Results
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£63.50Spiral - Marc Jeanbourquin
Marc Jeanbourquin composed 'Spiral' during a music camp, for himself and 9 other fellow musicians. Due to the success of this piece, some years later, he has taken the main theme and developed it, with a kind of tribute to Camille Saint-Saens, one of his favourite composers. The constant changes between the minor and major keys, and between the often changing 2 and 3 feeling, with the occasional 2/4 bar thrown in, do not disrupt the flow of the piece in the slightest; in fact it is what has inspired the title. A percussion interlude, which is broken up by the unregularly occurring meter, brings the piece to a restatement of the original theme, which then ends in a large crescendo. Spiral is perfectly suited to either the opening or the close of any concert.
Estimated dispatch 5-14 working days
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£127.30Interlude for Band - John Brakstad
"Interlude for Band" is an arrangement based on the theme from "Affinity and Fellowship"."Affinity and Fellowship" was commissioned by Nord-Odal Concert Band, and published by Warner/Chappell Music Norway (Noteservice)."Interlude for Band" is a piece with elements of ensemble, including an important solo part.Independent of the chosen tempo, let the music flow forward, but give time for the triplets to sound.
Estimated dispatch 5-14 working days
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£54.95Sonata - Derek Bourgeois
This work, composed in 1998, was commissioned by the American trombonist Don Lucas as a work for trombone and piano and first performed by him in Birmingham on 19th May 2000. Subsequently, I arranged the music for both solo trombone and brass band and solo trombone and wind band so that it now exists in three formats. The first movement, in B flat major, is brisk and energetic, and is cast in sonata form. The second subject is gentler and more lyrical. The second movement, a scherzo in C major, is the most complex of the four. Basically the structure is a rond. For a long time the music remains in the opening 5/8 time until a new theme introduces more broken rhythms in a more jazzy idiom. After a return of the opening theme the following episode is more tonally ambiguous. Finally, the main theme returns to round off the movement. The third movement, a lyrical adagio, is really one long extended melodic flow. The harmonies are lush and the textures simple and direct. The tonal center is A minor, but the music meanders through so many keys, that this key centre is heavily disguised. The finale is a fiery affair. G minor is really its home key, but throughout the movement the music moves about a lot and the second subject is first heard in A flat minor. The movement's underlying sonata structure is masked not only by its loose tonality but also by its frequently changing time signatures. Like the first movement the second subject is more lyrical in nature and for a while it seems that the music will end peacefully, but a final flurry heralds a triple forte unison on the home note of the first movement - B flat. Derek Bourgeois
Estimated dispatch 5-14 working days
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£45.00Ocean of Storms
Ocean of Storms or Oceanus Procellarum is one of only a few lunar maria or 'seas' on the moon's surface to be called an ocean, due to its immense size. The work opens atmospherically with a sense of weightlessness and introduces the main thematic idea. As the work develops the turbulent ebb and flow of the storm increases in its ferocity with solo spots for solo cornet, solo euphonium, flugelhorn and baritone. Duration: 00:05:45 Grade: 6
Estimated dispatch 5-7 working days
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£35.00
Red Flame - Peter Meechan
Red Flame was inspired by a night spent in Groningen, Netherlands, whilst Katrina and the composer were attending the 2005 European Brass Band Championships.Queens night was in full flow outside, but whilst we were inside, there was a kind of surreal calm. However, that all changed as soon as we headed into the centre of Groningen, where the streets were full of happy people, all singing and dancing (And drinking!).The title refers to one particular drink in a bar that came to us on fire!The work was commissioned by, and dedicated to, Katrina Marzella.
Estimated dispatch 12-14 working days
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£25.95Heed the Word - Lucy Pankhurst
Lucy Pankhurst created this impressive work in support of a charitable project, known in 2005 as Brass Band Aid. The organisation called for original compositions to be included in a follow-up CD release - Into Africa to help raise funds for projects in Adet, Africa, and to build awareness of the Make Poverty History campaign.Lucy's creativity and imagination are very prevalent in this work - a complete mix of powerful energy and poignant emotions flow from the score. A strong use of pulsating drums are balanced with sheer tranquility and rich chords. It exudes hope and positivity and perhaps, through its title, offers a gentle warning to listen carefully to the concerns that are aired around us - not least in recognition of the challenges facing the very communities the CD was aiming to help.The work was recorded by the Prairie Brass Band, US and featured on the Brass Band Aid CD - Into Africa.
In Stock: Estimated dispatch 3-5 working days
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£30.00Russian Rag - George L Cobb, Sandy Coffin
Interpolating the world famous"Prelude" by RachmaninoffCommissioned by John Wallace, this arrangement of Russian Rag has been crafted by Sandy Coffin through close listening of the available recordings of the Harlem Hellfighters Band. Sandy had been heavily involved with the Historic Brass Society symposium 2017 held in New York and assisted John with his research on this fascinating band and the style of music it generated.Eye-witness accounts refer to the 369th band 'dancing' rather than 'marching'. Above all, in modern performance, finding a 'dancing beat' is crucial to a successful performance of this Ragtime march in order to do justice to the great pioneering work of James Reese Europe. Note the cheeky virtuosity and rubato!Look and Listen (courtesy of Tullis Russell Mills Band):Background to the Harlem HellfightersThe US Army 369th Regiment, made up largely of African-Americans from New York, became known as the Harlem Hellfighters because of the heroic reputation which accrued to them during the actions they engaged in during the First World War in Europe.James Reese Europe was one of the most active African-American composer/musical directors in the pre-war American music scene. The legendary Harlem Hellfighters Band, which he assembled in 1917 from African-American and Puerto Rican musicians, came at an important transitional point in musical history. A new form of music called jazz was emerging from Ragtime and the performing style of Europe's band was immersed in the flow of this new direction.Europe's Harlem Hellfighters influenced and inspired everyone who heard them, including the welcoming crowd when they disembarked in France, bowled over by their swinging rendition of La Marseillaise. Reese Europe became a war hero, commanding a machine-gun unit as well as the band.On return from War in 1919 the band led a ticker-tape parade along Fifth Avenue in New York and soon made about 30 shellac recordings. These recordings display some of the fingerprints of their performing style: ragging, improvising, muting, wailing, smearing (their word for glissando) - and from the evidence of their recordings they took the printed page as a blueprint for individuality.In May 1919 during the Hellfighters' triumphant coast-to-coast tour after their return, James Reese Europe was tragically murdered, bringing to premature close, at the age of 39, the work of a great musical innovator.
In Stock: Estimated dispatch 3-5 working days
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£30.00That Moaning Trombone - Carl D Bethel, Sandy Coffin
Comic March One-StepCommissioned by John Wallace, this arrangement of That Moaning Trombone has been crafted by Sandy Coffin through close listening of the available recordings of the Harlem Hellfighters Band. Sandy had been heavily involved with the Historic Brass Society symposium 2017 held in New York and assisted John with his research on this fascinating band and the style of music it generated.Eye-witness accounts refer to the 369th band 'dancing' rather than 'marching'. Above all, in modern performance, finding a 'dancing beat' is crucial to a successful performance of this Ragtime march in order to do justice to the great pioneering work of James Reese Europe.Note the the reckless abandon with which glissando, at that time a novel effect, is used!Look and Listen (courtesy of the Tullis Russell Mills Band):Background to the Harlem HellfightersThe US Army 369th Regiment, made up largely of African-Americans from New York, became known as the Harlem Hellfighters because of the heroic reputation which accrued to them during the actions they engaged in during the First World War in Europe.James Reese Europe was one of the most active African-American composer/musical directors in the pre-war American music scene. The legendary Harlem Hellfighters Band, which he assembled in 1917 from African-American and Puerto Rican musicians, came at an important transitional point in musical history. A new form of music called jazz was emerging from Ragtime and the performing style of Europe's band was immersed in the flow of this new direction.Europe's Harlem Hellfighters influenced and inspired everyone who heard them, including the welcoming crowd when they disembarked in France, bowled over by their swinging rendition of La Marseillaise. Reese Europe became a war hero, commanding a machine-gun unit as well as the band.On return from War in 1919 the band led a ticker-tape parade along Fifth Avenue in New York and soon made about 30 shellac recordings. These recordings display some of the fingerprints of their performing style: ragging, improvising, muting, wailing, smearing (their word for glissando) - and from the evidence of their recordings they took the printed page as a blueprint for individuality.In May 1919 during the Hellfighters' triumphant coast-to-coast tour after their return, James Reese Europe was tragically murdered, bringing to premature close, at the age of 39, the work of a great musical innovator.
In Stock: Estimated dispatch 3-5 working days
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£30.00The St Louis Blues - Sandy Coffin, W C Handy
Two-Step MarchCommissioned by John Wallace, this arrangement of The St Louis Blues has been crafted by Sandy Coffin through close listening of the available recordings of the Harlem Hellfighters Band. Sandy had been heavily involved with the Historic Brass Society symposium 2017 held in New York and assisted John with his research on this fascinating band and the style of music it generated.Eye-witness accounts refer to the 369th band 'dancing' rather than 'marching'. Above all, in modern performance, finding a 'dancing beat' is crucial to a successful performance of this Ragtime march in order to do justice to the great pioneering work of James Reese Europe.Note the flutter-tonguing and use of muting, the counter-melody in soprano cornet, and the wilder and yet wilder nature of each repetition of the Chorus.Look and Listen:Background to the Harlem HellfightersThe US Army 369th Regiment, made up largely of African-Americans from New York, became known as the Harlem Hellfighters because of the heroic reputation which accrued to them during the actions they engaged in during the First World War in Europe.James Reese Europe was one of the most active African-American composer/musical directors in the pre-war American music scene. The legendary Harlem Hellfighters Band, which he assembled in 1917 from African-American and Puerto Rican musicians, came at an important transitional point in musical history. A new form of music called jazz was emerging from Ragtime and the performing style of Europe's band was immersed in the flow of this new direction.Europe's Harlem Hellfighters influenced and inspired everyone who heard them, including the welcoming crowd when they disembarked in France, bowled over by their swinging rendition of La Marseillaise. Reese Europe became a war hero, commanding a machine-gun unit as well as the band.On return from War in 1919 the band led a ticker-tape parade along Fifth Avenue in New York and soon made about 30 shellac recordings. These recordings display some of the fingerprints of their performing style: ragging, improvising, muting, wailing, smearing (their word for glissando) - and from the evidence of their recordings they took the printed page as a blueprint for individuality.In May 1919 during the Hellfighters' triumphant coast-to-coast tour after their return, James Reese Europe was tragically murdered, bringing to premature close, at the age of 39, the work of a great musical innovator.
In Stock: Estimated dispatch 3-5 working days
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£69.95Triquetra (Brass Band - Score and Parts) - Graham, Peter
Triquetra takes the form of a free fantasia on the familiar hymn Old Hundreth. The tune appears in full in four different guises - harmonically and rhythmically altered on each occasion. Fragments of the melody are also used to generate new ideas, most notably in the contrasting middle section where the opening phrase of the hymn appears in inversion.As to the title, the Triquetra (from the Latin triquetrus meaning three-corned) symbol is representative of the Christian Trinity and in that respect relates to the final line of text in Old Hundreth, also known as the Doxology: Praise God from whom all blessings flow; Praise Him, all creatures here below; Praise Him above, ye heavenly host; Praise Father, Son and Holy Ghost.Triquetra was written for Stephen Cobb in recognition of 30 years outstanding service as conductor of the International Staff Band of the Salvation Army.Duration: 7.00
Estimated dispatch 7-14 working days
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