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  • £26.95

    To His Majesty (Brass Band - Score and Parts) - Savile, Jeremy - Wiffin, Rob

    A brilliant concert prelude based on the seventeenth century English patriotic song Here's a Health unto His Majesty. It was composed by Jeremiah Savile and was first published in John Playford's The Musical Companion in 1667. This version is a thorough re-working of the tune and provides an exciting start to a programme.Duration: 3.30

    Estimated dispatch 7-14 working days

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  • £53.50

    Wiener Philharmoniker Fanfare - Richard Strauss - Paul Mealor

    Paul Mealor's arrangement for orchestra of the Wiener Philharmoniker Fanfare (Vienna Philharmonic Fanfare) by Richard Strauss was originally commissioned by His Majesty King Charles III for The Coronation. This version for Brass Band was first performed on Saturday 14th September 2024 at St Asaph Cathedral in Wales as part of the North Wales International Music Festival by Foden's Band, conducted by Michael Fowles.

    Estimated dispatch 5-14 working days
  • £29.88

    Dance from the Othello Suite (Brass Band) Coleridge-Taylor arr. Bushnell

    Samuel Coleridge-Taylor is a British composer, who, from a young age, showed talent on the violin and entered the Royal College of Music, studying with Charles Villers Standford. His music become so popular that his Hiawatha trilogy was the second most performed choral piece (joint with Mendelssohn's Elijah, and only beaten by Handel's Messiah) with choral societies up and down the British Isles. In fact, Hiawatha was arranged by Charles Godfrey as a test-piece for the 1902 National Brass Band Championship of Great Britain, held at Crystal Palace.Commissioned by the theatre impresario Herbert Beerbohm, Coleridge-Taylor composed incidental music for His Majesty's Theatre London production of the Shakespeare play, Othello, in the West End, in 1909. In 1912, the play opened to the public, with a suite of five movements put together soon afterwards. The Dance, arranged here by Rob Bushnell, makes a great concert opener.This arrangement is for the British-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original composition can be found at www.youtube.com/watch?v=OQeO_Ij9CV8 Duration: approx. 2.30 minutes Difficulty Level: 3rd Section + PDF download includes parts and score. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion - Triangle, Cymbal & Bass Drum

    In Stock: Estimated dispatch 1-3 working days
  • £94.95

    Of Men and Mountains - Edward Gregson

    Of Men and Mountains was commissioned by the Netherlands Brass Band Championships for their tenth anniversary contest in Drachten in December 1990. In July the previous year, Edward Gregson and his wife took the Trans Canadian Railway from Toronto to Vancouver. The journey through the Rocky Mountains was the starting point for Of Men and Mountains. Gregson writes that: 'its high peaks and shafts of sunlight breaking through the clouds, its canyons and ferocious rapids made me understand a little more about the majesty of nature and the fragility of humanity. The eternal struggle between man and nature was personified in the building of this incredible railway... hence my title (after Blake).' The work is dedicated to the memory of Eric Ball, who died shortly before the writing of the work was commenced. Of Men and Mountains is in one continuous movement with a duration of approximately 17 minutes. Its form is difficult to describe because of its motivic and accumulative nature, but it is essentially a symphonic tone poem in search of a theme, which eventually comes in its final and complete state in the majestic ending after an ever-increasing paced scherzo. Of Men and Mountains has been selected as the test pieces for the 2023 National Brass Championships of Great Britain at the Albert Hall.

    Estimated dispatch 5-14 working days
  • £80.00

    The Unfortunate Traveller (Brass Band - Score and Parts) - Holst, Imogen - Hindmarsh, Paul

    Imogen Holst (1907-1984) submitted The Unfortunate Traveller (1929) as her final work as a student portfolio at the Royal College of Music, where her composition teacher was Gordon Jacob. The title was taken from Thomas Nashe's famous 1594 picaresque novel of the same title. The Suite was first performed on 12 February 1933 at her Majesty's Theatre, Carlisle, by the St. Stephen's Band, with the composer conducting. Te concert was given in memory of Holst's uncle, Dr. H.A. Lediard. Holst had been impressed with the band's performance of his A Moorside Suite at the 1928 National Brass Band Championships (The Crystal Palace, South London) and was keen to work with them. Writing in Imogen Holst, a life in music, Christopher Grogan indicates that it was Gustav Holst's suggestion to include his daughter's work in the programme, quoting Imogen Holst's remarks made in interview to The Daily Mail as follows: "....it is the first time, so far as I know, that a woman has conducted a brass band at a public concert....It has been a delight to rehearse the St. Stephen's Band. It was their performance at the Crystal Palace Festival that inspired me to write this Suite, which I have dedicated to them."Imogen Holst accompanied her father to the Crystal Palace in 1928 to hear the performances of A Moorside Suite, and was so excited by the played and, audibly, by her father's music that she decided to write a brass band piece for her final examination. Te result was The Unfortunate Traveller (1929). However, it was not possible for her to present a brass band work for examination. She arranged it for string orchestra so that it could be played before she left the RCM in July 1930. Following the premiere of the original in 1933, the manuscripts did not resurface until 1969 Imogen found them among her late mother's effects. Although she requested score and parts be destroyed, they ended up in the possession of Manchester composer John Golland, who marked up the score presumably with the intention of creating a new performing edition. The original scoring reveals a lack of experience with what can be a tricky medium.With the agreement of the Holst Foundation, a revised edition, with additional percussion, was prepared in 2011 since when the work has been fortunate to travel round the world as a concert and contest piece. The original includes drums in the March only. The title was taken from Tomas Nashe's famous 1594 picaresque novel of the same title. Several Morris Dance tunes are introduced during the course of the four short movements, including Bonnie Green Garters, Shepherd's Hey, The Rose and The Wind Blaws Cauld. Quirky twists and turns of harmony and spirited rhythms that remind us how much Imogen Holst loved tradition English dance music.In September 2025, I made a performing edition of the composer's arrangement for string orchestra. The manuscript lacks the final movement, which I arranged in a similar style, ie. without extending the upper ranges. Making this edition raised some issues regarding the accuracy of my band version and some of the solutions I used to smooth out the voicing. I have used the composer's second thoughts to refine my performing edition and to correct a textual errors.- Paul HindmarshDuration: 10.00

    Estimated dispatch 7-14 working days

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  • £40.00

    The Unfortunate Traveller (Brass Band - Score only) - Holst, Imogen - Hindmarsh, Paul

    Imogen Holst (1907-1984) submitted The Unfortunate Traveller (1929) as her final work as a student portfolio at the Royal College of Music, where her composition teacher was Gordon Jacob. The title was taken from Thomas Nashe's famous 1594 picaresque novel of the same title. The Suite was first performed on 12 February 1933 at her Majesty's Theatre, Carlisle, by the St. Stephen's Band, with the composer conducting. Te concert was given in memory of Holst's uncle, Dr. H.A. Lediard. Holst had been impressed with the band's performance of his A Moorside Suite at the 1928 National Brass Band Championships (The Crystal Palace, South London) and was keen to work with them. Writing in Imogen Holst, a life in music, Christopher Grogan indicates that it was Gustav Holst's suggestion to include his daughter's work in the programme, quoting Imogen Holst's remarks made in interview to The Daily Mail as follows: "....it is the first time, so far as I know, that a woman has conducted a brass band at a public concert....It has been a delight to rehearse the St. Stephen's Band. It was their performance at the Crystal Palace Festival that inspired me to write this Suite, which I have dedicated to them."Imogen Holst accompanied her father to the Crystal Palace in 1928 to hear the performances of A Moorside Suite, and was so excited by the played and, audibly, by her father's music that she decided to write a brass band piece for her final examination. Te result was The Unfortunate Traveller (1929). However, it was not possible for her to present a brass band work for examination. She arranged it for string orchestra so that it could be played before she left the RCM in July 1930. Following the premiere of the original in 1933, the manuscripts did not resurface until 1969 Imogen found them among her late mother's effects. Although she requested score and parts be destroyed, they ended up in the possession of Manchester composer John Golland, who marked up the score presumably with the intention of creating a new performing edition. The original scoring reveals a lack of experience with what can be a tricky medium.With the agreement of the Holst Foundation, a revised edition, with additional percussion, was prepared in 2011 since when the work has been fortunate to travel round the world as a concert and contest piece. The original includes drums in the March only. The title was taken from Tomas Nashe's famous 1594 picaresque novel of the same title. Several Morris Dance tunes are introduced during the course of the four short movements, including Bonnie Green Garters, Shepherd's Hey, The Rose and The Wind Blaws Cauld. Quirky twists and turns of harmony and spirited rhythms that remind us how much Imogen Holst loved tradition English dance music.In September 2025, I made a performing edition of the composer's arrangement for string orchestra. The manuscript lacks the final movement, which I arranged in a similar style, ie. without extending the upper ranges. Making this edition raised some issues regarding the accuracy of my band version and some of the solutions I used to smooth out the voicing. I have used the composer's second thoughts to refine my performing edition and to correct a textual errors.- Paul HindmarshDuration: 10.00

    Estimated dispatch 7-14 working days

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  • £4.48

    Love Eternal (Trombone Solo with Brass Band - Solo Copy) Cooper arr. Lamplough

    Love Eternal was arranged by Gavin Lamplough for trombone virtuoso Isobel Daws to perform in a special concert with the Melbourne Staff Band to honour its Bandmaster Ken Waterworth, on the occasion of his retirement after 30 years of leading the band. The arranger uses Jarod Cooper's popular contemporary worship song King of Kings, Majesty as the basis for the work and the piece seeks to provide a vehicle for the rich timbres of the trombone to be enjoyed by the listener. To view a rolling score video featuring Isobel Daws and the Melbourne Staff Band please visit www.youtube.com/watch?v=AEpbHNFPMxs This title is also available as a tenor horn solo with brass band here. This PDF download is for the Trombone solo part in Bb.

    In Stock: Estimated dispatch 1-3 working days
  • £33.62

    Love Eternal (Trombone Solo with Brass Band) Jarrod Cooper arr. Gavin Lamplough

    Love Eternal was arranged by Gavin Lamplough for trombone virtuoso Isobel Daws to perform in a special concert with the Melbourne Staff Band to honour its Bandmaster Ken Waterworth, on the occasion of his retirement after 30 years of leading the band. The arranger uses Jarod Cooper's popular contemporary worship song King of Kings, Majesty as the basis for the work and the piece seeks to provide a vehicle for the rich timbres of the trombone to be enjoyed by the listener. To view a rolling score video featuring Isobel Daws and the Melbourne Staff Band please visit www.youtube.com/watch?v=AEpbHNFPMxs This title is also available as a tenor horn solo with brass band here. PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Difficulty Level: 4th Section + Length: 5.00 minutes Instrumentation: Trombone Soloist Eb Soprano Cornet Eb 1st Cornet Bb 2nd Cornet Bb Flugel Horn Bb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-3

    In Stock: Estimated dispatch 1-3 working days
  • £44.95

    PASTORAL SYMPHONY, A (Brass Band Set) - Robert Redhead

    This symphony for brass band seeks to explore the thought that 'the greatest need of any congregation is its pastor's personal holiness'. The first movement challenges the pastor 'to serve the present age', the tunes 'Majesty' and 'Lathbury' are used. The second movement expresses a priority to 'Seek...first the Kingdom of God'. The short third movement presents the question 'Except I am moved with compassion, how dwellest they Spirit in me?' before the triumphant finale reflects the desire of every Christian that his life and work will always be for the glory of God with the presentation of 'In my life Lord, be glorified'.

    Estimated dispatch 7-14 working days
  • £44.95

    A Pastoral Symphony (Brass Band - Score and Parts) - Redhead, Robert

    This symphony for brass band seeks to explore the thought that 'the greatest need of any congregation is its pastor's personal holiness'. The first movement challenges the pastor 'to serve the present age', the tunes 'Majesty' and 'Lathbury' are used. The second movement expresses a priority to 'Seek...first the Kingdom of God'. The short third movement presents the question 'Except I am moved with compassion, how dwellest they Spirit in me?' before the triumphant finale reflects the desire of every Christian that his life and work will always be for the glory of God with the presentation of 'In my life Lord, be glorified'.

    Estimated dispatch 7-14 working days