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£27.95Radio Ga Ga - Brass Band - LM155 - Roger Taylor
COMPOSER: Roger TaylorARRANGER: David BealUK SALES ONLYPDF DOWNLOAD - NOT AVAILABLE DUE TO COPYRIGHTThe Queen classic from the 80's.A fantastic arrangement for your band to play this summer.Includes a vocal part for the budding Freddie Mercury in your band.Get your band singing in the middle section "All we hear is Radio Ga Ga, Radio Goo Goo........"Suitable for most bands.A classic must for your band library.The single was a worldwide success for the band, reaching number one in 19 countries, number two on the UK Singles Chart and the Australian Kent Music Report, and number 16 on the USBillboardHot 100.The band performed the song at every concert from 1984 to their last concert with lead singer Freddie Mercury in 1986, including their performance at Live Aid in 1985
In Stock: Estimated dispatch 3-5 working days
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£25.00Ring of Fire (Johnny Cash arr. by David Beal) - Brass Band Sheet Music Full Score & Parts - LM782
COMPOSER: June Carter Cash and Merle KilgoreARRANGER: David BealUK SALES ONLY"Ring of Fire"is a song written byJune Carter CashandMerle Kilgoreand popularized byJohnny Cashin 1963.The single appears on Cash's 1963 album,Ring of Fire: The Best of Johnny Cash.The song was originally recorded by June's sister,Anita Carter,on her Mercury Records albumFolk Songs Old and New(1963)as "(Love's) Ring of Fire".Mercury released Anita's version as a single and it was a featured "pick hit" inBillboardmagazine.After hearing Anita's version, Cash claimed he had adream where he heard the song accompanied by "Mexican horns".Cash said, "I'll give you about five or six more months,and if you don't hit with it, I'm gonna record it the way I feel it."Cash noted that adding trumpets was a change to his basic sound"Ring of Fire" was ranked #4 onCMT's 100Greatest Songs of Country Musicin 2003 and #87onRolling Stone's list ofThe 500 Greatest Songs of All Time.In June2014,Rolling Stoneranked the song #27 on its list of the100greatest country songs of all time.The song was recorded on March 25, 1963, and became one of thebiggest hits of Cash's career, staying at number oneon the country chart for seven weeks.It was certified Gold on January21, 2010,by theRIAAand has also sold over1.2million digital downloads.UK SALES ONLYLM782 - ISMN : 9790570007820
In Stock: Estimated dispatch 3-5 working days
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£25.00Scramble (Alex McGee) - Cornet & Brass Band Full Score and Parts - LM424
COMPOSER: Alex McGeeScramble was composed for Kidlington Concert Brassto be performed as part of their 2022 series of events.A solo cornet feature, the principal cornet needs his orher wits about them as they take to the skies,musically speaking in their Spitfire.The work was inspired by the history of what is now Oxford Airport,but was in a previous life RAF Kidlington.During WWII numerous squadrons were based there as forwardoperating Spitfires were a staple of the bases arsenal.Scramble is told from the perspective of a young pilot,a begins with him in a troubled sleep,which is shattered by the wail of an air raid siren.From that point we rushed to his aircraft and races into theskies to defend the United Kingdom as one of 'the few'who prevented the risk of invasion during the legendary Battle of Britain.This work is dedicated to all those, in the air and on the ground,and of all nationalities who served in the Battle of Britain.
In Stock: Estimated dispatch 3-5 working days
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£70.00
Origins - Peter Meechan
Origins is in three movements, with each movement having a different subject matter, all linked by the idea of origins: the first movement refers to musical origins; the second to the origins of life; and the final movement to the space exploration - the research of all origins. The first movement is based on a short motif, heard in the first three notes the soloist plays. These three notes cover the interval of a minor third (an interval that often plays a crucial role in my music) on which the whole concerto is built. The soloist and accompaniment interplay freely throughout the opening section, before an ostinato accompaniment appears - over which the soloist sounds a long legato melody. A short cadenza follows and a return to the opening material leads the movement to an end. The second movement, titled Harryas Song, is - as tradition dictates - a slow movement. Happy and reflective in nature, the main melody was written on the evening that my closest friend, Mark Bousie (a fine euphoniumist himself), and his wife Jayne, had their first child - Harry Bousie. It seemed only fitting that this song should be written for Harry in celebration. The final movement brings me back to a lifelong fascination with space, and in this particular movement, the Space Shuttle Discovery. Having completed 39 missions (including flying the Hubble telescope in to orbit), and spent a total of 365 days in space, SS Discovery made its final voyage in 2011 and was taken to the Smithsonian in Washington D.C. in April 2012. This final movement, titled Discovery, pays tribute to the great shuttle whose missions inspired millions across the generations. Origins was commissioned by Marco Schneider, Adrian Schneider and the Dunshan Symphonic Wind Orchestra, Beijing, China.
Estimated dispatch 12-14 working days
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£109.99Modern Times - Etienne Crausaz
Modern Times is a concert suite from the musical and theatrical show Le Temps de Lyre, written and directed by Nicolas Bussard. The work was commissioned for the 100th anniversary of the Lyre de La Roche, directed by Marc-Olivier Broillet, with the premiere taking place in July 2024 in front of an audience of over 2,000.This suite highlights three of the dozen tableaux in the show. After an introduction evoking a sort of journey back in time, the first tableau (bar 20) illustrates various disasters that have occurred in the village over the years. The sky darkens, the thunder rumbles, the rain lashes down, and violent gusts of wind are unleashed on this corner of the country. The storm finally calms down, giving way to great desolation.The second tableau (bar 117) describes the resilience of the villagers, who summon up all their courage to repair the damage. The music is soft, calm, and hopeful.On the strength of this new beginning, the village can embrace modernity: motor vehicles replace horses, a dam is built, and tourism develops, encouraging a society open to other cultures. The third tableau in this suite illustrates all these advances (bar 177). Musically, this final section pays tribute to George Gershwin and Leonard Bernstein, two of the 20th century's great musicians and composers, who worked during the fascinating period of modern times and well beyond.
Estimated dispatch 5-14 working days
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£115.60Griffenfeldt - 0 - John Philip Hannevik
Here we present "Griffenfeldt, a folk-dance in the style of a Norwegian reinlender.This arrangement can be used as the first item in a concert, or after an interval.The musicians can come on stage as they join in. That is why two of the measures are notated "repeat till ready", here you have to wait until everyone is in place! If everyone is ready from the start, the repetition can be omitted.Be sure to play with a bouncy but singing style, not with short and harsh articulations.Do the trills on the beat, but these can also be omitted if it makes it too difficult.To bring out the folk music style a little extra, you can ask the musicians to play on the "backbeat", i.e. emphasize the last half of each quarter-note.In addition, the music will really come to life if all "solo" places are done standing up.The musician Anon Egeland tells this story:This song got its name from a party where it all just got a bit too lively: one of the party-goers started shooting into the ceiling with a gun just as this reinlender was being played. The fiddler - or was it the man with the gun? - was called Griffenfeldt, and that gave the name for the song.
Estimated dispatch 5-14 working days
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£115.60Grevling i taket - Øystein Dolmen og Gustav Lorentzen - Reid Gilje
This is an arrangement which has to be performed a bit humorous in the spirit of the original.It starts with a kazoo-like opening, played on the mouthpieces. At C, baritones and euphoniums should stand up. Maybe the musicians can play it by heart?Two bars before D, the tempo increase. On E, the cornet players should stand (and play by heart)?New, even higher tempo two bars before F. The trombonists should stand up in bar 103 to prepare for a terrific tempo. But G will be played like a laidback reggae-version. Flugelhorn and horns can stand up simultaneous with the glissando in bar 120.The tempo at H should be high and fresh and with several sections standing. In bar 158 should almost all players sit. At bar 160 everyone should stand up.In bar 162, all players should turn to the audience during the crescendo.
Estimated dispatch 5-14 working days
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£76.99
Jubilant Prelude - Toon Hagen - Dirk Annema
'Jubilant Prelude' is an orchestration of the 'Preludium over Psalm 150' originally composed for organ by Toon Hagen. Since 1998 Toon Hagen has been organ-player of the 'Grote or Sint Michaelskerk' in Zwolle (the Netherlands). He has written several 'contemporary' compositions for organ.'Jubilant Prelude' has a capricious character by the use of irregular measures and its many measure changes. The structure of the Prelude is that of a fugue and is based on motives from the psalm.After the first climax, which is both dynamic and harmonic, the theme in the Andante Jubiloso is clearly audible and it is alternated with erratic motifs. Tension increases until at last the psalm itself isheard in all its glory. The melody of the psalm sounds as a cantus firmus in tenor register, with motifs in ornamentation for saxophones, bugles and trumpets. The finale, like the prelude is capricious and vehement.The instrumentation for brassband was made by Dirk Annema. It is particularly colourful and has a surprising role for the percussion section.
Estimated dispatch 5-14 working days
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£102.60Cherubic Hymn of Ukraine - Yakiv Yatsynevych - John Philip Hannevik
Ukraine was invaded on February 24, 2022, and the world again became spectators to a conflict between unequal opponents. Once again we saw lies, injustice and brutality up close.I must admit that a feeling of powerlessness arose when experiencing this, an empty feeling of not being able to do anything useful.One early Monday morning, a few weeks into the conflict, I sat down to listen to Ukrainian music.I hardly knew any Ukrainian music, but I was familiar with the composer Mykola Leontovych, the man who composed "Carol of the Bells". He was a member of the Ukrainian liberation movement, and he was assassinated by a Soviet agent in 1921.One of his contemporary colleagues was the composer, teacher and conductor Yakiv Yatsynevych (1869-1945). He wrote church music and choral music, and I became very taken by his Hymn to the Cherubim, a part of the Orthodox Mass.I could not find any sheet music for this. But I have listened to numerous choral recordings, and I have tried to notate the music as I believe the composer himself has done originally.I chose to do the arrangement for a solo group of 4 players. These players can be placed at a distance from the ensemble, maybe on a gallery or at the back of your concert hall.The arrangement was made for Brottum Brass for their participation in the Oslo Brass Festival in April 2022.The performance in the church this particular night was met with a long-lasting silence after the last note. The warm respect, the moving response and love we felt from the audience is a memory I will carry with me for a long time.In the lyrics to this psalm, one finds the phrase:Let us now lay aside all earthly cares- John Philip Hannevik -
Estimated dispatch 5-14 working days
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£69.95Triquetra (Brass Band - Score and Parts) - Graham, Peter
Triquetra takes the form of a free fantasia on the familiar hymn Old Hundreth. The tune appears in full in four different guises - harmonically and rhythmically altered on each occasion. Fragments of the melody are also used to generate new ideas, most notably in the contrasting middle section where the opening phrase of the hymn appears in inversion.As to the title, the Triquetra (from the Latin triquetrus meaning three-corned) symbol is representative of the Christian Trinity and in that respect relates to the final line of text in Old Hundreth, also known as the Doxology: Praise God from whom all blessings flow; Praise Him, all creatures here below; Praise Him above, ye heavenly host; Praise Father, Son and Holy Ghost.Triquetra was written for Stephen Cobb in recognition of 30 years outstanding service as conductor of the International Staff Band of the Salvation Army.Duration: 7.00
Estimated dispatch 7-14 working days
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