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  • £10.99

    Trumpets of Jericho - Enrique Crespo - Klaas van der Woude

    This programmatic piece tells the biblical story of the fall of Jericho. The music paints a vivid picture of the procession of armed men and seven priests marching around the city for seven days, before blowing their trumpets and to the cheers of the crowds watching as the walls came tumbling down. A dazzling opening work for any concert.

    Estimated delivery 10-14 days

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  • £53.20

    Concerto For Two Trumpets - Antonio Vivaldi

    Duet for Piccolo Trumpets in C with Brass Band

    Estimated delivery 12-14 days
  • £30.00

    Concerto for Two Trumpets & Brass Band - Bb or Eb Duet & Brass Band - Antonio Vivaldi

    The great duet from Vivaldi is now available for two players with brass band accompaniment

    In stock: Estimated delivery 1-2 days
  • £25.50

    Innuendo - Freddie Mercury, Brian May, Roger Taylor and John Deacon - Peter Meechan

    Winner of ‘Best new Composition or Arrangement’ at Brass In Concert some years ago, this stunning arrangement is now finally available to all bands. The work was performed as part of Whitburn band’s Brass in Concert programme and saw the arranger, Dr Peter Meechan take the Cyril Beere Memorial Trophy for this clever take on the Queen classic rock hit. The arrangement has been in great demand but has not been published, until now. Featuring antiphonal trumpets, hand claps and host of other clever effects, this is the perfect choice for bands looking for something different at concerts and entertainments contests.

    In stock: Estimated delivery 1-2 days

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  • £19.75

    Fanfare from Sinfonietta - Janacek arr Christopher Mowat

    Adapted for flexible ensemble and timpani 4 trumpets in Bb plus 3 optional trumpets in Bb • 2 euphoniums or horns • 2 trombones or bass trumpets and timpaniParts are provided also for horn in Eb, trombones in treble clef and Eb bass."...The fanfare was commissioned in 1926 by the Czech gymnastic organisation, Sokol, and later became the opening movement of his most popular orchestral work. The piece, lasting two minutes, is built around brief repeated phrases that evolve through a series of short sections to an electrifying climax…This piece is both aurally and visually stunning and rivals Copland's 'Fanfare for the Common Man' as the most impressive of its genre." Reviewed 'Music Teacher'

    Estimated delivery 5-7 days
  • £95.00

    Battle Symphony, The - Beethoven, L. van

    I used this for many many outdoor concerts with Fodens and Desford, and most memorably (for me) at one of my Royal Albert Hall Gala Concerts with a light show, full battle scenes with muskets, cannons and competing English and French Fanfare Trumpets. It needs a few extra cornets/trumpets for the warring fanfares and a couple of extra percussionists for the louder effects. Audiences love it, especially with the background to the Napoleonic Wars filled in, the madness and the badness of so-called 'great' men. Duration: 12 minutes approximately, according to repeats.Other products you may be interested in...TitleComposer/AuthorCategory/ScoringPriceAdagio (from Sonata Pathetique)Beethoven, L. van?27.50Allegro con brio: FINALE from 7th SymphonyBeethoven, L. van?45.00Beethoven's BeanoWarlock?22.50

    Estimated delivery 10-14 days
  • £10.99

    A Festive Tribute - Johann Sebastian Bach - Philip Sparke

    A Festive Tribute is an arrangement of a splendid chorus whichBach first used in the secular Cantata 207 of 1726, but is perhapsbetter known in its later version, which appears in Cantata 207a, thedescriptively titled Auf, schmetternde Tone der muntern Trompeten,which cannot be adequately translated but means something alongthe lines of 'let the trumpets sound'. While the lyrics are perhaps alittle obsequious, much of the music for this cantata is celebratoryand lushly scored for a large orchestra including trumpets, oboesd'amore and flutes, making it an ideal piece for a concert bandarrangement.

    Estimated delivery 10-14 days

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  • £69.95

    Revelation - Score and Parts - Philip Wilby

    Symphony for Double Brass on a theme of Purcell 1995 marked the tercentenary of Purcell’s death, and my new score Revelation has been written as a tribute to his music and the ornate and confident spirit of his age. There are five major sections: 1 Prologue 2 Variations on a ground bass I 3 Fugue 4 Variations on a ground bass II 5 Epilogue and Resurrection The score uses many features of the Baroque Concerto Grosso, and arranges players in two equal groups from which soloists emerge to play in a variety ofvirtuoso ensembles. It quotes freely from Purcell’s own piece Three Parts on a Ground in which he has composed a brilliant sequence of variations over a repeating six-note bass figure. This original motif can be heard most clearly beneath the duet for Cornet 5 and Soprano at the beginning of the 2nd section. There is, of course, a religious dimension to Revelation as the title suggests, and the score is prefaced by lines by the 17th century poet John Donne. His Holy Sonnet paraphrases the Book of Revelation in which the dead are raised at the sounds of the last trumpet. Donne’s trumpets are themselves placed stereophonically “. . . At the round Earth’s imagined corners” and it is this feature that today’s players represent as they move around the performing area. Their final apocalyptic fanfares can be heard at the close of the score, as Purcell’s music re-enters in a lasting tribute to England’s first composer of genius. Philip Wilby September 1995 At the round Earth imagined corners, blow your trumpets, angels, and arise, arise from death, you numberless infinities Of souls, and to your scattered bodies go. All whom the flood did, and fire shall o ‘erthrow All whom war, dearth, age, agues, tyrannies, Despair, law, chance hath slain, and you whose eyes Shall Behold God, and never taste death woe. John Donne after Revelation Ch. 11 v.15

    Estimated delivery 12-14 days
  • £34.95

    Revelation - Score Only - Philip Wilby

    Symphony for Double Brass on a theme of Purcell 1995 marked the tercentenary of Purcell’s death, and my new score Revelation has been written as a tribute to his music and the ornate and confident spirit of his age. There are five major sections: 1 Prologue 2 Variations on a ground bass I 3 Fugue 4 Variations on a ground bass II 5 Epilogue and Resurrection The score uses many features of the Baroque Concerto Grosso, and arranges players in two equal groups from which soloists emerge to play in a variety ofvirtuoso ensembles. It quotes freely from Purcell’s own piece Three Parts on a Ground in which he has composed a brilliant sequence of variations over a repeating six-note bass figure. This original motif can be heard most clearly beneath the duet for Cornet 5 and Soprano at the beginning of the 2nd section. There is, of course, a religious dimension to Revelation as the title suggests, and the score is prefaced by lines by the 17th century poet John Donne. His Holy Sonnet paraphrases the Book of Revelation in which the dead are raised at the sounds of the last trumpet. Donne’s trumpets are themselves placed stereophonically “. . . At the round Earth’s imagined corners” and it is this feature that today’s players represent as they move around the performing area. Their final apocalyptic fanfares can be heard at the close of the score, as Purcell’s music re-enters in a lasting tribute to England’s first composer of genius. Philip Wilby September 1995 At the round Earth imagined corners, blow your trumpets, angels, and arise, arise from death, you numberless infinities Of souls, and to your scattered bodies go. All whom the flood did, and fire shall o ‘erthrow All whom war, dearth, age, agues, tyrannies, Despair, law, chance hath slain, and you whose eyes Shall Behold God, and never taste death woe. John Donne after Revelation Ch. 11 v.15

    Estimated delivery 12-14 days