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  • £42.50

    Band Parade (Brass Band - Score and Parts) - Nijs, Johan

    Duration: 3.30

    Estimated dispatch 7-14 working days
  • £42.50

    Band Parade - Johan Nijs

    Estimated dispatch 5-14 working days
  • £101.30

    Band Parade - Hans Offerdal

    Estimated dispatch 5-14 working days
  • £25.00

    Parade of The Wooden Soldiers (Leon Jessel arr. by John Davis) - Brass Band Sheet Music Full Score & Parts- LM404

    COMPOSER: Leon JesselARRANGER: John DavisA great addition to the brass band repertoire from John DavisThe Parade of the Tin Soldiers(Die Parade der Zinnsoldaten), also known asThe Parade of the Wooden Soldiers, is an instrumental musicalcharacter piece, in the form of a popular jauntymarch, written by German composerLeon Jessel, in 1897.The Parade of the Tin Soldierswas originally composed for solopiano. Jessel later published it fororchestrain 1905, as Opus 123. Today, it is also a popular tune formarching bands,concert bands, and small orchestras, and for extremely diverse alternateinstrumentationsas wellLM404 - ISMN : 9790570004041

    In Stock: Estimated dispatch 3-5 working days
  • £40.00

    Parade of the Charioteers (Score & Parts) - Miklos Rozsa

    Miklos Rozsa's score to the Hollywood epic Ben Hur is powerful and dramatic. This brass band arrangement by Steve Sykes of the Parade of the Charioteers makes for a great concert opener. Brass Band Grade 4: Advanced Youth and 3rd Section Duration: 10 minutes

    In Stock: Estimated dispatch 1-3 working days
  • £34.99

    Parade of the Charioteers (Brass Band - Score and Parts) - Rozsa, Miklos - Sykes, Steve

    Miklos Rozsa's score to the Hollywood epic Ben Hur is powerful and dramatic. This brass band arrangement by Steve Sykes of the Parade of the Charioteers makes for a great concert opener.Suitable for Advanced Youth/3rd Section Bands and aboveDuration: 10.00

    Estimated dispatch 7-14 working days
  • £70.00

    General Series Band Journal April 2016 Numbers 2154-2157

    No. 2154 Cornet Solo - The victory cry! (Andrew Blyth)This solo features the popular song by Stuart Townend and Keith Getty entitled 'Power of the Cross', along with an original song by the composer, 'The Cross of hope'. It was originally written at the request of Staff Bandsman Gerry Todd and the Melbourne Staff Band.No.2155 Mission Force (Stephen Bulla)This is programmatic music, portraying the determination and forward vision of the modern church's mission. It includes two well-known hymns, 'Trentham' (T.B.159) and 'Slane' (T.B.831), using their words as metaphors that describe this quest into a spiritual future.No.2156 Prelude on 'Lavenham' (Geoffrey Nobes)An arrangement of a hymn, written by the composer with words by Reverend Nick Fawcett. The three statements of the melody correspond to three verses of the hymn and seek to reflect their meaning.No. 2157 On we march (Kevin Larsson)This piece was written for the Pasadena Tabernacle Band for their 120th anniversary. It includes a number of tunes closely connected with the Corps including 'Everything's coming up roses' from Gypsy, a song closely associated with the Rose Parade, and 'Hooray for Hollywood' as the Corps was previously called Hollywood Tabernacle. Continuing on the Rose Parade theme, 'On we march' (T.B.788) and the well-known hymn tune, 'Rachie' (T.B.190), are also featured.

    Estimated dispatch 7-14 working days
  • £55.00

    Don't Rain on my Parade

    ABOUT THIS PIECE: Add a touch of Broadway magic to your programme with this stunning arrangement of Don't Rain on My Parade. Originally performed by Barbra Streisand in the classic musical Funny Girl, this song has become synonymous with bold, confident performances and a spirit of resilience. Perfect for energising any concert programme, this arrangement maintains the song's signature flair and dynamic intensity, capturing the essence that has made it a favourite for generations. This piece is sure to captivate audiences and bring a sense of theatrical excitement to your performance. ENSEMBLE: Standard British Brass Band WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 3 LISTEN: Click here DURATION: 3-minsEXAMPLE SCORE Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level

    Estimated dispatch 5-7 working days
  • £90.00

    Impressions of Seurat (Chris Cobon) - Brass Band Full Score and Parts - LM482 - Chris Cobon

    COMPOSER: Chris Cobon1 - Stone breakersThe Suite opens with the only picture, of the five, which is not in the pointillist style. Several pictures were produced on the Stone Breaker theme, painted in oil on small panels called croquetons. The subjects in the art are breaking stones for use in road building. Musically the piece starts canonically alluding to the repetitive nature of the labour. A more direct, rhythmic link of three hammer blows, are first heard in the opening passages in the percussion. These hammer blows are also built into each third bar of the cannon and, therefore, become embedded into the opening section. Arising from the flurry of activity are two, three bar legato phrases in a majestic style until it falls to a more dramatic sounding of the legato phrase over a resounding of the cannon in a new textural order. This leads to a short, new section, featuring a trombone trio underneath rising scales in the cornet section.2: Bathers at AsnieresBathers at Asnieres was Seurat's first major painting...The canvas is of a suburban, Parisian riverside scene. Isolated figures, with their clothes, piled sculpturally on the riverbank, together with trees, austere boundary walls and buildings, and the River Seine are presented in a formal layout. This moment aims to capture the tranquillity of a summer's day in the park. This painting led the development of the pointillist technique whereby the colours were applied as small dots that combine to form a picture when viewed at a distance. The trombones capture this idea in the opening bars with their carillon-style entries. The 2nd/3rd cornets make a more direct link by individual picking out single notes of a melody being sounded on Baritones and trombones at C. The use of mutes adds a subtle darker side to this movement which nods to the industrial working-class aspects of the painting.3: White DogWhite Dog features a few characters relaxing in the sun, and a white dog with its tail held high. Having two dogs myself, I've taken the idea of an excited dog with a waggy tail as the basis for this short, middle, movement.4: Sunday Afternoonon the Island of La Grande Jatte Sunday Afternoon on the Island of La Grande Jatte is arguably Seurat's most famous work.5: Parade de CirqueCircus Sideshow Parade de Cirque encompasses a circus scene's boisterousness, vitality and chaos. However, the painting, constructed with the new pointillist technique, also portrays stillness, calmness and precision. As expected from looking at the picture, the trombone takes centre stage in various locations on either side of the calming circus waltz and pointillist section (I).LM482ISMN : 9790570004829

    In Stock: Estimated dispatch 3-5 working days
  • £42.95

    The Platinum Jubilee March (Brass Band - Score and Parts) - Shelton, Chris G.

    The Platinum Jubilee March was written to celebrate Her Majesty, Queen Elizabeth II's seventy-year reign as monarch of the United Kingdom. Its premiere was televised live around the world as part of the Queen's Birthday Parade which marked the start of the national Platinum Jubilee celebrations.The Queen's Birthday Parade 2022 saw the First Battalion of the Irish Guards trooping their colour. To reflect this, the march begins in a celebratory style and features a melody based around the opening motif of Let Erin Remember - the regimental slow march of the Irish Guards. In traditional style, the march develops excitement both harmonically and melodically, creating a strong sense of drive before reaching a stately trio. This section has a very regal and noble feel, lending subtle harmonic nods to two of the most quintessentially British composers, Gustav Holst, and Sir William Walton. The march culminates in a bold grandioso, featuring semi-quaver lines that are underpinned by a driving trombone countermelody. A forthright restatement of the introductory fanfare brings the march to a very definite and resolved ending.

    Estimated dispatch 7-14 working days

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