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• £32.95

  

  Rondo from Horn Concerto No.4 - Wolfgang Amadeus Mozart

  Estimated dispatch 5-14 working days
  
• £37.95

  

  Rondo from Horn Concerto No.3 - Wolfgang Amadeus Mozart

  Estimated dispatch 5-14 working days
  
• £33.00

  

  Rondo Horn Concerto No. 4 - Mozart - Jordan, D

  In Stock: Estimated dispatch 1-3 working days
  

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  £37.95

  

  RONDO FROM HORN CONCERTO No.3 (Tenor Horn/Brass Band) - Mozart, Wolfgang Amadeus - Siebert, Edrich

  Tenor Horn Solo & Brass Band. A separate Piano Accompaniment edition is also available.

  Estimated dispatch 7-14 working days
  
• 
  £32.95

  

  RONDO FROM HORN CONCERTO No.4 (Euphonium/Brass Band) - Mozart, Wolfgang Amadeus - Wright, Denis

  Estimated dispatch 7-14 working days
  
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  £33.00

  

  Rondo Horn Concerto No.4 (Brass Band - Score and Parts) - Mozart, Wolfgang Amadeus

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  Estimated dispatch 7-14 working days
  
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  £82.95

  

  EUPHONIUM CONCERTO No.1 (Sparke) (Brass Band - Score and Parts) - Sparke, Philip

  This concerto has its origins in a concerto for horn and brass band, commissioned by the River City Brass Band (Pittsburgh) in 1992.It was composed at the request of British euphonium virtuoso, Steven Mead, and first performed by him with the Breeze Brass Band in Osaka, Japan, in 1995.In conventional three-movement form, performed without a break, the concerto covers the panoply of the euphonium's range and character. The first movement is marked Moderato e energico and is rhythmically energetic in style with many meter changes and much syncopation. Only in the central section does the soloist relax in cantabile mood.The second movement opens with tuned percussion taking centre stage, laying for the foundations for a long cantilena from the soloist in resigned mood, but with a touch of optimism. After a central climax for the band, this melody returns, with soloists from the band answering in counterpoint. The finale is a 6/8 romp in caccia style (betraying its origins as a piece for horn). Again, the central section is more legato in mood, though the band keeps the eighth-note figures present throughout. The movement ends in a bravura display from the soloist.

  Estimated dispatch 7-14 working days
  
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  £44.95

  

  EUPHONIUM CONCERTO No.1 (Sparke) (Brass Band - Score only) - Sparke, Philip

  This concerto has its origins in a concerto for horn and brass band, commissioned by the River City Brass Band (Pittsburgh) in 1992.It was composed at the request of British euphonium virtuoso, Steven Mead, and first performed by him with the Breeze Brass Band in Osaka, Japan, in 1995.In conventional three-movement form, performed without a break, the concerto covers the panoply of the euphonium's range and character. The first movement is marked Moderato e energico and is rhythmically energetic in style with many meter changes and much syncopation. Only in the central section does the soloist relax in cantabile mood.The second movement opens with tuned percussion taking centre stage, laying for the foundations for a long cantilena from the soloist in resigned mood, but with a touch of optimism. After a central climax for the band, this melody returns, with soloists from the band answering in counterpoint. The finale is a 6/8 romp in caccia style (betraying its origins as a piece for horn). Again, the central section is more legato in mood, though the band keeps the eighth-note figures present throughout. The movement ends in a bravura display from the soloist.

  Estimated dispatch 7-14 working days
  
• 
  £29.95

  

  Ballet for Band (Score Only)

  Ballet for Band was written as the test-piece for the Championship section finals of the National Brass Band Championships, held at the Royal Albert Hall in October 1983.Although the work is not programmatic, within the space of ten minutes, the composer uses a form which might be considered to be the form of a ballet. Therefore there is a fanfare at the beginning which might be the overture, different characters appear, and scenes are quite clearly marked by, for instance, baritones or by muted trombone, although the listener is encouraged to use his own imagination.Thematically the work is tightly controlled, with the same material re-appearing in many different guises, as a flugel horn solo, as a waltz on the horns, and on the euphonium. Horovitz employs a rich harmonic pallet, but the work is most definitely rooted in a tonal language, with hints of Straussian richness later in the work.The work is notable for its middle section, in which the music gets slower and slower, providing a real test of control throughout the band.Ballet for Band was by no means Joseph Horovitz's first work for the medium: his fine "Concerto for Euphonium and Band" is frequently played, and he has also written a cantata entitled "Samson" for choir and band.

  Estimated dispatch 7-14 working days