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  • £22.50

    Stories From The Steel City - Jonathan Bates

    In 2013, Deepcar Brass Band, based in the north of Sheffield at the foot of the Pennines, celebrated their 25th Anniversary year. To that end, they commissioned the upcoming composer Jonathan Bates to pen a new work for the band that reflected not only the band’s triumphant milestone, but also the history of the steel city. This exciting work features a variety of styles and has an interlude that hears the sounds of metal being clanged to conjure up images of the cities steelwork heritage. Jonathan Bates has since gone on to compose for many of the country’s top bands and all his works see success with melodic lines and skilful use of the brass band colours.

    In stock: Estimated delivery 1-2 days
  • £21.50

    Don't You Want Me (Baby) - The Human League - Gavin Somerset

    Originally released in 1981, this single by The Human League took the took the Christmas No.1 spot and has since gone on to sell over 1.5 million copies, making it the 23rd most successful single in British history. The music has easily stood the test of time, with many still seeing the track as a firm favourite for parties. Now for the first time, the work is available for band. This is a great way to show off a brass band’s versatility and reach out to audiences of all ages. Something different and a must have.

    In stock: Estimated delivery 1-2 days

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  • £44.95

    The Golden Apples of the Sun - Rodney Newton - -

    This work was commissioned in 2012 by the percussionist, Yasuaki Fukuhara, and takes its title from the final verse of W.B.Yeats' poem, The Song of Wandering Aengus;Though I am old with wandering,Through hollow lands and hilly lands,I will find out where she has gone,And kiss her lips and take her hands;And walk among long dappled grass,And pluck till time and times are done,The silver apples of the moon,The golden apples of the sun.This piece does not seek to follow the narrative of the poem, but rather takes lines from it as an inspiration for three contrasting movements.The first movement, Through Hollow Lands and Hilly Lands, is in the form of a dogged march over a repeated bass line, featuring tom-toms, snare drum and cymbals playing rhythms associated with rock drumming. At the end of the movement, the marimba enters with material that will be heard in the next movement.The second movement, The Silver Apples of the Moon, features vibraphone, glockenspiel and crotales, as well as the dobachi (a resonant bronze bowl of Japanese origin). The music is delicate and ethereal.In contrast, the final movement, The Golden Apples of the Sun, is energetic and fiery, featuring tubular bells, timpani and other tuned percussion instruments including cowbells.

    Estimated delivery 5-7 days
  • £25.00 £25.00
    Buy from Wobbleco Music

    Scarlett O'Hara - Jerry Lordan - Len Jenkins

    Named after the central character in Margaret Mitchell's 'Gone with the Wind", Scarlett O'Hara was written by Jerry Lordan and first released by former Shadows' bass player Jet Harris and drummer Tony Meehan in 1963. It followed their chart?topping success "Diamonds" by the same composer earlier that year and an arrangement for brass band for that number is also available from Wobbleco Music. Whilst originally featuring Harris leading on an electric guitar, and Meehan on drums, both of the arrangements for brass seek to capture the characteristic style of 60's rock music and retain the signature drum solos for which they are rightly remembered.

  • £10.00

    Paul McGhee: Kjeden

    Subtitled dialogue for Euphonium and Brass Band, Kjeden aims to explore the relationship between soloist and ensemble. The ensemble, rather than merely accompanying; interacts with the soloist and creates soundscapes which become the backdrop for the soloists extended passages. Many instruments from the ensemble become lead lines in the material and there is a constant dialogue between the instruments as each fights for importance. Using the idea of a chain the five sections of the piece are interlinked and the point where one ends and another begins is often blurred and distorted. Each section emerges from the material which precedes it and constantly gives reminders of what has gone before as well as introducing new material.Dance like passages and fast rhythmical sections flow in and out and morph into musical ideas of highly differing character with contrast being the primal element which propels the music and creates momentum. Although the music draws to a definite conclusion, the re-introduction at the end of the piece of motifs and moods that occur at the beginning of the work mean that the music comes full circle, finishing where it began. Indeed, it is the intention that the music in fact has no ending and is to be played on a loop continuously; further blurring the boundaries and becoming an unbroken chain of material.A recording of Kjeden can be heard below (from Paul’s Soundcloud page)and you can see a preview of the solo part here.Duration: c.21 minutes

    Estimated delivery 5-7 days

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  • £94.00

    Fire - Pimpanit Karoonyavanich

    Fire - Pimpanit Karoonyavanich - 08'30'' - BVT113 Fire is one of the four great elements; earth, water, wind and fire, which create the universe in buddhistic aspect. Fire creates living beings, fire gives world warmth and fire can be the symbol of romance. However, fire can also destroy the world when human uses it out of their angriness, hatred and jealousy. This piece begins with the creation of the world and living beings. The slow movement in the middle of the piece defines fire as the symbol of warmth and romance. After the warm moment of fire has gone, the theme of war begins. It is caused by the misuse of fire from human which brings the world and humanity to the end. The strong ending of this piece represents the end of world and humanity.

    Estimated delivery 10-14 days

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  • £91.00

    Clann Lir - Stijn Aertgeerts

    Clann Lir - Stijn Aertgeerts - 8'30'' - BVT123 THE CHILDREN OF LIR: AN IRISH LEGEND There was a time in ancient Ireland when the people believed in magic and in druids and spells. These were the days of the Tuatha De Danann tribe, the Goddess Danu and of Lir, the lord of the sea. Lir's wife, Eva, had given him four beautiful children. The two eldest, Fionnuala and Aodh, went swimming in a small lake. But these were no ordinary swimmers! They possessed gills for breathing and webbed feet as they were, after all, the offspring of 'the ruler of the land beneath the waves'. They met a messenger who told them that they were wanted by their father. They went home immediately only to find their father disturbed. 'What is wrong father?' they enquired ‘your mother has given birth to twins' he replied ‘....and has gone off to rest' 'What do you mean father?' they asked Lir explained that this was what humans called 'death' but that since they were immortal that their mother had gone to recover, possibly for a thousand years or more. The children were to look after the new brothers, Fiachra and Conn. The children kissed their mother for the last time and then left. As the children grew Lir's spirits declined until one day he met Aoife, the sister of his wife. Aoife was possessed of magical powers and soon enough it was known that she and Lir would marry. The new family thrived under the influence of their new mother but not for long as guilt and jealousy about the children's real mother took its toll on Aoifes health. She fell into sickness for a year but recovered only to start to become old before here time. Aoife was a changed woman now and one day suggested that she and the children should visit their grandfather. On the journey they stopped by a lake and she encouraged the children to go for a swim. The four children played happily in the water, not noticing that their stepmother was now standing at the water’s edge wearing her father’s magic cloak. 'For too long you children have stood between your father and I, but not for much longer!' she cried'We cannot be killed by you...' Aodh replied, ‘...we are the Children of Lir and if you harm us our ghosts will haunt you!' 'I’m not going to kill you.....' she shouted ‘......but I am going to change you!' At this she bowed her head and started an incantation. The children looked at each other in fear as they saw a red and gold circle envelope them on the water. They saw Aoife open up her cloak from which the great light of a fireball emerged and hurtled towards them, burning all in its wake. The fireball hit the water and caused masses of steam to rise about the children and they soon lost all feeling in their legs, arms, shoulders and head. They soon regained their sight only to see Aoife laughing at them. Aodh tried to attack her and flailed his arms about furiously but nothing happened except the splashing of water. He turned to look at his brothers and sister only to see that they had all been turned into the most beautiful swans ever seen. Aoife scowled at them again and told them that they were to spend nine hundred years as swans, three hundred on Lough Derravaragh, three hundred on the Straits of Moyle and three hundred on the Isle of Inish Glora. To end the spell they would have to hear the bell of the new God. -'I leave you with your voice however, and the most beautiful singing ever heard' she said. Clann Lir was Commisioned by K.F. De Vrije Vlaamse Zonen (Kapelle-op-den-Bos)Percussion parts assisted by Sam Coenen

    Estimated delivery 10-14 days

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  • £94.00

    Nordic Moods - Tom Brevik

    The composer:1st movement: Reflections by the Fjord.Overlooking one of the mighty fjords of Norway, my mind and thoughts are with an old religious Norwegian folk-tune, with words by the famous parson Peter Dass.The majestic fanfare-like opening reflects the power of God our Father, the choral itself heard for the first time on flugelhorn. The choral is repeated a few times, separated only by some short variations. The movement ends in thriumph, with fanfares and the choral brought together.2nd movement: Reflections in the Old Church.In this movement my associations of a summer day, finding myself alone in an old deserted stone church. From the old walls I hear folk songs, perhaps like the ones sung in the church by poor fishermen and farmers in days gone by. Suddenly the light from the sun breakes through the small circular window above the altar, and a lovely melody is heard, before the original figures take us to the end of the movement.3rd movement: Festive Reflections.Any festive occasion can be reflected in this movement. from the bonfire at midsummer-night to the children celebrating the return of the sun in the northern part of Norway. from the traditional sleigh-riding at Christmas to the Celebrations of the National Day on the 17th of May each year.

    Estimated delivery 10-14 days

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  • £45.00

    strange geometry

    strange geometrywas commissioned by Morgan Griffiths and the Hammonds Saltaire Band for their performance at the Brass in Concert Championships of 2015.As a bit of a space/sci-fi geek, as well as a musician, two events during the summer of 2015 had a particular effect on me. The first was the tragic early death in a plane crash of the famous film composer James Horner. Horner's music, particularly in films like ‘Star Trek II: The Wrath of Khan’, ‘Avatar’, ‘Apollo 13’ and even his debut in Roger Corman's 1980 budget film ‘Battle Beyond the Stars’, defined for a generation the sound of sci-fi at the cinema. Along with John Williams he created the vocabulary for those who wish to express other-worldly wonder in music and his inventive talent will be much missed in an industry where originality has become something of a dirty word in recent years.The second event was the epic flyby of Pluto by the NASA New Horizons spacecraft. There are many reasons to find this mission inspiring – for example, the scientists and engineers behind it created a craft that has travelled at 37,000 mph for nine years and three billion miles to arrive within seventy-two seconds of the predicted time for the flyby. That they achieved this with such accuracy is an outstanding tribute to humanity's ingenuity and insatiable curiosity. However, the most exciting aspect of the mission was the clear, high resolution pictures of this unthinkably remote and inhospitable world beamed back to mission control. The best previous image of Pluto was an indistinct fuzzy blob – suddenly we could see mountains made of ice, glaciers of methane and carbon monoxide and nitrogen fog – features previously unimagined on a world thought to be a slightly dull ball of cold rock. The BBC's venerable astronomy programme 'The Sky at Night' waxed lyrical about these newly discovered features, referring to "the surprising discoveries of mountains and strange geometry on the surface of this cold distant world".I like to think that Horner would have been as inspired as I have been by this real-life science story, and this piece uses some of the vocabulary of the sci-fi movie soundtrack in a tribute to the memory of a great musician and to the inspirational geeks at NASA who have boldly taken us where no-one has gone before.Note: This work comes with a B4 score. Click here to view a preview PDF file.

    Estimated delivery 5-7 days

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