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  • £35.00

    We Three Gypsy Kings (Brass Band - Score and Parts) - McKenzie, Jock

    The arranger had a dream..... The three wise men were looking for the baby Jesus to give him their gifts. This was done somewhat in the manner of the scene of Monty Python's 'Life of Brian'. The search was not successful - Sir Alan Sugar ('The 'Apprentice') made an appearance ordering the three wise men to "get off my land". Meanwhile, the baby Jesus slept peacefully on, unaware of the nearby disturbance. Bizarrely, this dream sequence was played out at high speed, as in the closing scene from each episode of 'The Benny Hill Show' of the 1970s. This arrangement attempts to portray this comical caper. Duration: 4.00

    Estimated dispatch 7-14 working days

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  • £32.99

    Christmas Day - Gustav Holst arr. J Knight

    This Gustav Holst piece contains three Carols: Good Christian Men, Rejoice, God Rest ye Merry Gentlemen and Come, ye lofty, come, ye lowly, (Old Breton Melody) with a little The First Nowell thrown in for good measure. It has been arranged here for the full brass band and has had light percussion parts added to complement. It starts with the band in full chord and then pairs down to solo instruments playing Good Christian Men monophonically. This piece has all of the essential elements of Holst's harmony and tension while retaining the joy of Christmas. It ends quietly and reflectively and works very well in large acoustics such as a Church building or large town hall.

    Estimated dispatch 5-7 days
  • £50.00

    Triumph Series Band Journal July 2015 Numbers 1263 - 1266

    No. 1263 March - Distant Travellers (Sam Creamer)With this Christmas march, we introduce a new contributor to our journals. Sam Creamer is a bandsman and songster at the Carindale Corps in Brisbane, Australia Eastern Territory. This march should prove a useful addition to the Christmas repertoire of many groups, as it features the well-known Christmas carols; When wise men come seeking (NCP 92) and While shepherds watched (NCP 93), as well as brief references to others.No. 1264 Suite - O, for a thousand horns (Erik Silfverberg)Bandmaster Erik Silfverberg OF has taken the song O for a thousand tongues by Charles Wesley, and has composed a suite in three movements with each of the movements exploring the sentiments of one of the verses. The tune Grimsby is heard in part throughout, but the majority of the musical material used is original.No. 1265 Song Arrangement - Beyond the sunset (Noel Jones)A three-verse setting of the song Beyond the sunset which speaks of the Christian's eternal home in Heaven.No. 1266 Carol Setting - Good Christian men, rejoice (Keith Manners)A bright setting of the well-known Christmas carol.

    Estimated dispatch 7-14 working days
  • £64.35

    We Seven (Brass Band) Derek Jenkins

    We Seven, the title of this work, comes from a book by the same name written by the United States's first astronauts. The composer writes: 'In 1959, the United States entered the space race by starting a programme whose main aims included sending a solo astronaut into space and recovering him safely. Project Mercury, as this programme was so called, recruited the first seven American astronauts and successfully sent six of them into space. These men were Scott Carpenter, Gordon Cooper, John Glenn, Gus Grissom, Wally Schirra, Alan Shepard, and Deke Slayton, and collectively they became known as the 'Mercury Seven.' Through their efforts and those of countless others, the United States Space Program accomplished much with these six flights, including successfully sending an astronaut into space, putting a man in orbit, and keeping him up there for more than 24 hours. In 1962, shortly after Glenn and Carpenter's orbital flights, the 'Mercury Seven' co-wrote the book We Seven and throughout it, the astronauts discuss the events leading from their selection into the programme up through Carpenter's flight in May of 1962. The primary material for the work comes from two sources: the use of musical cryptograms to encode the astronauts names and initials into pitches and the aria 'Un bel di vedremo' from Giacomo Puccini's opera, Madame Butterfly. The inclusion of the latter comes directly from one of Glenn's chapters in the book. Together with a couple of the other astronauts, he would often listen to the opera to unwind from a long day of training. I would like to think that as he was orbiting the Earth that this opera, particularly this aria, would be running through his mind.' This work commemorates the Project Mercury on the 50th anniversary of its conclusion and was written for Joseph Parisi and the University of Missouri-Kansas City Wind Ensemble. This version for brass band has been prepared by the composer for the Fountain City Brass Band. To view a video of Fountain City Brass Band performing the work please visit: www.youtube.com/watch?v=yD3sBWhGkOo Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 1st Section + Instrumentation: 1 Soprano Cornet (Eb) 9 Cornets (Bb) [Both 3rd Cornets double Crystal Glasses] 1 Flugelhorn 3 Tenor Horns (Eb) [2nd Horn doubles Crystal Glasses] 2 Baritones (Bb) 2 Trombones (Bb) 1 Bass Trombone 2 Euphoniums (Bb) 2 Basses (Eb) 2 Basses (Bb) 4 Percussion

    In stock: Estimated dispatch 1-3 days
  • £32.17

    Coventry Carol (Brass Band) Traditional arr. Stephen Tighe

    VIEW SCORE PDF The Coventry Carol is an English Christmas carol dating from the 16th century. The carol was traditionally performed in Coventry as part of a mystery play called The Pageant of the Shear Men and Tailors. The play depicts the Christmas story from chapter two in the Gospel of Matthew: the carol itself refers to the Massacre of the Innocents, in which Herod ordered all male infants under the age of two in Bethlehem to be killed, and takes the form of a lullaby sung by mothers of the doomed children. Stephen Tighe has here given this well loved tune an update to allow it to appeal to a broad audience. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 4th Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-3

    In stock: Estimated dispatch 1-3 days

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  • £56.31

    A Renaissance Christmas (Brass Band) Kevin Norbury

    VIEW SCORE PDF This magnificent festive suite was written by Kevin Norbury for the Pierre Elliott Trudeau High School Wind Symphony and features several well known carols set in a Renaissance style. Here it has been set for brass band. Three contrasting movements comprise the work: i. Processional (Personent hodie - On this day earth shall ring) This is a short piece imagining a torchlight Yuletide procession (perhaps bearing the traditional roasted wild boar), using a well-known Christmas melody from the large collection of music compiled in the 16th century called Piae Cantiones (1582). The tune is presented twice with accompanying, related melodic material. ii. Pastorale (Quem pastores laudavere - Shepherds sang their praises o'er him) This is a 14th-century melody which was originally collected by Michael Praetorius at the end of the 16th-century. The treatment throughout is very lyrical without overly complex harmonies. The melody is heard three times with brief linking episodes and a short coda. iii. Celebration! (In dulci jubilo - In sweet celebration - Ding-dong merrily on high)) This magnificent 13th-century melody was also a part of Michael Praetorius's collection. It is traditional associated with the words 'Good Christian men, rejoice!' The opening is a straight transcription of the great chorale prelude for organ by J.S.Bach. After the grandeur of the opening, the tune is heard in more of a 'folky' style. A lot of related melodic material is then presented before the tune Ding-dong merrily on high is heard. After another episode of previously used music In dulci jubilo reappears in a joyful conclusion to the piece. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 3rd Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-4

    In stock: Estimated dispatch 1-3 days

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  • £44.24

    Christmas Day (Brass Band) Gustav Holst arr. Philip Rayment

    VIEW SCORE PDF Well-known English composer, Gustav Holst (1874-1934) wrote this choral fantasy in 1910, about five years before his renowned orchestral suite, The Planets. The piece was originally composed for SATB choir and orchestra and dedicated to the students of Morley College, where Holst taught music. In the years since, it has been arranged for various combinations of voice and/or instruments. This arrangement is in the original key and could be adapted for use with choir and/or organ. Christmas Day features three carols in their entirety: Good Christian Men, Rejoice; God Rest Ye Merry, Gentlemen and Come, Ye Lofty, Come, Ye Lowly (an old Breton melody). There are also references to The First Nowell. Although well-received initially, this work (like many of Holst's) was neglected for many years and has not been widely recorded. It is hoped that it will be useful for brass bands during the festive season, particularly in a large acoustic. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 3rd Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-3

    In stock: Estimated dispatch 1-3 days

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  • £40.00

    The Ayres of Agincourt

    ABOUT THIS PIECE: An exciting new release from Cantatio! 'The Ayres of Agincourt' has long been a staple of the wind band repertoire and is now available to brass bands in this new transcription from Adam D J Taylor. The original Ayres were inspired by the famous victory in the 15th century of the English over the French at Agincourt, France, and are intended to sound like old English songs that might have been sung by King Henry's men. Majestic, exciting, dramatic - this music should be on your next concert! ENSEMBLE: Full brass band WHEN YOU BUY THIS PRODUCT, YOU GET: Printed full score and parts for full brass band (by post)LEVEL: This piece is ideal for bands 3rd/ 2nd section upwards

    Estimated dispatch 5-7 working days
  • £74.95

    DAY OF THE DRAGON - Peter Graham

    Additional Score: 29.95The latest in a series of "world music" features by Peter Graham (including Cry of the Celts, Windows of theWorld and Call of the Cossacks), Day of the Dragon is a joint commission fromthe Buy as You View Band and the National Youth Brass Band of Wales. The fivemovements are based on traditional Welsh Folk Songs and feature solos forcornet, trombone, horn, flugel, euphonium : 1) Overture (Ar lan y mor,Hunting the Hare) 2) Lullaby (Suo Gan) 3) Welsh ClogDance 4) Ballad (By Kell's Waters) 5) Triumph(Men of Harlech)

    In stock: Estimated dispatch 1-3 days

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  • £79.95

    Amundsen - Jonathan Bates

    DURATION: 14'00". DIFFICULTY: 1st+. 'Amundsen' was commissioned by rskog Brass, Norway for their winning performance at the 2020 Norwegian National Championships held at the Grieghallen in Bergen. In December 1911, Norwegian Roald Amundsen gained global fame by becoming the first explorer to lead a team to the geographic South Pole. Amundsen and 4 other members of his team arrived 5 weeks ahead of a rival team from the UK led by Robert Falcon Scott, all of which perished on their attempted return from the pole. Initially when Amundsen's team set out in 1910, they were under the impression that they would be making the far shorter journey to the arctic drift to attempt to reach the North Pole, but Amundsen had received news that American explorers Peary and Cook had beaten them to this goal, and so Amundsen's focus changed southward. 'Fram, Forward' - 'Fram' (translating to English as "forward") was the name of the ship Amundsen used for this particular polar expedition. Amundsen had only informed 2 people of his real intentions of conquering the South Pole when the ship first left port in Kristiansand before heading south to the Portuguese island of Madeira in the Atlantic Ocean. After weeks at sea - causing the uninformed members of the crew to raise a number of questions and produce a general feel of uncertainty and low spirits - it was here that Amundsen announced his true plans to the rest of his crew. They were asked whether they wished to continue with their expedition, to which all - some begrudgingly - agreed to sail on to the South Pole, through the great Ice Barrier before docking in the Bay of Whales on the Ross Ice Shelf. 'Ross Ice Shelf' - Upon Amundsen's arrival in the Bay of Whales, the team were greeted by the sight of the enormous ice plateau's and glaciers, towering into the Antarctic sky. In 1907, Ernest Shackleton had attempted - and failed - to reach the South Pole, but his route and mapping was by now well documented. Scott and the UK team were to follow this route, whereas Amundsen and his men forged their own way to the pole through unchartered territory and deadly terrain littered with deep crevasses and canyons. The music here though, is a picture of tranquility. The eerie silence of total emptiness with only the heavy snow falling around Amundsen as Fram and the Bay of Whales disappears into the distance, faced by the maginute of the expedition ahead. 'Advance to Polheim' - The first new challenge Amundsen discovered on this route was a rough, sharp and extremely steep glacier (which was later named the Axel heiberg Glacier after the Norwegian monarch who funded much of the expedition), which would take his team up from sea level to an altitude of over 9,000ft in just 20 miles, with most of this over just 7 miles. Once scaled, only the vast Antarctic Plateau stood between Amundsen and the pole. Here the race began, with only one aim - victory for himself, his team, and for the whole of Norway. .

    In stock: Estimated dispatch 1-3 days