parts) - Littlemore, Phillip
March Slav?was composed in 1876 at the request of Nicolai Rubenstein (who had recently spurned Tchaikovsky's first piano concerto, and might have wanted to return to favour with the composer). Tchaikovsky loved Russian folk music--looking to it for inspiration throughout his career--and he makes considerable use of it here. From the opening theme to the final glorious statement of the Czarist national anthem, the march draws on the music of his motherland. It was first performed in a charity concert to support a war effort in the Balkans. He composed and fully scored the march in the short time of just 5 days. At the first performance its impact was such that it had to be encored in full, receiving a tumultuous reception - twice! Duration: 7:20
Estimated dispatch 7-14 working days
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£42.95MYTHIC TREVITHICK! (Brass Band) - Richards, Goff
Composed to mark the 200th anniversary of Richard Trevithick's momentous first journey in his steam locomotive. This event took place in the cornish town of Camborne, and it was 200 years later in 2001 that composer Goff Richards conducted massed local bands in the first performance of MYTHIC TREVITHICK! Following work in South America, Trevithick returned to his native Cornwall and, it is reputed, all the church bells rang out to greet him, an effect captured in the final bars of the piece. Duration: 4' 00' Recorded on Polyphonic QPRL222D And the Band Played On
Estimated dispatch 7-14 working days
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£45.00Symphony No.1, Finale from (Brass Band - Score and Parts) - Rachmaninoff, Sergei - Littlemore, Phillip
Rachmaninov composed his First Symphony in 1895, at the age of just 22 years. It received its first performance on March 27, 1897, at a Russian Symphony Society concert in St. Petersburg with Alexander Glazunov conducting. The premiere was not well-received, and Rachmaninov himself blamed Glazunov for a lacklustre approach for beating time rather than finding the music. Some contemporary reports even suggested that Glazunov was inebriated when he took to the stage! Despite the disappointment of the premiere performance, Rachmaninov never destroyed the score but left it behind when he left Russia to settle in the West, eventually it was given up for lost. After the composer's death, a two-piano transcription of the symphony surfaced in Moscow, followed by a set of orchestral parts at the conservatory in Saint Petersburg. In March 1945, the symphony was performed in Moscow for the first time since its 1897 premiere. It was a grand success, and this led to a new and more enthusiastic evaluation of the symphony. In March 1948 it received a similarly successful American premiere and the work proceeded to establish itself in the general repertory. The final movement (Allegro con fuoco) is colourful and grand but not without its darkly contrasting, menacing episodes that intensifies its malevolence. It is a work overflowing with ideas demonstrating a strong, highly individual, and self-assured young talent. Duration: 5:40
Estimated dispatch 7-14 working days
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£38.00
SYMPHONY No.2, Finale from (Brass Band) - Mahler, Gustav - Harper, Philip
One of the most life-affirming pieces of music ever composed, Mahler's 2nd Symphony, subtitled "The Resurrection", was first performed in Berlin in 1895. Mahlers interest in the mysteries of the afterlife is well-known and is a recurring theme throughout all his nine symphonies. Philip Harper has arranged the final passages of the 2nd Symphony, which begins with a profound hymn set to the words of Friedrich Klopstock-- Rise again, yea, thou shalt rise again. The music contains one of Mahler's magical transitionary passages, building in intensity, before the hymn is restated in all its majesty at the moment of glorious resurrection. This arrangement was performed as the finale to Cory Band's winning Brass in Concert programme in 2012. The publisher of this works suggests that it should be playable by 1st. section bands upwards.
Estimated dispatch 7-14 working days
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