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  • £89.95

    INFINITY (Brass Band Set) - Robert Redhead

    In the post-modern age in which we live, 'absolutes' are difficult for many to comprehend. Yet infinity, which means absolute, total, all-embracing, having no limits or boundaries in time, space, extent, or magnitude, has always been central to the Christian's concept of God.Through the ages, as human understanding has grown, particularly at a remarkable rate from the latter part of the twentienth century, Christianity has been continually challenged to interpret traditional beliefs in the light of new discoveries, but always within the reality of the infinite Being. In addition, scripture tells us that 'humanity was made in God's image'. Humankind is part of God's creation and as such, responsible for its upkeep. Such a commission has never been more relevant than in this present age. Psalm 8 creates a great picture of the majesty, eternal, infinte quality of God and yet reveals the desire of God to share in spirit with humankind. It recognises humankind as being, not a tool of the infinite, but as a creative contributing part of the ongoing movement and activity of the infinite. The music is deliberately melodic in context, creating a sense of unity with the infinite, in tandem with the varying expressions of individuality. It is not based on the Psalm but reflects some of the sentiments lying therein. The 'hymn-like' theme expresses the nature of the Divine using the Old Testament image of the infinite God coming to finite humankind, not in the 'wind', the 'earthquake', the 'fire', but in the 'still small voice' of quietness (1 Kings 19: 11-13). The ensuing musical development, in different styles and patterns, expresses this continual link between infinite and finite. Thus the conclusion, rather than being a symbol of might, power and magnificence, reflects the same sentiment as the opening.

    Estimated dispatch 7-14 working days
  • £10.00

    INFINITY (Brass Band Study Score) - Robert Redhead

    In the post-modern age in which we live, 'absolutes' are difficult for many to comprehend. Yet infinity, which means absolute, total, all-embracing, having no limits or boundaries in time, space, extent, or magnitude, has always been central to the Christian's concept of God.Through the ages, as human understanding has grown, particularly at a remarkable rate from the latter part of the twentienth century, Christianity has been continually challenged to interpret traditional beliefs in the light of new discoveries, but always within the reality of the infinite Being. In addition, scripture tells us that 'humanity was made in God's image'. Humankind is part of God's creation and as such, responsible for its upkeep. Such a commission has never been more relevant than in this present age. Psalm 8 creates a great picture of the majesty, eternal, infinte quality of God and yet reveals the desire of God to share in spirit with humankind. It recognises humankind as being, not a tool of the infinite, but as a creative contributing part of the ongoing movement and activity of the infinite. The music is deliberately melodic in context, creating a sense of unity with the infinite, in tandem with the varying expressions of individuality. It is not based on the Psalm but reflects some of the sentiments lying therein. The 'hymn-like' theme expresses the nature of the Divine using the Old Testament image of the infinite God coming to finite humankind, not in the 'wind', the 'earthquake', the 'fire', but in the 'still small voice' of quietness (1 Kings 19: 11-13). The ensuing musical development, in different styles and patterns, expresses this continual link between infinite and finite. Thus the conclusion, rather than being a symbol of might, power and magnificence, reflects the same sentiment as the opening.

    Estimated dispatch 7-14 working days
  • £105.20

    Infinity Forest - Haakon Esplo

    The concert overture "Infinity Forest" draws inspiration from an ancient forest, standing majestically, enveloped in mystery and secrets. Venturing into this forest, one never knows what awaits. It lies dark and quiet, interrupted by clearings where the sunlight breaks through."Infinity Forest" serves as a magnificent opening for any concert and is equally an excellent choice for competition repertoire. The music presents challenges of both technical and musical nature for all instrument groups, offering great opportunities to focus on precision, timbres, and intonation. While the lower parts are designed for easier difficulty, the lead parts present greater challenges.

    Estimated dispatch 5-14 working days

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  • £69.99

    Highlights from Frozen 2

    The highly anticipated follow-up to the original Frozen movie features an equally powerful collection of songs. This marvelous concert setting includes the haunting 'Vuelie' chant melody along with the songs 'All Is Found', 'Some Things Never Change', 'Into the Unknown', 'Lost in the Woods' and 'Show Yourself'.

    Estimated dispatch 5-14 working days

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  • £104.99

    Cantabile - Philip Harper

    "As long as we live there is never enough singing." - Martin Luther Philip Harper composed this piece in response to his personal concern about the direction of new music for brass band. His goal with this 5 movementCantabile, was to compose a piece which fully complied with all that is asked of a top-level test in the 21st Century, but also to reconnect with more traditional values such as lyricism in melody and richness of blendedbrass sound. Each of the 5 parts seek to capture this idea.

    Estimated dispatch 5-14 working days

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  • £174.99

    Tales & Legends - Etienne Crausaz

    This three-movement work by the Swiss composer Etienne Crausaz reflects three true stories and fascinating legends from the Middle Ages. The first movement tells the dramatic story of the 'witch' Catherine 'Catillon' Repond (1662 1731). She was the last woman ever to be executed for sorcery. In the second movement, the famous court jester Girard Chalamala occupies centre stage. This jester, the last one at the castle of Count Greyerz, could make everyone laugh. The third movement tells the story of Count Michael. He went down in history as a spendthrift bon-vivant. His burden of debt became so high that he did a moonlight flit and never came back!

    Estimated dispatch 5-14 working days

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  • £69.99

    Selections from The Greatest Showman

    From the powerful soundtrack of the hit movie The Greatest Showman, here is a dramatic and exciting medley for the concert stage. Includes: 'The Greatest Showman', 'Never Enough', 'A Million Dreams', 'This Is Me' and 'From Now On'.

    Estimated dispatch 5-14 working days

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  • £36.95

    Wake-Up Call (Brass Band - Score and Parts) - Wiffin, Rob

    This exciting concert opener describes a day in a life.Propelled out of bed at 6 am. by the raucous wake-up call, we are immediately caught up in the manic impetus of the day. The music progresses through several changes of mood linked by the 7/8 theme but the high energy never drops. There are moments of hustle and bustle, high points and darker moods but, above all, there is an exuberant zest for life. There are rhythmic challenges in this vivacious concert opener and everyone gets something to play, but the technical challenges are not extreme.Duration: 4.45

    Estimated dispatch 7-14 working days

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  • £35.00

    A Song for Bram (Brass Band - Score and Parts) - Gregson, Edward

    A Song for Bram is a short work, originally composed piano and brass band, and is dedicated to the memory of Bramwell Tovey, a close friend and colleague of the composer, and a conductor, composer, pianist and musician of huge talent, who sadly passed away before his time in the summer of 2022. In this short piece the composer has tried to imagine what kind of tune Bram would have improvised at the piano, something he frequently engaged in. No doubt it would have been a mixture of bluesy jazz, hymn tune, and love song, and this is how the solo piano takes off. In the middle section of a what is a simple tertiary structure, introduced are quotes from two hymn tunes Bram particularly loved, never having forgotten his Salvation Army roots. Bram's 'Song' returns, this time on a plaintive flugelhorn horn, and which reaches a climax with the full band before receding, literally, into the distance.....(to a new life beyond?).Duration: 6.00

    Estimated dispatch 7-14 working days

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  • £40.50

    A Song for Bram (Piano Solo with Brass Band - Score and Parts) - Gregson, Edward

    A Song for Bram is a short work, originally composed piano and brass band, and is dedicated to the memory of Bramwell Tovey, a close friend and colleague of the composer, and a conductor, composer, pianist and musician of huge talent, who sadly passed away before his time in the summer of 2022. In this short piece the composer has tried to imagine what kind of tune Bram would have improvised at the piano, something he frequently engaged in. No doubt it would have been a mixture of bluesy jazz, hymn tune, and love song, and this is how the solo piano takes off. In the middle section of a what is a simple tertiary structure, introduced are quotes from two hymn tunes Bram particularly loved, never having forgotten his Salvation Army roots. Bram's 'Song' returns, this time on a plaintive flugelhorn horn, and which reaches a climax with the full band before receding, literally, into the distance.....(to a new life beyond?).Duration: 6.00

    Estimated dispatch 7-14 working days

     PDF View Music