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£24.50W.S.B. March - Gavin Somerset
After performing a number of arrangements by Gavin Somerset, the band commissioned him to compose for them, an original march that would serve as their signature tune for years to come. The march was composed in a light 6/8 time that would get passes by listening and audience's feet tapping along. Composed with a DC, this is optional and the finale of the march has a licence for a Grandioso and accelerando to give the work that flair for its finale. To download the Solo Cornet part, please CLICK HERE . To download the Solo Horn part, please CLICK HERE . To download the Solo Euphonium part, please CLICK HERE . To download the playback audio to play along to, please RIGHT CLICK HERE & Save As .
In Stock: Estimated dispatch 1-3 working days
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£37.50
Midnight in Cairo - Steven Ponsford
Midnight in Cairo is a fun and light piece of music, suitable for anywhere in a concert. It is atmospheric in its nature, conjuring up images of the lively nightlife in the streets against the backdrop of the Nile and the other ancient wonders of this vibrant city. The music starts in a mysterious mood, with soft vocals around the band accompanying the main theme, before the piece takes off. There are solos for trombone and cornet, which will benefit from the players standing up to play, and improvising if possible.
In Stock: Estimated dispatch 1-3 working days
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£29.50
The Children's Sweet - Ron Glynn
This work is a "Sweet" (A pun on Suite) containing three Children's Nursery Songs, including "Girls and Boys come out To Play" "Oh Dear What can the matter be and "The Grand Old Duke of York" feature a Flugel Horn and a Eb Bass Solos.Ideal concert item with children in the audience.
In Stock: Estimated dispatch 1-3 working days
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£29.50
So Amazing - Traditional - Jonathan Mead
'So Amazing', is a beautiful new hymn tune arrangement from the pen of Welsh Composer Jonathan Mead. The music would create a lovely moment in a concert, where the audience would have time for reflection. The title comes from the words that are often associated with this tune, 'Love so amazing, so divine,'. The tune used, is also well known in the brass band world as, 'The Water is wide'. The music is lovely to play as well as listen to. A must for any Concert Programme.
In Stock: Estimated dispatch 1-3 working days
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£24.50
Fakenham Fair - Traditional - A. Cook
The origins of the song Fakenham Fair are somewhat obscure. It was collected by Peter Bellamy, who performed it unaccompanied on his first solo LP, "Mainly Norfolk" in 1968, giving credit to a Peter Bullen of Norwich from whom he had learned it, Bullen in turn giving credit to his grandfather. But beyond that, other than it definitely being a Norfolk folk song, the rest is a mystery.Over the years, Fakenham Fair has become a firm favourite among folk audiences, probably the most famous version being the 2008 recording by folk supergroup 'Bellowhead' which this setting for brass band pays tribute to. A bright, quirky, and bouncy 5:4/10:8 waltz, the band parts dance back and forth from simple time to compound time and back again, giving a constant flow that somehow always feels natural despite the irregular rhythm... but which will also keep your audience guessing where the beat will land next! With solos and features for principal chairs around the band, nobody is left out of the fun. Engaging to listen to and even more so to play, Fakenham Fair is a perfect light concert item for the band that likes to show off their rhythmic and lyrical sides at the same time.
In Stock: Estimated dispatch 1-3 working days
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£76.99
The Universal Band Collection - Jacob de Haan
A collection of 5 short works in pop style which can be performed by any kind of compilation. The titles can be presented on the programme as separate works but the Universal Band Collection can also be performed as a complete suite. From a didactic point of view it is a suitable work to teach musicians something about the structure in music. For this purpose not only the big structure but also the small structure was kept very clear.Western Girl : A girl from the west of the USA rides her horse across the prairie, dreaming of her future. The rough structure: introduction - theme in a blues scale - the same thing in a different instrumentation - finale.Just a ballad : A balladin pop style with a rough A-B-A form. First there is the introduction of the main theme (A), then follows a tenor melody in minor with a rhythmical reference to the main theme (B). Finally there is the main melody, performed tutti with a different rhythm in the drums (A').Play the Game : An English saying meaning: play fairly. Playful music in up-tempo with a wink to China, where almost all games are manufactured nowadays. Once again an A-B-A structure here.San Diego : A Mexican fugitive enjoys his freedom in America but also remembers his place of birth with melancholy. A sad minor melody with a straight trendy beat appears twice. The second time it has a slightly different instrumentation, in which the muted trumpets represent the Mexican feeling.Final Dance : Eventually there is a dance with an introduction in renaissance style, followed by a fast dance in rock style. All this composed in a classical song structure: introduction, verse, bridge, chorus, shortened verse, bridge, chorus, chorus.
Estimated dispatch 5-14 working days
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£115.60Grevling i taket - Øystein Dolmen og Gustav Lorentzen - Reid Gilje
This is an arrangement which has to be performed a bit humorous in the spirit of the original.It starts with a kazoo-like opening, played on the mouthpieces. At C, baritones and euphoniums should stand up. Maybe the musicians can play it by heart?Two bars before D, the tempo increase. On E, the cornet players should stand (and play by heart)?New, even higher tempo two bars before F. The trombonists should stand up in bar 103 to prepare for a terrific tempo. But G will be played like a laidback reggae-version. Flugelhorn and horns can stand up simultaneous with the glissando in bar 120.The tempo at H should be high and fresh and with several sections standing. In bar 158 should almost all players sit. At bar 160 everyone should stand up.In bar 162, all players should turn to the audience during the crescendo.
Estimated dispatch 5-14 working days
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£119.50La Muerte del Angel - Astor Piazzolla - Svein H. Giske
La muerte del angel was composed by Astor Piazzolla as incidental music for the 1962 play Tango del angel by Alberto Rodriguez Munoz.In the play an angel heals the spirits of the residents of a shabby Buenos Aires neighborhood, but is ultimately killed in a knife fight.This is one of the distinctive pieces with which Piazzolla shook the conservative world of tango. With it's harsh dissonances, mood swings and high energy level, it was in sharp contrast to the traditional tangoes.La muerte del angel was frequently played by Piazzolla in concerts, and he recorded it on at least fourteen different occasions.This arrangement was written to Eikanger-Bjorsvik Musikklag for their performance at Siddis Brass 2007.-Svein H. Giske-
Estimated dispatch 5-14 working days
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£115.60Good Vibes - Idar Torskangerpoll
This piece for beginning band was written as a commission for Norsk Noteservice to the "Music for Beginners" serie.The piece is a feelgood item with limited range for all instruments, suitable for young players. The rhythmic structure is repetitive and polyphony is often in the "call and response" form. Hence it is an easy piece to read and play.The refrain is rhythmically unison making it easy for all to play syncopated rhythms.
Estimated dispatch 5-14 working days
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£127.30Mahalageasca - Mahala Rai Banda - Reid Gilje
Mahalageasca is a piece that make you happy both to listen and perform.It's possible to play the piece as a stage entrance piece. Repeat bars 1 to 8 several times. You might let the Drum set and some Percussion start alone. After basses have played their first eight bars, move on to bar nine.It is also possible to perform is as an ancore where you might change positions for the brass players but use the same pattern with Percussion as above.Here's a suggestion for set-up:Backrow sits in front of the conductor (on horn chairs)Soprano and Solo Cornets standing behind them.Trombones sits at the conductors right (on Euphonium/Baritone-chairs)Basses sitting behind the TrombonesFlugelhorn and horns on the left (sitting on the solo cornet chairs)Euphoniums and Baritones behind the horns.Please do not play too loud on mf. A bit press on the start of the slurs often better the emphasis (some marcatos written as well)Bars 96 to 136 is challenging for mallet percussion. They can be played as solo, or two players might share it in a convenient way.
Estimated dispatch 5-14 working days
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