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  • £105.00

    King Arthur - Benjamin Britten

    King Arthur was the first of 28 scores Benjamin Britten (1913-1976) composed for radio between 1937 and 1947. It was an ambitious dramatisation of King Arthur's life and times - part pageant, part play, partcantata - written by D.G. Bridson. This colourful suite incorporates the Introduction, a dramatic Wild Dance, some of the music underscoring the scenes for Galahad and The Holy Grail, and two vividbattle scenes, ending with The Final Battle and Apotheosis. King Arthur (scenes from a radio drama) for brass band should not be confused with a much longer orchestral suite which Paul Hindmarsh devised from the same sourcein1995. King Arthur (scenes from a radio drama) will be played by the 20 First Section finalists on 16th September 2018 at this year's National Brass Band Championships of Great Britain.

    Estimated dispatch 5-14 working days

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  • £51.30

    Abricot Time - G. Moren

    Estimated dispatch 5-14 working days

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  • £55.50

    Marche de la Police Cantonale - G. Moren

    Estimated dispatch 5-14 working days
  • £77.40

    Welcome to the Trombones - G. Moren

    Estimated dispatch 5-14 working days
  • £51.30

    Recreation - G. Moren

    Estimated dispatch 5-14 working days
  • £66.50

    Saint-Louis Blues - Handy - G.-P. Moren

    Estimated dispatch 5-14 working days
  • £55.50

    Boogie for All - G. Moren

    Estimated dispatch 5-14 working days
  • £64.50

    Whose Turn is it? - G. Moren

    Estimated dispatch 5-14 working days

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  • £54.95

    Sonata - Derek Bourgeois

    This work, composed in 1998, was commissioned by the American trombonist Don Lucas as a work for trombone and piano and first performed by him in Birmingham on 19th May 2000. Subsequently, I arranged the music for both solo trombone and brass band and solo trombone and wind band so that it now exists in three formats. The first movement, in B flat major, is brisk and energetic, and is cast in sonata form. The second subject is gentler and more lyrical. The second movement, a scherzo in C major, is the most complex of the four. Basically the structure is a rond. For a long time the music remains in the opening 5/8 time until a new theme introduces more broken rhythms in a more jazzy idiom. After a return of the opening theme the following episode is more tonally ambiguous. Finally, the main theme returns to round off the movement. The third movement, a lyrical adagio, is really one long extended melodic flow. The harmonies are lush and the textures simple and direct. The tonal center is A minor, but the music meanders through so many keys, that this key centre is heavily disguised. The finale is a fiery affair. G minor is really its home key, but throughout the movement the music moves about a lot and the second subject is first heard in A flat minor. The movement's underlying sonata structure is masked not only by its loose tonality but also by its frequently changing time signatures. Like the first movement the second subject is more lyrical in nature and for a while it seems that the music will end peacefully, but a final flurry heralds a triple forte unison on the home note of the first movement - B flat. Derek Bourgeois

    Estimated dispatch 5-14 working days
  • £60.99

    Pastorale - J.G. Brouwer

    A sonorous work with a pastoral atmosphere. This composition is not based on a Christmas song, but fits very well in the program of a Christmas concert! drum-part ad lib.

    Estimated dispatch 5-14 working days

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