Results
-
£48.56The Nutcracker Suite - Brass Band (Tchaikovsky arr. Keith Wilkinson)
VIEW SCORE PDF Step into the enchanting world of Tchaikovsky's beloved The Nutcracker with this exciting brass band arrangement which features March, Trepak and Waltz of the Flowers. Expertly adapted for brass band by Keith M. Wilkinson, this suite captures the festive spirit and magical charm of the original score, while showcasing the full power and brilliance of brass and percussion. To view a rolling score video featuring the Amsterdam Staff Band performing Trepak please visit www.youtube.com/watch?v=ur8p2d8nZ3A To view the other movements please click on the videos attached to this product. PDF download includes score and full set of parts. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com To purchase individual movements, please visit: March - click here Trepak - click here Waltz of the Flowers - click here Difficulty Level: 2nd Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium 1-2 Bb Bass Eb Bass Bb Timpani Percussion 1-2
In Stock: Estimated dispatch 1-3 working days
-
£29.95Trevithick - Christopher Bond
Trevithick (2013) is a march for brass band, written on the occasion of Camborne's 30th Trevithick Day celebration which saw six Cornish brass bands parade through the streets one after the other, performing the work. Structured as any traditional march is with the bass solo forming the central section, the work is formed from both existing Cornish tunes such as Trelawny and Camborne Hill, as well as original material.
Estimated dispatch 10-14 working days
-
£35.00Arromanches - Albert E. Kelly/Gosling Mol
Kelly wrote this march for the 1948 Kneller Hall March Contest. With the 4/7th Dragoon Guards Kelly took part into the landing in Normandy on D Day, june the 6th 1944; actually he was injured himself at the end of july. 'ARROMANCHES' is a suiting tribute to the heroes of the Allied landings at Arromanches.
Estimated dispatch 10-14 working days
-
£58.00
Marsjkonkurransen - Bo-Carlsen - Haakon Esplo
"Gurines March" is a very well-known song in Norway. Lalla Carlsen made great success performing it in the Chat Noir Revue "Det er servert" ("It's Served") in 1932 and in the movie "Opp med hodet" the same year. The song is the same melody that was used for the "The Man Who Broke the Bank at Monte Carlo".Norwegian singer/banjo player Kari Svendsen is one of many performers who have made recordings of the tune from then on to this day. "Gurines March" is great for parade, where it certainly will bring a smile or two among the audience.
Estimated dispatch 7-14 working days
-
£34.95
CRUSADERS (Brass Band Set) - Dean Goffin
This march is based on the hymn tune 'Ascalon' named after the Palestinian city which was of strategic importance in the Crusader Wars. The tune is also called 'The Crusader's Hymn' and was used as such by Franz Liszt in his oratorio 'St. Elizabeth'. The melody is seldom absent and it can be heard in some form or other throughout the march.
Estimated dispatch 7-14 working days
-
£55.00Triumph Series Brass Band Journal, Numbers 1367 - 1370, November 2024
1367: March - Risen, conquering Son (Noel Jones)Two uplifting Easter songs are featured in this march; Low in the grave he lay (S.A.S.B. 228) with words and music written by Robert Lowry, and Thine is the glory (S.A.S.B. 276) with words by Edmond L. Budry and music by George F. Handel. Both serve as a powerful reminder of the resurrection of Jesus.1368: Horn Solo - O how much he cared for me (Keith Wilkinson)This solo was originally penned for Bandsman Frank Taylor, who plays Solo Horn at Stapleford Citadel Corps. As its basis, it uses the popular hymn No one ever cared for me like Jesus by Charles F. Weigle, a Baptist evangelist who wrote more than a thousand hymns.1369: My Redeemer lives (Olaf Ritman)This arrangement of Reuben Morgan's well-known worship song (S.A.S.B. 223) was first written as an accompaniment for congregational singing and can still be used in that way. It was inspired by the American R&B group Tower of Power and is meant to sound soulful and funky.1370: Selection - With life anew (Mervyn Clarke)This selection features music associated with two hymns; Blessd Saviour, now behold me (S.A.S.B. 575) by William Baugh and Breathe on me, breath of God (S.A.S.B. 294) by Edwin Hatch. Although Edwin Hatch's hymn-writing output was very small, this hymn has seen numerous settings and melodies associated with the words from which the piece takes its title; two of these melodies are featured here in Trentham and Carlisle.
Estimated dispatch 7-14 working days
-
£38.95Unity Series Band Journal - Numbers 522 - 525, October 2023
522: Festival March - The Rescuers (Andrew Hedley)This exciting and bright festival march comes from a new contributor to the band journals. Andrew Hedley is a bandsman at Chester-le-Street Corps and a member of the Euphonium Section of the International Staff Band. This work contains inventive harmonic and melodic patterns and we hope this will be the first of many works from this composer to be seen in our journals.523: Moses and Pharaoh (Ralph Pearce)This piece owes its creation to the playing of the Montclair Citadel Young Peoples' Band in the Sunday School assembly every weekend. The song Pharaoh, Pharaoh is extremely popular and is sung with gusto and much movement. The presentation of this song derives for an accompaniment written for the band to play along with the singing. To widen its use, the spiritual Go down, Moses (STTL Vol.7, Part 2) was added to make the present composition. This music should have drive throughout and be played with a sense of fun.524: Lord, to thee (Alan Williams)This is a setting of the tune Hendon (T.B. 249). The piece uses the first verse of Frances Ridley Havergal's commonly associated text 'Take my life and let it be consecrated, Lord, to thee' (S.A.S.B. 623), and from there it takes its title.525: Song Arrangement - This is why (Noel Jones)This music is based on the tune This is why (T.B. 353) by Elisha Albright Hoffman and this two-verse arrangement reflects the great song of testimony Would you know why I love Jesus (S.A.S.B. 912). An associated scripture reference is found in Mark 10:45 'For even the Son of Man did not come to be served, but to serve, and to give his life as a ransom for many'. The motif 'Would you know' occurs in the opening bars and is repeated throughout the piece, along with fragments of the first verse. The chorus confirms the hoy that Christians experience knowing that Christ's sacrifice has bought forgiveness for our wrongdoings.
Estimated dispatch 7-14 working days
-
£38.95Unity Series Band Journal - Numbers 510 - 513, October 2022
510: March - There is a fountain (Zachary Docter)This bright and cheerful march takes two songs as its basis; Jesus loves me! This I know (S.A.S.B. 807) and There is a fountain (S.A.S.B 202).511: Shine, Jesus, shine (Marcus Venables)While this piece was originally written for young people at a summer music camp in Canada, the piece is a light programme item suitable for smaller ensembles of any age.512: My Trust (Alan Williams)This setting is based on the simple chorus In thee, O Lord, do I put my trust (S.A.S.B 594). Ordinarily heard in 3/4 times, this 4/4 version of the tune has the space for reflection written into the notation.513: Power in the blood (Martyn Thomas)This is a blues/rock arrangement of the traditional hymn Would you be free from your burden of sin? (S.A.S.B 451). It can be used as a stand-alone piece or equally well as an accompaniment for congregational singing.
Estimated dispatch 7-14 working days
-
£38.95Unity Series Band Journal - Numbers 502 - 505, February 2022
502: See, what a morning (Gary Rose)This music is based on the popular Easter song of the same title (also known as Resurrection Hymn) by Keith Getty and Stuart Townsend (S.B.S. Volume VII).503: Light Force (Stephen Gibson)Originally written for a Young People's Band play-day, this exciting work brings together original themes as well as references to Jesus bids us shine (S.A.S.B. 870) and Shine, Jesus, shine (S.A.S.B. 261).504: Cornet Solo - Into your holiness (Jrgen Ijsendorn)Written for Martin Oosterbeek, who served in the military and undertook a tour of duty in Afghanistan, this work uses When I look into your holiness (T.B. 927), a song that provided solace during his time away.505: March - Turn to the Lord (Charles Craig)A tradition-style march perfect for groups with little rehearsal time.
Estimated dispatch 7-14 working days
-
£95.00A Wartime Sketchbook (Brass Band - Score and Parts)
Early in 1941 William Walton, 39, received his call-up papers. He was by then one of the most eminent of British composers and was exempted from military service on condition that he provided music for films deemed to be of 'national importance'. Scoring Lawrence Olivier's Shakespeare epic Henry V in 1943 was the most substantial of these wartime projects. His role in patriotic films from 1941 and 42 like The Foreman went to France, Next of Kin, Went the day Well and The First of the Few was to provide appropriate title music and some underscoring at key moments. Walton extracted the most substantial portions of the latter as the popular Spitfire Prelude and Fugue for orchestra. The remaining music remained unpublished until 1990, when Christopher Palmer assembled the highlights into A Wartime Sketchbook. I was intrigued to hear these examples of Walton's wartime music and having discovered that they would fit naturally and idiomatically onto the brass band, I arranged six of the numbers into a suite for Besses o' th' Barn Band, which I was conducting at the time.In 1995 the brass band suite was recorded by the famous Black Dyke Mills Band as part of an all Walton album which I produced for the ASV label (ASV CD WHL 2093). This award- winning CD also included Walton's First Shoot, in the edition by Elgar Howarth, my transcription of movements from Music for Children and two substantial brass versions by Edward Watson of the suite from Henry V (with narrator) and the March and Siegfried Music from The Battle of Britain music.Prologue: This is the stirring title music from Went the day Well, a screen play by Graham Greene about a German airborne invasion of an English village. The main theme leads toBicycle Chase: Characteristic musical high-jinks for J.B.Priestley's The Foreman went to France.Refugees: From the same film, this is a poignant accompaniment to the long march of refugees. As Ernest Irving, the film's musical director, put it, "this really makes your feet sore and your knees sag."Young Siegfrieds: This lively movement comes from the music that Walton composed for The Battle of Britain in 1968, with the assistance of Malcolm Arnold, but which the film's producer rejected. It portrays first the Berliners, cheerfully ignoring the black-out and then, in the trio, the Young Siegfrieds of the Luftwaffe, courtesy of a parody of Siegfried's horn call from Wagner's opera.Romance: A soldier and a Dutch refugee snatch a few tender moments together in Next of Kin.Epilogue: At the end of The Foreman went to France, the French look forward with hope and optimism to eventual liberation.- Paul HindmarshDuration: 14.00
Estimated dispatch 7-14 working days
