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£38.95Unity Series Band Journal - Numbers 534 - 537, October 2024
534: Boldly Going (Wycliffe Kortin)This arrangement is derived from a Kenyan Swahili gospel melody Simama Imara, which means 'to stand firm'. The song is an encouragement to Christians to stay strong in the Lord, even in times of difficulty. The piece has a lively rock feel which requires precision in articulation and a sense of drive throughout.535: Fill me anew (Mark Feltwell)The melody Fill me anew (T.B. 611) has always been a favourite of the composer and this composition was used at the Worchester Corps in their Pentecost services. It is a simple melody with a simple purpose and associated prayer that is the focus of the piece, 536: There's something about that name (William Gaither arr. Kingsley Layton)The chorus (S.A.S.B. 80) from which this piece takes its title was composed by Bill and Gloria Gaither. They wrote it in 1970, having watched their grandparents near the end of their lives and pass away. At the same time, they were, as a couple, embracing parenthood. It resonated with them how the young loved to say the name of Jesus as well as those that were nearing the end of their lives. The chorus reflects the peace and comfort which comes to us when we call on that name during both the good and challenging times in life. The Gaithers are a performing and songwriting couple who have become well-known within the Southern Gospel music genre.537: Selection - Singing Praises! (Noel Jones)A motif, based on the phrase 'Praise him!, Praise him!, Ever in joyful song', appears throughout the selection. Songs also featured include I love to sing of the Saviour (S.A.S.B. 845) and Singing glory, glory, Glory be to God on high (S.A.S.B. 840)
Estimated dispatch 7-14 working days
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£77.00General Series Brass Band Journal, Numbers 2238 - 2241, December 2023
2238: Fanfare and allegro on the Doxology (Steve Kellner)The Doxology, set to the tune Old Hundredth (T.B. 31), is used widely around the world by Christian denominations, including Salvationists. This concert opener is based on the short but powerful hymn of praise to the Triune God.2239: To the endless day (Kenneth Downie)This is a meditation on the hymn tune Ruth (T.B. 191), written by Samuel Smith. It is a particular favourite of Don Jenkins, whose late wife was also called Ruth. This music is dedicated to Don, a distinguished trombone soloist and former Band master of Bristol Easton Corps Band.The music is always associated with the hymn by William Walsham How, whose words begin 'Summer suns are flowing over land and sea' (S.A.S.B. 59) with the title coming from the end of the final verse.2240: Euphonium Solo - He giveth more grace (Ray Steadman-Allen)This 1996 arrangement of Blacklands (T.B. 527), the composers own hymn tune written in 1963, is being published posthumously. The hymn tune sets the words 'He giveth more grace as our burdens grow greater' (S.A.S.B. 30) with an emphasis on the generosity of God.2241: The Calvary effect (Ian Clarke)Around AC 30, on a hill often refered to as Mount Calvary, an event took place that was to change the world forever. The Calvary effect is a reflection, in musical form, on that event and what it still means to people today. If features two tunes: first, in a quiet reflective mood, we hear the highly emotive Healing Stream, associated with the words 'Jesus, keep me near the cross; There is a precious fountain' (S.A.S.B. 178). This then makes way for the chorus; 'Lord, make Cavalry real to me' (S.A.S.B. 182), which is at times indistinct and almost lost in its surroundings, reflecting the sentiments of the chorus. A return to the main tune follows, this time in a positive, passionate setting. The music finishes with a triumphant 'Hallelujah!'.
Estimated dispatch 7-14 working days
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£64.95Platform to the Heavens
The piece takes its inspiration from the mountain ranges from one of my favourite countries, Switzerland.I have visited the Swiss Alps on many occasions and I am still taken back by its sheer awesome beauty with every visit. This commission gave me the opportunity to pay homage to this wonderful landscape and paint my own musical picture of it.The piece opens with what I imagine daybreak would be like at one of its many peaks. With the sun growing behind the mountain range, the piece builds from a single note to a huge climatic chord revealing Mother Nature's creation.Then at rehearsal figure 'C' the tempo changes dramatically as we fly through the many slopes of the mountains as if on a manic skiing expedition, revealing the many dangers within the Swiss Alps.The twists, turns and climaxes begin to die away as we enter rehearsal figure 'M' - nightfall over the mountains. As the sun disappears, the sky darkens to reveal the beautiful starlit sky above the mountain range. This middle section starts with the various cadenzas that serve as echoes around the Alps. It then leads to a lyrical solo at rehearsal figure 'O' as the moonlight illuminates the icy mountain peaks. A final cadenza to conclude this section highlights the end of nightfall as the sun starts to rise again.This recapitulation from the opening, signals a new dawn as the sun rises above the snowy peaks once again. The music at this point in its slightly altered state highlights the dawn of a new day in the Alps. The fast manic ski ride follows which takes the piece to its grand finale conclusion.The idea behind the title of this piece is that the Swiss Alps are so beautiful and vast; I can only imagine that they could be a platform connecting the earth to the heavens above.Paul Lovatt-Cooper
Estimated dispatch 7-14 working days
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£49.95Fire in the Blood
Fire in the Blood was commissioned by Dr Stephen Cobb for the 120th anniversary of the International Staff Band of the Salvation Army. The piece was composed for the celebration concert where the ISB were joined by several other staff bands from around the world to perform independently to a sell-out capacity crowd at Britain's most famous concert hall The Royal Albert Hall. Fire in the Blood received its world premier at the 'ISB 120' concert at the Royal Albert Hall on June 4th 2011.With this piece I wanted to acknowledge music that had an impact on me through my Salvation Army upbringing. When thinking of a title for this piece I had no hesitation than to reflect and re-word the Salvation Army's motto under their famous crest 'Blood and Fire'.When composing Fire in the Blood I wanted to use three songs of worship that have been prevalent in the Salvation Army's services over a number of years. Opening with Richard Phillips' setting of Psalm 95, 'Sing for Joy', the music is vibrant and full of energy, I wanted to capture the spirit of the well known words of Scripture. The music then moves into a more reflective section that includes Howard Davies' emotive song melody 'Lord, you know that we love you' and Laurie Klein's worship song 'I love you Lord'.A re-statement of the opening Psalm setting follows and this, in turn, leads into a dramatic and powerful finale that combines two pivotal statements drawn from the slower, reflective section: I love you lord, and I lift my voice to worship you, O my soul rejoice and Lord, you know that we love you with a final flourish from Psalm 95: Come let us sing joy to the Lord!Paul Lovatt-Cooper
Estimated dispatch 7-14 working days
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£19.95Fire in the Blood (Score Only)
Fire in the Blood was commissioned by Dr Stephen Cobb for the 120th anniversary of the International Staff Band of the Salvation Army. The piece was composed for the celebration concert where the ISB were joined by several other staff bands from around the world to perform independently to a sell-out capacity crowd at Britain's most famous concert hall The Royal Albert Hall. Fire in the Blood received its world premier at the 'ISB 120' concert at the Royal Albert Hall on June 4th 2011.With this piece I wanted to acknowledge music that had an impact on me through my Salvation Army upbringing. When thinking of a title for this piece I had no hesitation than to reflect and re-word the Salvation Army's motto under their famous crest 'Blood and Fire'.When composing Fire in the Blood I wanted to use three songs of worship that have been prevalent in the Salvation Army's services over a number of years. Opening with Richard Phillips' setting of Psalm 95, 'Sing for Joy', the music is vibrant and full of energy, I wanted to capture the spirit of the well known words of Scripture. The music then moves into a more reflective section that includes Howard Davies' emotive song melody 'Lord, you know that we love you' and Laurie Klein's worship song 'I love you Lord'.A re-statement of the opening Psalm setting follows and this, in turn, leads into a dramatic and powerful finale that combines two pivotal statements drawn from the slower, reflective section: I love you lord, and I lift my voice to worship you, O my soul rejoice and Lord, you know that we love you with a final flourish from Psalm 95: Come let us sing joy to the Lord!Paul Lovatt-Cooper
Estimated dispatch 7-14 working days
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£45.00Triumph Series Band Journal November 2011 Numbers 1219-1222
No.1219 March Medley - Heavenward (William Gordon)A variety of songs are used in this up-tempo march medley which potrays the celebration of a life looking forward to an eternity in Heaven. The tunes used are 'When we all get to Heaven', 'When the roll is called up yonder' and 'We shall win'.No.1220 Garden of my heart (Terry Camsey)The publication of this music is, in a small part, a fitting tribute to Major Terry Camsey who was Promoted to Glory in June 2011. The title is taken from the refrain from a much-loved Sidney Cox song; 'Jesus, Jesus, Lily of the valley, Bloom in all thy beauty in the garden of my heart'.No.1221 My life, my all (Andrew Mackereth)This selection attempts to emphasise the personal nature of Christian commitment hence the emphasis given to the words 'my' and 'I' in the songs chosen. The tunes 'Rockingham', 'All I have I am bringing to thee' and 'At thy feet I bow adoring' are included.No.1222 Tenor Horn Solo - You love me (Brian Willetts arr. Paul Sharman)This arrangement was made at the request of David Lynch, Solo Horn player in The International Staff Band. Originally published in April 1993, the song speaks of the fact that, despite the wonder and vastness of God's creation, he still loves each one of us individually.
Estimated dispatch 7-14 working days
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£74.95Aspects of Adiemus (Brass Band - Score and Parts)
Aspects of Adiemus is a collection from one of the world's most popular composers, Karl Jenkins. Adiemus, literally translated, means 'we will draw near' and represents a musical language which can be heard on five award winning albums from the composer.Since Adiemus has risen in popularity around the world, it has become a growing entity meaning many different things to many different people. Vocally, the spread of influence grows wider all the time, taking in Arabic and African sounds as well as "Celtic" and ecclesiastical ones. The percussion too has expanded using Indian, Middle Eastern, Japanese, Chinese and even Australian instrumentation.The evolving nature of Adiemus has meant that it has been difficult to categorise. New age, classical crossover, world music, even pop. Karl sees this as a good sign: "To me, Adiemus transcends labels. The fact that it reaches people of different backgrounds, faiths and cultures gives it a universal appeal which is special. The compositions can be spiritual, religious, meditative - it's open to 'move' people in any away they choose to experience."Ironically, the Adiemus project 'got off the ground' initially due to a television commercial for an airline. Karl Jenkins explains, "I'd been toying with a new idea, completely separate to my work in advertising, but at this time, Jenkins Ratledge were commissioned to come up with the music for an airline commercial. We presented the client with a demonstration tape of one of my completed compositions and they loved it."That composition became known as Adiemus. The music for the airline commercial was aired and immediately drew interest from the public. Karl: "It's ironic that a piece of music not originally intended for a TV commercial should end up on a TV commercial, and that this music became the springboard for the success of the Adiemus project."Expertly arranged by Peter Graham, Aspects of Adiemus features the eponymous 'Adiemus', an uplifting and instantly recognisable opener. 'Chorale - Za Ma Ba' and 'Chorale - Vocalise' are songs of sanctuary, the latter featuring a chamber group from within the band. The vibrant 'Song of the Spirit' is a cornet feature, and the finale, 'Song of the Plains' combines intense rhythmic energy with tribal harmonies. Duration is variable depending on movement selection and optional cuts.Duration: 20.00
Estimated dispatch 7-14 working days
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£33.55Men of Harlech (Brass Band) Welsh Traditional arr. Alex McGee
This contemporary take by Alex McGee on the Welsh folk song Men of Harlech will be an entertaining addition to concert programmes. The arranger writes: 'Men of Harlech is perhaps one of the most well known of all traditional Welsh folk songs, but not like this. This setting was inspired by a composer who I first encountered as a 14-year-old playing in his first regional brass band, Gareth Wood. Upon learning of the death of Gareth I felt compelled to honour his memory and his music in composition. I struck upon the idea to do what he had done to the tune Sosban Fach to Men of Harlech, to take the tune as the raw material and try to craft it into something new yet recognisable, modern yet accessible. The work attempts to highlight what for me are the underlying characteristics of we Welsh; prone to melancholy but quick to find joy, contradictory, inviting, welcoming and warm but capable of housing a fierce streak of nationalistic pride. I dedicate this work to Gareth Wood and thank him for his music.' To view a rolling score video of the work please visit: https://www.youtube.com/watch?v=YSoZnpnhEjQ Duration: 3.30 minutes Difficulty Level: 3rd Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani Percussion 1-2
In Stock: Estimated dispatch 1-3 working days
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£59.65Horizon: The Promise of the Lord (Brass Band) Andrew Wainwright
Horizon: The Promise of the Lord was written at the request of Bandmaster Stephen Cobb for The International Staff Band. It is based on the much loved hymn of the church, Cwm Rhondda (Guide me O thou great Jehovah). The work was recorded on the ISB's CD Manuscripts II (released 2023). This highly descriptive piece will be an excellent addition to concert programs, as well as being appropriate as a test piece. The inspiration for the work comes from the book of Exodus. Whilst the music is not intended to be directly programmatic, like the hymn Cwm Rhondda, the work takes the listener through the Exodus from Egypt to the promised land of Israel as a metaphor of the spiritual pilgrimage of the individual Christian through his or her earthly life. The music aims to evoke a sense of God's guidance through strife and affirm the reality that God provides for us and redeems all the wrong in the world. This God who provided for the Hebrew people wandering amidst 'barren lands' with 'bread of heaven' is still and ever will be a God of provisional grace. Through listening to the music, it is the composer's intention that we are reminded of God's promise of Deliverance as set out in Exodus 6 v7-8: 'I will take you as my own people, and I will be your God. Then you will know that I am the Lord your God, who brought you out from under the yoke of the Egyptians. And I will bring you to the land I swore with uplifted hand to give to Abraham, to Isaac and to Jacob. I will give it to you as a possession. I am the Lord.' Like the hymn, Horizon: The Promise of the Lord is intended as a prayer for guidance. The Christian is a pilgrim through 'this barren land'. The music is often chromatic and in large parts verging on atonality, as a reflection of the strife that the Israelites endured in their 40 years in the wilderness. However, it ends in climactic fashion with the Hebrew people finally reaching their destination after many years of wandering in the desert - as they approach the 'Horizon' promised by the Lord. To view a performance of the work by the National Youth Brass Band of Great Britain please visit www.youtube.com/watch?v=LjOHf7QEw1g PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Difficulty Level: 1st Section + Length: c11.00 minutes Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-4
In Stock: Estimated dispatch 1-3 working days
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£59.65Avifauna (Brass Band) Joshua Tyler Jameson
This highly descriptive work was commissioned by the National Youth Brass Band of America and will be a terrific concert or entertainment contest item. The music paints the picture of the lives of a variety of different birds. The composer writes: 'When I began thinking about this project I was sitting in my office in the early morning, the sun having just risen. There was a gentle breeze and the only thing that I could hear (aside from my hungry whining cats) was the gentle song of the birds outside my open window. As much of my work is programmatic, almost like symphonic poems, this immediately gave me the image of a majestic sunrise with all types of birds fluttering about, almost as if out of an episode of Planet Earth. When I was commissioned by the National Youth Brass Band of America, I knew the project had to be something the ensemble could grab onto. Something they could see. Something they could relate to. There being so many types of birds in North America, I selected a handful to help tell my story... The scene where I came up with this idea seemed to be the perfect starting point. Sunrise, tiny chirps of Morning Birds floating around the twilight of dawn, swiftly moving towards the majesty of the sun cresting the horizon. A new day, the beginning of a story. As the sun rises higher in the sky, animal activity stirs, becoming lively and wild. The flowers have opened up to drink in the sun's rays, leaving them open to nectar-seeking Hummingbirds. Whizzing by at lightning speed, the hummingbirds journey from flower to flower, drinking their fill until the sun begins to set back over the horizon. When daylight fades, the enigmatic Owl floats silently through the sky. The wonder of these creatures comes not just from their beauty, but also from their mystery and their ferocity. We see images in pop culture of majestic white owls and marvel in their beauty... but to a mouse roaming the forest floor in the dark of the night, the terror of suddenly being dropped upon by a silent predator is anything but peaceful. In the dead of night, soft rolling clouds thicken as a storm begins to brew. With the ensuing rain also emerges the grotesque scavenging Vulture; marching along from carcass to carcass, tearing into the rotting leftovers of another predator's kill, gorging themselves until over-full. However, from this nightmare fuel of a bird, a new day awaits... As the dawn of another day approaches, you begin to hear the same morning birds you heard the previous day. When the light finally breaks the horizon, the soaring majesty of the Eagle drives us to the end of our story; an exciting journey told through the eyes of the winged creatures that paint the skies of North America. This is Avifauna.' To view a follow-the-score video please visit: www.youtube.com/watch?v=J2bhBpx9KvM Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 2nd Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-4
In Stock: Estimated dispatch 1-3 working days