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£36.76March - New Jerusalem (Brass Band) Kenneth Downie
This sprightly march was the result of a request for a march in traditional style, incorporating a sacred tune that is popular in Holland. It was commissioned by Egbert Scheffer and Brass Band Valerius. The mood is distinctly chirpy and jovial, with a lightness of touch and a generous dose of good humour. This item will be ideal for bands looking for a new modern-day march to freshen up their concert programmes. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 4th Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-2
In Stock: Estimated dispatch 1-3 working days
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£33.08O Holy Night (Flugel Solo with Brass Band) arr. Kevin Larsson
VIEW SCORE PDF O Holy Night, also known as Cantique de Noel, was originally based on a poem by Placide Cappeau before being set to music by Adople Adam. This carol has become a favourite to many, being performed all over the world in various styles and forms. This jazz-style arrangement for flugel horn and brass band was written for John Docter for The Salvation Army's Night of Wonder Carol Service in Los Angeles. To view a performance video please visit: www.youtube.com/watch?v=tMobVKBLmMY Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 3rd Section + Instrumentation: Flugel Horn Soloist Bb Soprano Cornet Eb Solo Cornet Bb 1st Cornet Bb 2nd Cornet Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Drum Kit Percussion Bongos
In Stock: Estimated dispatch 1-3 working days
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£33.08O Little One Sweet (Brass Band) J.S Bach arr. Andrew Wainwright
This delightful German lullaby-carol first appeared in print in Samuel Scheidt's Tablaturbuch of 1650, though it may have been written before then, either by Scheidt himself or by an unknown author. J. S. Bach's version (in the form of a melody and figured bass) was included in Schemelli's Gesangbuch of 1736, and it is that which this arrangement for brass band by Andrew Wainwright is based on. This setting includes all four verses. To view a rolling score video of the work please visit https://www.youtube.com/watch?v=YryayLe_uJo Duration: Approx. 3.45 minutes Difficulty Level: 4th Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk (UK) or https://satradecentral.org (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani
In Stock: Estimated dispatch 1-3 working days
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£33.08Sweet Hour of Prayer (Eb Bass Solo with Brass Band) Bradbury arr. Rowsell
A beautiful arrangement by Jonathan Rowsell for solo Eb bass with brass band accompaniment of the popular hymn Sweet hour of prayer, by William B. Bradbury. A version with piano accompaniment is also available here. To view a performance video of the solo (piano accompaniment version) please visit: www.youtube.com/watch?v=7iDpCO5A8vU Length: 3.15 minutes Sheet music available from www.brassband.co.uk Instrumentation: Solo Bass Eb Soprano Cornet Eb Solo Cornet Bb 1st Cornet Bb 2nd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion
In Stock: Estimated dispatch 1-3 working days
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£33.08Instant Christmas Concert (Brass Band) Phil Lawrence
VIEW SCORE PDF This pot pourri of 58 tunes will provide something completely different to your Christmas concert! With snippets of Christmas carols and songs juxtaposed with famous classic excerpts all crammed into 3.20 minutes of action, this is sure to be an audience pleaser, even giving your percussion section the opportunity to exercise their vocal cords! Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 2nd Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-3
In Stock: Estimated dispatch 1-3 working days
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£95.00King Lear (Brass Band - Score and Parts) - Bantock, Granville - Hindmarsh, Paul
Sir Granville Bantock (1868 - 1946) composed the second of his five major brass band work for Callender's Cableworks Band, completing the commission on 30 November 1932. Based in the Thames-side district of Belvedere near Erith, the band was active between 1898 and 1961. The works band of the Callender Cable & Construction Co. Ltd, it was at the peak of its popularity during the 1930s and was a frequent broadcaster on the radio. The band employed an in-house arranger and played saxophones in its lighter material. King Lear was one of the band's major commissions and was not published in Bantock's lifetime. The manuscript score and parts were thought to be lost for decades, but were found in the library of the Haydock Band (Lancashire), which had inherited part of Callender's library of manuscripts material and bespoke arrangements after it has been transferred to nearby Prescott Cables Band after Callender's Cable Works closed.King Lear is a substantial work, in essence a dramatic tone poem in the romantic Tchaikovskian manner, presenting a series of character portraits of the foolish old king and his three daughters, Goneril, Regan and Cordelia. The music is dramatic and lyrical by turns, with the most generous lyrical episode revealing perhaps the warm-hearted Cordelia. An expansive melody that flows from this is brought back towards the end as the main climax of the work.In 2001, Bantock's score was recorded by the University of Salford Brass Band, conducted by Dr. Roy Newsome. The original is serviceable, but in comparison with the orchestral version he made in 1936 (part of which was recorded on a Paxton 78 rpm) and later brass band scores, performing editions of which were prepared by others, it lacks colour and range typical of Bantock's orchestral work. Above all it lacks percussion, which can be heard on the recorded extract. With the kind permission of the Bantock Estate, I have prepared a performing edition for publication that incorporates percussion, derived from the orchestral recording and added editorially in similar manner elsewhere. I have revoiced some of the low- lying instrumental parts to present the material in more comfortable ranges. Editorial interventions more elaborate than revoicing the original text have been identified as cue notes.- Paul HindmarshDuration: 15.00
Estimated dispatch 7-14 working days
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£40.00
King Lear (Brass Band - Score only) - Bantock, Granville - Hindmarsh, Paul
Sir Granville Bantock (1868 - 1946) composed the second of his five major brass band work for Callender's Cableworks Band, completing the commission on 30 November 1932. Based in the Thames-side district of Belvedere near Erith, the band was active between 1898 and 1961. The works band of the Callender Cable & Construction Co. Ltd, it was at the peak of its popularity during the 1930s and was a frequent broadcaster on the radio. The band employed an in-house arranger and played saxophones in its lighter material. King Lear was one of the band's major commissions and was not published in Bantock's lifetime. The manuscript score and parts were thought to be lost for decades, but were found in the library of the Haydock Band (Lancashire), which had inherited part of Callender's library of manuscripts material and bespoke arrangements after it has been transferred to nearby Prescott Cables Band after Callender's Cable Works closed.King Lear is a substantial work, in essence a dramatic tone poem in the romantic Tchaikovskian manner, presenting a series of character portraits of the foolish old king and his three daughters, Goneril, Regan and Cordelia. The music is dramatic and lyrical by turns, with the most generous lyrical episode revealing perhaps the warm-hearted Cordelia. An expansive melody that flows from this is brought back towards the end as the main climax of the work.In 2001, Bantock's score was recorded by the University of Salford Brass Band, conducted by Dr. Roy Newsome. The original is serviceable, but in comparison with the orchestral version he made in 1936 (part of which was recorded on a Paxton 78 rpm) and later brass band scores, performing editions of which were prepared by others, it lacks colour and range typical of Bantock's orchestral work. Above all it lacks percussion, which can be heard on the recorded extract. With the kind permission of the Bantock Estate, I have prepared a performing edition for publication that incorporates percussion, derived from the orchestral recording and added editorially in similar manner elsewhere. I have revoiced some of the low- lying instrumental parts to present the material in more comfortable ranges. Editorial interventions more elaborate than revoicing the original text have been identified as cue notes.- Paul HindmarshDuration: 15.00
Estimated dispatch 7-14 working days
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£72.99English Dances, Set 1, Op.27: No.1, Andantino (Brass Band - Score and Parts) - Arnold, Malcolm - Farr, Ray
English Dances, Set I, opus 27, is a light classic composition that was written for orchestra by the British composer Malcolm Arnold in 1950. The set contains four dances that continue without pause: the individual movements are indicated by the tempo markings. The work came about at the request of Bernard de Nevers, at the time the head of publisher Alfred Lengnick & Co., who asked Arnold to write a suite of dances as an English counterpart to Dvovk's Slavonic Dances and Bartk's Romanian Folk Dances. The premire took place in the spring of 1951, played by the London Philharmonic Orchestra, conducted by Sir Adrian Boult. Following the success of the first set, DeNevers asked the composer to write a second one, which Arnold completed the next year (Op. 33). The Andantino from the first set has been skilfully arranged and orchestrated for brass band by Ray Farr.Duration: 2.45
Estimated dispatch 7-14 working days
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£35.00Nimrod (from Enigma Variations) (Brass Band - Score and Parts) - Elgar, Edward - Littlemore, Phillip
Elgar wrote his Enigma Variations between 1898 and 1899. It is without a doubt Elgar's best-known large scale composition, and is dedicated to 'my friends within', as each variation is an affectionate portrayal of one of his circle of close acquaintances. The ninth variation, Nimrod, is dedicated to Augustus J. Jaeger, Elgar's publisher at Novello & Co. and also his editor and close friend. The name of the variation refers to 'the mighty hunter before the Lord' and can be found in the Book of Genesis. The name J?ger is German for hunter. Often used for solemn occasions, it is the most poignant and beautiful pieces of British music. Duration: 4:00
Estimated dispatch 7-14 working days
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