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  • £19.50

    The Sleigh Race - Alfred Caldicott - Lynda Nicholson

    Every year, bands across the country search for something new and different for their Christmas concerts. This year, look no further! In this comedy item, originally composed for piano duet, the feeling of Christmas is ever present. The playful melody is passed around the band including a percussion section solo (with cues for the band if no percussion available). Audience participation can be used as they rattle keys to mimic the sounds of Sleigh Bells. Of course, no comedy work would be complete without some singing from the band. This really is a treat for all concerned and is a piece that will make any Christmas concert come to life with something different.

    In stock: Estimated delivery 1-2 days

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  • £64.95

    Platform to the Heavens - Paul Lovatt-Cooper

    The piece takes its inspiration from the mountain ranges from one of my favourite countries, Switzerland.I have visited the Swiss Alps on many occasions and I am still taken back by its sheer awesome beauty with every visit. This commission gave me the opportunity to pay homage to this wonderful landscape and paint my own musical picture of it.The piece opens with what I imagine daybreak would be like at one of its many peaks. With the sun growing behind the mountain range, the piece builds from a single note to a huge climatic chord revealing Mother Nature’s creation.Then at rehearsal figure ‘C’ the tempo changes dramatically as we fly through the many slopes of the mountains as if on a manic skiing expedition, revealing the many dangers within the Swiss Alps.The twists, turns and climaxes begin to die away as we enter rehearsal figure ‘M’ - nightfall over the mountains. As the sun disappears, the sky darkens to reveal the beautiful starlit sky above the mountain range. This middle section starts with the various cadenzas that serve as echoes around the Alps. It then leads to a lyrical solo at rehearsal figure ‘O’ as the moonlight illuminates the icy mountain peaks. A final cadenza to conclude this section highlights the end of nightfall as the sun starts to rise again.This recapitulation from the opening, signals a new dawn as the sun rises above the snowy peaks once again. The music at this point in its slightly altered state highlights the dawn of a new day in the Alps. The fast manic ski ride follows which takes the piece to its grand finale conclusion.The idea behind the title of this piece is that the Swiss Alps are so beautiful and vast; I can only imagine that they could be a platform connecting the earth to the heavens above.Paul Lovatt-Cooper

    Estimated delivery 12-14 days
  • £79.95

    Waiting for a Pain Hit!??!!? - Paul McGhee - -

    Waiting For a Pain Hit!??!!? was written during November and December 2006 as an entry in the 2006/07 Swiss Brass Band Association Composers Competition. It was later chosen as the Championship Section set test piece for the 2010 Swiss National Brass Band Championships.The piece originates from sketches for a Brass Quintet which was written whilst I was in my second year of studies at the Royal Welsh College of Music and Drama. The piece, now being much more elaborate both musically and structurally than the original, aims to explore the many various textures available to a large brass ensemble. The aims of the piece, from its earliest stages, were mainly exploration of textures as well as dealing with issues of continuity and whilst the piece certainly contains challenging technical elements, they were not a driving force behind its inception and more organically grew from the primary aims of the piece. I was purposefully looking throughout the writing and editing process to create a piece of music with a seamless, ethereal quality to both the structure and the musical content.There are no 'performance directions' throughout the piece, the reasoning for this is explained below. However, I have spent much time and thought over the tempo markings throughout the piece and the tempos throughout the piece are the desired tempi and care should be taken with these. The tempo markings contained throughout the piece form a vital part of the structure and affect the continuity of the piece. Metronome marks contained within a box show the tempo of the new section in relation to the tempo that precedes it by use of metronome modulations. Any alterations tothe tempo of the section that precedes it will alter the boxed metronome marks.The title of a piece of music, please forgive my generalisation, is to give an insight into 'what a piece is about'. I suppose that this piece is no different, but with the title being slightly abstract I shall resist the temptation to reveal what it means to me. The title, I feel, needs to be open to interpretation along with the music within. That's the way, with this piece especially, I like my music to be. Freedom to find our own meaning and a way to express it from within the score is vital. It is only then that the piece can take on its own identity and grow in ways that even I might not have imagined, revealing different sides to its personality with each performance.Before the music begins I have included some text. Do these words hold the key to the music?! Can they help??!I DON'T KNOW!!!I just like the rhythms, the pulse and the imagery. Hopefully all of this can help to create a picture. But let it be your picture...Paul McGhee, June 2010.

    Estimated delivery 3-5 days
  • £87.00

    High Flyers - Andrew R. Mackereth

    From the composer: High Flyers are regarded as people with promise and potential.They are winners. This is music for winners.The title, as well as being a play-on-words, implies the nature of the work. It is a bright, optimistic, and upbeat piece attempting to depict an exhilarating ride on flying carpet. The opening rising chords immediately suggest the gentle elevation of the carpets' ascent towards unknown heights, leading to a hint of a first theme in the horns at Fig. B. The first four notes provide the thematic material for the whole work: C F G A.A perpetual sense of movement is achieved through accented quaver chords punctuating the melodic material of the first main theme. Fig. E sees the music of the opening bars fully realised, with flourishes from the euphonium and baritones representing swirling clouds, shooting stars, or passing birds in flight.The same subject is developed into a lyrical second theme with a new lush harmonic treatment, evocative of gliding over an expanse of sparse countryside.This section ends with a note of serenity but is shattered by the urgent insistence of the percussion rhythms.The third section introduces a new idea with a slightly distorted fanfare in the cornets and trombones. This figure suggests for the first time that there may be trouble ahead. In fact, there is no need to fear and the journey can continue without aggravation. This fanfare returns near the end to signal a final note of triumph.A new rhythmic variant of the cell motif emerges as the third theme now transformed by the addition of a triplet figure. The music steadily gains momentum before moving inexorably towards the climactic return of the music and tonality of the opening bars of the piece.

    Estimated delivery 10-14 days

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  • £59.95

    Rhapsody in Brass - Dean Goffin

    Rhapsody in Brass is in three movements and was written for the British Open Championships in 1949, held at Belle Vue in Manchester. The contest winners were Fairey Aviation Works Band under the baton of Harry Mortimer. Eric Ball came second with Ransome & Marles and Stanley Boddington 3rd with Munn and Felton Band. Rhapsody in Brass had the unusual distinction of being written as a test piece by a Salvation Army composer. Eric Ball's Resurgam was the only other piece to achieve that dual personality in that era.Dean Goffin was born in 1916 in Wellington, New Zealand, son of Henry Goffin, a Salvation Army officer and composer. At 19 he was appointed Bandmaster of the Wellington South Band and when World War II started, he enlisted in the New Zealand Armed Forces where he became Bandmaster of the 20th Infantry Battalion and later the 4th Brigade Band. During the time he served with them in the Middle East and Europe, he composed and arranged numerous pieces among which Rhapsody in Brass and the march Bel Hamid, later adapted for Salvation Army use and renamed Anthem of the Free.After the war, Dean kept on composing and his work was featured by the Wellington South Band. Later he transferred to Timaru for another job and became Bandmaster there. He was studying music at the time and as he wanted to take part in a competition for devotional selections for Salvation Army use, he sent some of his compositions to the International Headquarters. When Rhapsody for Brass was chosen as the test-piece for the British Open Championships, people at the Salvation Army started asking questions about the lack of publications of his work. It was discovered that the pieces submitted for the competition didn't meet the exact criteria. Among these pieces was one of his most appealing works The Light of the World which was published a year later, in 1950, the same year as he completed his Bachelor of Music studies at Otagu University.After entering the Salvation Army Training College in Wellington with his wife, Marjorie, Dean was in 1956 appointed National Bandmaster in the British Territory. Later he became National Secretary for Bands and Songster Brigades and in this period he organised the yearly festival in the Royal Albert Hall and was responsible for the national music schools in the UK. Dean returned to his home country in 1966 and to mark the centenary of the Salvation Army in New Zealand he was knighted by the Queen in 1983. Sir Dean Goffin died on 23 January 1984.

    Estimated delivery 12-14 days
  • £70.00

    Exposure - Nick Van Elsen

    Exposure - Nick Van Elsen - 03'05'' - BVT139 Exposure is a short opening piece commissioned by Royal Fanfare Band 'De Werkmanszonen' from Zichen (Belgium )and conductor Yves Wuyts for their participation at the World Music Contest 2017 in Kerkrade (NL). The title itself explains what the piece is about: exposure to something new and unknown. The piece tries to be something new and fresh in the sometimes very old-fashioned repertoire.

    Estimated delivery 10-14 days

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  • £107.00

    Origenes - Carlos Cardenas

    Origenes (Origins) was commissioned by the European Brass Band Association as a test piece for the challenge section of the 38th European Brass Band Championship in Freiburg, Germany 2015. It is a spectacular piece from the pen of Carlos Cardenas, who belongs to a new generation of composing talent. The clave, a rhythmic pattern, which originally comes from African music, was the inspiration for this innovative piece, all motifs and structures being derived from it. The six parts feature a wide spectrum of percussion instruments, reveal an impressive range of new sound combinations and yet are very accessible for the audience.

    Estimated delivery 10-14 days

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  • £97.00

    OrAgenes (Brass Band - Score and Parts)

    Origenes (Origins) was commissioned by the European Brass Band Association as a test piece for the challenge section of the 38th European Brass Band Championship in Freiburg, Germany 2015. It is a spectacular piece from the pen of Carlos Cardenas, who belongs to a new generation of composing talent. The clave, a rhythmic pattern, which originally comes from African music, was the inspiration for this innovative piece, all motifs and structures being derived from it. The six parts feature a wide spectrum of percussion instruments, reveal an impressive range of new sound combinations and yet are very accessible for the audience.

    Estimated delivery 12-14 days

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  • £16.25

    OrAgenes (Brass Band - Score only)

    Origenes (Origins) was commissioned by the European Brass Band Association as a test piece for the challenge section of the 38th European Brass Band Championship in Freiburg, Germany 2015. It is a spectacular piece from the pen of Carlos Cardenas, who belongs to a new generation of composing talent. The clave, a rhythmic pattern, which originally comes from African music, was the inspiration for this innovative piece, all motifs and structures being derived from it. The six parts feature a wide spectrum of percussion instruments, reveal an impressive range of new sound combinations and yet are very accessible for the audience.

    Estimated delivery 12-14 days

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  • £29.95

    Songs of Ascent ADDITIONAL A4 SCORE - Jonathan Bates

    ADDITIONAL SCORE ONLY. 'Songs of Ascent' was composed for the Royal Northern College of Music Brass Band, as part of their programme for the 2019 RNCM Festival of Brass. In my view, the festival itself is the leading showcase for original contemporary music for the medium (in a concert setting) in the world and therefore an ideal place to explore new ideas and sounds, which was a notion fundamental to the construction of this work. The piece is subtitled 'Out of the Depths, I cry to you, O Lord'; the opening line of Psalm 130 (which forms part of a set of 15 psalsm, 120-134 known as the Songs of Ascent") which forms the main inspiration for much of the musical material. Following an extended opening for four individual tuba lines, there are a number of solos for members of the band off stage, with bleak and deep accompaniment lines, reflecting the words of Psalm 130. Amongst these 'songs of ascents', the most common and strong themes are repentance and redemption; with the central core of this work emerging 'from the depths' to reveal one of very few calming and reflective passages of the work utilising the tune of 'Guide Me O Thy Great Redeemer' in a new setting, featuring the Solo Horn and Bass Trombone, before returning to the ethereal and dark timbres that form much of the music up to this point. In terms of compositional technique, this work is solely based on a set of 4 9-note scales in their various unique transpositions (below). Each of these scales provide a set of 2 whole tone scales, 6 minor triads, 6 major triads and is built on 9 augmented triads. Whilst most of the music in this work is based melodically on the set of notes (heard right at the outset in the motif in the tuba line), the central section delves into the harmonic capabilities of these 'modes', using a number of the 7 'keys' which can be derived from the minor & major chords derived in each scale. All 4 scales are used independantly to each other, with whole sections of the work focussing on each mode. 'Songs of Ascent' was selected as the set test piece for the Championship Section at the Butlins Mineworkers Championships in 2020.

    In stock: Estimated delivery 1-2 days