Results
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£44.95Metropolis 1927 (Brass Band - B4 Score only)
Fritz Lang's 1927 science fiction epic Metropolis is considered to be a masterpiece of cinematic vision and a high point of German Expressionist filmmaking. Set in a future dystopian world the film introduces the viewer to two contrasting communities living in the vast city of Metropolis. Those above ground live a life of privilege and pleasure serviced by the underground-dwelling drone workers whose role is to maintain and operate the banks of machines which provide the city's power.Lang's film, which can be considered a type of 20th century morality play, draws upon a range of themes and influences from Marxist ideals and social satire to overt religious symbolism.The music does not attempt to precis the plot, such as it is, but simply reflects my musical responses to Lang's noirish visual style and set designs - the brooding machine rooms, the decadent nightclubs, the gothic cathedral and so on - paradoxically a world of terrifying beauty.Metropolis 1927 was commissioned by Bramwell Tovey and The National Youth Brass Band of Great Britain with funds provided by The Arts Council of England. The first performances took place in the Winter Gardens, Weston-super-Mare on Saturday 19th April and in the Cheltenham Town Hall on Sunday 20th April 2014.This revised version was premiered by The Black Dyke Band, conductor Nicholas Childs, at the 38th European Brass Band Championships in the Konzerthaus Freiburg, Germany, on Saturday 2 May 2015.Peter Graham
Estimated dispatch 7-14 working days
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£124.95Metropolis 1927 (Brass Band - Score and Parts)
Fritz Lang's 1927 science fiction epic Metropolis is considered to be a masterpiece of cinematic vision and a high point of German Expressionist filmmaking. Set in a future dystopian world the film introduces the viewer to two contrasting communities living in the vast city of Metropolis. Those above ground live a life of privilege and pleasure serviced by the underground-dwelling drone workers whose role is to maintain and operate the banks of machines which provide the city's power.Lang's film, which can be considered a type of 20th century morality play, draws upon a range of themes and influences from Marxist ideals and social satire to overt religious symbolism.The music does not attempt to precis the plot, such as it is, but simply reflects my musical responses to Lang's noirish visual style and set designs - the brooding machine rooms, the decadent nightclubs, the gothic cathedral and so on - paradoxically a world of terrifying beauty.Metropolis 1927 was commissioned by Bramwell Tovey and The National Youth Brass Band of Great Britain with funds provided by The Arts Council of England. The first performances took place in the Winter Gardens, Weston-super-Mare on Saturday 19th April and in the Cheltenham Town Hall on Sunday 20th April 2014.This revised version was premiered by The Black Dyke Band, conductor Nicholas Childs, at the 38th European Brass Band Championships in the Konzerthaus Freiburg, Germany, on Saturday 2 May 2015.Peter Graham
Estimated dispatch 7-14 working days
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£89.95Diversions for Brass Band, Op.97 (Brass Band - Score and Parts)
This work was commissioned in1985 by Skellerup, Christchurch, New ZealandMovements:Allegro VivaceAndante Con Moto Molto ExpressivoAllegro VivaceDerek Bourgeois wrote Diversions in the summer of 1985 to a commissioned from the Skellerup Brass Band.Bourgeois previous test piece, Blitz, was aggressive and forceful, therefore the composer decided to write a work of a completely different character, which although technically very demanding, is light-hearted in style, and easy on the ear, as the title suggests.The first and third movements share the same tempo, but are rather different in character. The first movement is a sonata allegro contrasting two main themes. The first is bold and jaunty and is heavily scored, the second announced by the solo horn is more lyrical in character. The development section and recapitulation are merged into a continuous interplay of the two themes.The second movement is an expressive andante in free rondo form. It is lightly scored for the most part with a lot of solo passages that make demands on the musicianship of the players and conductor alike. The very simplicity of its textures and the breadth of its melodic writing demand firm control of vibrato, phrasing and rubato.The brief finale is nothing short of a romp. Its ternary structure is highly rhythmic in character and only rarely do the performers enjoy the luxury of two consecutive bars in the same time signature!Duration: 11.00
Estimated dispatch 7-14 working days
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£34.95Sprites and Flares (Brass Band - Score and Parts)
Sprites and Flares (2015), refers to the uncertain activities of sprites (upper atmospheric lightening) and solar flares (solar activity from the sun which cannot penetrate the earth's atmosphere) and uses these two ideas as a basis for the kind of musical material heard within the work - dramatic, swirling motifs, often of a virtuosic nature.The work's dramatic opening ensures the first thirty seconds are high in energy and full of impact. Following this, the music dies down and presents an ethereal atmospheric section, perhaps reflecting the calm before the storm. Before long, the music takes a turn for dramatic, fast, virtuosic playing, all reflecting the theme of the work, and indeed remains in this style through to the close, gaining momentum and becoming ever- more triumphant as the work reaches its close. A huge ending is heard, full of excitement and drama, but more importantly grandeur and rich harmonic-chords.The work was commissioned by and written for Leyland Band and its conductor, Thomas Wyss, as the finale to its 2015 Brass in Concert programme, premiered at The Sage, Gateshead, on 15th November 2015.
Estimated dispatch 7-14 working days
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£112.00
Diversity (Bra) - Yves Wuyts
Diversity is written for the royal fanfare band 'De Werkmanszonen' from Zichen-Bolder (Riemst) where Yves has been a conductor since 2005 and is dedicated to their chairman Sylvain Tans. The title 'Diversity' refers to the diversity of styles in the work but also to the diversity of a chairman. The work consists of three continuous movements. Part one starts with a fanfare motif that is later developed in a pop/rock and funky style. The second theme has a medieval character with a twist of the first theme. In the second movement we hear several lyrical solos. After the cadenza, the medieval theme returns but now in a more mysterious character. After this we come to the climax of this movement, which fades out into the third movement. The last movement has a resolute character where several previous motives and the opening theme are repeated to end with a dazzling finale!
Estimated dispatch 7-14 working days
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£29.95Prelude on St. Clements - Jonathan Bates
DIFFICULTY: 3rd+. DURATION: 5'00". 'Prelude on St Clement's' was composed for the 2023 Royal Northern College of Music Brass Band Festival in memory of internationally renowned conductor and composer Bramwell Tovey. . Bramwell was the Artistic Director of the National Youth Brass Band of Great Britain throughout the composer's 7 years as a tenor horn player in the NYBBGB and the hymn tune 'St Clement's (no. 82 in the 120 Hymns for Brass Band book) was used by Bramwell to conclude every course. This setting of 3 verses of the hymn tune 'The Day Thou Gavest. was premiered by the RNCM Brass Band in January 2023.
In Stock: Estimated dispatch 1-3 working days
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£18.00Es ist ein Ros Entsprungen
DescriptionEs ist ein Ros Entsprungen is sometimes sung to the English words "A Great and Mighty Wonder". This tune to the reformation era German carol first appeared in the Speyer Hymnal in Cologne in 1599. This harmonisation of the tune by Michael Praetorius in 1609, one of his earliest publications. Praetorius was, along with his slightly younger contemporary Heinrich Schutz, the foremost German composer of the day, and became famous for his choral music. Much of this was written for multiple groups positioned around the church and conducted by a central conductor, giving a multi-phonic effect similar to the Venetian music of Gabrieli. Today his most famous music is Terpsichore, a collection of over 300 secular dances.You can follow the preview video of the score below.PercussionPercussion required are timpani and clash cymbals only; if clash cymbals are not available this part should be omitted (rather than played on a suspended cymbal).Mutes2 x solo cornets, second cornets and all trombones will require cup mutes
Estimated dispatch 7-14 working days
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£35.00
Apex - Peter Meechan
Apex was commissioned by Mark Bousie and David Armitage (President of Sellers International Ltd.) for the Sellers International Youth Band to perform at the Action Research Entertainment Contest in Blackpool, 2007. Originally commissioned as part of a stage act with a magician, who levitated the soloist, Apex takes its title from the literal meaning of the word - the highest point.As well as being a solo for cornet, the piece also strongly features the percussion section, as well as the band singing!The solo part is equally suitable for cornet, flugel horn or trumpet.First performance:Sellers International Youth BandMark Bousie - ConductorJoe Murray - CornetPerformance notes:* The singing parts are written in transposed pitch, and should be sung to an aaha sound* The percussionists should feel free to add instruments (Such as bongos) and treat section C to the end as a guide, which they can change and build on* From section C until the end, percussion parts 1 and 2 may be played by one percussionist on a drum set
Estimated dispatch 12-14 working days
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£35.00
Match Day - Peter Meechan
Match Day takes itas inspiration from a night in May 2005, when the team I have supported from my childhood, Liverpool FC, won the European Cup in what was considered by many to be one of the greatest football matches of all time.The piece is not only inspired by a football match, but also takes its musical material from chants and songs that you will hear at 3PM on a Saturday afternoon at any football ground in the country.Match Day was written as a result of a commission from the National Youth Brass Band of Great Britain, and their Musical Director, Bramwell Tovey, to whom the piece is dedicated.First performance:National Youth Brass Band of Great BritainBramwell Tovey - Conductor
Estimated dispatch 12-14 working days
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£30.00O.B.1. Fanfare - Tom Watson
Tom Watson was born into a musical family in Hertfordshire, England and showed a flare for playing the trumpet from the age of just 4. Taught by his father James Watson, the prolific international soloist, conductor, educator and session trumpeter, Tom studied at the Royal Academy of Music, where he gained a first class honours degree. Whilst still at college, Tom embarked on a varied professional freelance-playing career and was guest principal trumpet with the Mahler Chamber Orchestra performing under Claudio Abbado, Daniel Harding, and Sir Neville Marriner. Tom can be regularly found performing and recording with the London Symphony Orchestra, The BBC National Orchestra of Wales and many of the UK's finest orchestras. Commercially, Tom has played in sessions or concerts for artists such as Sir Elton John, Sir Paul McCartney, Sir Tom Jones, Dame Shirley Bassey, Ozzy Osbourne, Phil Collins, Eric Clapton, Joe Cocker, Jarvis Cocker, Pete Doherty, Nick Cave, Karl Jenkins and Victoria Wood. Some of his film session work has included recording the scores for Brave, Eragon and Stormbreaker. Tom also works as a musical director, arranging and conducting various projects such as Tony Christie's album Made in Sheffield and for renowned harpist Catrin Finch. Tom also runs his own independent recording and production company Pro Audio, part of Prozone Music, which Tom owns and runs alongside his brother William. The O.B.1. Fanfare was written for the Harper Ensemble, a brass ensemble comprising of Tom's contemporaries from his time at the Royal Academy of Music. It was written for the Leicester Square UK premiere of the film "Ali" starring Will Smith. Composed as a salute to Hollywood and the big screen, this fine pastiche of film scoring is an ideal fanfare and concert opener.
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