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  • £27.50

    Famous Fragments (Brass Band - Score and Parts)

    -

    Estimated delivery 12-14 days
  • £27.50

    Famous Fragments - Rimmer, W - Hawkins, G

    Includes a full band set (no score)

    In stock: Estimated delivery 1-2 days

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  • £85.00

    Fragments - Nijs Johan

    Estimated delivery 12-14 days
  • £72.00

    Fragments for band - Segers Jan

    Estimated delivery 12-14 days
  • £117.00

    Spiriti (Brass Band - Score and Parts)

    A Bach chorale stands at the centre of this work (Fur deinen Thron tret ich hiermit).Anton Bruckner was one of Johann Sebastian Bach's great admirers. His work is full of the spirit of that musical genius. For Thomas Doss, it was Bruckner's spirit that always seemed to be with him while working on Spiriti. Bruckner's spirit is captured in this composition by a quote from the chorale of his Fifth Symphony at the end of the piece.The introduction, written in the style of a funeral march, already displays the first fragments of the chorale. Like splinters they are strewn throughout the first Allegro, combining and recombining in turbulent, powerful tutti passages. As the music becomes more rambunctious, the Bach-like fragments begin to swirl around each other, only to be scattered once more.The middle-section is of a more pensive nature. The Religioso character gives the audience time to reflect. The music is meditative and the quarter-note (or crotchet) elements mimic a soul that is yearning and crying out.The third part of the piece finally leads, by way of minimalist elements and the fragments mentioned earlier, to a magnificent presentation of the Bach chorale. As the church bells ring out, one can almost hear the great masters presiding at the organ. 17:00

    Estimated delivery 12-14 days

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  • £117.00

    Spiriti - Thomas Doss

    A Bach chorale stands at the centre of this work (Fur deinen Thron tret ich hiermit).Anton Bruckner was one of Johann Sebastian Bach's great admirers. His work is full of the spirit of that musical genius. For Thomas Doss, it was Bruckner's spirit that always seemed to be with him while working on Spiriti. Bruckner's spirit is captured in this composition by a quote from the chorale of his Fifth Symphony at the end of the piece.The introduction, written in the style of a funeral march, already displays the first fragments of the chorale. Like splinters they are strewn throughout the first Allegro, combining and recombining in turbulent, powerful tutti passages. As the music becomes more rambunctious, the Bach-like fragments begin to swirl around each other, only to be scattered once more.The middle-section is of a more pensive nature. The Religioso character gives the audience time to reflect. The music is meditative and the quarter-note (or crotchet) elements mimic a soul that is yearning and crying out.The third part of the piece finally leads, by way of minimalist elements and the fragments mentioned earlier, to a magnificent presentation of the Bach chorale. As the church bells ring out, one can almost hear the great masters presiding at the organ.

    Estimated delivery 12-14 days
  • £128.00

    Spiriti - Thomas Doss

    A Bach chorale stands at the centre of this work (Fur deinen Thron tret ich hiermit).Anton Bruckner was one of Johann Sebastian Bach's great admirers. His work is full of the spirit of that musical genius. For Thomas Doss, it was Bruckner's spirit that always seemed to be with him while working on Spiriti. Bruckner's spirit is captured in this composition by a quote from the chorale of his Fifth Symphony at the end of the piece.The introduction, written in the style of a funeral march, already displays the first fragments of the chorale. Like splinters they are strewn throughout the first Allegro, combining and recombining in turbulent, powerful tutti passages. As the music becomes more rambunctious, the Bach-like fragments begin to swirl around each other, only to be scattered once more.The middle-section is of a more pensive nature. The Religioso character gives the audience time to reflect. The music is meditative and the quarter-note (or crotchet) elements mimic a soul that is yearning and crying out.The third part of the piece finally leads, by way of minimalist elements and the fragments mentioned earlier, to a magnificent presentation of the Bach chorale. As the church bells ring out, one can almost hear the great masters presiding at the organ.

    Estimated delivery 10-12 days

     PDF View Music

  • £64.95

    Equilibrium - Paul Lovatt-Cooper

    Equilibrium was composed for Bandmaster Ross Johnson and Camberwell Citadel Band of The Salvation Army. The title suggests a state or situation in which opposing forces or factors balance each other out and stability is attained.Equilibrium is based around the hymn tune St Margaret which can be found in its original form acting as the central balance point in the music. The work on the whole is developed from this hymn tune with fragments of the melodic line and developing material scattered around the central section. This gives an end product which is a musical balance of ideas gathered either side of the original material. Equilibrium was selected as the test-piece for the 2009 World Music Championship (WMC) (First Section) held in Kerkrade, Netherlands.

    Estimated delivery 5-7 days
  • £34.95

    Marilyn - Lucy Pankhurst

    Marilyn was commissioned by Leigh Baker for Carlton Main Frickley Colliery Band’s 2014 Brass in Concert programme and takes it inspiration from the twenty Andy Warhol prints of Marilyn Monroe, which fused together two of his most consistent themes: death and the cult of celebrity.Marilyn draws inspiration from the ever-changing life of Marilyn Monroe. The mood swiftly shifts between fast-paced, pounding rhythms, jazz-influenced phrases and sultry melodies, to introspective soliloquies.The screenprints (produced by the layering of colours) are musically illustrated by sections of the music being superimposed across one another, creating polyrhythms and polytonality. Similarly, the differences between colour and monochrome, vitality and mortality are also prevalent throughout the work, with constant contrasts in tempi and dynamics. There are several recurring themes throughout the piece, including the opening Cornet melody (based on the blues scale) and two short melodic fragments derived from the letters MARILYN.The final note represents Marilyn’s solo voice, heard long after the tumult and focusing into an untimely, thoughtful conclusion.

    Estimated delivery 5-7 days