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  • £22.50

    Fantasia on 'Glory to his Name' (Brass Band - Score only) - Bright, Dudley

    This Fantasia is a celebration of the work of Ray Steadman-Allen. Through most of his 92 years, his music has had a profound and wide-ranging impact on Salvation Army music. Always innovative, rather than stylistically stereotypical, his music has led the way forward for Salvationist composers. As the title suggests, his light-hearted 1960's vocal solo provides thematic material and highlights his motivation. There are also references to and quotations from several more of his pieces. Yet, although much of his music can be challenging, he has also given us music that speaks directly to the heart. His much-loved songs 'He giveth more grace' ('Blacklands') and 'Remember Me' are heard in humble and sincere tribute to a life dedicated to giving the glory to God through his music.

    Estimated dispatch 7-14 working days
  • £24.95

    Coming Home (Brass Band - Score and Parts) - Downie, Kenneth

    The arranger has described Coming Home! as music of reconciliation. In a world of conflict, at both national and personal level, it would be good to think that this music could bring a message of hope and resolution of problems for people who are hurting. It is a setting of Will Lamartine Thompson's melody to his own words beginning 'Softly and tenderly Jesus is calling'. The chorus starts 'Come home, come home! Ye who are weary,come home!'. The rising interval of a fifth is always associated with the words 'Come home'. It is the arrangers hope that the gentle and moving nature of this music will create for all listeners, whether or not they possess religious faith, a spirit of harmony and reconciliation.

    Estimated dispatch 7-14 working days

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  • £59.95

    Beulah Land (Brass Band - Score and Parts) - Heaton, Wilfred - Hindmarsh, Paul

    Wilfred Heaton began to assemble material for 'Beulah Land' in the early 1990s following a request from the Amsterdam Staff Band for a new work. Despite reminding himself on the manuscript that he should either complete or destroy the work before his death, ultimately he did not manage either. This edition was subsequently realised in 2003 for the tour of the USA Western States by the Amsterdam Staff Band.'Beulah Land' is Heaton's vision of the joy that awaits the Christian in Heaven and, according to his family, is reminiscent of the kind of music he often improvised at the piano. The three movements are as follows;1. Better World; a waltz sequence on the tune 'Zealley' to which the words 'There is a better world, they say' are sung.2. Heavenly Home; an elegiac cortege using the tunes 'My home is in Heaven', 'I have a home that is fairer than day' and 'The home over there'.3. Happy Land; Beginning in waltz rhythm this soon gives way to a sequence of free variations on the song 'There is a happy land, Far, far away'.

    Estimated dispatch 7-14 working days
  • £29.95

    Beulah Land (Brass Band - Score only) - Heaton, Wilfred - Hindmarsh, Paul

    Wilfred Heaton began to assemble material for 'Beulah Land' in the early 1990s following a request from the Amsterdam Staff Band for a new work. Despite reminding himself on the manuscript that he should either complete or destroy the work before his death, ultimately he did not manage either. This edition was subsequently realised in 2003 for the tour of the USA Western States by the Amsterdam Staff Band.'Beulah Land' is Heaton's vision of the joy that awaits the Christian in Heaven and, according to his family, is reminiscent of the kind of music he often improvised at the piano. The three movements are as follows;1. Better World; a waltz sequence on the tune 'Zealley' to which the words 'There is a better world, they say' are sung.2. Heavenly Home; an elegiac cortege using the tunes 'My home is in Heaven', 'I have a home that is fairer than day' and 'The home over there'.3. Happy Land; Beginning in waltz rhythm this soon gives way to a sequence of free variations on the song 'There is a happy land, Far, far away'.

    Estimated dispatch 7-14 working days
  • £60.99

    Hymn of Faith (Brass Band - Score and Parts) - Bourgeois, Louis T - Blanken, John

    The French composer Louis Bourgeois lived from c.1510 to 1560. Bourgeois was cantor in Geneva and, commissioned by John Calvin, he composed melodies for metrical (rhyming) versions of the psalms. After completing about a hundred one-part psalms, he made some four-part arrangements, which were denounced and even resulted in his imprisonment for a day. Later, Bourgeois published a number of psalm collections, and judging from his book Le droict chemin de musique he was also an excellent educator. The melodies Bourgeois composed, are (contrary to Gregorian chants) particularly suitable for community singing. This applies to his hymn tune Saint Michael, which is why this melody has been used for various texts, written for many occasions. John Blanken made this arrangement for a wedding ceremony: an occasion in which faith and trust play a large - if not the largest - role. Hence the title Hymn of Faith. The arrangement contains four verses of the hymn. After a majestic opening the hymn follows twice, the second verse being embellished in the tenor register. After a short interlude verse three follows, played by a quartet. The majestic opening is then repeated as a modulation into the fourth verse, which concludes the work in a brilliant tutti.

    Estimated dispatch 7-14 working days
  • £44.95

    Ae Fond Kiss (Tenor Horn Solo with Brass Band - Score and Parts) - Burns, Robert - Graham, Peter

    Ae Fond Kiss, by the Scottish poet Robert Burns, is widely recognised as being one of the most poignant songs of lost love ever written. A brief affair with a Mrs Agnes Craig McLehose (known to Burns as Nancy) ended with her decision to join her estranged husband in Jamaica. Her parting gift to Burns was a lock of her hair which he had set in a ring. His gift to her included the poem, the first verse of which reflects Burns' feelings of resignation and despair:Ae fond kiss, and then we sever;Ae fareweel, alas, for ever!Deep in heart-wrung tears I'll pledge thee,Warring sighs and groans I'll wage thee!

    Estimated dispatch 7-14 working days

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  • £69.95

    Concerto for Horn (Horn Solo with Brass Band - Score and Parts) - Gregson, Edward

    Horn in F with Brass BandComposed in 1971 for Ifor James, the Concerto for French Horn and Band revealed some of those elements that have made Gregson's music so popular with audiences (and not just brass band audiences) worldwide: the boldness of his melodies, with the interval of the fourth revealing his admiration for the music of Paul Hindemith; his incisive rhythms, betraying the influence of another favourite composer, Bla Bartk; an admirable economy of means; and the clarity of his scoring.Each of the Concerto's three movements displays a different facet of the French Horn's character. The first is serious, symphonic in impulse, the rising fourths of the opening gesture giving the music an almost Germanic weight. In the slow movement, the soloist becomes the first among equals, sharing with the cornet soloist some typically haunting melodies. The lyrical flow is interrupted at the mid-point by mysterious, fleet-of-foot cadenzas. A rondo finale brings the concerto to a light-hearted conclusion. The rising fourths here are the impulse for a jaunty theme which reveals another of Gregson's early influences - William Walton, and in particular that composer's Partita for orchestra.Duration: 18.00

    Estimated dispatch 7-14 working days

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  • £25.00 £25.00
    Buy from Wobbleco Music

    A Holly Jolly Christmas - Johnny Marks - Len Jenkins

    "A Holly Jolly Christmas" is a Christmas song written in 1962 by Johnny Marks. He was also responsible for Rudolph, the Red-Nosed Reindeer and Rocking Around the Christmas Tree amongst his other compositions. The most well-known vocal editions are those by Burl Ives who recorded it in 1964 for a Christmas special, and then re-recorded in 1965 for his holiday album, Have a Holly Jolly Christmas. This latter version of the song has a somewhat slower arrangement than the previous version and featured an acoustic guitar solo introduction; it is this version that has since become the more commonly heard rendition on radio. More recently, it has been recorded by Michael Buble.

  • £44.95

    Ae Fond Kiss (Tenor Horn Solo with Brass Band - Score and Parts)

    Ae Fond Kiss, by the Scottish poet Robert Burns, is widely recognised as being one of the most poignant songs of lost love ever written. A brief affair with a Mrs Agnes Craig McLehose (known to Burns as Nancy) ended with her decision to join her estranged husband in Jamaica. Her parting gift to Burns was a lock of her hair which he had set in a ring. His gift to her included the poem, the first verse of which reflects Burns' feelings of resignation and despair:Ae fond kiss, and then we sever;Ae fareweel, alas, for ever!Deep in heart-wrung tears I'll pledge thee,Warring sighs and groans I'll wage thee!

    Estimated dispatch 7-14 working days
  • £69.95

    Horn Concerto (Horn Solo with Brass Band)

    Horn in F/E flat with Brass BandComposed in 1971 for Ifor James, the Concerto for French Horn and Band revealed some of those elements that have made Gregson's music so popular with audiences (and not just brass band audiences) worldwide: the boldness of his melodies, with the interval of the fourth revealing his admiration for the music of Paul Hindemith; his incisive rhythms, betraying the influence of another favourite composer, Bla Bartk; an admirable economy of means; and the clarity of his scoring.Each of the Concerto's three movements displays a different facet of the French Horn's character. The first is serious, symphonic in impulse, the rising fourths of the opening gesture giving the music an almost Germanic weight. In the slow movement, the soloist becomes the first among equals, sharing with the cornet soloist some typically haunting melodies. The lyrical flow is interrupted at the mid-point by mysterious, fleet-of-foot cadenzas. A rondo finale brings the concerto to a lighthearted conclusion. The rising fourths here are the impulse for a jaunty theme which reveals another of Gregson's early influences - William Walton, and in particular that composer's Partita for orchestra.

    Estimated dispatch 7-14 working days