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£66.88Sinfonietta - Saints and Devils (Brass Band) Rob Wiffin
Saints and Devils is a challenging three movement work: Dance with the Devil (4.31), A Glimpse of Paradise (4.42) and Reyes Magos (3.40). I wrote it when I was living in Spain where the Catholic culture is still much more prevalent than in the UK.The first two movements are a transition from dark to light; Dance with the Devil is aggressive and occasionally macabre whereas A Glimpse of Paradise is serene. The first and final parts of the second movement were originally written for a sequence in the Royal Military Tattoo 2000, played under the John Magee poem High Flight - 'Oh I have slipped the surly bonds of Earth ............ Put out my hand, and touched the face of God' - with videos of eagle owls in flight dramatically projected onto the buildings of Horse Guards in Whitehall, London.The last movement, Reyes Magos, is the joyous fiesta of the Three Kings. I wrote it while living in Spain and there January 6th, rather than Christmas Day, is the main day of present-giving, marking the Epiphany, the arrival of the Kings from the Orient at the Nativity.Saints and Devils is technically and expressively demanding but is written within the realms of tonal language.Duration: Approx. 13.00 minutesDifficulty Level: AdvancedThis PDF download includes the full score and parts.Sheet music available at www.brassband.co.uk (UK) or https://satradecentral.org (USA)
In Stock: Estimated dispatch 1-3 working days
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£29.72Kyrie from 'Petite Messe Solennelle' (Brass Band) Rossini arr. David Robb
Gioachino Rossini's Kyrie, the opening movement of his final major composition, Petite Messe Solennelle, is presented here in an atmospheric arrangement for brass band.The piece opens with an enigmatic melody in the bass section, creating a dark and distinctive opening before the music gradually develops into a lighter, more sacred sound world. Echoes of the opening motif return towards the conclusion, bringing the arrangement to a satisfying close.With its contrast between mysterious opening passages and lyrical, devotional writing, Rossini's Kyrie provides an evocative addition to the brass band repertoire.To view a rolling score video of this piece please visit www.youtube.com/watch?v=_x8FBbdcQaEDuration: 2.45 minutesDifficulty Level: 4th Section +This PDF download includes the full score and parts.Sheet music available at www.brassband.co.uk (UK) or https://satradecentral.org (USA)Instrumentation:Soprano Cornet EbSolo Cornet BbRepiano Cornet Bb2nd Cornet Bb3rd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass BbTimpaniSuspended Cymbal
In Stock: Estimated dispatch 1-3 working days
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£48.30Peace in Our Time (Brass Band) Andrew Wainwright
Commissioned by Armonico Consort to mark the 85th anniversary of the Coventry Blitz, Peace in Our Time is a profoundly moving reflection on humanity's enduring quest for reconciliation amidst turmoil. Originally scored for choir, orchestra, and organ, this masterful brass band transcription beautifully captures the emotional weight of John Oxenham's evocative poetry and the timeless plea of Psalm 122.The work opens in hushed reverence, where distant muted cornets, a dark bass pedal, and a fragile, militaristic snare drum set a shadowed, contemplative scene. Out of this delicate landscape emerges a poignant cornet solo that yields to the expressive voice of the solo flugel horn, carrying the opening text with quiet conviction before introducing the solemn reminder: "O pray for peace, peace in Jerusalem."As the piece progresses, the setting turns darker and more restless. Harmonic tension builds through rich brass textures to reflect the fears, divisions, and heavy costs of historical and modern conflict.From this emotional turbulence rises a bold, ceremonial fanfare that marks a dramatic turning point, ushering in a glorious, expansive setting of the poem's final verse. Yet rather than ending in simple triumph, the music gently recedes into a serene and tender stillness. The final bars leave performers and audiences alike with a quiet, lingering echo - a persistent hope for peace that resonates just as deeply today as it did 85 years ago.This substantial work is an extraordinary addition to any brass band library, serving as an ideal centerpiece for Remembrance Sunday, historical commemorations, church services or serious concert programming.To view a multimedia presentation of the piece with audio please visit www.youtube.com/watch?v=Y2BKI_GCegwThe multimedia presentation is available on request withe purchase of this work - please email [email protected] to receive a link to download it.To view a video performance of the original work for choir, orchestra and organ please visit www.youtube.com/watch?v=m6o6PJJVKCoDuration: approx. 8.45 minutesDifficulty Level: 2nd Section +This PDF download includes the full score and parts.Sheet music available at www.brassband.co.uk (UK) or https://satradecentral.org (USA)Instrumentation:Soprano Cornet EbSolo Cornet BbRepiano Cornet Bb2nd Cornet Bb3rd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass BbTimpaniPercussion 1-2
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£29.72Call (Brass Band) Zachary Docter
This short concert opener by American composer Zachary Docter is built around a trumpet-call motif, first heard in canon at the outset. The motif is gradually developed before a broader, more substantial theme emerges in the trombones. This new material is then explored and expanded, eventually combining with the original motif in a grand, climactic conclusion.Harmonically, the work draws on the perfect intervals of the opening call, creating a sound world that feels contemporary while remaining accessible. Energetic and effective, it makes an ideal concert opener without presenting excessive technical demands for most bands.To view a rolling score video of this piece please visit https://www.youtube.com/watch?v=YxCuFLMdh6cDuration: 1.40 minutesDifficulty Level: 4th Section +This PDF download includes the full score and parts.Sheet music available at www.brassband.co.uk (UK) or https://satradecentral.org (USA)Instrumentation:Soprano Cornet EbSolo Cornet BbRepiano Cornet Bb2nd Cornet Bb3rd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass BbTimpaniPercussion 1-2
In Stock: Estimated dispatch 1-3 working days
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£33.43All Your Anxiety (Brass Band) Edward Joy arr. Jonathan Rowsell
All Your Anxiety is a reflective and expressive work for brass band inspired by Edward Joy's sacred song of the same name. Drawing deeply from the hymn's text and message, the piece explores the tension between human unease and the promise of peace found in faith.The work opens with a distinctive eighth-note figure in the euphonium that immediately establishes an unsettled character. Wide intervallic leaps and atypical slur groupings evoke a sense of fragility and uncertainty, musically portraying the weight of sorrow and care described in the opening verse of the hymn. This motivic material becomes the foundation of the entire arrangement, reappearing in varied forms as counter-melody, accompaniment, and featured solo lines across the ensemble.As the piece unfolds, the music gradually broadens and warms, reflecting the invitation of the text to "come to the cross" and leave one's burdens behind. Moments of lyricism and calm contrast with the earlier unease, leading toward a more settled and hopeful conclusion that mirrors the refrain's assurance: "Never a burden He cannot bear, never a friend like Jesus."To view a video of the Canadian Staff Band playing the piece please visit https://www.youtube.com/watch?v=5Ms8ubug4yASheet music available from www.brassband.co.uk or https://satradecentral.orgDifficulty Level: 3rd Section +Length: 3.30 minutesInstrumentation:Soprano Cornet EbSolo Cornet Bb1st Cornet Bb2nd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass BbTimpaniPercussion
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£33.43Les Chasseresses from 'Sylvia' (Brass Band) Delibes arr. Rob Bushnell
Clement Philibert Leo Delibes was a French composer, best known for his ballets and operas, including works such as Lakme (with its famous "Flower Duet"), Coppelia and Sylvia (both key works in the development of modern ballet). The latter started as a play, Aminta, by the Italian poet Torquato Tasso, which Delibes set to music. It was then adapted for the Paris Opera with rehearsals starting in August 1875. The premiere took place on 14 June 1876 and was the first ballet to be shown at the newly-built Opera Garnier. Whilst the scenery and costumes were created by top artists and designers (Cheret and Lacoste), it was Delibes's music that shown thrown, being said to have saved the production, preventing the ballet from drifting into obscurity.Sylvia is said to be one of the first modern ballets, with Tchaikovsky remarking to composer Sergei Taneyev upon its ingenuity: "... the first ballet, where the music constitutes not only the main, but the only interest. What charm, what elegance, what richness of melody, rhythm, harmony." Although Swan Lake, a contemporary to Sylvia, is considered one of the best ballets there is, Tchaikovsky preferred Sylvia to his own work, saying Swan Lake was "poor stuff in comparison". Tchaikovsky said to Taneyev, "I was ashamed. If I had known this music early then, of course, I would not have written Swan Lake". The music to Sylvia, rather than setting only the mood, also sets the action and is noted for its use of leitmotifs - Delibes was an admirer of Wagner - and more dominant use of brass and wind. The most famous piece from this ballet is the Pizzicati in the third act.Act I of the ballet takes place in sacred wood, where creatures are worshipping before Eros when Sylvia arrives with her huntresses to mock the god of love. Aminta, a lowly shepherd and infatuated with Sylvia, protects the deity and Sylvia is wounded by Eros's arrow. The hunter Orion kidnaps Sylvia, whilst Eros revives Aminta. Act II takes place in Orion's Island cave, where Sylvia tries to bribe Orion with jewels and wine. Unsuccessful, she appeals to Eros for help, who arrives and takes her to the temple of Diana (where the final act takes place). Orion and Aminta fight, Sylvia and Orion cause the goddess of the hunt, Diana, to be outraged, smiting Orion and denying the love of Aminta and Sylvia. Eros shows Diana a vision, which changes her mind and the couple finally come together.This brilliant and lively fanfare that introduces the huntresses in the first act is arranged here for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. The piece has been lowered by a tone compared to the original.A recording of the original composition can be found here https://youtu.be/6yoGrUH38PI?si=0L0bFa1qXnYNvkR3Duration: Approx. 3.10 minutesDifficulty Level: 1st Section +This PDF download includes the full score and parts. Includes alternative parts for soloist in Eb, horns in F and lower brass in bass clef.Sheet music available at www.brassband.co.uk (UK) or https://satradecentral.org (USA)Instrumentation:Soprano Cornet EbSolo Cornet BbRepiano Cornet Bb2nd Cornet Bb3rd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass BbTimpaniPercussion - Triangle, Cymbal & Bass Drum
In Stock: Estimated dispatch 1-3 working days
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£44.58Abberline (Euphonium Solo with Brass Band) Karl Whelan
Inspired by the infamous investigation into Jack the Ripper, Abberline follows Detective Inspector Frederick Abberline through the mist-shrouded streets of Victorian London in his desperate pursuit of a killer who remains forever just out of reach. Scored for brass band and solo euphonium, the piece blends atmospheric textures, shifting musical identities, and virtuosic demands to capture a narrative that is as haunting as it is unresolved.The piece opens in a world of shadows - the foggy alleys of Whitechapel - where tension simmers beneath the surface. The euphonium enters cautiously, as if stalking unseen figures, echoing the danger and uncertainty that cloaked the city in fear. This eerie calm is broken suddenly: the Ripper strikes. The moment is brief but brutal, leaving only silence and horror in its wake.From here, the music shifts into an uneasy, angular waltz: the figure of Abberline takes center stage, portrayed by the soloist as he investigates the aftermath. The waltz is melodically off-kilter and harmonically unstable, capturing both the grotesque nature of the crime and the detective's mental burden.The scene then returns to the streets - but this time, the musical material is more intricate, fragmented, and tense. The threat has deepened, and again the silence is shattered by violence. A second, slightly altered waltz follows, further reflecting Abberline's obsessive descent into the case.In the final section, the chase begins in earnest. Themes from earlier return in quick succession, intensified and overlapping as time runs out. The ancient Dies Irae chant is woven into the texture, evoking fate and judgment. In a final, erratic surge, the euphonium and band race toward an ending that is breathless and unresolved - a reflection of history's unanswered questions and the ghost that always stayed one step ahead.To view a rolling score video of the work please visit https://www.youtube.com/watch?v=i59xYzJRMaIDuration: approx. 7.30 minutesThis PDF download includes parts and score.Sheet music available at www.brassband.co.uk (UK) or https://satradecentral.org (USA)Instrumentation:Euphonium Soloist BbSoprano Cornet EbSolo Cornet 1-2 & 3-4 BbRepiano Cornet Bb2nd Cornet Bb3rd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium (tutti) BbBass EbBass BbTimpaniPercussion 1-3
In Stock: Estimated dispatch 1-3 working days
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£40.87Verklarte Nacht (Brass Band) Arnold Schoenberg arr. Rob Bushnell
Composed in just three weeks in 1899, Verklarte Nacht (Transfigured Night) is a string sextet in one movement by Arnold Schoenberg. Whilst known better for tone rows, his dodecaphonic music and the Second Viennese School, Schoenberg was a master of harmony (writing a number of books on the subject) and, in his early life, was inspired by the music of Brahms and Wagner. This is his best-known tonal work. Its description as a tone poem is not surprising given it takes its inspiration from Richard Dehmel's poem of the same name, as well as Schoenberg's strong feelings towards his future wife, Mathilde Zemlinsky, sister of his teacher, Alexander von Zemlinsky.The work is said to have five sections, one for each of the stanzas in the poem. The poem, from 1896, describes a man and woman walking through a dark forest on a moonlit night. The woman shares a secret with him, that she is pregnant but not with his child. The man reflects upon this before warmly accepting (and forgiving) the news.The work premiered on 18 March 1902 in the Vienna Musikverein by the Rose Quartet. As was normal at the time, Schoenberg produced a string orchestra version that was premiered on 29 November 1916 in Prague, conducted by Zemlinsky, which was later revised in 1943 to better support the soloists, also adding more articulation and tempo markings.Whilst the piece was controversial at the time, both musically and due to the poem's "inappropriate" subject matter, Richard Dehmel himself was impressed, writing "I had intended to follow the motives of my text in your composition, but soon forgot to do so, I was so enthralled by the music."This arrangement is for the British-style brass band, with alternative parts for horns in F and bass-clef lower brass.To view a recording of the original composition please visit www.youtube.com/watch?v=vqODySSxYpc.Difficulty Level: 2nd Section +Duration: approx. 6.40 minutesSheet music available from www.brassband.co.ukInstrumentation:Soprano Cornet EbSolo Cornet BbRepiano Cornet Bb2nd Cornet Bb3rd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass BbTimpaniPercussion 1-3
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£33.43Bagatelle No.25 in A Minor - Fur Elise (Brass Band) Beethoven arr. Olaf Ritman
Perhaps the most well-known piano piece by Ludwig van Beethoven, Bagatelle No. 25 in A Minor (written around 1810) is better known under its subtitle 'Fur Elise'.Even to this day it is still unknown who Elise was, with at least four theories claiming to tell the story. It might have been one of Beethoven's students or Therese Malfatti, a young lady who got much attention from him. The theory is that Beethoven's autograph Ludwig Nohl could not decipher his handwriting and might have read Elise instead of Therese. Nevertheless the piece has become extremely popular over the last two centuries and is often the very first real classical piece a beginner pianist goes to.Many classical pieces have been transcribed in contemporary fashion for brass bands in recent times, with Toccata in D Minor by J.S. Bach arranged by Ray Farr being the most popular and more recently Vivaldi's first part of Winter from The Four Seasons arranged by Philip Harper. This arrangement of Fur Elise fits in this series perfectly and seeks to bring a smile to its listeners. The last two bars are a direct tribute to Ray Farr's aforementioned arrangement of Toccata.To view a video of the Amsterdam Staff Band performing the work please visit https://www.youtube.com/watch?v=sdLI7U-aplwDuration: 3.15 minutes approx.Difficulty Level: 2nd Section +PDF download includes parts and score.Sheet music available from www.brassband.co.ukInstrumentation:Soprano Cornet EbSolo Cornet BbRepiano Cornet Bb2nd Cornet Bb3rd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass BbTimpaniPercussion 1-3
In Stock: Estimated dispatch 1-3 working days
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£29.72Beaufort Fanfare (Brass Band) Friedrich Gattermann
Beaufort Fanfare, by German composer Friedrich Gattermann, is a dynamic and vibrant musical work inspired by the Beaufort scale, a system for estimating wind speeds. Originally composed for brass ensemble and percussion, it was created to showcase Orchestral Tools' Beaufort Brass sample library, recorded at the iconic AIR Studios in London. Here it has been set for brass band.A central element of Beaufort Fanfare is its exploration of musical density. The piece begins with a single motif and gradually builds in complexity and richness, reflecting the increasing strength of the wind. As it progresses, the music intensifies, with the development of density playing a crucial role in conveying the evolving character of the elements.Through intricate brass harmonies and rhythmic drive, Beaufort Fanfare captures both the awe-inspiring beauty and raw power of nature. More than just an auditory experience, this composition takes the listener on a journey through the elements, celebrating the force of wind in all its forms.To view a rolling score video of the work please visit www.youtube.com/watch?v=vdiIIERMSDYDuration: 2.15 minutes approx.Difficulty Level: 1st Section +PDF download includes parts and score.Sheet music available from www.brassband.co.ukInstrumentation:Soprano Cornet EbSolo Cornet 1-3 BbSolo Cornet 2-4 BbRepiano Cornet Bb2nd Cornet Bb3rd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass BbTimpaniPercussion 1-3
In Stock: Estimated dispatch 1-3 working days