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  • £46.20

    Salvation is Created (Brass Band - Score and Parts) - Chesnokov, Pavel - Smith, Sandy

    Salvation is Created is a choral work composed by Pavel Tchesnokov in 1912 as the fifth in his Ten Communion Hymns (opus 25) and has now been arranged for brass band by Sandy Smith

    Estimated delivery 12-14 days

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  • £47.00

    Five Festive Fanfares (Brass Band - Score and Parts)

    This collection will provide fanfares for any occasion: concert opener, presentation ceremony or celebrations of all kinds. The variety of styles and durations (from ten seconds to two minutes) will ensure you will always find the right fanfare for the right moment.

    Estimated delivery 12-14 days

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  • £15.25

    Five Festive Fanfares (Brass Band - Score only)

    This collection will provide fanfares for any occasion: concert opener, presentation ceremony or celebrations of all kinds. The variety of styles and durations (from ten seconds to two minutes) will ensure you will always find the right fanfare for the right moment.

    Estimated delivery 12-14 days

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  • £25.00

    GREAT GATE OF KIEV, The (from Pictures at an Exhibition) (Brass Band) - Mussorgsky, Modest - Littlemore, Phillip

    Modest Mussorgsky was a close friend of the young artist and architect Victor Hartmann, and his death in 1873 plunged Mossorgsky into a deep depression. The following year a memorial exhibition in St. Petersburg displayed Hartmann's paintings, costumes, architectural designs and sketches. Mussorgsky's visit to it, combined with his desire to write a piece in his friend's memory, inspired him to compose hisPictures At An Exhibitionfor piano. A suite of ten movements, with a recurring Promenade theme, it is one of the composer's most famous works and regarded as a showpiece for virtuoso pianists. It is perhaps the orchestral transcription made by Maurice Ravel in 1922 that is now the most famous version of it. This arrangement opens with a brief excerpt fromThe Hut on Fowl's Legs, which was based on a painting of an elaborately carved clock depicting Baba Yaga, a horrible tiny witch that feasts on human bones. The tenth, and final picture in Mussorgsky's masterpiece is commonly referred to asThe Great Gate of Kiev, although it's literal translation is The Bogatyr Gates ??" a Bogatyr being a hero figure in medieval East Slavic legend. It features a grand main theme that is interspersed with a more solemn hymn-like secondary theme. The work closes with a grand final rendition of the Promenade theme that almost grinds to a halt at what must be the foot of what were to be magnificent ceremonial gates (although they were never actually built!). Duration: 6:00

    Estimated delivery 12-14 days

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  • £40.00 £40.00
    Buy from Superbrass

    Blue Bombazine

    The word Bombazine is derived from the obsolete French word Bombasin. Largely made in the Norwich area, Bombazine is a twilled fabric made of silk used mainly in dress making and popular in England in the reign of Elizabeth I. The image and feel of warm, smooth, opulent silk is aptly suited to a solo feature for tuba. Wing Commander Duncan Stubbs and the RAF Music Service commissioned Blue Bombazine for solo tuba and brass in 2014, for Senior Aircraftman Jonathan Gawn and the RAF Central Band. It was first performed at The Royal Northern College of Music in Manchester, on the 11th April 2015 at the British Festival of Wind Bands. The music is written in the jazz idiom with a testing solo part. It is available with brass band accompaniment or for ten brass with tuba solo.Duration: 5:00 minutesPercussion: Players playing drum kit and vibraphone Grade 5: Difficult Championship and 1st Section Bands

  • £35.00 £35.00
    Buy from Superbrass

    Hard Hats & Cornets

    This lively and melodic piece was commissioned by Maltby Colliery Band in 2000. It was written as a feature for solo cornet and the cornet section. For its first broadcast performance on Radio Scotland, from Edinburgh in 2009 Mark O’Keefe played the solo part with the band of COOP Glasgow. This piece makes an impressive encore or opening to a band concert and is also available in a version for ten brass.Duration: 3:30 minutesPercussion: 2 Players playing side drum, bass drum, glockenspiel and suspended cymbalGrade 4: Moderately Difficult 1st Section Bands

  • £82.00

    The Saga of Haakon the Good - Score & Parts - Philip Sparke

    The Saga of Haakon the Good was commissioned by Frei Hornmusikk, from Norway, to celebrate the joining of the two neighbouring Kommuner of Frei and Kristiansund, which took place on 1st January 2008. The band used it as their test piece in the Norwegian National Brass Band Championships the following February.The piece traces key events in the life of Haakon the Good (c. 920??"961), later to become King Haakon 1 - THE FUTURE KING - who had been fostered by King Athelstan of England as part of a peace agreement made by his father. The English king brought him up in the Christian religion, and, on the news of his father's death, provided him with ships and men for an expedition against his half-brother Eirik Bloodaxe, who had been proclaimed king of Norway. On his arrival he travelled north - THE JOURNEY TO TRONDHEIM - where he began to gain the support of the landowners by promising to give up the rights of taxation his father had previously claimed.Eirik's sons allied themselves with the Danes, but were invariably defeated by Haakon, who was successful in everything he undertook except in his attempt to introduce Christianity to the country - THE MISSIONARY KING - which aroused an opposition he did not feel strong enough to face.One of his most famous victories was THE BATTLE OF RASTARKALV (near to Frei) in 955. By placing ten standards far apart along a low ridge (to give the impression his army was bigger than it actually was) he managed to fool Eirik's sons that they were out-numbered. The Danes fled and were slaughtered by Haakon's army. These ten standards are represented by ten loud chords starting in bar 420

    Estimated delivery 12-14 days
  • £25.75

    The Saga of Haakon the Good - Score Only - Philip Sparke

    The Saga of Haakon the Good was commissioned by Frei Hornmusikk, from Norway, to celebrate the joining of the two neighbouring Kommuner of Frei and Kristiansund, which took place on 1st January 2008. The band used it as their test piece in the Norwegian National Brass Band Championships the following February.The piece traces key events in the life of Haakon the Good (c. 920??"961), later to become King Haakon 1 - THE FUTURE KING - who had been fostered by King Athelstan of England as part of a peace agreement made by his father. The English king brought him up in the Christian religion, and, on the news of his father's death, provided him with ships and men for an expedition against his half-brother Eirik Bloodaxe, who had been proclaimed king of Norway. On his arrival he travelled north - THE JOURNEY TO TRONDHEIM - where he began to gain the support of the landowners by promising to give up the rights of taxation his father had previously claimed.Eirik's sons allied themselves with the Danes, but were invariably defeated by Haakon, who was successful in everything he undertook except in his attempt to introduce Christianity to the country - THE MISSIONARY KING - which aroused an opposition he did not feel strong enough to face.One of his most famous victories was THE BATTLE OF RASTARKALV (near to Frei) in 955. By placing ten standards far apart along a low ridge (to give the impression his army was bigger than it actually was) he managed to fool Eirik's sons that they were out-numbered. The Danes fled and were slaughtered by Haakon's army. These ten standards are represented by ten loud chords starting in bar 420

    Estimated delivery 12-14 days
  • £59.95

    Ballet for Band - Score & Parts - Joseph Horovitz

    Ballet for Band was written as the test-piece for the Championship section finals of the National Brass Band Championships, held at the Royal Albert Hall in October 1983.Although the work is not programmatic, within the space of ten minutes, the composer uses a form which might be considered to be the form of a ballet. Therefore there is a fanfare at the beginning which might be the overture, different characters appear, and scenes are quite clearly marked by, for instance, baritones or by muted trombone, although the listener is encouraged to use his own imagination.Thematically the work is tightly controlled, with the same material re-appearing in many different guises, as a flugel horn solo, as a waltz on the horns, and on the euphonium. Horovitz employs a rich harmonic pallet, but the work is most definitely rooted in a tonal language, with hints of Straussian richness later in the work.The work is notable for its middle section, in which the music gets slower and slower, providing a real test of control throughout the band.Ballet for Band was by no means Joseph Horovitz’s first work for the medium: his fine “Concerto for Euphonium and Band” is frequently played, and he has also written a cantata entitled “Samson” for choir and band.

    Estimated delivery 12-14 days
  • £29.95

    Ballet for Band - Score Only - Joseph Horovitz

    Ballet for Band was written as the test-piece for the Championship section finals of the National Brass Band Championships, held at the Royal Albert Hall in October 1983.Although the work is not programmatic, within the space of ten minutes, the composer uses a form which might be considered to be the form of a ballet. Therefore there is a fanfare at the beginning which might be the overture, different characters appear, and scenes are quite clearly marked by, for instance, baritones or by muted trombone, although the listener is encouraged to use his own imagination.Thematically the work is tightly controlled, with the same material re-appearing in many different guises, as a flugel horn solo, as a waltz on the horns, and on the euphonium. Horovitz employs a rich harmonic pallet, but the work is most definitely rooted in a tonal language, with hints of Straussian richness later in the work.The work is notable for its middle section, in which the music gets slower and slower, providing a real test of control throughout the band.Ballet for Band was by no means Joseph Horovitz’s first work for the medium: his fine “Concerto for Euphonium and Band” is frequently played, and he has also written a cantata entitled “Samson” for choir and band.

    Estimated delivery 12-14 days