Results
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£54.20A Northumbrian Folk Song Suite (Brass Band - Score and Parts) - Hume, Rob J.
Slightly reduced Brass Band instrumentation (no rep cornet, no 2nd horn, no 2nd trombone part)
Estimated dispatch 7-14 working days
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£54.20An Irish Folk Song Suite (Brass Band - Score and Parts) - Hume, Rob J.
Slightly reduced Brass Band instrumentation (no rep cornet, no 2nd horn, no 2nd trombone part)Includes:Si Bheag, Si MhorLondonderry AirFoxhunters Jig
Estimated dispatch 7-14 working days
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£29.50All By Myself - Eric Carmen - Gavin Somerset
This famous power ballad was composed by Eric Carmen in 1975. The verse of the song borrows heavily from the 2nd movement of Sergei Rachmaninoff's Piano Concerto No.2. At the time of composition, Carmen believed that the Rachmainoff work was copyright free and in the public domain. It was only after the record had been issued that his mistake came to light. Carmen quickly came to an agreement with Rachmaninoff's estate to legalise the song so as not to infringe copyright. Rachmaninoff is now also creditied as the co-writer of the work, even though he died 32 years before the song was written! This moving piece, covered by greats such as Celine Dion & Frank Sinatra, lends itself perfectly for brass band and would fit into any concert program.
In Stock: Estimated dispatch 1-3 working days
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£29.50I Believe In Father Christmas - Greg Lake - Gavin Somerset
Released in 1975, this well loved song was written intentionally by as a protest about the commercialisation of Christmas. The release saw it shoot to No.2 in the charts and remains Greg Lake's only hit solo release. The instrumental riff used between verses is the tune from "Troika" by Sergei Prokofiev that has aided its popularity. This piece is familiar to all audiences, perfect to get them in the mood for your Christmas concerts & get them singing along.
In Stock: Estimated dispatch 1-3 working days
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£14.95Instrumental Album No.31 - Lyric Album for Brass
Includes: Prayer of Childhood; To Music; Just where I am; I hear the music; Fairest Isle; The wonder of his grace; Folk song - O waley, waley; Ballad; Way beyond the blue; Two Spirituals (1) Balm in gilead (2) Go! Tell it on the mountainInstrumentation: Bb Instruments with Piano Accompaniment
Estimated dispatch 7-14 working days
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£79.95Grieg Variations - Jonathan Bates
DURATION: 12'30". DIFFICULTY: 2nd+. . 'Grieg Variations' is a through-composed work in the traditional style of a 'theme & variations'. The work opens with the main melodic fragment featured throughout Grieg Variations which comes from Grieg's Peer Gynt Suite No.2; the final movement - 'Solveig's Song'. . This theme is followed by a set of 9 variations, each taking inspiration from various melodies and styles found within the Peer Gynt Suite. The first variation, a light-footed scherzo based upon the tonal line of Solveig's Song is followed by an 'Alla marcia' variation - in which the music is inspired by the 2nd movement - 'Arab Dance' - of the original suite. The 3rd variation takes a far darker and more aggressive turn in a variation set around the music of the 1st movement of the Peer Gynt Suite before a relaxation into a solemne revisiting of the original theme. Opening with a sombre and longing solo for Flugel horn, the focal point of this 4th variation is an extended solo for the Solo Euphonium, marked 'molto espressivo'. The new material here is used as a theme throughout this variation, being reprised by the full band immediately after as the music builds to a climax point at the top of the musical line. . Following this, there are 2 cadenzas for the Solo Horn and Solo Cornet respectively; the former inspired by the thematic material of Solveig's Song, and the latter from the Oboe cadenza at the beginning of Grieg's '2 Lyric Pieces, Op.68'. These cadenzas lead swiftly into the 7th variation, a bustling rhyhm-driven movement set in complex time. The 3rd movement of the Peer Gynt Suite No.2 - 'Peer Gynt's Homecoming' - makes it's first appearance in variation 8 in a triumphant battle-like setting before a combination of both this material and the Solveig's Song combine to bring Grieg Variations to it's close -not without a little nod to potentially Grieg's most famous work - In The Hall of the Mountain King. . .
In Stock: Estimated dispatch 1-3 working days
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£29.95Unity Series Band Journal October 2013 Numbers 410 - 413
No. 410 March - Go Forth! (Paul Drury)This march was written as a tribute to Bandmaster Jack Spowart and the Bo'ness Salvation Army Band. The composer lives in the twon of Bo'ness and has had numerous opportunities to share with the band and the wider corps at various events. This march serves as recognition of the faithful service given in the Lord's name in the town by The Salvation Army for over 100 years. Two tunes are featured, both well-known and instantly recognisable, namely, Forward! be our watchword and We're marching on.No.411 (1) O give thanks (Marian Parker)The composer, Marian Parker, is a new contributor and is the Recruiting Sergeant at Leicester South Corps. This simple, yet rhythmic piece should not pose any technical problems for most bands and features the attractive arrangement of Joanne Pond's contemporary song, 'O give thanks'.No.411 (2) Hymn Tune Arrangement - St Michael (David Rowsell)The hymn tune 'St Michael' was composed in 1551 by French composer Louis Bourgeois and the composer provides a very useful arrangement of this historic hymn.No. 412 Precious Lord, take my hand (Erik Silfverberg O.F.)This well-known Gospel Song is a favourite of many. It has been recorded by many great artists, including Rosetta Tharpe, Elvis Presley and Aretha Franklin. The words were written by Reverend Thomas A. Dorsey, who is often known as the 'Father of Gospel song'.No. 413 Search Me (Gavin Whitehouse)The second new contributor to this journal is Gavin Whitehouse. gavin is the Assistant Music Director for the Greater New York Division and is also the USA Eastern Territorial Songster Leader. This piece combines two songs - one old and one new - which speak of a God who knows us intimately. 'Search me, O God and know my heart today' (associated with the beautiful Maori melody, 'Now is the hour') is woven with a contemporary setting of Psalm 139 by Rebecca St James, the first line of which says, 'You searchme, you know me'.
Estimated dispatch 7-14 working days
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£65.00Second Suite in F - Brass Band Sheet Music Full Score & Parts - LM602
COMPOSER: Gustav HolstTRANSCRIBED : Daniel S. AugustineA brand transcription from Holst's manuscript score for brass band.A very authentic version from the original for Military Band.Can be used as a testpiece in your next own choice contestSuitable for Section 3 bands upwardsSecond Suite in FOp. 28, No. 2 (1922)1. MarchThe "March" of the Second Suite begins with a simple five note motif between the low and high instruments of the band. The first folk tune is heard in the form of a traditional British brass band march using the morris-dance tune "Glorishears". After a brief climax, the second strain begins with a euphonium solo playing the second folk tune in the suite "Swansea Town". The theme is repeated by the full band before the trio. For the trio, Holst modulates to the unconventional subdominant minor of Bb minor and changes the time signature to 6/8, thereby changing the meter. Usually one would modulate to subdominant major in traditional march form. While Sousa, reputably the "king of marches", would sometimes change time signatures for the trio (most notably in "El Capitan"), it was not commonplace. The third theme, called "Claudy Banks",[2] is heard in a low woodwind soli, as is standard march orchestration. Then the first two tunes are repeated da capo.2. Song without Words "I'll Love My Love"Holst places the fourth folk song, "I'll Love My Love" in stark contrast to the first movement. The movement begins with a chord and moves into a solo over a flowing accompaniment. The solo is then repeated, forming an arc of intensity. The climax of the piece is a fermata, followed by a cornet pick-up into the final measures of the piece.3. Song of the BlacksmithAgain, Holst contrasts the slow second movement to the rather upbeat third movement which features the folk song "A Blacksmith Courted Me". There are many time signature changes (4/4 to 3/4) making the movement increasingly difficult because the accompaniment has a pick up on the up-beats of each measure. The band joins in on the melody around the body of the piece and are accompanied with the sound of a blacksmith forging metal with an anvil called for in the score. The final major chord has a glorious, heavenly sound, which opens way to the final movement.This chord works so effectively perhaps because it is unexpected.4. Fantasia on the "Dargason"This movement is not based on any folk songs, but rather has two tunes from Playford's Dancing Master of 1651. The finale of the suite opens with a solo based on the folk tune "Dargason", a 16th-century English dance tune included in the first edition of The Dancing Master. The fantasia continues through several variations encompassing the full capabilities of the band. The final folk tune, "Greensleeves", is cleverly woven into the fantasia by the use of hemiolas, with Dargason being in 6/8 and Greensleeves being in 3/4. At the climax of the movement, the two competing themes are placed in competing sections.As the movement dies down, a duet forms a call back to the beginning of the suite with the competition of low and high registers.The name 'dargason' may perhaps come from an Irish legend that tells of a monster resembling a large bear (although much of the description of the creature has been lost over time), the Dargason tormented the Irish countryside. During the Irish uprising of the late 18th century, the dargason is supposed to have attacked a British camp killing many soldiers. This tale aside, 'dargason' is more likely derived from an Old English word for dwarf or fairy, and the tune has been considered English (or Welsh) since at least the 16th century. It is also known as 'Sedony' (or Sedany) or 'Welsh Sedony'.
In Stock: Estimated dispatch 3-5 working days
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£25.00Eloise (Paul Ryan arr. David Beal) (The Damned - Barry Ryan) - Brass Band Sheet Music Full Score & Parts - LM368
COMPOSER: Paul RyanARRANGER: David BealISMN : 9790570003686UK SALES ONLYSuperb Opener or closer for your next Concert!A great brass band title suitable for most bandsPROGRAMME NOTESBarry Ryan - 1968"Eloise" is a song first released in 1968 on theMGMlabel.It was sung byBarry Ryan, and written by histwinbrotherPaul Ryan.Running for over five minutes, it features strongorchestration,melodramaticvocals, and a brief slowinterlude.It sold three million copies worldwide,and reached No. 2 in theUK Singles Chartas published byRecord Retailer,but hit No. 1 in theNMEandMelody Makercharts.It topped the chart in 17 countries,including Italy,the Netherlandsand Australia.The single was released as "Barry Ryan with the Majority".The Majority were a pop band, who for a period, were the backing band for Ryanand who, after renaming to Majority One, had some success in Europe.Ryan also released an Italian-language version of the song,"Eloise (Versione Italiana)", in 1968.After not being able to cope with the success of some of his hits as a duo with Barry,Paul decided to take a step away from the limelight and to concentrate on songwriting."Eloise" was the second song he wrote and was influenced byRichard Harris'arrangement of "MacArthur Park"after listening to a rough mix of it at a party at Harris' house.After listening to it, Paul locked himself away and wrote "Eloise" in three days.The Damned - 1986In January 1986, the non-album single "Eloise",a cover version of the 1968 hit byBarry Ryan,was a No.3 chart success in the UK,the band's highest chart placing to date.LM368 - ISMN : ISMN : 9790570003686
In Stock: Estimated dispatch 3-5 working days
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£115.60Chanson de Matin - Edward Elgar
Chanson de Matin ("Morning Song") (Op. 15, No. 2) was likely written by Edward Elgar around 1889, originally for violin and piano. He later created an orchestral version. The premiere of this version in 1901 was conducted by none other than Henry Wood. Wood conducted the Promenade Concerts in London for almost 50 years and is considered the "father" of The Proms.The English composer Edward Elgar is perhaps best known for his Enigma Variations and Pomp and Circumstance marches.This arrangement was written during the COVID-19 pandemic for Askoy Brass Band's album "Gjensyn", available on Spotify and other streaming services.
Estimated dispatch 5-14 working days
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