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£159.99Other Lives - Oliver Waespi
Other Lives is works perfectly for a competition but can also be programmed as concert work. The dark chords at the beginning of the piece are derived from "Der Doppelganger", one of Franz Schubert's late songs. After a short development the music begins to accelerate and find its own shape, gradually moving away from the introduction. The entire first part, "Rage", has an intensely agitated character. The ensuing "Reflection" turns back to the initial chord progression, before a series of interspersing solos explore time and space at a slower pace. After another musical surge, the music is brought close to silence and then gives way to the third part, "Redemption".Here, a widely spaced sound field contains a remote allusion to another work by Schubert "Ruckblick". After this farewell, an abstract musical transformation triggers an emotional change, as the initial motifs are now presented in their inversed form in order to create a much brighter harmonic landscape. Moreover, in the last part of the piece, "Renewal", the grim, tense atmosphere of the first part is transformed into a great energy. Other Lives was commissioned by the Valaisia Brass Band.
Estimated dispatch 5-14 working days
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£137.99Metamorphosis - Jan de Haan
The opening of this three-movement work features an initial appearance of the thematic material that returns in various guises later on in the work. The leitmotiv centres on a minor second.A range of thematic variations is heard in the lively and energetic Metamorphosis One. This movement is interrupted by an atmospheric meno mosso, containing melodic passages that return to the opening theme. Metamorhosis Two is characterised by various changes in tempo and musical character. Seven different soloists transform the thematic material each in their own way. This eventually culminates in a passionate tutti passage.The source of inspiration for Metamorphosis Three isthe so-called BACH-motif, a musical autograph consisting of the notes B flat, A, C and B. This distinctive motif arises from the leitmotiv (here a descending minor second), which continues to evolve through various transpositions and transformations. For the composer, this spectacular last movement is an homage to one of the greatest and most influential composers in the history of music: Johann Sebastian Bach.
Estimated dispatch 5-14 working days
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£115.60Joyful Life - Jerker Johansson
When Jerker Johansson in the 80's started to compose he was for a while obsessed with writing music in odd time signatures, more specifically 7/8. He was asked during the fall of 2020 by Leif Karlsson (former member of the legendary percussion ensemble Kroumata and nowadays conductor) to write something challenging for Uppsala Blasarsymfoniker and this resulted in Joyful Life. The piece is, to say the least, difficult to tap the pulse along to and is something of a baptism of fire for the musicians, regarding rhythmic precision. Joyful Life is dedicated to the always likeable Leif Karlsson (Joyful Leif!) and was premiered on the 15th November 2020 by The Swedish Air Force Band under the baton of the composer.
Estimated dispatch 5-14 working days
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£111.70Himlen i min famn - Carola Häggkvist - Reid Gilje
"Heaven in My Arms" is a beautiful melody by Carola Haggkvist with lyrics by Erik Hillestad.This version is without vocal soloist so the melody is spread into many parts throughout the arrangement.To the conductor:Strive for good flow and phrasing. Feel free to be a bit creative with the phrasing. It invites for two-bar phrases in the melody, but perhaps 2/2/4 could also work nicely.Balance is very important. Often there is both melody and obligato/countermelody in addition to harmonic elements. Let each of them have their own layer in the balance.Staccato effects in cornets and marimba are intended as pizzicato effects and must be phrased. Not too static.The tutti section at 72 can be energetic with intense lines. Maybe a little piu mosso as well. Think big and orchestral with good resonance and timbre.- Reid Gilje -
Estimated dispatch 5-14 working days
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£119.50Me and Mrs. Jones - Kenneth Gamble - David Hveem
Me and Mrs. Jones was written by Kenny Gamble, Leon Huff and Cary Gilbert in 1972, and was first recorded by Billy Paul on the album 360 Degrees of Billy Paul. The song is about a man who has an affair with Mrs. Jones, and how the two secretly meet every day in the same cafe, even though they may know it's not quite right: "We got a thing going on/we both know that it's wrong/but it's much too strong/to let it go now." Paul has stated that he was sure the song was going to be a hit even before it was released, as "it's a song everyone can relate to", but already from the start the lyrics were considered somewhat controversial and the song were banned from several radio stations. Nevertheless, it became one of the best-selling singles of 1972 and Paul received a Grammy for Best Male R&B Vocal Performance.Well known is also Michael Buble's version of the song, released on the album Call Me Irresponsible in 2007. It is his version that has been the inspiration for this arrangement, which brings out even more of the jazz elements Buble has found in the song. The arrangement is quite demanding for the ensemble, and requires great rhythmic precision in particular.
Estimated dispatch 5-14 working days
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£115.60Grevling i taket - Øystein Dolmen og Gustav Lorentzen - Reid Gilje
This is an arrangement which has to be performed a bit humorous in the spirit of the original.It starts with a kazoo-like opening, played on the mouthpieces. At C, baritones and euphoniums should stand up. Maybe the musicians can play it by heart?Two bars before D, the tempo increase. On E, the cornet players should stand (and play by heart)?New, even higher tempo two bars before F. The trombonists should stand up in bar 103 to prepare for a terrific tempo. But G will be played like a laidback reggae-version. Flugelhorn and horns can stand up simultaneous with the glissando in bar 120.The tempo at H should be high and fresh and with several sections standing. In bar 158 should almost all players sit. At bar 160 everyone should stand up.In bar 162, all players should turn to the audience during the crescendo.
Estimated dispatch 5-14 working days
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£54.99Till We Meet Again - Philip Sparke
Till We Meet Again was commissioned by Floraskulen Brassband, Floro, Norway, as a tribute to their former tuba player, Gunstein Stromsnes, who died tragically young in a traffic accident in 2017. They gave the premiere in December 2018. After a short introduction, a solo euphonium intones a modal, folk-like melody. This is taken up by the flugel horn and leads to a series of short solos which build to a majestic chorale for the full band. The mood subsides to reintroduce the modal melody before hints of the introduction and a short euphonium cadenza bring the work peacefully to a close.
Estimated dispatch 5-14 working days
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£154.60Circius - Torstein Aagaard-Nilsen
The work is important for me because it was my first piece to be performed outside Norway. Black Dyke Band/David King performed it and did a recording of it in 1991. In the original score I quote a Swedish bishop (Olaus Mangnus) who lived in the 15th century. He travelled around Scandinavia and drew maps - very important historic material. When he came to the north of Norway (where I come from) he decribed the wind from the north as Ciricus: (something like) Worst of all winds is Circius, that revolves (?= turn upside down) heaven and earth. (Well, not a good translation Im afraid). The fast sections reflects the mighty winds from the north. In the middle section, I borrowed afolksong-like tune (by C. Elling, a Norwegian composer). The text (by Kristoffer Janson) tells about old times when the fishermen used open boats: they had to put their lives in the hands of God.
Estimated dispatch 5-14 working days
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£105.20What a Difference a Day Made - Stanley Adams - Bjorn Morten Kjaernes
The Mexican songwriter Maria Grever, wrote the melody in 1934 ("Cuando vuelva a tu lado") and it became a big hit for jazz-singer Diana Washington. Since that, it has been recognized as a jazz-standard and also featured in several movies. This arrangement was originally written for young, Norwegian singer Angelina Jordan. In this version, the level of difficulty and instrumentation are customized to fit our Young Band-series. Included in the set is parts for both string bass and vocals, but they are not compulsory to perform the piece. In this style, the accompaniment will have a slight swinging feel, while some of the contrasting elements has to be performed without swing(Even).
Estimated dispatch 5-14 working days
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£40.00Shackleton's Cross - Howard Goodall
Shackleton s Cross was inspired by a painting created in 1957 by the English artist Edward Seago (1910 1974). The title refers to a cross which was erected to the memory of Sir Ernest Shackleton, who led a number of explorations to the Antarctic. Shackleton died in 1922 whilst on a Polar expedition, and the cross can be found on a promontory at the entrance to the bay at Grytviken Whaling Station in South Georgia. The painting is owned by HRH The Duke of Edinburgh, and was part of an exhibition at Buckingham Palace from October 2011 to April 2012. Originally scored for oboe, trumpet and small orchestra, Daniel Hall s sensitive arrangement fortrumpet or cornet and brass band follows the composer s alternative version for solo trumpet and organ, created for Crispian Steele-Perkins (trumpet) and David Goode (organ).
Estimated dispatch 5-14 working days
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