Results
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£59.95Swedish Festival Music (Brass Band - Score and Parts)
This three-movement suite was commissioned by the Swedish Brass Band Association as the test piece for the Championship Section of their 2008 National Contest. The first movement is inspired by the magnificent Swedish hymn 'How Great Thou Art'. Indeed the influence of that hymn can be traced in all three movements. The declamatory style of the opening gives way to other, more reflective expressions of awe and wonder. A more animated section develops before a final, triumphant statement of the 'How Great' idea returns to finish the movement. The slow second movement features another much-loved Swedish hymn. The music provides plenty of scope for expressive playing, and a feeling of intimacy should be created by the use of several short solo passages. The third movement Allegro brings a totally different, dance-like mood with frequent references to a reel from the region of Uppland. This eventually brings a return to the opening subject and a final, triumphant reference to 'How Great Thou Art'.
Estimated dispatch 7-14 working days
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£120.00New London Pictures (Brass Band - Score and Parts)
New London Pictures represents elements of London in the 21st Century. The Millennium Bridge describes the pedestrians journey across this wonderful new landmark bridge over the Thames, starting at the imposing Tate Modern, crossing the busy river, and onwards to St. Pauls Cathedral with its bells ringing out over the great city. London Eye is an incredibly large ferris wheel situated on the South Bank of the River Thames. This movement depicts a flight on this riverside wheel, at the top of which the panoramic view of London is breath-taking and the expanse of the music is a suitable depiction of the view. As with all modern cities, London is over-crowded with motor vehicles. London is the first major city in Europe to adopt a Congestion Charge, and this piece (with its stop and go traffic lights) is both racy and comical. Here are Londoners attempting to go about their business in the face of overwhelming odds..... Suitable for Premier Youth/2nd Section Bands and above. Duration: 15.00
Estimated dispatch 7-14 working days
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£27.00Auld Lang Syne (Brass Band - Score and Parts)
It is a tradition in most English-speaking countries to sing this song at the stroke of midnight on New Year's Eve to usher in the New Year. The words are at least partially written by Robert Burns and the words "Auld Lang Syne" literally mean "old long ago" or "the good old days", providing a moment of reflection before moving forwards into the New Year.The tubular bells, although pitched, sound midnight when they enter at bar 10.This arrangement was prepared for Brass Band of the Western Reserve, musical director Keith M Wilkinson, to perform at First Night, Akron, Ohio, December 31st, 2007. The following choreography is suggested:Commence the performance with all the cornets scattered around the auditorium.At the end of bar 18 invite the audience to sing along with the band.At bar 27 the cornets move to stand in front of the other members of the band to lead to the stirring conclusion. Should auld acquaintance be forgot and never brought to mind?Should auld acquaintance be forgot and days of auld lang syne?For auld lang syne, my dear, for auld lang syne,We'll take a cup of kindness yet, for auld lang syne.
Estimated dispatch 7-14 working days
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£24.95Shine Down (Brass Band - Score and Parts)
This up-tempo song has been featured by the contemporary Christian artist Sandi Patti. It speaks of the real hope that Jesus can provide in the world today.
Estimated dispatch 7-14 working days
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£64.99Oregon (Brass Band - Score and Parts)
This fantasy tells the story of Oregon, one of America's north-western states. Traveling by train on the Northern Pacific Railroad, the listener is taken through the fascinating Oregon landscape. Indians, cowboys, golddiggers and hooded wagons will file past on this adventurous journey. The piece has some similarities with a soundtrack of a movie. Various melodies, which could be the main themes of a movie, pass the review.The piece begins in a slow movement, introducing the first theme in minor. Then we hear in the following fast movement the trombones imitate the train, whistling the steam-flute. We hear the characteristic minor theme again, but now in different variants (also in major). The rhythmic structure of "western" stile and rock succeed each other. This is leading to the slow movement, where the signals of horns and trumpets introduce a wonderful vocal melody. After this characteristic melody, the fast movement appears shortly again, the trombones whistling the steam-flute again (now in major). We hear also some musical elements, that plays a part in the following Presto. Barchanges, jazzy chords, interesting rhythmic patterns (with bongo) and an original theme are the characteristics of this Presto. After this, the horns announce the last section of the piece. Interesting is the fact that we hear in this Allegro section a variant of the vocal melody in the slow movement. Also the Presto theme returns shortly, followed by the Allargando, which is a grand characteristic end of a soundtrack. The movie of our travelling fantasy has come to an end.Duration: 9:10
Estimated dispatch 7-14 working days
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£89.95Diversions for Brass Band, Op.97 (Brass Band - Score and Parts)
This work was commissioned in1985 by Skellerup, Christchurch, New ZealandMovements:Allegro VivaceAndante Con Moto Molto ExpressivoAllegro VivaceDerek Bourgeois wrote Diversions in the summer of 1985 to a commissioned from the Skellerup Brass Band.Bourgeois previous test piece, Blitz, was aggressive and forceful, therefore the composer decided to write a work of a completely different character, which although technically very demanding, is light-hearted in style, and easy on the ear, as the title suggests.The first and third movements share the same tempo, but are rather different in character. The first movement is a sonata allegro contrasting two main themes. The first is bold and jaunty and is heavily scored, the second announced by the solo horn is more lyrical in character. The development section and recapitulation are merged into a continuous interplay of the two themes.The second movement is an expressive andante in free rondo form. It is lightly scored for the most part with a lot of solo passages that make demands on the musicianship of the players and conductor alike. The very simplicity of its textures and the breadth of its melodic writing demand firm control of vibrato, phrasing and rubato.The brief finale is nothing short of a romp. Its ternary structure is highly rhythmic in character and only rarely do the performers enjoy the luxury of two consecutive bars in the same time signature!Duration: 11.00
Estimated dispatch 7-14 working days
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£94.95Dances and Arias (Brass Band - Score and Parts)
This work was commissioned by Boosey & Hawkes Band Festivals (with funds provided by the Arts Council of Great Britain) for the National Brass Band Championships of Great Britain, held at the Royal Albert Hall, London, on 7th October 1984.Dances and Arias is in one continuous movement, but as the title suggests is a series of alternating fast and slow sections as follows: Dance - Aria I - Dance (scherzo) - Aria II - Dance. The opening dance is energetic and introduces a four-note motif (on trombones) which is the basis for much of the melodic material in the work. Throughout, there is a continuous process of thematic cross-reference and transformation.The first aria unfolds a long melody on solo cornet, eventually continued by all the solo cornets, and dissolving into a shimmering harmonic background (muted cornets, horns and baritones) over which is heard a brief self-quotation on solo tuba. This leads into the second dance, a frenetic scherzo, followed by the second aria, in the style of a lament (solo euphonium, followed by two flugel horns). This builds to a powerful climax which subsides, leaving the percussion to introduce the final toccata-like dance. It transforms material from the opening before a coda brings the music to a triumphant close. The large percussion section is an integral part in the work and uses a wide variety of instruments including timpani, glockenspiel, vibraphone, xylophone, tubular bells, tom-toms, snare drum, bongos and tam-tam.
Estimated dispatch 7-14 working days
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£34.95A New Dawn (Tenor Horn Solo with Brass Band - Score and Parts)
Tenor Horn Solo with Brass BandA New Dawn (2013) was commissioned by and written for British tenor horn virtuoso Owen Farr in late 2013, to provide the title track of his new CD album. With a specific brief, the work was to include a bold ear-catching fanfare-esque opening to bring maximum impact to the opening of the album, before settling in a rhythmic groove which allows the new tempo and reduced texture to settle before the entry of the tenor horn, who's initial four bar motif is what forms the basis of much of the work. Following this, structurally, the work follows with a set of variations, carefully demonstrating the capabilities of the instrument and indeed the player. Bar 90 sees the return of the bold opening gestures, this time followed with a harmonic transformation, before a recapitulation at bar 120 which sees a return to the original tenor horn material and an increase in intensity, volume and virtuosity through to the close.A New Dawn was premiered by Owen Farr and the Cornwall Youth Brass Band on 30th December 2013, and was recorded by Owen and the Cory Band in March 2014, featuring as the title track on his CD release of the same name.
Estimated dispatch 7-14 working days
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£85.00Three Haworth Impressions (Brass Band - Score and Parts)
A wonderful three movement suite which conjures up fabulous musical imagery of the lands of northern England. Well worth including as a concert item in your next programme, but this great original composition should really should be set again as a test-piece soon - rewarding musically for audience and bandsmen alike.Includes:TOP WITHENS - A GENERAL EVOCATION OF THE ATMOSPHERE OF WUTHERING HEIGHTS The sinister opening motif symbolises the influence of the evil Heathcliffe, Soon this motif experiences several changes of character in order to portray emotions other than those of hatred and jealousy. The overall mood is, however, one of gloom and foreboding.THE THREE BELLS This is a reference to the pseudonyms adopted by Ann, Charlotte and Emily Bronte. The music begins with three "bell"-notes; Ab for Acton Bell, Cb for Currer Bell and Eb for Ellis Bell, and these three notes form the basis of a wistful waltz tune. Again the mood is rather sombre -- save for a brighter middle section -- and the opening motif from "Top Withens" is to be heard, again symbolising the frustrations and ill-fortune by which their lives were plagued.THE WORTH VALLEY RAILWAY The Brontes were not the only people in Haworth and not all is desperation and gloom. The third impression is a celebration of the victory of the people of Haworth in their fight to retain their railway. The nine-eight rhythm of a slow train is prominent, and our once-sombre motif is transformed into a triumphant fanfare.Duration: 12.00Please note that there are only 3 solo cornet parts included in this set
Estimated dispatch 7-14 working days
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£34.95Funk Engine (Score and Parts)
'Funk Engine' was commissioned by Brass Bands England for the 2016 National Youth Brass Band Championships of Great Britain. What Ryan says about the piece:"When I was commissioned to write a piece for the Championships I decided that I wanted to create something a bit different to standard brass band repertoire. I decided that the best way to do this was to go a bit out of my comfort zone and explore some styles of music that I have yet to experiment with. I have always been a great lover of jazz, funk and big band music and the sounds associated with them. In 'Funk Engine' I have tried to capture some of these sounds, however I am a brass-bander at heart and as such I've tried to create a fusion of styles that hopefully combines the best of brass band and jazz into one piece.'Funk Engine' runs continuously, but is divided into three broad sections - fast, slow, fast. The opening is in driving big band style, which segues into a smoother lyrical section; the pace then picks up into a jazz inspired scherzo. After a delicate transition from the basses and trombones the euphonium plays a soaring scale - bringing us into the central movement - which begins with a series of languid solos before descending into a darker interlude. A flugel solo lightens the mood and the music gains momentum leading into a brief cornet chorale before a euphonium solo leads into a percussive climactic passage for full band. As this section winds down to settle on an open fifth, the Hi-hat and Bass section punctuate the texture with the first notes of the final section."The final section of the piece is in similar big band style to the opening and develops material from the first two movements. The percussion feature heavily at this stage and the tension builds towards a final statement, with the piece concluding with a bang!"
Estimated dispatch 7-14 working days