Music Score, page 83

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£20.00

A Hebridean Lullaby (Score Only)

Composed for World Solo Champion Katrina Marzella and the Cornwall Youth Brass Band, A Hebridean Lullaby is a beautiful and haunting melody from the pen of Philip Harper, taking its inspiration from the music and folksong of the Hebrides; a cluster of islands off the west coast of Scotland. Commissioned through a BBC Fame Academy Bursary, this piece is one which is enjoyed and admired by both performers and audiences the world over. The atmosphere created by the score is simply stunning. It's an outstanding addition to the baritone horn's concert repertoire.
Estimated dispatch 7-14 working days
£168.50

A Tale as Yet Untold (Brass Band - Score and Parts)

2013 Butlins Championship Section. Score and Parts.A Tale as Yet Untold was commissioned by the Cory Band for the European Brass Band Championships in Linz, Austria, 2010, and their winning performance gave them a hattrick of victories at the competition. The theme of this impressive work, which is set in three movements, is one that recurs again and again throughout the music of Philip Sparke, the power of the human spirit to overcome adversity and how the beauty of music can help in this respect.Grade: AdvancedDuration 14:00
Estimated dispatch 7-14 working days
£74.95

Eden (Score and Parts)

This work was commissioned by the Brass Band Heritage Trust as the test piece for the final of the 2005 Besson National Brass Band Championship, held at the Royal Albert Hall, London.The score is prefaced by the final lines from Milton's epic poem Paradise Lost (completed in 1663), in which Adam and Eve, expelled from Paradise, make their uncertain way into the outside world:"...The world was all before them, where to chooseTheir place of rest, and providence their guide:They hand in hand with wandering steps and slow,Through Eden took their solitary way."My work is in three linked sections. In the first, the characters of Adam, Eve and the serpent guarding the Tree of Knowledge are respectively represented by solo euphonium, cornet and trombone. The music opens in an idyllic and tranquil mood and leads into a duet between euphonium and cornet. Throughout this passage the prevailing mood darkens, though the soloists seem to remain oblivious to the increasingly fraught atmosphere. A whip-crack announces the malevolent appearance of the solo trombone who proceeds to engage the solo cornet in a sinister dialogue.The second section interprets the Eden story as a modern metaphor for the havoc mankind has inflicted upon the world, exploiting and abusing its resources in the pursuit of wealth. Though certainly intended here as a comment on the present-day, it is by no means a new idea: Milton himself had an almost prescient awareness of it in Book I of his poem, where men, led on by Mammon:"...Ransacked the centre and with impious handsRifled the bowels of their mother earthFor treasures better hid. Soon had his crewOpened into the hill a spacious woundAnd digged out ribs of gold."So this section is fast and violent, at times almost manic in its destructive energy. At length a furious climax subsides and a tolling bell ushers in the third and final section.This final part is slow, beginning with an intense lament featuring solos for tenor-horn, flgel-horn and repiano cornet and joined later by solo baritone, soprano cornet, Eb-bass and Bb-bass.At one stage in the planning of the work it seemed likely that the music would end here - in despair. Then, mid-way through writing it, I visited the extraordinary Eden Project in Cornwall. Here, in a disused quarry - a huge man-made wound in the earth - immense biomes, containing an abundance of plant species from every region of the globe, together with an inspirational education programme, perhaps offer a small ray of hope for the future. This is the image behind the work's conclusion and the optimism it aims to express is real enough, though it is hard-won and challenged to the last.John Pickard 2005
Estimated dispatch 7-14 working days
£29.50

Eden (Score Only)

This work was commissioned by the Brass Band Heritage Trust as the test piece for the final of the 2005 Besson National Brass Band Championship, held at the Royal Albert Hall, London.The score is prefaced by the final lines from Milton's epic poem Paradise Lost (completed in 1663), in which Adam and Eve, expelled from Paradise, make their uncertain way into the outside world:"...The world was all before them, where to chooseTheir place of rest, and providence their guide:They hand in hand with wandering steps and slow,Through Eden took their solitary way."My work is in three linked sections. In the first, the characters of Adam, Eve and the serpent guarding the Tree of Knowledge are respectively represented by solo euphonium, cornet and trombone. The music opens in an idyllic and tranquil mood and leads into a duet between euphonium and cornet. Throughout this passage the prevailing mood darkens, though the soloists seem to remain oblivious to the increasingly fraught atmosphere. A whip-crack announces the malevolent appearance of the solo trombone who proceeds to engage the solo cornet in a sinister dialogue.The second section interprets the Eden story as a modern metaphor for the havoc mankind has inflicted upon the world, exploiting and abusing its resources in the pursuit of wealth. Though certainly intended here as a comment on the present-day, it is by no means a new idea: Milton himself had an almost prescient awareness of it in Book I of his poem, where men, led on by Mammon:"...Ransacked the centre and with impious handsRifled the bowels of their mother earthFor treasures better hid. Soon had his crewOpened into the hill a spacious woundAnd digged out ribs of gold."So this section is fast and violent, at times almost manic in its destructive energy. At length a furious climax subsides and a tolling bell ushers in the third and final section.This final part is slow, beginning with an intense lament featuring solos for tenor-horn, flgel-horn and repiano cornet and joined later by solo baritone, soprano cornet, Eb-bass and Bb-bass.At one stage in the planning of the work it seemed likely that the music would end here - in despair. Then, mid-way through writing it, I visited the extraordinary Eden Project in Cornwall. Here, in a disused quarry - a huge man-made wound in the earth - immense biomes, containing an abundance of plant species from every region of the globe, together with an inspirational education programme, perhaps offer a small ray of hope for the future. This is the image behind the work's conclusion and the optimism it aims to express is real enough, though it is hard-won and challenged to the last.John Pickard 2005
Estimated dispatch 7-14 working days
£11.50

COSSACK SHASKA DANCE (score) - McKenzie, Jock

Oldham Music Centre Brass Band play this on the you tube link starting 7 minutes 11 seconds from the beginning.
In Stock: Estimated dispatch 1-3 working days
£37.50

COSSACK SHASKA DANCE (score & parts) - McKenzie, Jock

Oldham Music Centre Brass Band play this on the you tube link starting 7 minutes 11 seconds from the beginning.
In Stock: Estimated dispatch 1-3 working days
£11.50

MASADA (score) - Moore, Colin (1925-2019)

The music was proofed before publication by The Pemberton Old Wigan D W Band after the manuscript was discovered by a band member and friend, Jon Don Duncan.
In Stock: Estimated dispatch 1-3 working days
£42.50

MASADA (score & parts) - Moore, Colin (1925-2019)

The music was proofed before publication by The Pemberton Old Wigan D W Band after the manuscript was discovered by a band member and friend, Jon Don Duncan.
In Stock: Estimated dispatch 1-3 working days
£8.50

PATER NOSTER for Flugel (score) - Lundberg, Rebecca

Pater Noster for Flugel Horn & Fanfare Band has been arranged by Marten van der Wal and is available from AM Music in the Netherlands www.ammusic.nl
In Stock: Estimated dispatch 1-3 working days
£10.00

ISAIAH 40 (Brass Band Study Score) - Robert Redhead

Commissioned for the final of the 1996 National Brass Band Championships of Great Britain. The timeless truths contained in Isaiah 40 were written to encourage a people facing very intimidating circumstances. The Jewish people of the 5th Century BC were preparing to make an arduous journey though the desert to return to their ravaged homeland after a lengthy exile in the sophisticated society of Babylon. Both Scripture and music sound out a message of hope, as they view life from an eternal perspective, thus placing change in its proper context. Because 'the Lord is the everlasting God' his word 'stands forever' and 'those who hope in the Lord will renew their strength'. They will not merely get through somehow but 'they will soar on wings like eagles'.
Estimated dispatch 7-14 working days