Results
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£12.00Of Men and Mountains (Brass Band Study Score)
Of Men and Mountains was commissioned by the Netherlands Brass Band Championships for their 10th Anniversary Contest, held in Drachten in December 1990.The title of the work and its genesis came about as a result of a train journey the composer took in July 1989 across Canada from Toronto to Vancouver. The awe-inspiring journey through the Rocky Mountains, with its high peaks and shafts of sunlight breaking through the clouds, with its canyons and ferocious rapids, made the composer understand a little more about the majesty of nature and the fragility of humanity. The eternal struggle between man and nature was personified in the building of this incredible railway, hence the title (after Blake).The work is dedicated to the memory of Eric Ball, who died shortly before the writing of the work commenced.Of Men and Mountains is in one continuous movement and lasts about 17 mins. Its form is difficult to describe because of its motivic and accumulative nature, but it is essentially a symphonic tone poem in search of a theme, which eventually comes in its final and complete state in the majestic ending after an ever-increasing paced scherzo.Duration: 17.00
Estimated dispatch 7-14 working days
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£64.95Four Cities Symphony (Brass Band - Score and Parts)
This piece was commissioned by the National Contesting Council as the 4th section test piece for the 2008 Regional Brass Band Championships of Great Britain.This symphony (the composer's 12th) has four movements played without a break. The first centres on two aspects of the city of London: its history and pageantry and its role as a busy modern metropolis.The second movement depicts Paris, its street cafes and boulevards and riverside walks, in the form of a romantic waltz.The third movement is constructed around the Gregorian chants of the Lord's Prayer (Pater noster, qui es in caelis) and the Creed (Credo in unum Deum) in an evocation of the city of Rome. After a powerful climax, mysterious tramping footsteps are heard as the ghosts or a Roman legion march through the city by night. The vision fades and the pater noster is heard once again before the movement is brought to a close with the ancient Ambrosian chant, Christus Vincit, Christus Regnet, Christus Imperat.The final movement is an evocation of the city of Moscow, with its great historic buildings, its turbulent history and its fiery traditional music. At the outset a rather dour folk-like melody is heard which is transformed into a lively Cossack dance.This work is dedicated to Howard Wilson, former principal euphonium of City of Coventry Band who, in 1972, introduced the composer to top section brass band contesting.Duration: 11.00
Estimated dispatch 7-14 working days
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£49.95Of Men and Mountains (Brass Band - Score Only)
Of Men and Mountains was commissioned by the Netherlands Brass Band Championships for their 10th Anniversary Contest, held in Drachten in December 1990.The title of the work and its genesis came about as a result of a train journey the composer took in July 1989 across Canada from Toronto to Vancouver. The awe-inspiring journey through the Rocky Mountains, with its high peaks and shafts of sunlight breaking through the clouds, with its canyons and ferocious rapids, made the composer understand a little more about the majesty of nature and the fragility of humanity. The eternal struggle between man and nature was personified in the building of this incredible railway, hence the title (after Blake).The work is dedicated to the memory of Eric Ball, who died shortly before the writing of the work commenced.Of Men and Mountains is in one continuous movement and lasts about 17 mins. Its form is difficult to describe because of its motivic and accumulative nature, but it is essentially a symphonic tone poem in search of a theme, which eventually comes in its final and complete state in the majestic ending after an ever-increasing paced scherzo.Duration: 17.00
Estimated dispatch 7-14 working days
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£94.95Of Men and Mountains (Brass Band - Score and Parts)
Of Men and Mountains was commissioned by the Netherlands Brass Band Championships for their 10th Anniversary Contest, held in Drachten in December 1990.The title of the work and its genesis came about as a result of a train journey the composer took in July 1989 across Canada from Toronto to Vancouver. The awe-inspiring journey through the Rocky Mountains, with its high peaks and shafts of sunlight breaking through the clouds, with its canyons and ferocious rapids, made the composer understand a little more about the majesty of nature and the fragility of humanity. The eternal struggle between man and nature was personified in the building of this incredible railway, hence the title (after Blake).The work is dedicated to the memory of Eric Ball, who died shortly before the writing of the work commenced.Of Men and Mountains is in one continuous movement and lasts about 17 mins. Its form is difficult to describe because of its motivic and accumulative nature, but it is essentially a symphonic tone poem in search of a theme, which eventually comes in its final and complete state in the majestic ending after an ever-increasing paced scherzo.Duration: 17.00
Estimated dispatch 7-14 working days
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£59.03Variations on 'Sine Nomine' (Brass Band) Andrew Wainwright
This magnificent work was written in 2019 for the London Central Fellowship Band and Bandmaster David Rudd. It is based on the hymn tune by Ralph Vaughan Williams, which is also known as For all the Saints. Its release in the summer of 2022 marks the 150th anniversary of Vaughan Williams' birth. The work is set in four contrasting movements, which follow an opening statement of the hymn in its full form. Variation I (Leggiero) is based on the first few notes of the chorale and is lively and sprightly in nature, with regular time changes permeating throughout. There are regular statements of the hymn, with the movement closing with a full statement of the tune in its full glory. Variation II (Andante Espressivo) derives its material from the final strain of the verse. The music is generally calm and ethereal in nature before building to an impassioned fortissimo featuring the full band, and finally dying away. Variation III (Allegro Vivace) is in compound time and, like Variation I, is based on the first few notes of the hymn. The music is joyful and playful, epitomised by syncopated rhythms, and snippets of the tune are heard throughout. Variation IV (Allegro Giocoso) is in the form of a fugue which commences with the cornets, before the theme is handed to each section of the band at various points. After several statements of the theme, the music grows into the final strain of the chorale, which is given a grandiose setting. A frenzied Presto coda leads into organ-like chords, before a series of upward major scales bring the work to its final chord. To view a video of the Canadian Staff Band performing the work please visit https://www.youtube.com/watch?v=QZ1pYH0ftv0 Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: Second Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb 1st Cornet Bb 2nd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-2
In Stock: Estimated dispatch 1-3 working days
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£74.95Platform to the Heavens (Brass Band - Score and Parts)
The piece takes its inspiration from the mountain ranges from one of my favourite countries, Switzerland.I have visited the Swiss Alps on many occasions and I am still taken back by its sheer awesome beauty with every visit. This commission gave me the opportunity to pay homage to this wonderful landscape and paint my own musical picture of it.The piece opens with what I imagine daybreak would be like at one of its many peaks. With the sun growing behind the mountain range, the piece builds from a single note to a huge climatic chord revealing Mother Nature's creation.Then at rehearsal figure 'C' the tempo changes dramatically as we fly through the many slopes of the mountains as if on a manic skiing expedition, revealing the many dangers within the Swiss Alps.The twists, turns and climaxes begin to die away as we enter rehearsal figure 'M' - nightfall over the mountains. As the sun disappears, the sky darkens to reveal the beautiful starlit sky above the mountain range. This middle section starts with the various cadenzas that serve as echoes around the Alps. It then leads to a lyrical solo at rehearsal figure 'O' as the moonlight illuminates the icy mountain peaks. A final cadenza to conclude this section highlights the end of nightfall as the sun starts to rise again.This recapitulation from the opening, signals a new dawn as the sun rises above the snowy peaks once again. The music at this point in its slightly altered state highlights the dawn of a new day in the Alps. The fast manic ski ride follows which takes the piece to its grand finale conclusion.The idea behind the title of this piece is that the Swiss Alps are so beautiful and vast; I can only imagine that they could be a platform connecting the earth to the heavens above.Paul Lovatt-Cooper
Estimated dispatch 7-14 working days
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£36.89A Fugal Overture (Brass Band) Gustav Holst arr. Rob Bushnell
A Fugal Overture was written in 1922 by Gustav Holst. It was first performed at the Royal Opera House, Covent Garden on 14 May 1923 and was used as an opening work to Holst's one-act opera The Perfect Fool. It received its concert premiere on 11 October 1923 at one of Henry Wood's Queen's Hall Promenade Concerts. It is an early example of neoclassicism and was influenced by the counterpoint of J. S. Bach, despite its unconventional use of the fugal process. Holst began writing the piece in the summer of 1922, having hoped to develop it into a ballet. It is divided into three sections, the fugal subject with its distinct 3+3+2 pattern, a slower section with solos at the end, and a third section where the subject returns. Although reviews of the piece were mixed at the time of its premiere, the likes of Adrian Boult have said it was "an invigorating work that could effectively start any [...] concert". In more recent years, it has been compared to John Adam's A Short Ride in a Fast Machine. This arrangement is for the British-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original composition can be found here: www.youtube.com/watch?v=a8xfwJyFq2E. Duration: Approx. 5.40 minutes Difficulty Level: 1st Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani Percussion 1-2
In Stock: Estimated dispatch 1-3 working days
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£66.42Pyrenean Carol Suite (Brass Band) David Taylor
This attractive suite for brass band by David Taylor features five traditional carols from the Pyrenees region of Spain, as follows: i. Nadal Tindaire (Jingling Christmas) - Occitan traditional This Occitan Christmas song tells of musical instruments used to celebrate the Nativity - 'fifes and trumpets, timpani and pipes, or you, clear little bells, along with the angels' choir.' ii. Gabriel's Message (Birjina Gaztetto Bat Zegoen) - Basque traditional The most widely-known of the chosen carols, honouring Jesus's mother Mary, this is often sung in its English version, but the melody came from the Basque country. The Basque words were adapted from the Mediaeval song Angelus ad Virginem. Here, we feature the flugel horn. This movement was originally written on its own, with organ accompaniment, for the composer's wife, Diane Scott. iii. El Noi de la Mare (The Child of the Mother) - Catalan traditional A beautiful Catalan carol celebrating the birth of Jesus, telling of the tasty gifts that the singer would bring - 'Raisins and figs and nuts and olives; Raisins and figs and honey and mato [a Catalan dessert cheese traditionally served with honey.]' Here we feature the euphonium. The tune was made famous by guitarist Andres Segovia, who used it as a favourite encore, and by John Rutter, who made a widely-used setting for choir. iv. Paure Satan (Poor Satan) - Occitan traditional This rather unusual carol tells of the pain that Satan is put to by the arrival of the infant Jesus. Its mocking and sarcastic tone is reflected here, where the tuba soloist (as Satan) is given musical trouble throughout by the other parts. At first they conflict with the soloist, then the soloist makes overtures of friendship, which are treated with suspicion followed by contempt. The soloist finally gives in to their accompaniment (or do they?). There are plenty of opportunities for little theatrical touches here, if the tuba player is so inclined! The tuba part in this movement is notably more difficult than the rest of the music, and a number of optional changes have been marked to make the part easier to play, if so desired. The player is also welcome to add suitable extra embellishments to taste if they wish, within the character of the music. v. Fum, Fum, Fum! - Catalan traditional A favourite Catalan Christmas song for centuries, this rousing melody provides a fitting way to round off the suite, with its repeated rhythmic refrain of the nonsense title phrase. It tells of the Nativity, and then it tells of the celebratory feasting and good times that the singers look forward to to honour it. Although the suite is intended to be performed whole, it is also intended for usage with a selection of movements on occasions where a shorter piece is wanted. Suggested formats include a single movement alone (2, 3, and 5 are likely most appropriate), a pair of movements (any of the first four, plus 5), and a suite of three or four movements (1 and 5, plus one or two of 2, 3, or 4 in the middle). It is suggested that a good way to design a 'pick-your-own-suite' from the movements is to think of the earlier movements as introductory to the final movement. To view a rolling score video featuring Kidlington Concert Brass please visit www.youtube.com/watch?v=QIGdul-yxxg PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - https://satradecentral.org Difficulty Level: 3rd Section + Length: 9.45 minutes Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-2
In Stock: Estimated dispatch 1-3 working days
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£79.95Neverland - Christopher Bond
"All children, except one, grow up" wrote J.M. Barrie about Peter Pan in 1911; the first line and an expression of beautiful melancholy and fantasy, coming to represent one of the best-loved children's stories of the twentieth century. 'Peter & Wendy', as the book was first released, has subsequently been transformed into adaptations for film and stage, with subsequent books based on this iconic tale. In writing this new work for brass band, the composer has taken three of the main themes from J. M. Barrie's book, and used these themes to create new musical material, forming a work in three contrasting sections. I. Journey to Neverland The opening of the work, mysterious in its style, reflects the opening chapters of the story - a leafy London street, still in the dead of night - with the music transforming quickly as it builds in texture and momentum - a Journey to Neverland through the night sky; Second Star to the Right and straight on 'til morning. "Then Peter knew that there was not a moment to lose. 'Come,' he cried imperiously, and soared out at once into the night, followed by John and Michael and Wendy. Mr & Mrs Darling and Nana rushed into the nursery too late. The birds were flown." II. The Windows that Closed The central section of the work takes its inspiration from the sense of longing throughout the book, mainly by Peter Pan, the Darling Children & The Lost Boys. Distant memories of life before Neverland, memories of the Lost Boys' mothers, and regret at what the children have missed. Peter says "Long ago, I thought like you that my mother would always keep the window open for me; so I stayed away for moons and moons and moons, and then flew back; but the window was barred, for mother had forgotten all about me, and there was another little boy sleeping in my bed." III. Aboard the Pirate Ship The final section of the work takes its inspiration from the Pirate Ship, and Peter Pan's ultimate battle with its infamous Captain Hook. "In person, he was cadaverous and blackavized, and his hair was dressed in long curls, which at a distance looked like black candles, and gave a singularly threatening expression to his handsome countenance. His eyes were the blue of the forget-me-not, and of a profound melancholy, save when he was plunging his hook into you, at which time two red spots appeared in them and lit them up horribly."
Estimated dispatch 10-14 working days
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£40.00Alchemists' Fire - Lucy Pankhurst
An original composition from Lucy Pankhurst and Winner of the 2011 John Golland Award, receiving its premiere at the RNCM Festival of Brass that same year.It is a complex, energetic and invigorating major work for brass band, and one which rightly demands attention through its intricate scoring, impact-making effects and bubbling brilliance!Comments from the composer on the work's title and its multi-purpose influence and inspiration upon her composition:"The phrase "Alchemists' Fire" has several possible connotations:Firstly, Alchemists' Fire is a magical weapon featured in the Dungeons & Dragon role playing game. It is a potion, so can be used to splash, throw or pour onto a target, dealing fire damage if it hits successfully.The second possible meaning comes from an historical source, where it was also known as Greek Fire, from which the D&D element takes its influence. This was an incendiary weapon used by the Byzantine Empire, typically used in naval battles to great effect, as it could continue to burn on water. It provided a technological advantage and was responsible for many key Byzantine victories. The manufacture of this 'fire' was kept a deadly secret; so much so that the formula was eventually lost and contemporary scientists and historians can only speculate at what the chemical make-up might have been.The final implication is a much more visual and sensory concept; that of the fire actually used by the Alchemist in his work - raging, dangerous and white-hot. Some sections of the work reflect the idea of 'magic' and ongoing experiments, some successful, some failing dangerously, in a cacophony of pops, fizzes and explosions amidst furious heat and brief moments of calm as the fire slowly cools, sizzling with residual components and elemental energy."
In Stock: Estimated dispatch 3-5 working days
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