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£35.00O Verona (Brass Band - Score and Parts) - Armstrong, Craig - Harper, Philip
If you are looking for a dramatic and epic concert opener, this could be the one for you! Based on O Fortuna from Orff's Carmina Burana, this was used for the opening montage of the 1996 film Romeo + JulietSuitable for 2nd Section Bands and aboveDuration: 2.00
Estimated dispatch 7-14 working days
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£134.99Sinfonietta: The Town Beneath the Cliff (Brass Band - Score and Parts) - Sparke, Philip
Sinfonietta: The Town Beneath the Cliff was commissioned by Holmestrand Ungdomskorps from Vestfold in Norway. The work is in four movements: a spectacular fanfare followed by a moto perpetuo-like toccata. The third movement Hymn is a beautiful piece of music allowing the band to show its musicality and sound. The last movement Scherzo Finale opens with a short phrase from Holmestrand's own town song, Holmestrandsangen, which comes again in full at the end of the piece, accompanied by a florid passage based on the opening theme.Duration: 13.45
Estimated dispatch 7-14 working days
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£85.00Concertante (Piano Solo with Brass Band - Score and Parts) - Gregson, Edward
This work was written in 1966, when I was a student at the Royal Academy of Music in London. It was the first major work to be written for this combination. The Concertante is unashamedly romantic in idiom and is cast in three movements: Prelude, Nocturne and Rondo.The Prelude is in sonata form with a contracted recapitulation. There are two main themes, the first announced after the opening flourish on piano. The second theme is lyrical in character and the interplay between these two themes forms the main focus of the movement.The pensive Nocturne opens with an introduction from the band which contains hints of the two main ideas to follow. The solo piano announces the main theme, which has a slightly 'blues' character in its flattened third and seventh notes of the scale. The band enters with the chorale theme already heard in the introduction. Eventually the first theme returns, this time from piano and band and building to a powerful climax before subsiding to a peaceful ending.The Rondo is full of energetic rhythms and changing time patterns. The main theme is 'giocoso' in character and in the first episode there is more than a hint of the tune 'Onward Christian Soldiers' in what amounts to a good humoured parody. Before the final coda there is a long piano cadenza underlying the virtuoso element of the work.The work had a number of public performances leading up to a memorable one in the Royal Albert Hall in 1989 as part of the Gala Concert that used to be held after the National Brass Band Championship in the Royal Albert Hall. That year, the 'centre band' in the massed bands concert were the GUS Band (then known for sponsorship reasons as 'Rigid Containers Group Band'!) conducted by my great friend and champion, Bramwell Tovey, with myself as the soloist.- Edward GregsonDuration: 18.00
Estimated dispatch 7-14 working days
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£107.95Cornet Concerto (Brass Band - Score and Parts) - Gregson, Edward
The Cornet Concerto was commissioned by Black Dyke Band for their principal cornet, Richard Marshall, and was premiered at the European Brass Band Festival's Gala Concert in Lille, France, on 30 April 2016 by the same performers, conducted by Nicholas Childs.It is challenging work, both musically and technically, and one that exploits the wide range of the instrument's capabilities. Lasting for some 17 minutes, it is in the usual three movements: Sonata, Intermezzo (subtitled 'Of More Distant Memories') and Rondo.The first movement presents four main ideas:Cadenzas (which recur throughout the movement, and indeed appear at the end of the work); a fast and rhythmically energetic motive; Bugle calls (echoing the ancestor of the cornet), and a lyrical and expressive melody, full of yearning. These four ideas are juxtaposed within the broad shape of a Sonata form structure, although here the word 'Sonata' is used in its original meaning of 'sounding together'.The second movement is music in search of a theme, which eventually comes at the end of the movement. In the middle section there are brief quotations, albeit mostly hidden, from three cornet solos written by the Swedish/American composer Erik Leidzen for the Salvation Army in the 1940s and 50s; these are solos I loved as a teenager, and my use of them is by way of tribute, not imitation - a sort of memory bank, just as the main theme of the movement, when it eventually comes, is reminiscent of the tune from my earlier work for brass band, 'Of Distant Memories'.The final Rondo, the shortest of the three movements, is a lively and 'fleet-of foot' Scherzo, its main theme full of cascading arpeggios, but with a contrasting lyrical second theme intertwined in the structure. There is much interplay between soloist and band in the development of the music, but eventually a brief reprise of the opening cadenzas leads to an exciting and climactic coda.Click here for the piano reduction
Estimated dispatch 7-14 working days
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£49.95Cornet Concerto (Brass Band - Score only) - Gregson, Edward
The Cornet Concerto was commissioned by Black Dyke Band for their principal cornet, Richard Marshall, and was premiered at the European Brass Band Festival's Gala Concert in Lille, France, on 30 April 2016 by the same performers, conducted by Nicholas Childs.It is challenging work, both musically and technically, and one that exploits the wide range of the instrument's capabilities. Lasting for some 17 minutes, it is in the usual three movements: Sonata, Intermezzo (subtitled 'Of More Distant Memories') and Rondo.The first movement presents four main ideas:Cadenzas (which recur throughout the movement, and indeed appear at the end of the work); a fast and rhythmically energetic motive; Bugle calls (echoing the ancestor of the cornet), and a lyrical and expressive melody, full of yearning. These four ideas are juxtaposed within the broad shape of a Sonata form structure, although here the word 'Sonata' is used in its original meaning of 'sounding together'.The second movement is music in search of a theme, which eventually comes at the end of the movement. In the middle section there are brief quotations, albeit mostly hidden, from three cornet solos written by the Swedish/American composer Erik Leidzen for the Salvation Army in the 1940s and 50s; these are solos I loved as a teenager, and my use of them is by way of tribute, not imitation - a sort of memory bank, just as the main theme of the movement, when it eventually comes, is reminiscent of the tune from my earlier work for brass band, 'Of Distant Memories'.The final Rondo, the shortest of the three movements, is a lively and 'fleet-of foot' Scherzo, its main theme full of cascading arpeggios, but with a contrasting lyrical second theme intertwined in the structure. There is much interplay between soloist and band in the development of the music, but eventually a brief reprise of the opening cadenzas leads to an exciting and climactic coda.Duration: 17.00
Estimated dispatch 7-14 working days
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£68.99Star Trek, Theme from (Brass Band - Score and Parts) - Courage, Alexander - Doss, Thomas
Who doesn't know the famous introduction "To boldly go where no man has gone before" at the beginning of each Star Trek sequel? Many generations grew up with Star Trek - one of the most iconic Sci-Fi series ever written. The original theme is as iconic as the opening line. A great warm up for the next Star Trek series in 2017, arranged by Thomas Doss.Duration: 3:15
Estimated dispatch 7-14 working days
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£119.99The Essence of Youth (Brass Band - Score and Parts) - Roels, Stijn
In The Essence of Youth the composer gives an insight into childhood and youth -- inspired by his own daughter. The opening of sparking rhythms, dynamic contrasts and changes of time signature paint a vivid picture of the unpredictability of children. The first and second movements recount the love -- and also tension and the worries -- in the adult-child bond, through dissonant harmonies but also pretty melodies. The fugue-like ending leads to a final splendid chorale: a picture of proud parents with their child! Duration: 9.45
Estimated dispatch 7-14 working days
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£84.99Festivus Americas (Brass Band - Score and Parts) - Bulla, Stephen
Dedicated to the North American Brass Band Association, this is music that is full of energy and dynamic extremes. In form it draws from the overture style, although the themes are self-existing and the piece is programmatic. Working well as a festival opener, it sets a mood of excitement. Following the rhythmic fanfares of the opening, the first theme is presented in the cornets followed by a return to the same rhythmic material. A second theme appears in the horn section and is developed, changing into a darker and sinister form of the same motif. Eventually a Maestoso section is reached, full of sustained block chords in the cornets and trombones, as the rest of the band counters with cascading lines that weave straight through the brighter instruments. Duration: 5.00
Estimated dispatch 7-14 working days
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£38.00Hard Hats and Cornet (Cornet Section Feature with Brass Band - Score and Parts) - Johns, Terry
This lively and melodic piece was commissioned by Maltby Colliery Band in 2000. It was written as a feature for solo cornet and the cornet section. For its first broadcast performance on Radio Scotland, from Edinburgh in 2009 Mark O'Keefe played the solo part with the band of COOP Glasgow. This piece makes an impressive encore or opening to a band concert and is also available in a version for ten brass. Duration: 3.30
Estimated dispatch 7-14 working days
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£88.00Fanfares, Marches, Hymns and Finale (Brass Band - Score and Parts) - Broughton, Bruce
"Fanfares, Marches, Hymns and Finale" is a series of self-referential movements, each composed around an attitude expressed in the title rather than for any actual utilitarian use. Hence, it would be difficult to march to most of "Marches", although it is composed of martial rhythms and associative figures. One could, however, sing the pentatonic (five note) main theme from "Hymns", which is composed in an American folk-hymn style and set in an Atmosphere evocative of meditation and reflection, although there is no text associated with the themes. "Fanfares" is based upon an opening six-note motif first heard in unison. It precedes and announces the following three movements. As the plural aspect of the title indicates, "fanfares" open and close the movement itself. Needless to say, the spirited "Finale" brings the piece to a close. Duration: 11.00. Suitable for Championship Section Bands.
Estimated dispatch 7-14 working days
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