Results
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£30.00Beneath The River Severn (Chris Cobon) - Brass Band Sheet Music Full Score and Parts - LM283
COMPOSER: Chris CobonBeneath The River SevernProgramme NotesBeneath The River Severn follows on, chronologically,from three pieces about steam engines;LMR600 Gordon, Tornado (LNER Peppercorn Class A160163),The Lady Armaghdale and also 'Moments in Brass' Sets 1+2Living 3 miles from the River Severn, the longest river in Great Britain,I regularly cross it on the way to conduct Highley Colliery Brass Band.Beneath The River Severn aims to capture not only the beauty of the river but also the dangerous undercurrents that lie under the calm surface.The length of the complete piece is 4 minutes 11 secondsMusical Traits:Attempting to avoid stereotype water music,I started with sketches based on quartal harmony but inverted (so 5ths)For example, the first run onEuphonium starts on concert pitch G, Hrns = D, Bari=A, 1st Hrn=E etc."A" represents the undercurrent,which has claimed many lives over the years.An 11-note salute to the greatest river piece,Smetana's Vltava, is worked into this sectionSuitable Section 4 Upwards
In Stock: Estimated dispatch 3-5 working days
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£76.99Tango for Joe (Trombone Solo with Brass Band - Score and Parts) - Sparke, Philip
Tango for Joe was written for Joe Alessi, principal trombone of the New York Philharmonic. He gave the official premiere with the Brass Band of Battle Creek on 3rd December 2022 at the W K Kellogg Auditorium in Battle Creek, Michigan.Opening with an (optional) unaccompanied recitative for the soloist, Tango for Joe then develops into a slow and sensuous tango, exploring the lyrical properties of the trombone. The opening of this theme is then taken up by the full band but is soon interrupted by a highly decorated version of the melody by the soloist. A further cadenza-like passage then leads to a faster 'tango nuevo' which makes up the majority of the work.A long introduction by the band builds to the first entry of the soloist, who plays the main tango melody over a rhythmic accompaniment. This is taken up briefly by the band but the soloist enters again with his own variation on the theme. After a bridge passage featuring a brief 'question and answer' exchange between the instruments, the soloist then plays a new version of the opening slow tango theme over rhythmic interpolations. After a climax, the soloist presents a long and elaborate cadenza accompanied only by a solo cajon or drum kit. This eventually leads to a repeat of the main theme and , after a short second cadenza, the piece ends with a flourish for band and soloist.Duration: 8.45
Estimated dispatch 7-14 working days
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£91.99Pulcinella (Euphonium Solo with Brass Band - Score and Parts) - Sparke, Philip
Pulcinella was commissioned by the Taiwanese euphonium player Tzu-Hsiang Lin. Lin is a renowned soloist and teacher and a Besson Euphonium Artist. He teaches euphonium at Taipei National University of the Arts, National Taiwan University of Arts, Shih Chien University and National Kaohsiung Normal University. Lin gave the premiere of Pulcinella in both its concert band and brass band versions in January 2021. Pulcinella continues Sparke's series of euphonium solos named after characters of the Italian commedia dell'arte and opens with a long and expressive minor melody for the soloist over a brooding accompaniment. This is taken up briefly by the full band and is extended by the soloist after a change of key. A cadenza, accompanied by fragments of the main melody leads to a complete change of mood, tempo and tonality, introducing a Vivo section starting with a perky syncopated tune for the soloist. The band then uses elements of this new tune to introduce a change of key, where the soloist introduces a more lyrical second subject over a pulsing accompaniment. The band then takes this up and changes key to reintroduce the original Vivo melody, which leads to a short and acrobatic coda to bring the work to a spectacular close. Duration: 6.45
Estimated dispatch 7-14 working days
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£59.99Sanctuary (Brass Band - Score and Parts) - Sparke, Philip
Sanctuary was commissioned by Eastern Bay of Plenty Brass from New Zealand and was performed as an own choice piece at the 2018 New Zealand National Brass Band Championships. It opens with an expressive cornet solo, hymn-like in mood. A slightly faster central section builds to a change of key and an expansive return of the opening melody, this time scored for full band. After an emotional climax the mood subsides, leading to a quiet close.Duration: 3.30
Estimated dispatch 7-14 working days
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£95.00Concertante (Piano Solo with Brass Band - Score and Parts) - Gregson, Edward
This work was written in 1966, when I was a student at the Royal Academy of Music in London. It was the first major work to be written for this combination. The Concertante is unashamedly romantic in idiom and is cast in three movements: Prelude, Nocturne and Rondo.The Prelude is in sonata form with a contracted recapitulation. There are two main themes, the first announced after the opening flourish on piano. The second theme is lyrical in character and the interplay between these two themes forms the main focus of the movement.The pensive Nocturne opens with an introduction from the band which contains hints of the two main ideas to follow. The solo piano announces the main theme, which has a slightly 'blues' character in its flattened third and seventh notes of the scale. The band enters with the chorale theme already heard in the introduction. Eventually the first theme returns, this time from piano and band and building to a powerful climax before subsiding to a peaceful ending.The Rondo is full of energetic rhythms and changing time patterns. The main theme is 'giocoso' in character and in the first episode there is more than a hint of the tune 'Onward Christian Soldiers' in what amounts to a good humoured parody. Before the final coda there is a long piano cadenza underlying the virtuoso element of the work.The work had a number of public performances leading up to a memorable one in the Royal Albert Hall in 1989 as part of the Gala Concert that used to be held after the National Brass Band Championship in the Royal Albert Hall. That year, the 'centre band' in the massed bands concert were the GUS Band (then known for sponsorship reasons as 'Rigid Containers Group Band'!) conducted by my great friend and champion, Bramwell Tovey, with myself as the soloist.- Edward GregsonDuration: 18.00
Estimated dispatch 7-14 working days
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£35.00
Concertante (Piano Solo with Brass Band - Score only) - Gregson, Edward
This work was written in 1966, when I was a student at the Royal Academy of Music in London. It was the first major work to be written for this combination. The Concertante is unashamedly romantic in idiom and is cast in three movements: Prelude, Nocturne and Rondo.The Prelude is in sonata form with a contracted recapitulation. There are two main themes, the first announced after the opening flourish on piano. The second theme is lyrical in character and the interplay between these two themes forms the main focus of the movement.The pensive Nocturne opens with an introduction from the band which contains hints of the two main ideas to follow. The solo piano announces the main theme, which has a slightly 'blues' character in its flattened third and seventh notes of the scale. The band enters with the chorale theme already heard in the introduction. Eventually the first theme returns, this time from piano and band and building to a powerful climax before subsiding to a peaceful ending.The Rondo is full of energetic rhythms and changing time patterns. The main theme is 'giocoso' in character and in the first episode there is more than a hint of the tune 'Onward Christian Soldiers' in what amounts to a good humoured parody. Before the final coda there is a long piano cadenza underlying the virtuoso element of the work.The work had a number of public performances leading up to a memorable one in the Royal Albert Hall in 1989 as part of the Gala Concert that used to be held after the National Brass Band Championship in the Royal Albert Hall. That year, the 'centre band' in the massed bands concert were the GUS Band (then known for sponsorship reasons as 'Rigid Containers Group Band'!) conducted by my great friend and champion, Bramwell Tovey, with myself as the soloist.- Edward GregsonDuration: 18.00
Estimated dispatch 7-14 working days
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£22.00Little Hymn (Brass Band - Score and Parts) - Dobson, Simon
Little Hymn was composed by award-winning composer Simon Dobson (b.1981) to provide an alternative to the traditional hymn tune settings that provide one of the foundations of the brass band repertoire. This simple, haunting melody begins on a brass quartet without cornets. The full band joins for the second part, which rises to a richly textured climax before receding to a quiet, reflective close. Duration: 3.00
Estimated dispatch 7-14 working days
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£32.50Kingdom of Dragons (Brass Band - Score only) - Harper, Philip
The 'Kingdom of Dragons' is Gwent in South Wales, known in ancient times as the Kingdom of Gwent, and more recently home to the Newport Gwent Dragons Rugby Union team.This piece was commissioned by the Gwent Music Service with additional funding from Ty Cerdd - Music Centre Wales to celebrate the 50th anniversary in 2010 of the formation of the Gwent Youth Brass Band.Although the music is continuous, it is divided into four distinct sections, each one representing one of the unitary authorities which make up the County of Gwent.Monmouthshire, which has a large number of ancient castlesBlaenau Gwent, an historic area of iron and coal miningTorfaen, where Pontypool Park is a notable landmarkNewport, the largest city in the regionThe music begins with a two-bar fanfare, which sets out all the thematic material of the piece. The mood of pageantry that follows describes some of the ancient castles in Monmouthshire, with rolling tenor drums and fanfaring cornets. After a majestic climax the music subsides and quite literally descends into the coal mines of Blaenau Gwent. The percussion provides effects that suggest industrial machinery clanking into life, and the music accelerates to become a perilous white-knuckle ride on the underground railroad. There is a brief respite as a miner's work-song is introduced and, after a protracted build-up, this is restated at fortissimo before the music comes crashing to an inglorious close, much like the UK's mining industry itself. The middle sonorities of the band portray the tranquillity of Pontypool Park, a place of great natural beauty. Brief cadenzas for cornet and euphonium lead to a full band reprise of the pastoral mood. At the end of this section we find ourselves at the top of the park's 'Folly Tower' from which the distant castle turrets of Monmouthshire are visible. Pontypool RFC was one of eleven clubs in the first Welsh league in 1881 and a brief but bruising musical portrayal of the formidable Pontypool front-row, the 'Viet Gwent' leads into the work's final section. This portrays Newport, a symbol for progress and optimism for the future, ideals shared by the Gwent Youth Band itself. The music is a vigorous fugue which advances through various keys and episodes before the final triumphant augmented entry which brings the work to a magnificent conclusion.Duration: 12:00
Estimated dispatch 7-14 working days
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£74.99
Kingdom of Dragons (Brass Band - Score and Parts) - Harper, Philip
The 'Kingdom of Dragons' is Gwent in South Wales, known in ancient times as the Kingdom of Gwent, and more recently home to the Newport Gwent Dragons Rugby Union team.This piece was commissioned by the Gwent Music Service with additional funding from Ty Cerdd - Music Centre Wales to celebrate the 50th anniversary in 2010 of the formation of the Gwent Youth Brass Band.Although the music is continuous, it is divided into four distinct sections, each one representing one of the unitary authorities which make up the County of Gwent.Monmouthshire, which has a large number of ancient castlesBlaenau Gwent, an historic area of iron and coal miningTorfaen, where Pontypool Park is a notable landmarkNewport, the largest city in the regionThe music begins with a two-bar fanfare, which sets out all the thematic material of the piece. The mood of pageantry that follows describes some of the ancient castles in Monmouthshire, with rolling tenor drums and fanfaring cornets. After a majestic climax the music subsides and quite literally descends into the coal mines of Blaenau Gwent. The percussion provides effects that suggest industrial machinery clanking into life, and the music accelerates to become a perilous white-knuckle ride on the underground railroad. There is a brief respite as a miner's work-song is introduced and, after a protracted build-up, this is restated at fortissimo before the music comes crashing to an inglorious close, much like the UK's mining industry itself. The middle sonorities of the band portray the tranquillity of Pontypool Park, a place of great natural beauty. Brief cadenzas for cornet and euphonium lead to a full band reprise of the pastoral mood. At the end of this section we find ourselves at the top of the park's 'Folly Tower' from which the distant castle turrets of Monmouthshire are visible. Pontypool RFC was one of eleven clubs in the first Welsh league in 1881 and a brief but bruising musical portrayal of the formidable Pontypool front-row, the 'Viet Gwent' leads into the work's final section. This portrays Newport, a symbol for progress and optimism for the future, ideals shared by the Gwent Youth Band itself. The music is a vigorous fugue which advances through various keys and episodes before the final triumphant augmented entry which brings the work to a magnificent conclusion.Duration: 12:00
Estimated dispatch 7-14 working days
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£40.00Trittico (Brass Band - Score only) - Curnow, James
Trittico was commissioned by the Swiss Brass Band Association for their national championships in 1988.A trittico is a triptych or group of three paintings or musical compositions based on a common theme and presented or performed together. The present work is a set of three extended variations on the American shaped-note hymn Consolation.The work opens in grand style with motives based on intervals of the hymn tune. The opening motif, and smaller fragments of it reappear throughout the piece and serve as an underlying element alongside the theme itself.The first variation is essentially a scherzo which echoes the minor mood of the theme. The hemiolic opposition of compound and duple time is used to good effect and, again, the main motif is never far away. This is music with energy and forward movement.The second variation gives the soloists a chance to shine. The mood is tranquil, yet there is always some activity and the musical material pre-echoes the third variation.The third variation is another scherzo-like section, the main theme accompanied by a rhythmic ostinato. Toward the conclusion there is a short aleatoric passage - a variation within a variation allowing half the band to make their own variations in a cacophony of sound. An energetic coda draws together several elements to round off a work brim full of drive, energy, and self-propelled enthusiasm.Recorded on Polyphonic QPRL044D Brass from the ValleysDuration: 13:30
Estimated dispatch 7-14 working days
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