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£24.50
Sang Til Juletraeet (Song to the Christmas Tree) - Edvard Grieg - Zillah Day-Smith
Sang Til Juletraeet (Song to the Christmas Tree)A short concert arrangement of Edvard Grieg's song no.2 from Seven Children's Songs, Op. 61. Its gentle lilting melody and expressive harmony suits brass instruments beautifully. This piece deserves its place as a Christmas time favourite!B flat and E flat bass parts included to suit the requirements of the individual ensemble.
In Stock: Estimated dispatch 1-3 working days
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£99.95Malcolm Arnold Variations (Score and Parts)
MALCOLM ARNOLD VARIATIONS was commissioned by Philip Biggs and Richard Franklin for the 20th All England Masters International Brass Band Championship held in the Corn Exchange, Cambridge on 25 May 2008. The work is dedicated to Anthony Day, long time carer of Sir Malcolm Arnold in his final years. I first met Malcolm and Anthony in 1990 and remained in constant touch until Malcolm's passing in 2006. Anthony, of course, remains a friend and plays his own role subliminally in this piece. The work is not based on any of Malcolm Arnold's own themes, rather it is a portrait of him (and by association Anthony Day) through my eyes and as a result of my friendship with both parties over some 18 years. If there is any theme as such it is the personalities of the players, the protagonist and his carer placed together by my own efforts coloured and influenced by aspects of Arnold's style and technique without recourse to direct quotation but through allusion and parody. It is of course designed as a brass band test piece but in my eyes is first and foremost a musical challenge. The pyrotechnical elements are there but always secondary to the musical thrust of the work's structure. I have long beforehand submerged myself in Malcolm Arnold's music and ultimately delivered this tribute. Music Directors will be advised to acquaint themselves with the composer's personal music, particularly the film scores, symphonies, concertos and ballets: the solutions towards a successful interpretation of my piece are all in there - and YES, I want, and sanction, this piece to be interpreted, and therein lies the challenge for those of you 'up front'! The challenge for players is that of virtuosity, ensemble and careful attention to where they are individually in relation to their colleagues - a question of balance, taste and insight. With regard to tempi, as is my usual custom, I have indicated all metronome marks with the prefix circa. I would suggest that the fast music is played at these tempos but that the more rubato moments can be allowed some freedom in expression and fluidity of line. With regard to the type of mutes to be employed - this decision I leave to the discretion of players and conductors. Structurally the work is cast as an Introduction, 20 Variations and a Finale. Some variations are self contained, others run into each other as sequences in the same tempo. In other variations, segments are repeated and developed. I could describe the overall concept as a miniature ballet or a condensed film score - there is much drama and character and the repeated elements assist this in driving the action forward. I have deliberately avoided the more extremely dark qualities of Malcolm's own music in this, my celebration of this master-composer, as I have always viewed (and evidenced by my previous Masters scores Tristan Encounters and Chivalry) that the Cambridge contest is a 'sunshine- affair' and firmly believe that Malcolm Arnold would have had it no other way too!
Estimated dispatch 7-14 working days
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£49.95Malcolm Arnold Variations (Score Only)
MALCOLM ARNOLD VARIATIONS was commissioned by Philip Biggs and Richard Franklin for the 20th All England Masters International Brass Band Championship held in the Corn Exchange, Cambridge on 25 May 2008. The work is dedicated to Anthony Day, long time carer of Sir Malcolm Arnold in his final years. I first met Malcolm and Anthony in 1990 and remained in constant touch until Malcolm's passing in 2006. Anthony, of course, remains a friend and plays his own role subliminally in this piece. The work is not based on any of Malcolm Arnold's own themes, rather it is a portrait of him (and by association Anthony Day) through my eyes and as a result of my friendship with both parties over some 18 years. If there is any theme as such it is the personalities of the players, the protagonist and his carer placed together by my own efforts coloured and influenced by aspects of Arnold's style and technique without recourse to direct quotation but through allusion and parody. It is of course designed as a brass band test piece but in my eyes is first and foremost a musical challenge. The pyrotechnical elements are there but always secondary to the musical thrust of the work's structure. I have long beforehand submerged myself in Malcolm Arnold's music and ultimately delivered this tribute. Music Directors will be advised to acquaint themselves with the composer's personal music, particularly the film scores, symphonies, concertos and ballets: the solutions towards a successful interpretation of my piece are all in there - and YES, I want, and sanction, this piece to be interpreted, and therein lies the challenge for those of you 'up front'! The challenge for players is that of virtuosity, ensemble and careful attention to where they are individually in relation to their colleagues - a question of balance, taste and insight. With regard to tempi, as is my usual custom, I have indicated all metronome marks with the prefix circa. I would suggest that the fast music is played at these tempos but that the more rubato moments can be allowed some freedom in expression and fluidity of line. With regard to the type of mutes to be employed - this decision I leave to the discretion of players and conductors. Structurally the work is cast as an Introduction, 20 Variations and a Finale. Some variations are self contained, others run into each other as sequences in the same tempo. In other variations, segments are repeated and developed. I could describe the overall concept as a miniature ballet or a condensed film score - there is much drama and character and the repeated elements assist this in driving the action forward. I have deliberately avoided the more extremely dark qualities of Malcolm's own music in this, my celebration of this master-composer, as I have always viewed (and evidenced by my previous Masters scores Tristan Encounters and Chivalry) that the Cambridge contest is a 'sunshine- affair' and firmly believe that Malcolm Arnold would have had it no other way too!
Estimated dispatch 7-14 working days
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£17.50Buna sera biala (Good Evening Darling)
10 piece ensemble & percussion
Estimated dispatch 7-14 working days
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£5.50
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£67.50Columbus - Thierry Deleruyelle
Columbus is a brilliant and dynamic overture for brass band, with a soft and melodious central passage. In addition to the many American towns that hold the name, Columbus is a European space laboratory that is part of the International Space Station. Launched in 2008 by the American space shuttle Atlantis, it makes it possible to carry out continuous scientific experiments in fundamental physics, life sciences, fluid physics, etc. Several hundred experiments take place within Columbus every year. Commissioned by the Brass Band Bourgueillois, this piece celebrates the 10th anniversary of the launch of the band at the instigation of its conductor, Michael Auclert. The ensemble brings together musicians from the various wind bands of the Bourgueillois region and beyond. Thus, just like the space laboratory that inspired this work, the Brass Band Bourgueillois also serves as a laboratory, albeit a musical one, within a territory that is discovering this ensemble and its original repertoire.
Estimated dispatch 5-14 working days
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£79.99A Midwest Fanfare - Philip Sparke
A Midwest Fanfare was commissioned by the Brass Band of Battle Creek and premiered by them during their appearance at the Midwest Clinic in Chicago on 20th December 2017 where this fanfare was the opening piece of the entire event. This piece is designed to be played with the cornets split into two teams either side of the band. It opens with the two groups answering each other antiphonally over a repeated figure in the lower band. A calmer central section introduces a euphonium solo which is then taken up by the whole ensemble. This leads back to a repeat of the opening fanfares over a rhythmic accompaniment and a short coda which brings the work to a close.
Estimated dispatch 5-14 working days
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£66.00Terminal - Gauthier Dupertuis
Terminalby Gauthier Dupertuis is an energetic, danceable work that captures the electric atmosphere of an airport terminal from morning to night. Repetitive rhythmic structures - symbolizing the constant hustle and bustle of an airport - form the connection between a majestic introduction and the central section, which explores a sound world tinged with 80s and 90s pop and funk music.The piece was commissioned by the Swiss National Youth Brass Band for the 2025 session of its B ensemble, also marking the Youth Brass Band 50th anniversary.
Estimated dispatch 5-14 working days
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£45.00Wellerman - Sea Shanty Medley
ABOUT THIS PIECE: We don't sell sugar, tea, or rum - nor do we condone the taking of whales in tow! We do sell some pretty exciting music though, and this latest arrangement from Adam D J Taylor is sure to be a right 'knees up' for ensemble, audience and parrots alike. Scored for brass band with optional choir, this is a fun and challenging arrangement of a few famous sea shanties with 'film music' undertones throughout. ENSEMBLE: Standard British Brass Band with optional SATB Choir* *SATB parts additional cost (minimum 4-copy order at �4.99 per copy, then �1 per copy thereafter). To order this piece with SATB parts, please contact us here. WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 2 LISTEN: Click here to hear a recording with choir (Black Dyke Mills Band & Huddersfield Choral Society) Click below to hear the piece played at the famous Changing of the Guard at Buckingham Palace: DURATION: 4-minutes 30-seconds EXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level
Estimated dispatch 5-7 working days
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£38.00Monteverdi Three Miniatures
ABOUT THIS PIECE: Monteverdi - Three Miniatures, is an engaging and educational brass band arrangement by Adam Taylor, originally composed for the British Open Youth Brass Band Contest at the Guild 2015. This piece masterfully reimagines themes from the works of Claudio Monteverdi, presenting them in a contemporary style that's both accessible and inspiring for modern brass ensembles. Ideal for youth bands and ensembles looking to explore early music in a fresh format, Monteverdi - Three Miniatures offers flexibility and creativity. The arrangement includes adaptable tempos to match your interpretation, a featured duet with parts available in both Bb and Eb, and written percussion parts that can be expanded with additional instruments or streamlined for smaller sections. Players are encouraged to add their own ornamentation, allowing for personal expression and an authentic touch to the music. With its nod to the grandeur of the late Renaissance and early Baroque periods, this piece serves not only as an excellent concert addition but also as a valuable educational tool, introducing young musicians to Monteverdi's timeless work. Dive into this vibrant arrangement and bring the essence of Monteverdi's genius to your next performance. ENSEMBLE: Standard British Brass Band (with adaptations) WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 1 LISTEN: Click here DURATION: 5-minutes, 30-secondsEXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level
Estimated dispatch 5-7 working days
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