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  • £19.50

    Con Brio - Mike Lyons

    A brand new piece, jolly and lively all the way thought. Composed in 7/8 time most of the way though, giving the players something to think about, and the audience something to enjoy. There is chance for the players to re-gain their composure during a lovely little flugel solo (thankfully, in the more common time!). The band then join in and the fun returns, getting faster and faster before another break into the Lento, where the trombones and solo horn feature. However the rousing ending isn't far away!!! A stunning work, good fun, and enjoyable by all.

    In stock: Estimated delivery 1-2 days
  • £21.50

    The Girl From Zamora - Goff Richards - Gavin Somerset

    When the name Goff Richards is attached to a piece of music, you can be certain that strong melodies & memorable themes will follow. This piece, never before released, is a wonderful cornet/flugel duet that congers up the images of a relaxed Spanish lifestyle, in this easy going, laid back gem of a concert item. Originally recorded by Alan Morrison on his CD 'Memorable Melodies", this duet is the perfect item for both bandstands and concert halls. Not to be missed!

    In stock: Estimated delivery 1-2 days

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  • £19.50

    Icelandic Hymn - Trad - Neil Brownless

    Based on a poem written in 1208 by chieftain Kolbeinn Tumason on his death bed, the title translates as 'Hear, Smith of Heavens'. It has become one of the most popular hymns in Iceland and has recently been used in the TV series Handmaid's Tale. The music also went viral following an impromptu performance by a choir at a German train station, accumulating over 4 million views. This arrangement brings something totally different to your concerts with an atmospheric setting for brass band, featuring the flugel horn in the opening and closing bars over sung chords from the rest of the band.

    In stock: Estimated delivery 1-2 days

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  • £34.95

    When Thunder Calls - Paul Lovatt-Cooper

    When Thunder Calls was commissioned by Dr Nicholas Childs and the Black Dyke Band for their performance at the Gala Concert of the Swiss Open Championships in September 2011. When composing this piece, I decided to focus on both the music and the stage presentation. The way the piece has been composed and designed makes it a very effective way of starting a concert or a second half of a concert.At the start of the piece, the percussion enter the stage and take their positions in their usual place behind the band. They begin playing the piece without a conductor. They keep repeating the opening section while the Basses, Horns, Baritones and Euphoniums march onto the stage.This group of musicians take their seats with the Horns, Baritones and Euphoniums sitting where they usually sit in the band but the Basses sit where the solo cornets usually sit, forming an inner semi-circle of lower brass. When seated and when the music gets to the end of bar 4 the piece continues onto section A. All performers keep repeating this next 4-bar phrase until the trombones march onto stage and stand at the front of the stage with the Bass Trombone standing in between the other two trombones.All performers then play from figure B to C with the trombones taking the lead at the front. When the performers get to rehearsal figure C they repeat this section (the same as section A) while the trombones move from the front of the stage and take their positions where the Basses would normally sit (between the horns and the percussion) and remain standing. Meanwhile, the flugel enters the stage and stands at the front of the stage (standing where the trombones did). When in position the flugel soloist picks up into rehearsal figure D.When the flugel soloist finishes playing, just before rehearsal figure F they then move to their normal seat in the band. At figure F the cornets march onto the stage from either side, they turn and stand side by side each other facing outward towards the audience forming two ‘fanfare’ lines either side of the lower brass. The conductor follows the cornets on stage and on cue they lift their instruments at the same time and perform when the piece gets to figure G.There is no more moving around from this point on other than the solo cornet to move forward with the solo euphonium and perform their duet at letter H. Also the horns are required to stand and play at letter I and then sit just before J.When performed with all the choreography, this piece makes for an exciting addition to any concert repertoire both for the performer and the audience.Suitable for 3rd Section Bands and Above

    Estimated delivery 12-14 days
  • £64.95

    Suite from Gloria - Karl Jenkins

    "The Latin text of the Gloria is an ancient hymn of praise from the Christian tradition derived from the song of the angels who announce the birth of Jesus, as recorded in the Gospel according to St Luke. The Gloria has formed part of the Ordinary of the Mass for many centuries, and in that context has been set by many composers; there are also independent settings by Handel, Vivaldi and Poulenc. But the opportunity to work with such an iconic text also afforded me an opportunity to explore how other religions perceive the Divine. This is an ongoing feature of my work, from the multi-faceted The Armed Man: A Mass for Peace, the Japanese haiku in my Requiem to the ancient Arabic text in my Stabat Mater.” Karl Jenkins, June 2010Originally scored for choir, orchestra and ethnic percussion, Karl Jenkins’ Gloria received its world premiere on November 7th 2010 at the Royal Albert Hall, and was recorded in the same year by the National Youth Choir of Great Britain and the London Symphony Orchestra conducted by Karl Jenkins.This version for brass band and percussion was arranged and edited by Andrew Wainwright and Robert Childs, and received its premiere on November 16th 2014 at The Sage Gateshead performed by the Grimethorpe Colliery Band conducted by Robert Childs.The work is in five movements: I. The Proclamation: Gloria in Excelsis DeoThe Proclamation begins with a rousing fanfare featuring antiphonal cornet choirs, before unison plainchant introduces melodic lines for solo cornet flugel horn and tutti band. The movement closes with a return to the fanfare style. II. Prayer: Laudamus tePrayer is typical of Karl Jenkins; serenely beautiful and lyrical in style. This movement features various soloists and works well in isolation. III. The Psalm: Tehellim - Psalm 150The Psalm is vibrant and high paced featuring ethnic style percussion. Virtuosic in nature the movement also makes use of the antiphonal cornet choirs.IV. The Song: I’ll Make MusicThe Song represents the ‘Golden Section’ of the suite and is presented here as a cornet solo. Like Prayer, this heavenly music is also effective as a stand alone concert item.V. The Exaltation: Domine Deus The Exaltation follows the same form as The Proclamation. With a lyrical middle section featuring solo horn, flugel and solo cornet, the start and finish make use once again of brilliant antiphonal cornet choirs.Suite from Gloria can be heard on 'Grimethorpe Entertain' CD available to buy here.

    Estimated delivery 5-7 days
  • £53.00

    Berceuse - O. Olsen - Tom Brevik

    Ole Olsen (4 July 1850 - 4 November 1927) was a Norwegian organist, composer, conductor and military musician. Originally written for piano, this lovely, tender lullaby has been arranged by Tom Brevik for brassband and four solo instruments: Cornet, Flugel, Tenor Horn and Euphonium. Ole Olsen (4 juli 1850 - 4 november 1927) was een Noors componist, organist, dirigent en militaire muzikant. Oorspronkelijk geschreven voor piano,werd dit mooie, tedere slaapliedje gearrangeerd door Tom Brevik voor brassband en 4 solo instrumenten: Cornet, Flugel, Hoorn en Euphonium.

    Estimated delivery 5-10 days

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  • £33.00

    Dreams and Dances - Philip Harper

    Dreams and Dances was composed for Black Dyke flugel star Zoe Hancock in 2012. This is a substantial seven minute solo for one of the most characteristic of the brass band's instruments.It begins slowly and dreamily, with a flugel line encompa

    Estimated delivery 12-14 days
  • £54.95

    WORLD WITHIN, A (Brass Band Parts) - Scott, Andy

    Brass Band parts only. 'A World Within' is a one-movement work that starts with a simple theme stated by the Soprano Cornet before an ostinato figure in 6/8 time emerges (Vibraphone, Horns and muted 2nd and 3rd Cornets) over which firstly Solo Cornet, and then both Solo Cornets (1 & 2), play a sustained melody. A shift between major and minor harmonies characterises the 'B' section, before making way for a virtuosic Flugel solo. When the Flugel leaves centre stage the front line Cornets take over, leading to a full bodied reprise of the 'B' section. The low brass bridge the gap between what is in effect the end of the first main section of the piece and the second section. The constant time shift between 3/4 and 6/8 that has been prevalent through-out 'A World Within', re-emerges towards the end of the 'slow, heavy blues' section, leading into an intricate almost fugue-like passage (Horn and Baritone leading the way). Out of this comes a short transitional bridge section that leads us back to the (transposed) original 6/8 time theme and feel, this time scored with a bold directness that leads to a powerful 2/4 time passage. The climax of 'A World Within' is heralded by one dark and dissonant chord that is repeated three times. A flashback moment occurs where the 'hymn' is stated (muted Cornets) in a bitonal harmonic world. A final statement emerges from the denseness of sound, a re-working of the initial theme (Solo Cornet), with the last work being left to Solo Eb Bass. Dur: 13:00

    Estimated delivery 12-14 days

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  • £20.00

    WORLD WITHIN, A (Brass Band Score) - Scott, Andy

    Brass Band score only. 'A World Within' is a one-movement work that starts with a simple theme stated by the Soprano Cornet before an ostinato figure in 6/8 time emerges (Vibraphone, Horns and muted 2nd and 3rd Cornets) over which firstly Solo Cornet, and then both Solo Cornets (1 & 2), play a sustained melody. A shift between major and minor harmonies characterises the 'B' section, before making way for a virtuosic Flugel solo. When the Flugel leaves centre stage the front line Cornets take over, leading to a full bodied reprise of the 'B' section. The low brass bridge the gap between what is in effect the end of the first main section of the piece and the second section. The constant time shift between 3/4 and 6/8 that has been prevalent through-out 'A World Within', re-emerges towards the end of the 'slow, heavy blues' section, leading into an intricate almost fugue-like passage (Horn and Baritone leading the way). Out of this comes a short transitional bridge section that leads us back to the (transposed) original 6/8 time theme and feel, this time scored with a bold directness that leads to a powerful 2/4 time passage. The climax of 'A World Within' is heralded by one dark and dissonant chord that is repeated three times. A flashback moment occurs where the 'hymn' is stated (muted Cornets) in a bitonal harmonic world. A final statement emerges from the denseness of sound, a re-working of the initial theme (Solo Cornet), with the last work being left to Solo Eb Bass. Dur: 13:00

    Estimated delivery 12-14 days

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  • £70.00

    General Series Band Journal December 2017 Numbers 2174-2177

    Festival March - Stowmarket 125 (Steven Ponsford)This festival march is traditional in style, abounds in energy and features the lesser known chorus 'In that city built four square' which the corps at Stowmarket have featured through the years.At the cross (Paul Sharman)This meditation was originally written for the Disciples of the Cross commissioning and features 'To thy cross, I come Lord', 'At the cross where I first saw the light' and other melodic references to 'The Cross of Christ' are also found within.Flugel Horn Solo ??" How deep the father's love (Andrew Mackereth)The beautiful contemporary song has been set in a developed Flugel Horn Solo which should have an instant appeal to both soloist and band.Ev'ry time I feel the spirit (Dean Jones)The classic spiritual is given an 'up-tempo' feel and has been featured by the International Staff Band in recent programmes.

    Estimated delivery 12-14 days