Results
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£44.00Lascia ch'io pianga (Let Me Weep) - Georg Friedrich Handel - Jacob de Haan
Let Me Weep ('Lascia ch'io pianga') is an aria from Handel's opera 'Rinaldo'. According to reports he composed the music for the complete opera in just 14 days, using many melodies from earlier works. The melody of this wonderful aria is known all over the world and this arrangement by Jacob de Haan retains all the passion of the original.
Estimated delivery 10-14 days
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£39.00Let Me Weep (Brass Band - Score and Parts)
Let Me Weep ('Lascia ch'io pianga') is an aria from Handel's opera 'Rinaldo'. According to reports he composed the music for the complete opera in just 14 days, using many melodies from earlier works. The melody of this wonderful aria is known all over the world and this arrangement by Jacob de Haan retains all the passion of the original. 03:15
Estimated delivery 12-14 days
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£8.50
Let Me Weep (Brass Band - Score only)
Let Me Weep ('Lascia ch'io pianga') is an aria from Handel's opera 'Rinaldo'. According to reports he composed the music for the complete opera in just 14 days, using many melodies from earlier works. The melody of this wonderful aria is known all over the world and this arrangement by Jacob de Haan retains all the passion of the original. 03:15
Estimated delivery 12-14 days
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£15.00O Mio Babbino Caro - Giacomo Puccini - Phillip Littlemore
O Mio Babbino Caro (Oh My Dear Papa) is taken from the opera Gianni Schicchi by Giacomo Puccini. It is sung by Schicchi's daughter,?Lauretta. after tensions between Schicchi and his prospective in-laws have reached a breaking point that threaten to separate her from Rinuccio, the boy she loves. The story of Gianni Schicchi concerns a rich old man who dies leaving all his possessions to the local monastery. His outraged relatives agree to Gianni Schicchi impersonating the dead man so that he can dictate a new will. In doing so, Schicchi manages to bequeath himself the dead man's most hotly contested possessions - his mule, his house and his mills. This means that Schicchi?can now provide a full dowry to enable his daughter to marry. It is the second opera of Puccini’s operatic triptych, which also includes Il Tabarro and Suor Angelica . Item Code: TPBB-010 Duration: c.2'00"
Estimated delivery 5-7 days
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£9.99
Coronation Scene (Brass Band/Score)
This stunning band version brings to life the sumptuous splendour of Mussorgsky's from the opera Boris Godunov. The opera exists in three complete versions: by the composer, Shostakovich and Rimsky- Korsakov, whose version is used here.
In stock: Estimated delivery 1-2 days
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£49.99
Coronation Scene (Brass Band/Score & Parts)
This stunning band version brings to life the sumptuous splendour of Mussorgsky's from the opera Boris Godunov. The opera exists in three complete versions: by the composer, Shostakovich and Rimsky- Korsakov, whose version is used here.
In stock: Estimated delivery 1-2 days
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A Wartime Sketchbook by William Walton, arr. Paul Hindmarsh
During World War II, William Walton, one of the most eminent of British composers, provided music for several films deemed to be of 'national importance'. Scoring Lawrence Olivier's Shakespeare epic Henry V in 1943 was the most substantial of these wartime projects. His role in patriotic films from 1941 and 42 like The Foreman Went to France, Next of Kin, Went the day Well? and The First of the Few was to provide appropriate title music and some underscoring at key moments. Walton extracted the most substantial portions of the latter as the popular Spitfire Prelude and Fugue for orchestra. The remaining music remained unpublished until 1990, when Christopher Palmer assembled the highlights from the soundtracks into A Wartime Sketchbook, ssix numbers of which were arranged into a colourful suite for Besses o' th' Barn and Black Dyke Mills bands in the 1990s. 1. Prologue: This is the stirring title music from Went the day Well?, a screen play by Graham Greene about a German airborne invasion of an English village. The main theme leads to (2) Bicycle Chase, characteristic musical high-jinks for J.B.Priestley's The Foreman went to France. (3) Refugees, from the same film, is a poignant accompaniment to the long march of refugees, while (4) Young Siegfrieds is a lively movement comes from the music that Walton composed for The Battle of Britain in 1968, but which the film's producer rejected. It portrays first the Berliners, cheerfully ignoring the black-out and then, in the trio, the Young Siegfrieds of the Luftwaffe, courtesy of a parody of Siegfried's horn call from Wagner's opera. In (5) Romance from Next of Kin, a soldier and a Dutch refugee snatch a few tender moments together. (6) Epilogue: at the end of The Foreman went to France, the French look forward with hope and optimism to eventual liberation. Romance (3') and Young Siegrfireds (4') can be performed separately. Duration: 14 mins Published by arrangement with the copyright holders, Oxford University Press. ?65, plus postage and packingPHM Catalogue No. PHM008
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£68.00Pacific Dreams - Jacob de Haan
Pacific Dreams describes the experience of Miguel, a traveling composer from Spain who, feeling somewhat alienated from his homeland, is wandering through an area of Sydney known as The Rocks. At a small outdoor market in a typical street of this old colonial neighbourhood, he discovers a print of William DeShazos painting "Pacific Dreams" Portrayed in the painting is the surf of one of the exotic islands in the Pacific. Next, with the impressive Sydney Harbour Bridge looming over the narrow streets of The Rocks, he envisions sultry Pacific beaches. Suddenly a theme he once composed about the lakes in Japan comes to him. Is it the Asian influences present in cosmopolitan Sydney that bring this theme to mind? Or perhaps the waters around Sydney, over which he could sail to Tahiti? He is uncertain. Could this same theme be used to create a new composition about his feelings for the metropolis Sydney? How then to work his Pacific Dreams into the mix? Miguel is certainly no fan of Hawaiian music. Mayby he could use the vocabularies of islands like Hawaii and Tahiti, their beautiful vowel combinations being sung ad libitum by a mixed choir.With these ideas and his newly purchased print of "Pacific Dreams", he boards the Metro at Circular Quay. He has a final glimpse of the harbour and the Sydney Opera House as the train races into the ground. On to the hotel! To work! He must compose!Maestoso : Miguel is impressed as he gazes upon the Sydney Harbour Bridge. And yet, he wants to go away from this city. Away, to an exotic island in the Pacific.Steady Rock : In the Rocks, musicians are playing at a square. Miguel basks in the atmosphere but at the same time he is fantasizing about Hawaii and Tahiti.Andante Lamentoso : In his hotel room, Miguel is feeling sad and lonely in this big city. He takes comfort in his "Pacific Dreams".Allegro : Miguel boards the boat that takes him from Darling Harbour to Circular Quay. In his mind he is traveling on to Hawaii. Or is it home, where the bolero is playing? He is pulled back to reality by the skyline of Sydney.
Estimated delivery 10-14 days
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Fantasia on themes by Purcell
Music for Brass Band Duration: 8:30 Minutes Percussion: 3 PlayersTimps, Side Drum, Tam-tam and Crash CymbalsIan ShepherdIan Shepherd is the principal tuba of the Band of the Grenadier Guards. As an arranger and composer for brass ensembles, his works have been performed as far afield as China, Korea and Japan as well as closer to home. His arrangements have also been performed on the BBC Radio 3's "In Tune" program and at the Ryedale Music Festival in Yorkshire. Recently he has been commissioned by the brass ensemble of the Royal Philharmonic Orchestra and has composed fanfares to announce the arrival of Her Majesty the Queen at important state occasions including the service of the Royal Victorian Order in St. George's Chapel Windsor Castle and the ANZAC memorial service in Westminster Abbey.FantasiaFantasia consists of three distinct sections that use thematic material from three separate pieces by Henry Purcell. The first section is based on the march from Funeral Music for Queen Mary which is dramatically dark and powerful but also uplifting. The Second section uses the devastatingly beautiful aria Dido's Lament or When I am laid in earth from the opera Dido and Aeneas as its basis and builds to enormous proportions, unlike the original aria. The third section begins with a haunting reference to the Rondo from Abdelazer. Gradually, this builds towards an exciting re-statement of the theme in the first section to the finale.
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£15.00Senza Mamma - Phillip Littlemore
The aria Senza Mamma (Without your mother), sung by Sister Angelica, is one of the most poignant moments in any of Puccini's works, and has remained a recital favourite. Suor Angelica is the second instalment in Puccini's triptych of one-act operas commonly known as Il trittico. The opera chronicles the fall, redemption, and final transfiguration of its central character, Sister Angelica, who has taken the veil in repentance for bearing a child out of wedlock. The libretto, by Giovacchino Forzano, was immediately appealing to the composer, whose sister Igenia was Mother Superior of the convent at Vicepelago. Though it contains some of Puccini's most adventurous writing (the musical language at times even flirts with polytonality) the work has not enjoyed popularity comparable to that of its companions, Il Tabarro and Gianni Schicchi , each of which has enjoyed an independent life in the repertory. Item Code: TPBB-016 Duration: c.3'40"
Estimated delivery 5-7 days
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