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  • £37.50

    Brass Monkey's Occasions - Gavin Somerset

    Never be caught out again on a concert with this selection that caters for just about every occasion. Your training band will be prepared to perform anything from a Fanfare to the National Anthem and even 'He's A Jolly Good Fellow'. The music included in this publication is used all over the world, all year around. "Land Of Hope & Glory" is also included, in the same key as the popular senior band arrangement (by J. Ord Hume) so your training band can join in with the senor band in a proms concert finale. This release puts well-known, often requested tunes in one publication letting your training band shine, whatever the occasion. Music included isaAFANFARENATIONAL ANTHEM (God Save The Queen/King)ROYAL NAVY HYMN (Melita)HARVEST HYMN (St. George's Windsor)ONWARD CHRISTIAN SOLDIERS (St. Gertrude)DANNY BOY (Londonderry Air)HE'S A JOLLY GOOD FELLOWF.A. CUP THEME (Eventide)LAND OF HOPE & GLORY (Pomp & Circumstance March No.1)

    In stock: Estimated dispatch 1-3 days
  • £29.50

    Three Lions - Baddiel & Skinner - Gavin Somerset

    With the Qatar World Cup just around the corner, the England football team's biggest ever anthem is now available and published officially for Brass Band. With lyrics written by comedians David Baddiel and Frank Skinner, the music was composed by the rock band the Lightning Seeds. It was originally released back in 1996 to mark 'Euro 96' which was hosted in England. This iconic theme is the perfect addition to any programme during a major football competition and is instantly recognisable as one of the most popular pieces of all time. A must for every band's library.

    In stock: Estimated dispatch 1-3 days

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  • £25.00

    Ariel

    DescriptionAll hail, great master! Grave sir, hail! I comeTo answer thy best pleasure, be 't to fly,To swim, to dive into the fire, to rideOn the curled cloud. To thy strong bidding, taskAriel and all his quality.- William Shakespeare: The Tempest, Act 1, Scene 2Ariel was written for the Hammonds Band to open their programme at the 2019 Brass in Concert Championships at The Sage Concert Hall in Gateshead, where it received its premiere. The title is taken from the character in Shakespeare's play 'The Tempest'. Ariel is an immensely powerful "air spirit" or demon bound to serve Prospero, the exiled Duke of Milan, after being released by Prospero from imprisonment in a tree. In the play Ariel's magical abilities are used to help Prospero revenge himself on his enemies and reclaim his dukedom, whereupon Ariel finally regains his freedom.You can hear an audio preview and follow the score below:Performance notes:The cornets and horns are split into two "choirs" to be placed left and right of the band. It may be possible for the choirs to play their opening flourish offstage, and the optional repeated sections in the opening are to accommodate stage movement if required. Trombones form a third "choir" which should ideally stand centrally between basses and percussion, and the euphoniums and baritones should sit in front of the basses. The work requires four percussionists, although if four are not available the 2nd part may be omitted.Percussion 1: Kit - bass drum, snare, 3 x toms, hi-hat, suspended cymbal - and 3 x temple blocksPercussion 2: Tam tam and orchestral bass drum.Percussion 3: Glockenspiel and timpaniPercussion 4: Tubular bellsSoprano, solo cornets and 3rd cornets require cup mutes. Solo trombone requires a cup mute, second trombone requires a metal straight mute.

    Estimated dispatch 7-14 working days
  • £12.00

    Dragon Dances

    DescriptionDragon Dances was commissioned by Owen Farr, who is also the work's dedicatee, gave the first performance with the Cornwall Youth Band conducted by Richard Evans on 5 April 2010 and has recorded it on his solo CD "A New Dawn" accompanied by the Cory Band conducted by Philip Harper.Being a Welsh composer, writing music for a Welsh soloist, I was naturally keen to reflect this in the music, and I drew inspiration from two particularly Welsh concepts - "hiraeth" and "hwyl". "Hiraeth" is a word that has no direct translation into English, but an approximation would be 'yearning for home'. Like the other celtic nations, Wales has a widespread diaspora of people who left to seek new lives out in the empire and "hiraeth" is a way of summing up the homesickness felt by these exiles, some of whom return each year for a special ceremony at the Royal National Eisteddfod. "Hwyl" is an even more complicated word, variously meaning ecstatic joy, fervour, equable temperament and even the characteristic sing-song oration style of the great Welsh Methodist preachers.I have attempted to make the music reflect both of these, with the melancholy first part of the work inspired by the hymns and solo songs for which Wales is famous, and the second part having a much more dance-like, joyful quality.Performance Notes:2 solo cornets, 2nd and 3rd cornets require cup mutes. 2 solo cornets require harmon mutes with tubes removed (marked 'TR' in the score).1st horn and 1st baritone require straight mutes, preferably fibre.1st trombone requires a straight mute, 2nd and bass require cup mutes.Percussion instruments required are vibraphone, glockenspiel, timpani, snare drum, suspended cymbal and tam tamWatch/Listen to the score below:

    Estimated dispatch 7-14 working days
  • £35.00

    Epitaph (for Hillsborough) - Peter Meechan

    Epitaph (for Hillsborough) was written on the 20th anniversary of the Hillsborough stadium disaster, April 15 1989, in memory of the 96 victims. All of the victims were fans of Liverpool Football Club, the club I have supported since I was a young child.The disaster unfolded in front of the BBC television cameras, and due to the importance of the match (FA Cup semi final), millions, including myself, witnessed it first hand, leaving a lasting impression in the public psyche.Several features of the piece were determined by the tragedy. The length of the piece, 6 and a half minutes, represents the minutes of the game that were played that day (The match was abandoned after 6 minutes), and the final thirty seconds of the work, where the band gently applaud, is a reference to the first match played after the tragedy, a European Cup semi final between AC Milan and Real Madrid.After 6 minutes, the referee blew his whistle and all the players stood still where they were, both sets of fans applauded in memory of the perished, and the fans of AC Milan began singing Youall Never Walk Alone, the anthem of Liverpool Football Club.The work also features 96 strikes of the tubular bells, in memory of each person who lost their life.Epitaph is dedicated to the 96 people who died that day, and to their families whose fight for justice is an inspiration to all.

    Estimated dispatch 12-14 days

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  • £27.00

    Auld Lang Syne (Brass Band - Score and Parts) - Wilkinson, Keith M.

    It is a tradition in most English-speaking countries to sing this song at the stroke of midnight on New Year's Eve to usher in the New Year. The words are at least partially written by Robert Burns and the words "Auld Lang Syne" literally mean "old long ago" or "the good old days", providing a moment of reflection before moving forwards into the New Year.The tubular bells, although pitched, sound midnight when they enter at bar 10.This arrangement was prepared for Brass Band of the Western Reserve, musical director Keith M Wilkinson, to perform at First Night, Akron, Ohio, December 31st, 2007. The following choreography is suggested:Commence the performance with all the cornets scattered around the auditorium.At the end of bar 18 invite the audience to sing along with the band.At bar 27 the cornets move to stand in front of the other members of the band to lead to the stirring conclusion. Should auld acquaintance be forgot and never brought to mind?Should auld acquaintance be forgot and days of auld lang syne?For auld lang syne, my dear, for auld lang syne,We'll take a cup of kindness yet, for auld lang syne.

    Estimated dispatch 7-14 working days

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  • £44.95

    Life Abundant (Cornet Solo with Brass Band - Score and Parts)

    Life Abundant is a cornet solo written as a musical biography of the search of soul to find the meaning of life. The music begins with the dawning of life, then the abundant joy of childhood ('My cup is full and running over'), followed by the uncertainty of the youth who longs to say 'I want to live right' but doesn't know how. The answer comes in a meditative setting of the composer's own song 'One life to live, O may I live for Thee', after which the music confidently builds to a climax which expresses the joy of abundant life found in Jesus".

    Estimated dispatch 7-14 working days
  • £22.50

    Life Abundant (Cornet Solo with Brass Band - Score only)

    Life Abundant is a cornet solo written as a musical biography of the search of soul to find the meaning of life. The music begins with the dawning of life, then the abundant joy of childhood ('My cup is full and running over'), followed by the uncertainty of the youth who longs to say 'I want to live right' but doesn't know how. The answer comes in a meditative setting of the composer's own song 'One life to live, O may I live for Thee', after which the music confidently builds to a climax which expresses the joy of abundant life found in Jesus".

    Estimated dispatch 7-14 working days
  • £64.95

    ESPRIT (Brass Band) - Barry, Darrol

    Esprit is a rhapsodic adventure for brass band and percussion.During its twelve minutes, features all soloists and sections of the band. After a vibrant opening the main melodic work is in the lower band accompanied by swirling cornets.The next section is a scherzo like section opened by the horns and closed by the timpani, and in between there are solo's for all.The following adagio is an expressive solo for euphonium accompanied by cup muted cornets and trombones, followed by a section for the flugel which builds up to the full band. A cornet cadenza follows after which a timpani solo takes us to a con brio section in 6/8 which features a round and fugato section which is followed by a slower section for trombones which in turn leads to a musical climax.A short allegro motto section develops an idea from earlier in the piece and leads us into a reprise of the opening section. A vibrant coda concludes the work.Duration: 12:00 Grade: Moderately Difficult

    Estimated dispatch 7-14 working days
  • £28.50

    E Da Sa Qaqa (We Have Overcome) - Kevin Ackford

    Score & Parts E Da Sa Qaqa is a Fijian Gospel song sung by the Fijian Rugby Team after winning the World Cup in 2016 and again during the Olympic games this year in Tokyo after winning the Rugby Sevens gold. The title translates as We Have Overcome which is also very appropriate given the struggles of the last 16 months worldwide and now we are starting to win the battle against the pandemic. This arrangement has given it a twist by adding a reggae beat to this beautiful melody. A real crowd pleaser. Playable by all sections of band

    Estimated dispatch 5-7 days