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£35.00
Apex - Peter Meechan
Apex was commissioned by Mark Bousie and David Armitage (President of Sellers International Ltd.) for the Sellers International Youth Band to perform at the Action Research Entertainment Contest in Blackpool, 2007. Originally commissioned as part of a stage act with a magician, who levitated the soloist, Apex takes its title from the literal meaning of the word - the highest point.As well as being a solo for cornet, the piece also strongly features the percussion section, as well as the band singing!The solo part is equally suitable for cornet, flugel horn or trumpet.First performance:Sellers International Youth BandMark Bousie - ConductorJoe Murray - CornetPerformance notes:* The singing parts are written in transposed pitch, and should be sung to an aaha sound* The percussionists should feel free to add instruments (Such as bongos) and treat section C to the end as a guide, which they can change and build on* From section C until the end, percussion parts 1 and 2 may be played by one percussionist on a drum set
Estimated dispatch 12-14 working days
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£39.95On the Face! (Value Set)
The Value Set contains the score and one of each part:1st B flat Trumpet/Cornet2nd B flat Trumpet/CornetTrombone/Euphonium/Baritone BCTrombone/Euphonium/Baritone TCHorn in E flatHorn in FHigh Trombone/Euphonium/Baritone TC*High Trombone/Euphonium/Baritone BC*E flat Bass/Tuba TCE flat Bass/Tuba TCPercussion and occasional Aux. Percussion(* for use only when there is a Tuba in the ensemble)Additional scores and parts are available individually.On the Face is a complete repertoire (warm-ups and 23 pieces) for beginner brass ensemble. Perfect material for school assemblies and music centres, it includes folk songs, famous classical themes, and exciting new jazz and pop numbers. Each piece is score for a basic trio of two trumpets/cornets and one trombone/euphonium (TC or BC). However, optional independent parts can also be added for horn in E flat or F; high trombone or euphonium (tenor part); tuba; and drum kit. The pieces work equally well either with one player to a part, or in larger group settings. With its appealing variety of musical styles and textures, On the Face is sure to make the young brass player's first experience of group playing both rewarding and fun.
Estimated dispatch 7-14 working days
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£15.00Auld Lang Syne - Traditional
This classic melody for celebrating the bringing in of each new year, has been scored here by Helen Douthwaite with a reduced-sized brass group in mind.Originally aimed at providing her own training band with relevant repertoire to learn, Helen has created a happily versatile piece which can be welcomed by beginner and more advanced groups alike.The set comes with score and parts for:Cornet 1Cornet 2Eb Tenor HornEuphonium/BaritoneTrombone 1Trombone 2Snare Drum
In Stock: Estimated dispatch 3-5 working days
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£15.00Dynamite! - Helen Douthwaite
The piece was written by Helen Douthwaite for The Gorbals Youth Brass Band and premiered at The Scottish Youth Brass Band Championships in Perth, 2012.It was inspired by a chant written and sung by the band members on their walk from school to the rehearsal space, and soon became the official GYBB song - words of advice to the audience ...don't mess with Dynamite!A fun piece for training band, opening with chanting about the dangers of dynamite and developing into scored playing to get the participants engaged. A perfect piece to break the ice for young learners!Set includes score and parts for:Cornet 1Cornet 2Eb Tenor HornTromboneBaritone/EuphoniumEb BassPercussionLook and Listen (an extract of a performance of Dynamite by The Gorbals Youth Brass Band from 2012):https://www.themusiccompanyshop.com/wp-content/uploads/2015/12/Dynamite-Gorbals-Youth-BB-2012.mp4
In Stock: Estimated dispatch 3-5 working days
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£30.00Will You Love Me Tomorrow
This haunting song from the early 1960's was sung by The Shirrelles, and is better remembered as "Will you still love me tomorrow".Tim Paton writes:This arrangement features the Tenor Horns and Baritones, although there is still plenty to do for the rest of the band. Also, I have made sure that, if your band were unfortunately missing a 2nd Horn or/and 2nd Baritone, I have cued any important parts elsewhere so that they are covered.
In Stock: Estimated dispatch 3-5 working days
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£32.55Miserere mei, Deus (Brass Band) Gregorio Allegri arr. Espen Haukas
Miserere mei, Deus was composed by the Italian composer Gregorio Allegri (1582-1652) during the 1630s for use in the Sistine Chapel during matins, as part of the exclusive Tenebrae service on Wednesday and Friday of the Holy Week. The Miserere is written for two choirs, one of five and one of four voices, and is generally accepted to be one of the finest examples of Renaissance polyphony to survive to the present day. Tutti choirs sing a simple version of the original Miserere chant; one voice then, spatially separated, sings an ornamented "commentary" on this. The comment-part is left out in this arrangement due to its meaning with text, though monotonous in tune. The introduction is added by the arranger to set the right atmosphere before the original chant is played. The brass choirs are meant to be placed opposite each other in a church or large hall. To view a video of Norges Nasjonale Brassband performing the piece please visit www.youtube.com/watch?v=YrJU3lwYD9U PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 4th Section + Instrumentation: Brass Choir 1: Solo Cornets (incl. Repiano) Horn in Eb Tenor Trombones in Bb Euphoniums Basses in Bb Timpani Brass Choir 2: Soprano Cornet in Eb 2nd Cornets in Bb 3rd Cornets in Bb Flugelhorn Horns in Eb Baritones Bass Trombone Basses in Eb
In Stock: Estimated dispatch 1-3 working days
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£39.99Come What May
ABOUT THIS PIECE: Add a touch of romance and drama to your next programme with this beautiful arrangement of Come What May from Moulin Rouge. Written by David Baerwald and Kevin Gilbert, this emotional ballad became the standout love song of the 2001 film, performed by Nicole Kidman and Ewan McGregor. Its heartfelt lyrics and sweeping melody have made it a timeless classic, celebrated by audiences around the world. This arrangement brings the song's emotional depth and cinematic grandeur to the brass band stage, with solo opportunities for tenor horn, cornet and euphonium. With its soaring themes and tender undertones, Come What May is a fantastic showcase of the band's ability to convey both power and sensitivity. ENSEMBLE: Standard British Brass Band WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 2 LISTEN: Click here DURATION: 5 minutesEXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level
Estimated dispatch 5-7 working days
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£35.00
April in Paris - E. Y. Harburg
April In Paris, music by E. Y. (Yip) Harburg with words by Vernon Duke. This is a classic song given excellent treatment by Mark Freeh as a Flugel Horn solo with brass band accompaniment.Brass Band Grade 3/4: Youth and 4th Section/Advanced Youth and 3rd SectionDuration: 4 minutesScore & parts
In Stock: Estimated dispatch 1-3 working days
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£33.91Carnsmerry - Kevin Ackford
Score & Parts Carnsmerry was written as the set march in the year 2000 for the 1st section at the West of England Bandsmen's Festival contest held in the village of Bugle in Cornwall. Snippets of both the Floral Dance as well as the May Dance can be heard in this vibrant march, finishing with an obbligato for both the Soprano Cornet and Solo Horn this is a must for your concert programme.
Estimated dispatch 5-7 working days
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£73.00
Stealing Apples - Fats Waller - Reid Gilje
"Stealing Apples" is an old swing-tune written by Fats Waller. Performances by Benny Goodman and his big band made the song very popular.In this arrangement for brass band, the mallet percussion is very essential. Mallet Percussion presents the melody from letter A and is also featured as soli-instruments from letter L to P. These parts can alternatively be played as vibraphone solo.Please be aware of the balance at letter A. Horn and Trombones must play piano but well articulated. Letter D must sound sparkling and fresh with articulated and powerful trombones and cornets (using straight-mute).Make shue that the 8th-notes are not played too dotted two bars before letter G. Almost even 8th-notes accentuated on the start of the slur is a good tip.Watch the balance at letter H. This part have to sound homogeniously.The soloistic Soprano Cornet at letter Q must be played in the style of Benny Goodan. The accompaniment must not be too powerful from letter R to S. Best of luck with the performance!
Estimated dispatch 7-14 working days
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