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£35.00A Suffolk Prelude - Andrew Duncan
Written for the Ipswich & Norwich Co-Op Band, A Suffolk Prelude is based around five traditional tunes from Suffolk:'Nutting Time','Blackberry Fold','Cupid's Garden','A Seaman's Life''The Bold Richard'The piece begins on the percussion and timpani alone leading through a crescendo into the first statement of the fanfare which is derived from a motif from the tune 'Nutting Time'. This leads into a playing of the 'Nutting Time' tune which is then developed as the tune is passed around the band.'Nutting Time' is a jolly lighthearted tune about a 'fair maid' who meets a handsome young farmer called 'Johnny' when out gathering nuts in the wood. After a pause on the tubular bells the slow tune 'Blackberry Fold' is presented as a solo for Flugel Horn, then as a full band version.'Blackberry Fold' is a touching song about a Suffolk squire who gets married well below his station to a beautiful milkmaid, simply because he loves her! They live happily ever after.The next tune to be heard is the juanty 'Cupid's Garden' played firstly as a solo on the Euphonium, and again this is about the subject of love. This song is sung from a sailors prospective and he tells how he met a lovely maiden and has promised to marry her when he returns from duty at sea.The trombones then play the noble tune 'A Seaman's Life'. This tune seems to serve as a warning to young girls about the fickle nature and the total unsuitability of marrying a sailor! 'Oh a seaman's life is a merry merry life, they'll rob young girls of their heart's delight, they will leave them behind for to sail one morn, but they never know when they'll return'. Despite this it is a fine tune!The last tune featured is 'The Bold Richard' which is played by all the bass instruments in the band. This is a song telling how the Royal Navy friggate 'The Bold Richard' went to battle against a French friggate destroying her and taking her crew as prisoners.Suffolk Prelude goes on to feature a slow version of the tune 'A Seaman's Life' played alongside a fast version of the tune 'Cupid's Garden'. The opening fanfare then returns leading into a final coda section.
In Stock: Estimated dispatch 3-5 working days
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£35.00
The Water of Tyne - Traditional
A delightful setting of a traditional North East melody, arranged in a hauntingly pastorale style with all the skill we have come to expect from Philip Harper. Featuring the euphonium and principal cornet with the melody at first, the piece then builds to a passionate full band rendition which eases back to a tranquil, effective close.A great piece to offer every level of band the opportunity to add some stylish peace to their programme.Also available for Concert Band.
In Stock: Estimated dispatch 3-5 working days
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£42.00Vortex (Score only) - Robert Simpson
Vortex - a mass of swirling fluid; the centre of the vortex is static whereas the swirling mass becomes faster as it is sucked inexorably towards the centre. This is reflected in the structure of Robert Simpson's final work for brass band. It is cast in a single fast tempo movement made up of three sections. Each section begins softly but actively and grows in volume and intensity to a great discharge of energy on a unison note. Each section is longer than then the last and each unison discharge is a semitone lower than the last. The effect is cumulative and the closing pages witness an explosion of energy from the full band gradually rbeing drawn into the unison final note. Vortex was commissioned by the IMI Yorkshire Imperial Band and first performed at the Leeds Music Festival on 6 July 1990.
Estimated dispatch 7-9 working days
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£52.00Vortex (Parts only) - Robert SImpson
Vortex - a mass of swirling fluid; the centre of the vortex is static whereas the swirling mass becomes faster as it is sucked inexorably towards the centre. This is reflected in the structure of Robert Simpson's final work for brass band. It is cast in a single fast tempo movement made up of three sections. Each section begins softly but actively and grows in volume and intensity to a great discharge of energy on a unison note. Each section is longer than then the last and each unison discharge is a semitone lower than the last. The effect is cumulative and the closing pages witness an explosion of energy from the full band gradually rbeing drawn into the unison final note. Vortex was commissioned by the IMI Yorkshire Imperial Band and first performed at the Leeds Music Festival on 6 July 1990.
Estimated dispatch 7-9 working days
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£29.95St. Andrew's Variations (Score Only)
This piece, written for the East Anglian Brass Band Festival in 1998, takes the form of eight variations and a finale, loosely based on the descending third motif heard in the initial theme. It was initially composed for junior band, and expanded and rescored for full band in 2006. There is no significance in the title, other than the fact it was written by a Scotsman to be played in the St Andrew's Hall, in Norwich!Alan Fernie was born and brought up in the Scots mining village of Newtongrange. From the age of 13 he learned to play the trombone both at school and with the local brass band, going on to study music in Glasgow and London. After a short period working as an orchestral musician, Alan moved into instrumental education, spending over 20 years teaching brass in schools all over the East of Scotland. It was during this time that he began to conduct and he has since directed bands at all levels, winning many awards. He first wrote for brass whilst still a student, and his music is now played, recorded and published throughout the world.In 2009, Alan was honoured with the "President's Award" from the Scottish Brass Band Association for services to banding. He is also proud to be associated as composer in residence with the acclaimed charity "Brass for Africa", with whom he spent two months recently teaching in Kampala, Uganda. Living in the Scottish Borders, Alan now works as a freelance musician, finding time to write, teach, conduct, judge, perform and act as compere throughout the UK and beyond.
Estimated dispatch 7-14 working days
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£22.00
Little Hymn (Score & Parts) - Simon Dobson
Little Hymn was composed by award-winning composer Simon Dobson (b.1981) to provide an alternative to the traditional hymn tune settings that provide one of the foundations of the brass band repertoire. This simple, haunting melody begins on a brass quartet without cornets. The full band joins for the second part, which rises to a richly textured climax before receding to a quiet, reflective close.
In Stock: Estimated dispatch 1-3 working days
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£44.95CARTOON MUSIC - Peter Graham
Originally written for the Grammynominated album, Evelyn Glennie meets the Black Dyke Band, this arrangementfeatures the full band in some cat and mouse chases.Available MultiMedia Files
Estimated dispatch 3-7 working days
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£30.00Abrazo - Lucy Pankhurst
Lucy Pankhurst wrote this piece in response to an open request from Jim Hayes, when he asked for new solos to perform. Abrazo was then selected to feature on his solo CD Dial M for Midnight.The title Abrazo translates as 'embrace', but is also the term given to the dancing frame of the Tango; where the partners change stance by pulling and pushing the frame, yet always remaining in physical contact with each other. This technique is suggested in the music by the soloist breaking away from the band with virtuoso interjections, before being 'embraced' again by the full band.When the cornet soloist eventually breaks completely free in the cadenza passage, the music becomes much more agitated and moves away from the original Tango, transforming briefly into a Flamenco to finish with a flourish.
In Stock: Estimated dispatch 3-5 working days
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£39.95All I Ask of You (Score and Parts) - Andrew Lloyd Webber arr. Peter Graham
The official authorized brass band arrangement one of the hit from Andrew Lloyd Webber's The Phantom of the Opera. Arranged by Peter Graham for full band.
Estimated dispatch 7-9 working days
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£40.00
Blue Sleeve Step - Harper, P
This is a big band style number which is modelled on Barrie Gott's brilliant Lightwalk. It begins with a walking bass before horns state the highly whistleable tune for the first time. The full band quickly joins and there is an extended solo break for cornet. A tiptoeing tuba solo precedes the final key change which propels the piece to its infectiously foot-tapping conclusion.2nd section +
In Stock: Estimated dispatch 1-3 working days
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